Mixed Race Studies

EXCLUSIVE: Misty Copeland on overcoming adversity, fighting for diversity in ballet

The State
Columbia, South Carolina
2016-03-09

Erin Shaw

Misty Copeland Provided photo

• The prima ballerina talks body image and being named the first black woman principal dancer
• Copeland comes to Columbia for a ballet fundraiser with Elgin native Brooklyn Mack

There was time when Misty Copeland, one of the world’s most recognizable dancers, felt lost and insecure. That was before being named the first black principal ballerina for a major ballet company, before the Under Armour sponsorship, the book deal and the documentary on her life.

Copeland, 33, who is a source of inspiration for young women, minorities, dancers and athletes, will share her story in Columbia on Tuesday, March 15 at a fundraising luncheon for Columbia Classical Ballet and Columbia City Ballet. She will be joined by Brooklyn Mack, the Elgin native who now dances for The Washington Ballet and is also breaking barriers as a black dancer…

…What are some of the topics you plan to discuss when you come to speak in Columbia?

Copeland: I think it’ll be a sharing of our experiences and opening people’s eyes up to the lack of diversity in ballet, and for me what it is to be a part of a company where you’re the only black woman. (Brooklyn and I) are both proof of success in the classical ballet world. It should be an organic conversation…

Read the entire interview here.

Yvonne Chouteau, Native American Ballerina, Dies at 86

The New York Times
2016-01-29

Jack Anderson

Yvonne Chouteau, one of the five celebrated Oklahoma ballerinas with an American Indian background, in a 1963 photo. Credit Jack Mitchell/Getty Images

Yvonne Chouteau, a former principal dancer of the Ballet Russe de Monte Carlo who emerged as one of a celebrated group of dancers known as the American Indian ballerinas of Oklahoma, died on Sunday at her home in Oklahoma City. She was 86.

The cause was congestive heart failure, said Mary Margaret Holt, director of the School of Dance and dean of the College of Fine Arts at the University of Oklahoma. Ms. Chouteau was a founder of the dance school, one of the leading institutions of its kind in the Southwest…

…Part French and part Shawnee–Cherokee, Myra Yvonne Chouteau was born into a pioneering Southwestern family in Fort Worth on March 7, 1929, the only child of Corbett Edward Chouteau and the former Lucy Annette Taylor. The family soon moved to Vinita, Okla., and her father, who was known as C. E. Chouteau, became a prominent American Indian figure in the state.

Ms. Chouteau was a direct descendant of Maj. Jean Pierre Chouteau (1758-1849), who established Oklahoma’s oldest white settlement in 1796…

Read the entire obituary here.

Review ‘A Ballerina’s Tale’ follows Misty Copeland’s incredible rise in the ballet world

The Los Angeles Times
2016-02-08

Mary McNamara, Contact Reporter

Misty Copeland in the documentary “A Ballerina’s Tale.” (Oskar Landi / Sundance Selects)

If you think #OscarsSoWhite, consider the world of elite ballet. And if you want to understand why the current conversation over the lack of diversity among this year’s film academy nominees is just one thread of a much larger tapestry, watch Nelson George’s documentary “A Ballerina’s Tale: The Incredible Rise of Misty Copeland” on PBS on Monday night.

Watch too if you are a dance aficionado or a woman, if you have a daughter or for that matter a son, if you are a Southern California resident or just a thinking member of a culture that is changing, with various degrees of resistance, in almost every area.

It won’t take long, just 90 minutes that include several exquisite dance scenes, Copeland’s now-signature friendly frankness and none of the crazy-girl “Black Swan” pathology we have come to expect from tales of the dance world…

…”I think that people think that sometimes I focus too much on the fact that I’m a black dancer,” Copeland says in the film’s opening moments. “There’s never been a black principal woman … in the top companies of the world. In New York City Ballet, in New York City. I don’t think people realize what a feat it is, being a black woman. But that’s so much of who I am, and I think it’s so much a part of my story.”…

Read the entire review here.

A Ballerina’s Tale

By Nelson George | in Dance
Independent Lens
Public Broadcasting Service
Premieres 2016-02-08

Few dancers reach the highest levels of classical ballet; of that few only a fraction are black women. Against the odds, Misty Copeland has made history by becoming the first African American principal dancer with the prestigious American Ballet Theatre, considered the pinnacle of ballet in the United States. A Ballerina’s Tale is an intimate look at this groundbreaking artist as she breaks through barriers and transcends her art.

For more information, click here.

2015 IMPACT25 Influencer: Misty Copeland

ESPN W
2015-12-07

Dimity McDowell Davis, Special to espnW.com

From line sketches to pencils and final color, Marvel captured the essences of our IMPACT25 nominees and turned them into super versions of themselves. Behind Marvel’s IMPACT25 heroes »

“Every time I dance, I’m trying to prove myself to myself.” —Misty Copeland

Ballerina Misty Copeland’s year was, in all aspects, a grand jeté: the powerful ballet leap in which the dancer flies high above the stage in an impressive splits pose. Before this year, Copeland had already disrupted the classical world of ballet — she was the first African American to play the lead role in “Swan Lake” — and challenged millions to rethink their definition of an athlete through her Under Armour campaign. (Tutus and tiaras deserve as much respect as shoulder pads.)

In 2015, she continued to turn heads. Her muscular body landed on the cover of Time, and months later, she landed her biggest role to date. On June 30, the American Ballet Theatre promoted her to the role of principal dancer, making her the first African-American woman in the company’s 75-year history to hold that title…

Read the entire article here.

Misty Copeland, Brooklyn Mack coming to Columbia

The State
Columbia, South Carolina
2016-01-19

Erin Shaw

Misty Copeland

The principal ballerina and former Columbia dancer to speak at ballet fundraiser

Misty Copeland, one of the most famous ballerinas in the country, will appear in Columbia with professional ballet dancer and South Carolina native Brooklyn Mack for a fundraiser benefitting two of the city’s ballet companies.

Columbia Classical Ballet and Columbia City Ballet are jointly organizing a March 15 luncheon, for which costs and profits will be split evenly among both companies.

Copeland and Mack will speak about the arts at the ticketed event, which will have seating available for the public.

…Copeland has danced for American Ballet Theatre — one of the top companies in the country — since 2000, when she was the only African American woman in a company of 80 dancers.

In June 2015, she was promoted to principal dancer, making her the first African American woman to ever be promoted to the position in the company’s 75-year history…

Read the entire article here.

When a master class with ballerina Misty Copeland becomes a San Pedro homecoming

The Los Angeles Times
2015-12-23

Deborah Vankin, Contact Reporter

Ascendant ballerina Misty Copeland leads a master class during Monday’s celebration in San Pedro. (Christina House/For The Times)

The crowd of about 200 huddled in the parking lot of San Pedro City Ballet, ensconced in fog and drizzle. Restless and excited, they might have been awaiting the arrival of a rock legend. Some rubbed their palms together to keep warm on the chilly Monday afternoon; others stretched their necks, peering down Pacific Avenue in anticipation. Neighbors crouched on the roof of a small bungalow next door to get a glimpse of the action.

When at last a gray SUV rolled up, smartphones and tablets shot into the air and the chanting began: “Misty, Misty, Misty.”

San Pedro’s ballet prodigy was home.

A populist ballerina if ever there was one, Misty Copeland has become a pioneering hero not just to dance hopefuls but to a generation of young women looking for inspiring, boundary-breaking athletic and artistic role models. Earlier this year, the American Ballet Theatre soloist was promoted to principal dancer; she is the New York company’s first African American woman to hold that title. And she was the first African American woman to dance the lead in an ABT “Swan Lake” production. It’s partly why Copeland landed on the cover of Time magazine’s “100 Most Influential People” issue this spring…

Read the entire article here.

The Rise and Rise of Misty Copeland

The Year in Style 2015
The New York Times
2015-12-18

Ruth La Ferla

This year, Misty Copeland’s fame rose from her performances in ballet, on Broadway and in commercials. Credit Bon Duke for The New York Times, taken at Steps on Broadway in New York City.

Captivating a general audience, the prima ballerina is a crossover star: from ballet to Broadway to commercial fame.

Cherry Peace stood, feet firmly planted, at the stage door of the Metropolitan Opera House at Lincoln Center in October. She was waiting for Misty Copeland, who had just wrapped up a matinee performance of Paul Taylor’s “Company B” at the American Ballet Theater, to kick off her toe shoes and exit.

There was no sign of Ms. Copeland, but Ms. Peace, 52, a writer who had traveled from Reno, Nev., expressly to see her, stayed rooted to the spot, hoping, if not for an autograph, at least for a glimpse of her idol.

“When you get older,” she said, “there are certain things you want to do. Seeing Misty Copeland was on my bucket list.”

Ms. Peace was among legions of fans — schoolgirls and seniors, New Yorkers and visitors, balletomanes and oddly assorted thrill seekers — who had thronged to Lincoln Center to see Ms. Copeland perform, in the Taylor ballet, and as Odile/Odette in “Swan Lake,” a crowning role for many dancers, and the first in the company for a black ballerina…

Red the entire article here.

Misty Copeland Is Helping To Bring Dance Lessons To Rwandan Kids

The Huffington Post
2015-11-25

Rahel Gebreyes, Editor, HuffPost Live

The dancer just returned from Kigali, Rwanda, where shared her love of dance with children in the city.

Ballerina Misty Copeland has made a name for herself breaking barriers for black dancers in the United States, and she’s taking her passion abroad to do the same in Rwanda.

This month, Copeland teamed up with MindLeaps, a nonprofit organization that brings dance instruction, vocational training and academics to the children of developing countries. Copeland traveled to Rwanda to launch the MindLeaps Girls Program and documented her journey via YouTube and Instagram.

New Film Shows Misty Copeland’s Journey as a Black Ballerina

NBC News
2015-09-30

Maya Chung

The 2015 Urbanworld Festival closed out on Saturday night with the highly anticipated documentary “A Ballerina’s Tale,” which details Misty Copeland’s journey to become a principal ballerina.

The film festival, founded in 1997, is a five-day event that showcases narrative features, documentaries, short films, and spotlight screenings with the goal of redefining and advancing the impact of the multicultural community in the film world.

“A Ballerina’s Tale” is one film that is making that impact. The documentary gives an in-depth picture of Copeland’s struggles with being black in a predominantly white Ballet world and it chronicles her experience recovering from a leg fracture – one that could’ve stopped her dream of becoming a principal dancer…

…Copeland, 33, beat the odds and became the American Ballet Theatre’s first black female principal dancer in the company’s 75-year history this past June. But, it wasn’t easy and the film makes that clear. She explained that she struggled being a black dancer when she first began in the professional ballet world.

“I’ve never strayed away from being black. I’m biracial but something that my mom constantly said to me growing up in southern California was ‘Yes, you are Italian, you are German, and you are black, but you are going to be viewed by the world as a black woman’,” Copeland said. “I never felt different growing up but when I came into the ballet world as a professional I immediately felt different.”…

Read the entire interview here.