Mixed Race Studies

My Bondage and My Freedom

Yale University Press
2014 (originally published in 1855 by Miller, Orton & Mulligan)
432 pages
5 1/2 x 8 1/4
Paperback ISBN: 9780300190595

Frederick Douglass (1818–1895)

Introduction and Notes by David W. Blight

Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation’s enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass’s masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains.

This classic is revisited with a new introduction and annotations by celebrated Douglass scholar David W. Blight. Blight situates the book within the politics of the 1850s and illuminates how My Bondage represents Douglass as a mature, confident, powerful writer who crafted some of the most unforgettable metaphors of slavery and freedom—indeed of basic human universal aspirations for freedom—anywhere in the English language.

According to Our Hearts: Rhinelander v. Rhinelander and the Law of the Multiracial Family

Yale University Press
2013-06-18
344 pages
6 1/8 x 9 1/4
30 b/w illus.
Cloth ISBN: 9780300166828

Angela Onwuachi-Willig, Charles M. and Marion J. Kierscht Professor of Law
University of Iowa

This landmark book looks at what it means to be a multiracial couple in the United States today. This book begins with a look back at a 1925 case, in which a two-month marriage ends with a man suing his wife for misrepresentation of her race, and shows how our society has yet to come to terms with interracial marriage. Angela Onwuachi-Willig examines the issue by drawing from a variety of sources including her own experiences. She argues that housing law, adoption law, and employment law fail, in important ways, to protect multiracial couples.  In a society in which marriage is used to give, withhold and take away status—in the workplace and elsewhere—she says interracial couples are at a disadvantage, which is only exacerbated by current law.

The End of Race? Obama, 2008, and Racial Politics in America

Yale University Press
2011-12-12
320 pages
6 1/8 x 9 1/4; 32 b/w illus.
ISBN: 9780300175196

Donald R. Kinder, Philip E. Converse Collegiate Professor of Political Science; Professor of Psychology
University of Michigan

Allison Dale-Riddle, Doctoral Candidate of Political Science
University of Michigan

How did race affect the election that gave America its first African American president? This book offers some fascinating, and perhaps controversial, findings. Donald R. Kinder and Allison Dale-Riddle assert that racism was in fact an important factor in 2008, and that if not for racism, Barack Obama would have won in a landslide. On the way to this conclusion, they make several other important arguments. In an analysis of the nomination battle between Obama and Hillary Clinton, they show why racial identity matters more in electoral politics than gender identity. Comparing the 2008 election with that of 1960, they find that religion played much the same role in the earlier campaign that race played in ’08. And they argue that racial resentment—a modern form of racism that has superseded the old-fashioned biological variety—is a potent political force.

Then I Was Black: South African Political Identities in Transition

Yale University Press
2000-06-19
304 pages
6 1/2 x 9 1/4
Cloth ISBN: 9780300080131

Courtney Jung, Associate Professor of Political Science
The New School

Do race and ethnicity present a danger to the consolidation of effective democratic government? Can liberal constitutionalism provide a stable basis for governance of a polity historically erected on racial and ethnic division? In this book Courtney Jung argues that when ethnic and racial identities are politically fluid and heterogeneous, as she finds they are in South Africa, ethnic and racial politics will not undermine the peaceful and democratic potential of the government.

Jung examines three important cases of politicized racial and ethnic identity in South Africa: Zulu, Afrikaner, and Coloured. Working from extensive field research and interviews, she develops a model to explain shifts in the political salience, goals, and boundaries of these groups between 1980 and 1995. Jung challenges the common assumption that cultural identities overdetermine political possibility, pointing out that individual members fail for the most part to internalize the political agenda of “their own” ethnic group. Group engagement with the state is also conditioned by contextual factors, not determined by its constitution in ethnic or racial terms. South Africa is no more divided than most other societies, she concludes, and no less likely to consolidate democracy as a result of its politicized cleavages of race and ethnicity.

White Women, Black Men: Illicit Sex in the Nineteenth-Century South

Yale University Press
January 1997
352 pages
6 1/8 x 9 1/4
ISBN: 9780300077506
ISBN-10: 0300077505

Martha Hodes, Professor of History
New York University

• Winner of the Allan Nevins Prize given by the Society of American Historians.
• Honorable mention in the Gustavus Myers Outstanding Book Awards, sponsored by the Gustavus Myers Center for the Study of Bigotry and Human Rights in North America.

This book is the first to explore the history of a powerful category of illicit sex in America’s past: liaisons between Southern white women and black men. Martha Hodes tells a series of stories about such liaisons in the years before the Civil War, explores the complex ways in which white Southerners tolerated them in the slave South, and shows how and why these responses changed with emancipation.

Hodes provides details of the wedding of a white servant-woman and a slave man in 1681, an antebellum rape accusation that uncovered a relationship between an unmarried white woman and a slave, and a divorce plea from a white farmer based on an adulterous affair between his wife and a neighborhood slave. Drawing on sources that include courtroom testimony, legislative petitions, pardon pleas, and congressional testimony, she presents the voices of the authorities, eyewitnesses, and the transgressors themselves—and these voices seem to say that in the slave South, whites were not overwhelmingly concerned about such liaisons, beyond the racial and legal status of the children that were produced. Only with the advent of black freedom did the issue move beyond neighborhood dramas and into the arena of politics, becoming a much more serious taboo than it had ever been before. Hodes gives vivid examples of the violence that followed the upheaval of war, when black men and white women were targeted by the Ku Klux Klan and unprecedented white rage and terrorism against such liaisons began to erupt. An era of terror and lynchings was inaugurated, and the legacy of these sexual politics lingered well into the twentieth century.

Casta Painting: Images of Race in Eighteenth-Century Mexico

Yale University Press
2004-04-10
252 pages
8 1/2 x 11
100 b/w +100 color illus.
Paper ISBN: 9780300109719
Cloth ISBN: 9780300102413

Ilona Katzew, Associate Curator of Latin American Art
Los Angeles County Museum of Art

Selected for Honorable Mention for a 2003-2004 Book Award given by the Association for Latin American Art.

The pictorial genre known as casta painting is one of the most compelling forms of artistic expression from colonial Mexico. Created as sets of consecutive images, the works portray racial mixing among the main groups that inhabited the colony: Indians, Spaniards, and Africans. In this beautifully illustrated book, Ilona Katzew places casta paintings in their social and historical context, showing for the first time the ways in which the meanings of the paintings changed along with shifting colonial politics.

The book examines how casta painting developed art historically, why race became the subject of a pictorial genre that spanned an entire century, who commissioned and collected the works, and what meanings the works held for contemporary audiences. Drawing on a range of previously unpublished archival and visual material, Katzew sheds new light on racial dynamics of eighteenth-century Mexico and on the construction of identity and self-image in the colonial world.

Table of Contents

• Acknowledgements
• Introduction
• 1. Painters and Paintings: A Visual Tradition and Its Historiography
• 2. “A Marvelous Variety of Colors?”: Racial Ideology and the Sistema de Castas
• 3. The Rise of Casta Painting: Exoticism and Creole Pride, 1711-1760
• 4. Changing Perspectives: Casta Painting in the Era of the Bourbon Reforms, 1760-1790
• 5. The Theater of Marvels: Casta Paintings in the Textual Microcosmos
• Concluding Remarks: A Genre with Many Meanings
• Abbreviations
• Notes
• Bibliography
• Photograph Credits
• Index