I’m a black man with white privilege. I see how it distorts America.

Posted in Articles, Autobiography, Media Archive, Passing, Social Justice, United States on 2020-06-14 20:31Z by Steven

I’m a black man with white privilege. I see how it distorts America.

The Washington Post
2020-06-11

Steve Majors
Takoma Park, Maryland


A demonstrator speaks to the crowd on a bullhorn during a protest against racial inequality. (Kevin Mohatt/Reuters)

I walk a racial tightrope. It’s one I’ve struggled to balance on for my entire life. But over the past several weeks, I’ve felt myself teetering. I’m black and outraged that racism continues to kill black people like George Floyd, Ahmaud Arbery and Breonna Taylor while burdening the lives of so many others in our country. But I know that I am not one of those people. I know the freedom of moving through a world that magically removes many barriers from my life and shields me from harm — all because of my ability to pass as white.

My skin tone has given me white privilege. For more than five decades of the journey across my tightrope, I’ve had what feminist researcher Peggy McIntosh calls an “invisible weightless knapsack of special provisions, maps, passports, codebooks, visas, clothes, tools, and blank checks.” These are the tools of white privilege, unwanted and conferred on me at birth by a white father who had a fleeting relationship with my divorced black mother. I was the youngest of five and grew up with older siblings in a large, extended black family. They were quick to remind me that what they jokingly called my “light, bright, almost-white skin” did not grant me any special advantage in our family. But they and I could see that wasn’t going to be the case in the outside world.

I want to assure my white friends that white privilege is real, because I benefit from it every day. And I want to explain to my black family that even though this knapsack that whites carry is invisible, weightless and present from birth, it’s possible to teach yourself that it’s there. I say that not so I can seek forgiveness for myself or offer absolution for any others. It’s to explain why so many claim to be blind and unfeeling to something that has been present throughout the history of this country. Even as I continue to reap its benefits, I am ashamed of the white privilege I carry around because I know it comes at the expense of others who have every right to the same opportunities, advantages and freedoms…

Read the entire article here.

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Who Is Bubba Wallace?

Posted in Articles, Media Archive, Social Justice, United States on 2020-06-14 20:10Z by Steven

Who Is Bubba Wallace?

The New York Times
2020-06-12

Victor Mather


Jared C. Tilton/Getty Images

He is the only African-American driver in NASCAR’s top-flight racing series, and this week got the organization to bar the Confederate flag at its events.

Bubba Wallace, who instigated NASCAR’s banning of the Confederate flag, is the racing series’ only black driver. That has put him in the spotlight in a sport whose owners, drivers, crews and fans have historically been predominantly white.

What is the history of black drivers in NASCAR?

Wendell Scott was the pioneer, driving on the circuit from 1961 to 1973. Despite regularly facing discrimination, he won a race in 1963 in Jacksonville, Fla., that remains the only one at NASCAR’s top level to be won by an African-American driver. Scott died in 1990.

Although a handful of African-American drivers got into a race or two over the years since, no other black driver had a full-time ride in NASCAR’s top series until Wallace…

Read the entire article here.

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The Vanishing Half, A Novel

Posted in Books, Louisiana, Media Archive, Novels, Passing, United States, Women on 2020-06-14 00:55Z by Steven

The Vanishing Half, A Novel

Riverhead Books (an imprint of Penguin Random House)
2020-06-02
352 Pages
6 x 9
Hardcover ISBN: 9780525536291
Paperback ISBN: 9780593286104
Ebook ISBN: 9780525536970

Brit Bennett

From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white.

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?

Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

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Emma Amos, Painter Who Challenged Racism and Sexism, Dies at 83

Posted in Articles, Arts, Biography, Media Archive, United Kingdom, Women on 2020-06-14 00:38Z by Steven

Emma Amos, Painter Who Challenged Racism and Sexism, Dies at 83

The New York Times
2020-05-29

Holland Cotter, co-chief art critic


The artist Emma Amos with her 2006 work “Head First.” Her paintings often depicted women flying or falling. Becket Logan

Early in her career she created brightly colored scenes of black middle-class domestic life. Her later work was increasingly personal and experimental.

Emma Amos, an acclaimed figurative artist whose high-color paintings of women flying or falling through space were charged with racial and feminist politics, died on May 20 at her home in Bedford, N.H. She was 83.

The cause was complications of Alzheimer’s disease, said the Ryan Lee Gallery in Manhattan, which represents her.

A key event in Ms. Amos’s career came in 1964. A 27-year-old graduate student in art education at New York University, she was invited to join a newly formed artists group called Spiral.

Its members, all African-American, included Charles Alston, Romare Bearden, Norman Lewis and the muralist Hale Woodruff — midcareer artists with substantial reputations. Organized in response to the 1963 March on Washington, the group was formed to discuss and debate the political role of black artists and their work…

…Emma Veoria Amos was born on March 16, 1937, in Atlanta from a lineage that was, by her own account, “African, Cherokee, Irish, Norwegian and God knows what else.” Her parents, India DeLaine Amos and Miles Green Amos, were cousins. Her father, a graduate of Wilberforce University in Ohio, was a pharmacist; her mother, who had a degree in anthropology from Fisk University in Nashville, managed the family-owned Amos Drug Store…

Read the obituary here.

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‘Believe us’: Black Jews respond to the George Floyd protests, in their own words

Posted in Articles, Judaism, Media Archive, Religion, Social Justice, Social Work, United States on 2020-06-14 00:18Z by Steven

‘Believe us’: Black Jews respond to the George Floyd protests, in their own words

Jewish Telegraphic Agency
2020-05-31

Josefin Dolsten, Staff Writer


Top left, clockwise, April Baskin, Anthony Russell, Yitz Jordan and Tema Smith. (Baskin: Jill Peltzman; Russell: Courtesy of Russell; Jordan: Courtesy of Jordan; Smith: Courtesy of Smith)

(JTA) — As Enzi Tanner participated in an online havdalah ceremony marking the end of Shabbat Saturday night, his city — Minneapolis — was being torn apart during a fifth night of unrest following the death of George Floyd, a black man, in police custody there last week.

Tanner, a social worker who supports LGBT families experiencing homelessness, said the ceremony — hosted by Jewish Community Action, a local social justice group, Jews for Racial and Economic Justice, a national organization and Edot Midwest Regional Jewish Diversity Collaborative — conveyed a powerful message for black Jews like him.

“As the Jewish community reaches in and says how do we support their cause and how do we support the black community, it’s really important that people reach in to black Jews and other Jews of color and realize that we’re here,” Tanner said. “And we need our community.”

We reached out to black Jews like Tanner to understand their feelings at this wrenching moment and what their message is for the broader Jewish community. Here’s what they told us…

Read the entire article here.

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My dad was in prison throughout my childhood. I navigated a white world alone

Posted in Articles, Family/Parenting, Media Archive, Social Justice, United States on 2020-06-13 22:34Z by Steven

My dad was in prison throughout my childhood. I navigated a white world alone

The Guardian
2020-06-10

Whitney Bradshaw
Portland, Oregon


Collage of family photos from Whitney Bradshaw. Photograph: Courtesy Whitney Bradshaw

Three days after my third birthday, my father was arrested for armed robbery and sentenced to 25 years in prison.

Starting around age five, whenever I saw a shooting star, I’d make a wish that my dad could come home. Eventually, that wish became “I wish he could be released for just one day”. As I grew, I stopped wishing.

Fast-forward to last week. More than 20 years later, for the first time in my life, I was happy my dad is in prison. Because he’s safer as an inmate than as a free black body walking the streets…

Read the entire article here.

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‘Racialization works differently here in Puerto Rico, do not bring your U.S.-centric ideas about race here!’

Posted in Anthropology, Articles, Caribbean/Latin America, Latino Studies, Media Archive, Social Science, United States on 2020-06-13 22:07Z by Steven

‘Racialization works differently here in Puerto Rico, do not bring your U.S.-centric ideas about race here!’

Black Perspectives
2020-03-03

Hilda Lloréns, Associate Professor of Anthropology
University of Rhode Island


“FSA – T[enant] P[urchase] borrowers? by their house, Puerto Rico” – Jack Delano (Library of Congress)

This title is a variation of a statement I have heard during the last two decades as a professional anthropologist. I was reminded of it again recently, when a Puerto Rico-based colleague mentioned that it is common in the archipelago to think about the race research produced by U.S.-based Puerto Rican researchers as being tainted by U.S.-centric ideas about race. At its base, this assertion has the effect, and maybe even the goal from the outset, of discrediting the race research produced by those of us living in the Diaspora. But I believe there is more going on than just marking our research as suspect.

Because at this point I have heard variations of this opinion dozens of times, and particularly so by a subset of the archipelago’s intelligentsia, it is time to explore the ideological work this claim does. This brief analysis is less a defense of the validity of research like mine, and instead exposes how as a cultural construction in itself, this hegemonic statement is an example of how cultural nationalism and anti-Black racism warps even the brightest minds. While it is true that anti-Black racism takes on specific and locally contextual qualities, it is also true that the anti-Black racism experienced by evidently Black individuals throughout the American hemisphere has strikingly similar consequences: poverty and marginalization; lack of access to quality education, health care, employment, and a clean environment; police profiling and brutality; spatial segregation and territorial dispossession; denial of entry into restaurants, night clubs, stores, and country clubs; social marginalization and political exclusion; and the attempt to silence the voices of those who dare speak out against on-going racial violence and terror.

Read the entire article here.

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Bubba Wallace emerges as NASCAR’s improbable yet ideally suited change agent

Posted in Articles, Media Archive, United States on 2020-06-13 20:55Z by Steven

Bubba Wallace emerges as NASCAR’s improbable yet ideally suited change agent

The Washington Post
2020-06-13

Liz Clarke, Sports Reporter


“I encourage people to have those tough conversations just to educate yourself,” Bubba Wallace says. (Matt Sullivan/Getty Images)

Born in Alabama and reared in North Carolina, Bubba Wallace doesn’t remember seeing a Confederate flag until he went to a racetrack. His memory isn’t tied to a particular track because the flag was a fixture in the grandstands nearly everywhere he competed as a young racer.

But that’s not what transformed Wallace into a change agent in America’s most tradition-bound sport. It was the video of an unarmed black jogger being gunned down in Georgia after he was cornered by a white father and son brandishing a pistol and shotgun.

“The Ahmaud Arbery video was the final straw for me in being silent. That shook me to the core like nothing has in the past,” Wallace, 26, said in a telephone interview Friday. “Something flipped inside of me to be more vocal and stand up for racial equality and make sure we get a hold on that and change the face of this world and get it to a better place. Creating unity and compassion and understanding of each of our brothers and sisters is so powerful. We have to preach that to the ones that don’t want to listen and understand.”…

…The only full-time African American racer in NASCAR’s Cup series, and the first since the late Wendell Scott of Danville, Va., retired in 1973, Wallace is uniquely suited to lead NASCAR into the future its executives say they want: one in which women and minorities feel welcome and fill the grandstands, pit crews and driver ranks in numbers that mirror the diversity of America.

Wallace’s father is white; his mother is black. Both are NASCAR loyalists and fans, in particular, of seven-time champion Dale Earnhardt. So Bubba, who started racing at age 9, grew up an Earnhardt fan, too…

Read the entire article here.

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Aaron McDuffie Moore: An African American Physician, Educator, and Founder of Durham’s Black Wall Street

Posted in Biography, Books, History, Media Archive, Monographs, United States on 2020-06-09 16:03Z by Steven

Aaron McDuffie Moore: An African American Physician, Educator, and Founder of Durham’s Black Wall Street

University of North Carolina Press
May 2020
280 pages
6.125 x 9.25
45 halftones, 1 figure, notes, bibl., index
Hardcover ISBN: 978-1-4696-5585-7

Blake Hill-Saya, Classical Musician and Creative Writer
Los Angeles, California

Foreword by:

G. K. Butterfield, United States Representative
North Carolina, 1st District

Afterword by:

C. Eileen Watts Welch, President and CEO
Durham Colored Library, Inc., Durham, North Carolina

Aaron McDuffie Moore (1863–1923) was born in rural Columbus County in eastern North Carolina at the close of the Civil War. Defying the odds stacked against an African American of this era, he pursued an education, alternating between work on the family farm and attending school. Moore originally dreamed of becoming an educator and attended notable teacher training schools in the state. But later, while at Shaw University, he followed another passion and entered Leonard Medical School. Dr. Moore graduated with honors in 1888 and became the first practicing African American physician in the city of Durham, North Carolina. He went on to establish the Durham Drug Company and the Durham Colored Library; spearhead and run Lincoln Hospital, the city’s first secular, freestanding African American hospital; cofound North Carolina Mutual Life Insurance Company; help launch Rosenwald schools for African American children statewide; and foster the development of Durham’s Hayti community.

Dr. Moore was one-third of the mighty “Triumvirate” alongside John Merrick and C. C. Spaulding, credited with establishing Durham as the capital of the African American middle class in the late nineteenth and early twentieth centuries and founding Durham’s famed Black Wall Street. His legacy can still be seen on the city streets and country backroads today, and an examination of his life provides key insights into the history of Durham, the state, and the nation during Reconstruction and the beginning of the Jim Crow Era.

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Say I’m Dead: A Family Memoir of Race, Secrets, and Love

Posted in Autobiography, Biography, Books, Media Archive, Monographs, United States, Women on 2020-06-09 16:01Z by Steven

Say I’m Dead: A Family Memoir of Race, Secrets, and Love

Chicago Review Press
2020-06-02
288 Pages
6 x 9
Formats: Cloth, Mobipocket, EPUB, PDF
ISBN: 9781641602747

E. Dolores Johnson
Boston, Massachusetts

Say I’m Dead is the true story of family secrets, separation, courage, and trans-formation through five generations of interracial relationships. Fearful of prison time—or lynching—for violating Indiana’s antimiscegenation laws in the 1940s, E. Dolores Johnson’s black father and white mother fled Indianapolis to secretly marry in Buffalo, New York. When Johnson was born, social norms and her government-issued birth certificate said she was Negro, nullifying her mother’s white blood in her identity. Later, as a Harvard-educated business executive feeling too far from her black roots, she searched her father’s black genealogy. But in the process, Johnson suddenly realized that her mother’s whole white family was—and always had been—missing. When she began to pry, her mother’s 36-year-old secret spilled out. Her mother had simply vanished from Indiana, evading an FBI and police search that had ended with the conclusion that she had been the victim of foul play.

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