Mixed Race Studies

Who stole all the black women from Britain?

Black Girl Dancing at Lughnasa
2013-10-17

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

…Here in the UK, the  visibility of black women in representations of mainstream Black British culture is such that you might be forgiven for thinking we are an endangered species. The near erasure of Black British women from this terrain which is in the main dominated by black men and white women, is rarely commented upon, despite its prominence.  What is actually going on here? Is this some manifestation of the quite frankly ridiculous Eldrige Cleaver quote above. Or is it something else?.

The (ahem) ‘urban’ (we know what they really mean) landscape that provides the basis of so much of Britain’s somewhat depressing representations of mainstream youth culture borrows heavily from black culture, yet sometimes seems entirely devoid of black women. The characters who populate this world are black men and white women. Access may be permitted to the occasional mixed-race girl but beyond this tokenism this is the white woman’s world!

From movies such as Kidulthood, to the presenters of the Kiss FM Takeaway show, who typify this phenomenon, the symbols of ‘Urban’ or Black British youth culture are routinely Black men and their white female partners…

Read the entire article here.

CERS hosts Critical Mixed Race Studies postgraduate symposium

School of Sociology and Social Policy
Centre for Ethnicity and Racism Studies
University of Leeds
2013-08-08

Peter Edwards, Faculty Web Development Officer

Mixing Matters: Critical Intersectionalities

The Centre for Ethnicity and Racism Studies (CERS) held its first interdisciplinary, international postgraduate symposium on the 18th May 2013 entitled ‘Mixing Matters: Critical Intersectionalities.’ This symposium aimed at engaging with ideas from the field of Critical Mixed Race Studies (CMRS) was the first of its kind in the UK and enabled national, international and Leeds based postgraduate students to present their research in this dynamic field. The debates within CMRS have been circulating for some time within various disciplines but which simultaneously have remained marginal within broader studies on ethnicity and ‘race’. Furthermore, the debates have largely been centred on the United States context and not taking into account the globality of mixed-race identity which varies across time and space, an idea which the keynote speaker (Rebecca King O’Riain) discusses in her book Global Mixed Race. This symposium was developed in response to this marginalisation focusing on describing and analysing mixed-race identities in both the UK and international contexts.

It was well attended and received by staff and students from within the faculty and beyond. There were a significant number of non-academic participants who travelled from far afield to engage with the day’s presentations and debates. Dr Rebecca King O’Riain (National University of Ireland, Maynooth) gave a keynote addressing the importance of expanding mixed-race studies beyond US borders and explored the dynamics of mixing in Zambia, Trinidad and Tobago, Mexico, Brazil, Germany and Japan, among other locations. Dr. Shirley Tate (University of Leeds) who conceived of the idea of the symposium gave a second keynote on the mixed race question in regards to Black beauty.

The symposium was also comprised of two panels with papers on a variety of topics which reflect the diversity of research interests in the field:

• Theory, experience and activism in CMRS
• Mixed race male experiences in UK education
• Chicano epistemology
• Mixed-heritage in fostering and adoption policy
• Bio-power and the politicisation of mixed-race in East Africa
• Dougla identities in Trinidad
• The influence of hip hop on mixed-race identity…

…Speakers: Emma Dabiri, Remi Salisbury, Veronica Cano, Julia Koniuch-Enneoka, Angelica Pesarini, Kav Raghunandan, and Jenn Sims

Read the entire report here.

Afro-Rebel (Or Why I am not an Afropolitan)

Black Girl Dancing at Lughnasa
2013-07-09

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

The following is from a discussion I recently took part in ‘Fantasy or Reality? Afropolitan Narratives of the 21st Century’ as part of the Africa Writes 2013 Festival. I was joined on the panel by Minna Salami and Nana Ocran, and the Chair was Professor Paul Gilroy.

When I first heard Afropolitan I was excited. I am always looking for language that expresses my position as an Irish/Nigerian woman who is deeply connected to her Nigerianess. I’d rather refrain as describing myself as half anything, and I detest the word mixed-race. I thought perhaps Afropolitan presented an alternative to this terminology and interestingly, positioned me with others through a shared cultural and aesthetic leaning rather than a perceived racial classification. Further it identified that you could be black or African without having to subscribe to the depressingly limited identities widely perceived as being authentic.

The enduring insights of Afropolitanism as interpreted by Mdembe, should be its promise of vacating the seduction of pernicious racialised thinking, its recognition of African identities as fluid, and the notion that the African past is characterised by mixing, blending and superimposing. In opposition to custom, Mdembe insists the idea of ‘tradition’ never really existed and reminds us there is a pre-colonial African modernity that has not been taken into account in contemporary creativity.

As Minna Salami writes on her blog Africans should be as free to have multiple subcultures as anyone else but the problem with Afropolitism to me is that that the insights on race, modernity and identity appear to be increasingly sidelined in sacrifice to the consumerism Mdembe also identifies as part of the Afropolitan assemblage. The dominance of fashion and lifestyle in Afropolitanism is worthy of note due to the relationship between these industries, consumption and consumerism…

Read the entire article here.

Ultimately though, I identify as a daughter of the Diaspora. The descendants of the millions of Africans taken to the new world share a similar heritage to mine; black African and white European, and I feel an affinity with these fellow Diasporians. I reject a racist hierarchy of value and worth and refuse to position myself as separate from other black people in a bid to try and position myself that little bit closer to whiteness. The historical processes, of which we Diasporians are a part, stem from the same source: the European slave trade and the subsequent European colonisation of Africa. And it is for this reason that I locate myself within this historical continuum rather than buy into an ideologically problematic, a-historical approach which constructs being ‘mixed-race’ as something new.

Emma Dabiri, “Why I see myself as a daughter of the Diaspora rather than mixed-race,” Black Girl Dancing at Lughnasa (March 12, 2013). http://thediasporadiva.tumblr.com/post/45223779733/why-i-see-myself-as-a-daughter-of-the-diaspora-rather.

While contemporary academic discourse acknowledges the existence of multiple identities, and it is possible to talk about having identities that are both/and rather than either/or (Collins 1990) for a child with one black and one white parent, this is usually restricted to a choice of being both mixed race and black. You can never claim whiteness. Whiteness is sustained and preserved through a myth of purity, exclusivity and restricted access. The addition of a ‘mixed-race’ category on the census does nothing to challenge the racial hierarchy and this is one of the reasons I reject it. Similarly, a decision for me to identify exclusively as black fails to disrupt the status quo and so for me is also problematic. It is the fluid and multidimensional models for identity that are reminiscent of a time before we had been conditioned into a belief in rigid racial classification which are so interesting and potentially offer such scope to the ‘mixed’ person—and indeed all people.

Emma Dabiri, “Why I see myself as a daughter of the Diaspora rather than mixed-race,” Black Girl Dancing at Lughnasa (March 12, 2013). http://thediasporadiva.tumblr.com/post/45223779733/why-i-see-myself-as-a-daughter-of-the-diaspora-rather.

Being Mixed Race: What are the identity politics of the million-strong ‘Jessica Ennis generation’?

Women of the World Festival
Southbank Centre
2013-03-06 through 2013-03-10

Sunday, 2013-03-10, 12:00-13:00Z
Level 5 Function Room
Royal Festival Hall

Panelists:

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

Reya El-Salahi, Radio broadcaster, television presenter, writer and journalist

Kay Montano, Make-up Artist

Chair:

Emine Saner, Feature Writer
The Guardian

In the 2011 census over a million people in the UK classed themselves as ‘mixed race’—but for some, the label is meaningless.

So what are the identity politics of the ‘Jessica Ennis generation’?

Join broadcaster Reya El-Salahi, celebrity make-up artist Kay Montano, and Irish-Nigerian visual sociologist Emma Dabiri as they discuss the joys and challenges of being a dual heritage woman in modern-day Britain.

For more information, click here. Listen to the panel here.

Mixed Race in Britain

Kneeshaw Consulting
2013-03-11

In the 2011 census over a million people in the UK classed themselves as ‘mixed race’ – but for some, the label is unhelpful. The identity politics of the ‘Jessica Ennis generation’ was the subject of a workshop at the Women of the World Festival yesterday at London’s Southbank Centre. The latest data shows that 2.2% of the population are mixed race compared to 1.2% in 2001. Mixed-race is the fastest-growing minority in the UK. With this in mind four young British women of dual heritage talked about their experiences and debated whether having the box of ‘mixed race’ to tick offered them a sense of power or a meaningless classification, no better than ticking the ‘other’ box. Emma Dabiri, an Irish-Nigerian visual sociologist and writer, argued that race does not provide a stable or static concept of identity, but is a social construct. She talked about historical racialisation of identity, and stressed that race mixing does not eliminate racism. She gave examples of the media using images of mixed race people to promote an idea of a hip, cool generation, when in fact the experience of mixed race people, in the wider context of race relations in modern Britain, is complex and brings many challenges…

Read the entire article here.