Mixed Race Studies

In ‘Loving,’ an American story about a marriage worth fighting for

PBS NewsHour
2016-11-15

A new movie, “Loving,” tells the real-life story of Richard and Mildred Loving, a Virginia couple who were arrested because interracial marriage was illegal in their home state. They appealed their case and won a landmark civil rights ruling at the Supreme Court. Jeffrey Brown speaks with director Jeff Nichols and others about how they brought the love story to the screen.

HARI SREENIVASAN: The film “Loving” opened nationwide over the weekend. It tells the true story of Richard and Loving, rural Virginians of different races who married in Washington, D.C.

On return to their home in Virginia, they were arrested for violating laws against interracial marriage. Their case eventually made it to the Supreme Court.

Jeffrey Brown has our story.

JOEL EDGERTON, Actor, “Richard Loving”: I’m going to build you a house right here, our house.

JEFFREY BROWN: “Loving” tells the real-life love story of Richard and Mildred Loving, a Virginia couple who married in 1958 in Washington, D.C., because interracial marriage was illegal in their home state…

Read the entire story here.

“We Were Married on the Second Day of June, and the Police Came After Us the 14th of July.”

The Washingtonian
2016-11-02

Hillary Kelly, Design & Style Editor

Richard and Mildred Loving. Photograph by Grey Villet.

An oral history, nearly 50 years later, of the landmark Virginia case that legalized interracial marriage—and is the subject of a talked-about movie out this month.

In June 1958, Mildred Jeter and Richard Loving drove from their home in Central Point, Virginia, to Washington, DC, to be married. Twenty-four states, including Virginia, still outlawed interracial marriage at the time. Mildred was part Native American and part African-American; Richard was white. Their union would eventually result in their banishment from the state and a nine-year legal battle.

On November 4, almost 50 years after the Supreme Court’s 1967 decision that the Lovings’ marriage was valid—and that marriage is a universal right—Hollywood is set to release Loving, already on Oscar lists. As director Jeff Nichols explained when asked why he took on the project, “We have very painful wounds in this country, and they need to be brought out into the light. And it’s gonna be an awkward, uncomfortable, painful conversation that’s going to continue for a while.”

The movie focuses on Mildred and Richard’s romance. We looked behind the scenes of the struggle itself, talking to insiders including the couple’s attorneys—then just out of law school—to revisit the case. One remarkable aspect: Unlike other civil-rights champions of their era, the Lovings never set out to change the course of history. “What happened, we real­ly didn’t intend for it to happen,” Mildred said in 1992. “What we wanted, we wanted to come home.”

This is the story of how a quiet couple from rural Virginia brought about marriage equality for themselves, and for all…

Read the entire article here.

Opinion/Commentary: The facts behind loving, law, and ‘Loving’

The Daily Progress
Charlottesville, Virginia
2016-11-13

Jeff E. Schapiro, Politics columnist
Richmond Times-Dispatch, Richmond, Virginia

Focus Features via AP Joel Edgerton and Ruth Negga protray an interracial couple from Virginia whose romance and marraiage made history. The story or Richard and Mildred Loving is told, Hollywood-style in the movie “Loving.”

In 1963, Bernie Cohen, a lawyer in Alexandria, was representing Richard and Mildred Loving, a mixed-race couple from Virginia facing a predicament considered unthinkable today: They’d been banished from the state for 25 years for violating its prohibition on interracial marriage.

Living in Washington, D.C., where interracial marriage was legal and where they were wed in 1958, the Lovings wanted to return home, to rural Caroline County. To get there would require a long journey through the courts.

Having lost the initial challenge in state court, Cohen consulted with his constitutional law professor at Georgetown University, Chester Antieau. He introduced Cohen to another former student, Phil Hirschkop.

Cohen and Hirschkop were alike: Both were Jewish boys from Brooklyn who had settled in segregationist Harry Byrd’s Virginia. They also were liberals, committed to racial equality and social justice at a time when both could be scarce, especially in the American South.

It was Cohen’s and Hirschkop’s different legal backgrounds — the former was a trial lawyer; the latter, a civil rights lawyer — that would bring them together for the successful battle that concluded with a 1967 ruling by a unanimous U.S. Supreme Court voiding Virginia’s anti-miscegenation statute and those of 15 other states.

The decision allowed the Lovings — he was white; she was black — to openly live out their days in Caroline County.

Ahead of the 50th anniversary of a ruling on marriage equality that would presage the Supreme Court order legalizing same-sex marriage in 2015, a new film by Jeff Nichols, the writer-director, recounts the couple’s ordeal…

Read the entire article here.

Hollywood has long shown discomfort with interracial couples, but change is happening

The Los Angeles Times
2016-11-10

Lewis Beale

Katherine Houghton puts a flower in Sidney Poitier’s hair in a scene from the film “Guess Who’s Coming To Dinner.” (Getty Images)

In 1967, the same year the Supreme Court case Loving vs. Virginia struck down laws banning miscegenation, Sidney Poitier starred in “Guess Who’s Coming to Dinner” as a black man romantically involved with blond Katherine Houghton.

Yet in both real and reel life, black-white romantic relationships were problematic, fraught with legal and social taboos. In the case of Loving, that meant rural Virginia couple Richard and Mildred Loving, who married in Washington, D.C., in 1958, were arrested in their home state, forced to move away or be jailed, and spent years fighting the racist law that affected them until the Supreme Court unanimously overturned it.

“The fact any miscegenation laws even existed, these are vestiges of slavery,” says Jeff Nichols, director of “Loving,” a new film based on the famous case starring Joel Edgerton and Ruth Negga. “All of this speaks to the institutionalized racism in the South.”

“Guess,” which was released six months after the Loving decision, was, in its own way, meant to be a liberal antidote to situations like this. In director Stanley Kramer’s film,  parents and friends of the romantic couple discuss the pros and cons of their romance in a civilized manner until the woman’s father (played by Spencer Tracy) gives his blessing to the relationship…

Read the entire article here.

The End of Anti-Miscegenation Laws: Loving v. Virginia and Interracial Relationships

Multiracial Media
2016-11-03

Joanna L. Thompson, Ph.D. Candidate
Department of Criminology, Law, and Justice
University of Illinois, Chicago

Little Rock, Arkansas protest to keep anti-miscegenation laws on the books. Photo courtesy of Wikimedia.Commons

This past weekend, the new movie Loving hit theaters. The film features the story of interracial couple Richard Loving, a White man, and Mildred Jeter, a Black woman, from Virginia who defied anti-miscegenation laws by getting married. The film highlights their historic Supreme Court of the United States (SCOTUS) case in 1967, which overturned anti-miscegenation laws nationwide. (It had previously been legal in a handful of states.)

Seven months shy of the 50th anniversary of the SCOTUS decision, thinking of the film and the story of the Loving family, many may not understand the true importance of Loving v. Virginia and the extent to which the United States viewed interracial relationships at that time. Some may even take for granted how interracial relationships have become a societal norm and view the film as slightly shocking. Therefore, to better understand the historical context of the film, let us reveal the State of the Union at that time when it came to multiracial love…

Read the entire article here.

The African American Museum chooses ‘Loving’ for its first film screening

The Washington Post
2016-10-25

Helena Andrews-Dyer

Joel Edgerton and Ruth Negga, stars of “Loving,” attend the premiere of the film on Thursday in Beverly Hills. (Chris Pizzello/Invision via Associated Press)

Just one month after opening its doors, the National Museum of African American History and Culture is establishing itself as a permanent stop on the Washington social circuit. There have been cocktail parties, galas, private dinners and now one of D.C.’s favorite after-work pastimes — the movie screening.

But not just any movie screening. On Monday, the museum hosted a sneak peek of “Loving” in the 350-seat Oprah Winfrey Theater–one of many for the new institution. The choice wasn’t coincidental, said Rhea L. Combs, the museum’s photography and film curator and head of its Earl W. and Amanda Stafford Center for African American Media Arts.

“Showing this film at the museum is important because the story is symbolic of the mission of the museum,” Combs said. “It demonstrates the link between people of all backgrounds and culture.”

“Loving” tells the true story of Mildred and Richard Loving, an interracial couple from Virginia who fought for nearly a decade to have their marriage recognized as legal. Their historic case went all the way to the U.S. Supreme Court, which eventually struck down laws against interracial marriage.

Almost 50 years later the movie’s stars, Ruth Negga and Joel Edgerton, walked the red carpet at the museum that houses artifacts from the couple they play on screen. Everyone involved bowed to the movie’s role as An Important Film…

Read the entire article here.

Behind the Scenes of Loving, the Most Beautiful Love Story Ever Told

Vogue
2016-10-17 (November 2016)

Danzy Senna
photographed by Mario Testino

Photographed by Mario Testino, Vogue, November 2016

Meet Ruth Negga and Joel Edgerton, the brilliant stars of Loving, Jeff Nichols’s sweeping portrait of an interracial couple fıghting for their right to marry in 1950s Vırginia.

We enter the story in 1958, in rural Virginia. A woman and a man stand in an open field of grass; she is telling him she is pregnant. There is a hint of worry in her luminous dark eyes, but the man assures her that they will get married and build a home together. The opening scene of Loving, Jeff Nichols’s quietly devastating new film, feels less like a beginning and more like a happily-ever-after ending. But because this is 1950s Virginia, and the woman is black and the man is white, the story does not unfold in the way of fairy tales. For Mildred Jeter and Richard Loving—a real-life couple played in the film by Ruth Negga and Joel Edgerton—the seemingly straightforward act of getting married becomes a dangerous and transgressive act.

With its lush cinematography, Loving is a visual paean to the 1950s, but it is also a fierce interrogation of the hypocrisies of that era. It traces the arc of the Lovings’ struggle to live as husband and wife at a time not so long ago when it was illegal in sixteen states to marry someone of a different race. As the Lovings are forced to leave their tight-knit, working-class community and live in Washington, D.C., around them swirls language that evokes the present debate on gay marriage. “It’s God’s law,” the sheriff tells the couple after their harrowing middle-of-the-night arrest. “A robin’s a robin, a sparrow is a sparrow.” As Edgerton says, “That’s the double beauty of the film. It’s a racial period piece, but it also echoes very loudly today.”…

Read the entire review here.

What You Didn’t Know About Loving v. Virginia

TIME
2016-06-10

Arica L. Coleman

The landmark civil rights Supreme Court case—which made it illegal to ban interracial marriage—was about more than black and white

When the Supreme Court heard arguments in the case Loving v. the Commonwealth of Virginia, defendants Richard and Mildred Loving chose not to appear in person. In 1958, they had been convicted for the felony of miscegenation. As lawyers presented their arguments, 17 states remained steadfast in their refusal to repeal such laws banning interracial marriages. But, though he did not attend the arguments, Richard sent a message to the justices: “Tell the Court I love my wife and it is just not fair that I cannot live with her in Virginia.”

The justices unanimously agreed. On June 12, 1967, proscriptions against interracial marriage were declared unconstitutional.

In the years since, the couple’s victory has often been seen as a touchstone in the fight for black civil rights. The Lovings’ lawyer’s assertion before the court that anti-miscegenation statutes were “ the most odious of the segregation laws and the slavery laws” reinforced this assumption. As historian Peter Wallenstein aptly stated in his book Tell the Court I Love My Wife, “There was no doubt in anybody’s mind as to the racial identities, white and black, of the people who claimed to be Mr. and Mrs. Loving.”

But the Lovings’ public persona was more myth than reality. While researching my book That the Blood Stay Pure: African Americans, Native Americans and the Predicament of Race and Identity in Virginia, I spoke to Mildred Loving, who died in 2008. “I am not black,” she told me during a 2004 interview. “I have no black ancestry. I am Indian-Rappahannock. I told the people so when they came to arrest me.”…

Read the entire article here.

Cannes: Interracial Marriage Drama ‘Loving’ Throws Hat in Oscar Ring

The Hollywood Reporter
2016-05-16

Gregg Kilday

Director Jeff Nichols and stars Joel Edgerton and Ruth Negga make a strong first-impression as their new film about the landmark Supreme Court case is unveiled.

Loving, writer/director Jeff Nichols’ new film about Richard and Mildred Loving — the interracial couple whose 1958 marriage violated Virginia’s anti-miscegenation laws, which were eventually overturned by the Supreme Court’s landmark Loving vs. Virginia ruling in 1967 — held its first press screening Monday morning in Cannes. And it immediately made the case why the film has to be considered one of this year’s first major awards contenders.

Given the material, Nichols could have delivered a standard-issue courtroom drama, culminating with soaring oratory before the nation’s highest court. But he chose to take a different route — the American Civil Liberties Union, agreeing to take on the case, doesn’t enter the picture until more than half-way through the two-hour-three-minute movie. Instead, the film is centered around the Lovings themselves: Richard, played by Australian actor Joel Edgerton, and Mildred, played by the Ethiopia-born Ruth Negga…

Read the entire article here.

First Look at Ruth Negga and Joel Edgerton in ‘The Loving Story’ (Based on Anti-Miscegenation Case)

Shadow and Act: On Cinema Of The African Diaspora
2015-11-20

Tambay A. Obenson

Ruth Negga and Joel Edgerton as Mildred and Richard Loving, on the set of the movie “Loving,” being shot in Richmond, Va. (Ben Rothstein/Big Beach Films via AP)

Three years ago, director Nancy Buirski’s feature documentary, “The Loving Story,” was released. It follows the real-life story of Richard and Mildred Loving, an interracial couple living in the state of Virginia where interracial coupling was illegal, and their struggles, including the US Supreme Court case named after them – Loving vs Virginia (1967); the landmark civil rights case in which the United States Supreme Court, in a unanimous decision, declared Virginia’s anti-miscegenation statute, unconstitutional, overturning existing laws and bringing an official end to all race-based restrictions on marriage in the United States.

Persecuted by a local sheriff, the Lovings were found guilty of violating Virginia’s law against interracial marriage and forced to leave the state. But Mildred Loving chose to fight. She wrote a letter to Attorney General Robert F. Kennedy asking for help. He referred her to the ACLU and two young attorneys took the case.

Richard and Mildred Loving

In 1958, they went to Washington, D.C. – where interracial marriage was legal – to get married. But when they returned home, they were arrested, jailed and banished from the state for 25 years for violating the state’s so-called Racial Integrity Act…

Read the entire article here.