The Rise and Rise of Misty CopelandPosted in Articles, Arts, Media Archive, United States on 2015-12-19 03:03Z by Steven |
The Rise and Rise of Misty Copeland
The Year in Style 2015
The New York Times
2015-12-18
This year, Misty Copeland’s fame rose from her performances in ballet, on Broadway and in commercials. Credit Bon Duke for The New York Times, taken at Steps on Broadway in New York City. |
Captivating a general audience, the prima ballerina is a crossover star: from ballet to Broadway to commercial fame.
Cherry Peace stood, feet firmly planted, at the stage door of the Metropolitan Opera House at Lincoln Center in October. She was waiting for Misty Copeland, who had just wrapped up a matinee performance of Paul Taylor’s “Company B” at the American Ballet Theater, to kick off her toe shoes and exit.
There was no sign of Ms. Copeland, but Ms. Peace, 52, a writer who had traveled from Reno, Nev., expressly to see her, stayed rooted to the spot, hoping, if not for an autograph, at least for a glimpse of her idol.
“When you get older,” she said, “there are certain things you want to do. Seeing Misty Copeland was on my bucket list.”
Ms. Peace was among legions of fans — schoolgirls and seniors, New Yorkers and visitors, balletomanes and oddly assorted thrill seekers — who had thronged to Lincoln Center to see Ms. Copeland perform, in the Taylor ballet, and as Odile/Odette in “Swan Lake,” a crowning role for many dancers, and the first in the company for a black ballerina…
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