Mixed Race Studies

Sexual Naturalization: Asian Americans and Miscegenation

Stanford University Press
2005
224 pages
Cloth ISBN-10: 0804747288; ISBN-13: 9780804747288
Paper ISBN-10: 0804747296; ISBN-13: 9780804747295

Susan Koshy, Associate Professor of English and Asian American Studies
University of Illinois, Urbana-Champaign

Sexual Naturalization offers compelling new insights into the racialized constitution of American nationality. In the first major interdisciplinary study of Asian-white miscegenation from the late nineteenth to the end of the twentieth century, Koshy traces the shifting gender and racial hierarchies produced by antimiscegenation laws, and their role in shaping cultural norms. Not only did these laws foster the reproduction of the United States as a white nation, they were paralleled by extraterritorial privileges that facilitated the sexual access of white American men to Asian women overseas. Miscegenation laws thus turned sex acts into race acts and engendered new meanings for both.

Koshy argues that the cultural work performed by narratives of white-Asian miscegenation dramatically transformed the landscape of desire in the United States, inventing new objects and relations of desire that established a powerful hold over U.S. culture, a capture of imaginative space that was out of all proportion to the actual numbers of Asian residents.

Read an excerpt of chapter 1 here.

Table of Contents

• Acknowledgments
• Introduction
• Part One: Sexual Orients and the American National Imaginary
  • Mimic Modernity: “Madame Butterfly” and the Erotics of Informal Empire
  • Eugenic Romances of American Nationhood
• Part Two: Engendering the Hybrid Nation
  • Unincorporated Territories of Desire: Hypercorporeality and Miscegenation in Carlos Bulosan’s Writings
  • Sex Acts as Assimilation Acts: Female Power and Passing in Bharati Mukherjee’s Wife and Jasmine
• Notes
• Bibliography
• Index

Dislocating the Color Line: Identity, Hybridity, and Singularity in African-American Narrative

Stanford University Press
1997
280 pages
Cloth ISBN-10: 0804727740; ISBN-13: 9780804727747
Paper ISBN-10: 0804727759; ISBN-13: 9780804727754

Samira Kawash, Associate Professor Women’s and Gender Studies
Rutgers, The State University of New Jersey

Inquiries into the meaning and force of race in American culture have largely focused on questions of identity and difference—What does it mean to have a racial identity? What constitutes racial difference? Such questions assume the basic principle of racial division, which todays seems to be becoming an increasingly bitter and seemingly irreparable chasm between black and white.

This book confronts this contemporary problem by shifting the focus of analysis from understanding differences to analyzing division. It provides a historical context for the recent resurgence of racial division by tracing the path of the color line as it appears in the narrative writings of African-Americans in the nineteenth and twentieth centuries. In readings of slave narratives, “passing novels,” and the writings of Charles Chesnutt and Zora Neale Hurston, the author asks: What is the work of division? How does division work?

The history of the color line in the United States is coeval with that of the nation. The author suggests that throughout this history, the color line has not functioned simply to name biological or cultural difference, but more important, it has served as a principle of division, classification, and order. In this way, the color line marks the inseparability of knowledge and power in a racially demarcated society. The author shows how, from the time of slavery to today, the color line has figured as the locus of such central tenets of American political life as citizenship, subjectivity, community, law, freedom, and justice.

This book seeks not only to understand, but also to bring critical pressure on the interpretations, practices, and assumptions that correspond to and buttress representations of racial difference. The work of dislocating the color line lies in uncovering the uncertainty, the incoherency, and the discontinuity that the common sense of the color line masks, while at the same time elucidating the pressures that transform the contingent relations of the color line into common sense.

Making Multiracials: State, Family, and Market in the Redrawing of the Color Line

Stanford University Press
2007
280 pages
3 tables, 2 figures, 4 illustrations.
Cloth ISBN-10: 0804755450; ISBN-13: 9780804755450
Paper ISBN-10: 0804755469; ISBN-13: 9780804755467

Kimberly McClain DaCosta, Associate Professor
Gallatin School of Individualized Study, New York University

When in 1997 golfer Tiger Woods described his racial identity on Oprah as “cablinasian,” it struck many as idiosyncratic. But by 2003, a New York Times article declared the arrival of “Generation E.A.”—the ethnically ambiguous. Multiracial had become a recognizable social category for a large group of Americans.

Making Multiracials tells the story of the social movement that emerged around mixed race identity in the 1990s. Organizations for interracial families and mixed race people—groups once loosely organized and only partially aware of each other—proliferated. What was once ignored, treated as taboo, or just thought not to exist quickly became part of the cultural mainstream.

How did this category of people come together? Why did the movement develop when it did? What is it about “being mixed” that constitutes a compelling basis for activism? Drawing on extensive interviews and fieldwork, the author answers these questions to show how multiracials have been “made” through state policy, family organizations, and market forces.

Table of Contents

• Tables, Figures and Photos
• Acknowledgements
• The Making of a Category
• Becoming a Multiracial Entrepreneur: Four Stories
• Making Multiracial Families
• Creating Multiracial Identity and Community
• Consuming Multiracials
• Redrawing the Color Line?: The Problems and Possibilities of Multiracial Families and Group Making
• Appendix A: List of Respondents
• Appendix B: Methodology
• Appendix C: Situating Multiracial Group Making in the Literature on Social Movements, Race, and the Work of Pierre Bourdieu
• Notes
• Bibliography
• Index

For the press release, click here.
For an excerpt of chapter 2, click here.

Mixed Race Literature

Stanford University Press
2002
256 pages
8 illustrations
Cloth Edition: ISBN-10: 0804736391; ISBN-13: 9780804736398
Paperback Edition ISBN-10: 0804736405; ISBN-13: 9780804736404

Edited by

Jonathan Brennan, Professor of English
Mission College, Santa Clara, California

This collection presents the first scholarly attempt to map the rapidly emerging field of mixed-race literature, defined as texts written by authors who represent multiple cultural and literary traditions—African-European, Native-European, Eurasian, African-Asian, and Native-African American. It not only allows scholars to engage a wide variety of mixed race literatures and critical approaches, but also to situate these literatures in relation to contemporary fields of literary inquiry.

The editor’s introduction provides a historical context for the development of mixed-race identity and literature, summarizing existing scholarship on the subject, interrogating the social construction of race and mixed race, and arguing for a literary (rather than literal) inquiry into mixed-race texts.

The essays examine such subjects as mythmaking and interpreting; the illustration of mixed-race texts; the mixed-race drama of Velina Hasu Houston; race, gender, and transnational spaces; the meaning and negotiation of identity; the theory of kin-aesthetic in Asian-Native American literatures; and Maori-Pakeha mixed-race writing in New Zealand.

The editor’s conclusion argues that rather than following the tragic employment assigned to mulattos, octoroons, and half-bloods, the evolution of mixed-race texts has been from tragedy to trickster. The role of the tragic trickster facilitates a shift in which new and distinct literary strategies and forms emerge. These models represent critical sites from which to theorize the overall formation of American literature and to complicate its formation in ways that unfold our usual notions of race, gender, and culture.

Legacies of Race: Identities, Attitudes, and Politics in Brazil

Stanford University Press
2009
304 pages
31 tables, 2 figures, 1 illustration.
ISBN-10: 0804762775
ISBN-13: 9780804762779

Stanley R. Bailey, Associate Professor of Sociology
University of California, Irvine

The United States and Brazil were the largest slave-trading societies of the New World. The demographics of both countries reflect this shared past, but this is where comparisons end. The vast majority of the “Afro-Brazilian” population, unlike their U.S. counterparts, view themselves as neither black nor white but as mixed-race.  Legacies of Race offers the first examination of Brazilian public opinion to understand racial identities, attitudes, and politics in this racially ambiguous context.

Brazilians avoid rigid notions of racial group membership, and, in stark contrast to U.S. experience, attitudes about racial inequality, African-derived culture, and antiracism strategies are not deeply divided along racial lines.  Bailey argues that only through dispensing with many U.S.-inspired racial assumptions can a general theory of racial attitudes become possible. Most importantly, he shows that a strict notion of racial identification in black and white cannot be assumed universal.