Mixed Race Studies

Black German culture, history highlighted at Amherst-sponsored conference

Amherst College News
Amherst College
Amherst, Massachusetts
2013-08-16

Peter Rooney, Director of Public Affairs

As more African-Americans are realizing they have German roots, and as Germans expand the notion of what it means to be German, a new academic discipline dedicated to examining the Black German experience is having its third International Conference at Amherst College this week.

Christian Rogowski, a professor of German at Amherst College, together with Sara Lennox of U Mass, helped organize this year’s conference of the Black German Heritage & Research Association Convention, which will be held from Thursday, August 8 to Saturday, August 10 and is free and open to the public.

“The conference is unique,” Rogowski said, “because it brings together researchers who work on issues of ethnicity and racial diversity and the situation of blacks in Germany with people who themselves fall into that category, people with hyphenated identities such as Afro-German, African-American German or Black German.”

One highlight of the conference is a screening of the film “Toxi”, recently released on DVD by the DEFA Library of the University of Massachusetts, Amherst.  The German movie from 1952 about an African-American girl who is born to a German mother after World War II, shows the impact that birth has on the girl, her family and the community that surrounds her. The film will be screened at 4 p.m. Friday in Stirn Auditorium, where Angelica Fenner of the University of Toronto will moderate a discussion about it…

Read the entire article here.

New book details racism faced by black soldiers who helped build Alaska Highway

Edmonton Journal
Edmonton, Alberta, Canada
2013-08-02

Chris Zdeb

EDMONTON – Author John Virtue admits he knew “absolutely nothing” about The Black Soldiers Who Built the Alaska Highway, which is also the title of his latest book, before he started researching the topic six years ago.

He was inspired to write the story at the suggestion of Monte Irvin, a former New York Giant and a member of the baseball Hall of Fame, who Virtue met while writing a book about the role of the Mexican League in desegregating American baseball.

Virtue had never heard about the black soldiers who worked on the highway, even though he was raised in Edmonton, the staging area for the project.

You’d think it would be hard to miss 5,000 black troops, almost half of the 11,000 American soldiers who spent 18 months working on two of the biggest construction projects of the Second World War…

…The black soldiers should have been especially newsworthy, since they were the first African-American troops to be deployed outside of the U.S. mainland during the Second World War.

“The main reason why the contributions of the black soldiers was ignored during the war,” the former journalist says from his Miami Beach home, “is because of the power of congressmen from the southern states, who thought that anything that glorified the contributions of the blacks would cause problems back home. They might agitate for improvement of their conditions once the war was over and they were back home.”…

…There was immediate opposition from Brig.-Gen. Simon Bolivar Buckner, Jr., commander in charge of the defence of Alaska, to black soldiers being sent to the far north. On receiving a letter from Brig.-Gen. Clarence L. Sturdevant, assistant of the Corps of Engineers, informing him that two black regiments would be sent to the Yukon and Alaska to help with the highway, Buckner minced no words in his reply.

“I have no objections whatever to your employing them on the roads if they are kept far enough away from the settlements and kept busy and sent home as soon as possible,” wrote Buckner, a southern aristocrat raised in rural Kentucky.

“The very high wages offered to unskilled labour here would attract a large number of them and cause them to remain and settle after the war, with the natural result that they could interbreed with the Indian and Eskimos and produce an astonishingly objectionable race of mongrels which could be a problem from now on.”…

Read the entire article here.

The Black Soldiers Who Built the Alaska Highway: A History of Four U.S. Army Regiments in the North, 1942-1943

McFarland
2013
228 pages
39 photos, notes, bibliography, index
Softcover (7 x 10)
Print ISBN: 978-0-7864-7117-1
Ebook ISBN: 978-1-4766-0039-0

John Virtue, Director
International Media Center at Florida International University

This is the first detailed account of the 5,000 black troops who were reluctantly sent north by the United States Army during World War II to help build the Alaska Highway and install the companion Canol pipeline. Theirs were the first black regiments deployed outside the lower 48 states during the war. The enlisted men, most of them from the South, faced racial discrimination from white officers, were barred from entering any towns for fear they would procreate a “mongrel” race with local women, and endured winter conditions they had never experienced before. Despite this, they won praise for their dedication and their work. Congress in 2005 said that the wartime service of the four regiments covered here contributed to the eventual desegregation of the Armed Forces.

Table of Contents

• Foreword by Monte Irvin
• Preface
• Introduction
• 1. Pondering a Pathway to Alaska
• 2. Highway and Pipeline Approved
• 3. The Second Emancipation Order
• 4. Blacks Rush to Enlist
• 5. Black Soldiers Voice Their Complaints
• 6. Army Reluctantly Assigns Black Regiments
• 7. Heading North
• 8. Japanese Attack Justifies the Alcan Highway
• 9. The 93rd and the 95th Start Off with Picks and Shovels
• 10. The 97th Completes the Highway
• 11. The 388th Does the Heavy Lifting
• 12. An Unexpectedly Severe Winter
• 13. Surviving Isolation
• 14. The Highway Is Praised, the Pipeline Criticized
• 15. Identifying Problems
• 16. News Coverage of Black Troops Suppressed
• Epilogue
• Chapter Notes
• Bibliography
• Index

The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945

Harvard University Press
February 2011
272 pages
6-1/8 x 9-1/4 inches
20 halftones
Hardcover ISBN: 9780674057012

George Bornstein, C. A. Patrides Professor of Literature, Emeritus
University of Michigan, Ann Arbor

A major reevaluation of relationships among Blacks, Jews, and Irish in the years between the Irish Famine and the end of World War II, The Colors of Zion argues that the cooperative efforts and sympathies among these three groups, each persecuted and subjugated in its own way, was much greater than often acknowledged today. For the Black, Jewish, and Irish writers, poets, musicians, and politicians at the center of this transatlantic study, a sense of shared wrongs inspired repeated outpourings of sympathy. If what they have to say now surprises us, it is because our current constructions of interracial and ethnic relations have overemphasized conflict and division. As George Bornstein says in his Introduction, he chooses “to let the principals speak for themselves.”

While acknowledging past conflicts and tensions, Bornstein insists on recovering the “lost connections” through which these groups frequently defined their plights as well as their aspirations. In doing so, he examines a wide range of materials, including immigration laws, lynching, hostile race theorists, Nazis and Klansmen, discriminatory university practices, and Jewish publishing houses alongside popular plays like The Melting Pot and Abie’s Irish Rose, canonical novels like Ulysses and Daniel Deronda, music from slave spirituals to jazz, poetry, and early films such as The Jazz Singer. The models of brotherhood that extended beyond ethnocentrism a century ago, the author argues, might do so once again today, if only we bear them in mind. He also urges us to move beyond arbitrary and invidious categories of race and ethnicity.

Table of Contents

• List of Illustrations
• Preface
• Introduction
• 1. Races
• 2. Diasporas and Nationalisms
• 3. Melting Pots
• 4. Popular and Institutional Cultures
• 5. The Gathering Storm: The 1930s and World War II
• Notes
• Index

Burton Mixed Heritage Oral Hers/His story project

East Staffordshire Rights & Equality Council (ESREC)
July 2012
39 pages

The mixed heritage community is the fastest growing ethnic minority group in the UK and is predicted to be the largest minority ethnic group by 2020.The ethnicity category Mixed was first introduced in the 2001 UK Census, where 677,177 people classified themselves as of mixed race, making up 1.2% of the UK’s population.

The origin of mixed heritage people in this country started en masse in the early 1940s when the USA entered World War II. Some of the American soldiers who were stationed in the UK were black and whilst here formed relationships with local people resulting in the birth of children. When they returned to the USA many left their families behind.

In 1948 the UK government was heavily involved on its national rebuilding programme following the war. People were invited to the UK from the Commonwealth. It is well documented that many came on the SS Windrush from the Caribbean, with others coming from India, Pakistan and other Commonwealth countries.

The Burton Mixed Heritage Project recognises the importance of capturing and preserving the experiences of the 1st, 2nd, and the current generation of mixed heritage people in East Staffordshire and surrounding areas.

We recorded the interviews and divided them into 3 categories to show their experiences for the benefit of future generations.

1. The G.I. Generation (1941-1964)

This generation is descended from foreign mainly Black soldiers who were stationed in Burton and surrounding areas, who had children with the local residents. It also includes the Windrush generation.

2. The Beat Generation (1965-1984)

These are the children born from the union of different cultures i.e. people from the Caribbean or the Asian sub-continent joining with people from the UK

3. The Y Generation (1985 -present)

Young people who were born in the late 80s/early 90s and are of mixed heritage.

Our aim is to empower, educate and inform people of mixed heritage communities, and society at large about their experiences and journey. This DVD aims to show you that “On every corner there is a story”

Read the entire report here.

Germany and the Black Diaspora: Points of Contact, 1250-1914

Berghahn Books
July 2013
262 pages
25 ills, 2 maps, bibliog., index
Hardback ISBN: 978-0-85745-953-4
eBook ISBN: 978-0-85745-954-1

Edited by:

Mischa Honeck, Research Fellow
German Historical Institute, Washington, D.C.

Martin Klimke, Associate Professor of History
New York University, Abu Dhabi

Anne Kuhlmann, Research Fellow in Russian History
Cultural Foundation of the German Federal States, Berlin

The rich history of encounters prior to World War I between people from German-speaking parts of Europe and people of African descent has gone largely unnoticed in the historical literature—not least because Germany became a nation and engaged in colonization much later than other European nations. This volume presents intersections of Black and German history over eight centuries while mapping continuities and ruptures in Germans’ perceptions of Blacks. Juxtaposing these intersections demonstrates that negative German perceptions of Blackness proceeded from nineteenth-century racial theories, and that earlier constructions of “race” were far more differentiated. The contributors present a wide range of Black–German encounters, from representations of Black saints in religious medieval art to Black Hessians fighting in the American Revolutionary War, from Cameroonian children being educated in Germany to African American agriculturalists in Germany’s protectorate, Togoland. Each chapter probes individual and collective responses to these intercultural points of contact.

Contents

• List of Figures
• Acknowledgments
• Introduction / Mischa Honeck, Martin Klimke, and Anne Kuhlmann
• PART I: SAINTS AND SLAVES, MOORS AND HESSIANS
  • Chapter 1. The Calenberg Altarpiece: Black African Christians in Renaissance Germany / Paul Kaplan
  • Chapter 2. Black Masques: Notions of Blackness in the Fifteenth and Sixteenth Centuries / Kate Lowe
  • Chapter 3. Ambiguous Duty: Black Servants at German Ancien Régime Courts / Anne Kuhlmann
  • Chapter 4. Real and Imagined Africans in German Court divertissements / Rashid-S. Pegah
  • Chapter 5. From American Slaves to Hessian Subjects: Silenced Black Narratives of the American Revolution / Maria Diedrich
• PART II: FROM ENLIGHTENMENT TO EMPIRE
  • Chapter 6. The German Reception of African American Writers in the Long Nineteenth Century / Heike Paul
  • Chapter 7. “On the Brain of the Negro”: Race, Abolitionism, and Friedrich Tiedemann’s Scientific Discourse on the African Diaspora / Jeannette Eileen Jones
  • Chapter 8. Liberating Sojourns? African American Travelers in Mid-Nineteenth-Century Germany / Mischa Honeck
  • Chapter 9. Global Proletarians, Uncle Toms and Native Savages: The Antinomies of Black Identity in Nineteenth-Century Germany / Bradley Naranch
  • Chapter 10. We Shall Make Farmers of Them Yet: Tuskegee’s Uplift Ideology in German Togoland / Kendahl Radcliffe
  • Chapter 11. Education and Migration: Cameroonian School Children and Apprentices in the German Metropole, 1884-1914 / Robbie Aitken
• Afterword: Africans in Europe: New Perspectives / Dirk Hoerder
• Select Bibliography
• Notes on Contributors
• Index

Looking back at lives of black GIs in Dorset

Dorset Echo
Weymouth, Dorset, England
2013-06-12

James Tourgout

A NEW exhibition is highlighting the stories of black soldiers in Dorset during World War Two.

It explores the lives of African American servicemen who headed to Dorset to train for D-Day and is showing at Weymouth library until June 14.

It comes in the week following the 69th anniversary of the D-Day landings in France.

The exhibition—entitled 1944 We Were Here: African American GIs in Dorset—was successfully launched last May at Walford Mill Crafts in Wimborne. Louisa Adjoa Parker, a Dorchester writer and poet of British and Ghanaian heritage, carried out the research into this part of local history, which has been little explored so far…

Louisa specialises in local black history and has written several books and exhibitions exploring the presence of black and minority ethnic people in Dorset. Louisa said: “This local history has not been explored in great detail until recently, and is arguably an important part of Dorset’s heritage.

“It was important to gather the stories now, as the GIs’ children and the local people who remember the GIs are getting older. “The African Americans’ presence here left behind a lasting legacy—cultural influences, memories and stories that have been passed down in families and become part of local folklore, and a number of their children as a result of relation-ships with local women.”

Read the entire article here…

A Black Nurse, a German Soldier and an Unlikely WWII Romance

The New York Times
2013-05-14

Alexis Clark

The nurse and the soldier may never have met – and eventually married – had it not been for the American government’s mistreatment of black women during World War II.

Elinor Elizabeth Powell was an African-American military nurse. Frederick Albert was a German prisoner of war. Their paths crossed in Arizona in 1944. It was a time when the Army was resisting enlisting black nurses and the relatively small number allowed entry tended to be assigned to the least desirable duties.

“They decided they were going to use African-Americans but in very small numbers and in segregated locations,” said Charissa Threat, a history professor at Northeastern University who teaches race and gender studies.

Ms. Powell was born in 1921 in Milton, Mass., and in, 1944, after completing basic training at Fort Huachuca, Ariz., she was sent, as some other black nurses were, to tend to German prisoners of war in Florence, Ariz.

“I know the story of how they met,” said Chris Albert, 59, the youngest son of Elinor and Frederick Albert. “It was in the officers’ mess hall, and my father was working in the kitchen. He kind of boldly made his way straight for my mother and said: ‘You should know my name. I’m the man who’s going to marry you.’”

Frederick Karl Albert was born in 1925 in Oppeln, Germany. “He volunteered for the paratroops to impress his father, who served in WWI,” Mr. Albert said. “His father was an engineer and not really interested in his children. My dad ended up getting captured in Italy.”…

…The American military officially ended segregation after WWII, but for the Alberts, the issue of race would resurface throughout their lives. Their unlikely romance resulted in Stephen’s birth in December 1946. After Frederick was able to return to the United States, he and Elinor married on June 26, 1947, in Manhattan.

“I would say the first 10 years for my parents were a struggle to find some kind of economic security and a safe haven for an interracial family,” said Chris Albert, who plays the trumpet with the Duke Ellington Orchestra.

“They moved to Boston and my father worked several jobs,’’ he said. “At some point, he decided it was best if they moved to Göttingen, Germany, where his parents lived. He could work for his father’s cement manufacturing business.”

But Kristina Brandner, 70, a niece of Frederick Albert, said life in Germany was difficult. “Göttingen is a small town,’’ she said. “My grandmother never had contact with black people so it was strange and uncomfortable for her with Elinor. Kids used to ask me how come there was a black woman living with us, and why is your cousin another color. Sometimes, I saw Elinor in the kitchen crying.”

In less than two years, Frederick, Elinor, Stephen and Chris, who was an infant, returned to the United States….

Read the entire article here.

‘War Baby’ is something to see, if you can let go

The Chicago Tribune
2013-05-08

Lori Waxman, Instructor of Art History, Theory and Criticism
School of the Art Institute of Chicago

It was the Hello Kitty tepee that did it for me.

Some exhibitions can be so challenging that it takes a particularly unexpected artwork for the viewer to finally let go and get into the swing of things. “War Baby/Love Child: Mixed Race Asian American Art,” currently up at the DePaul Art Museum and featuring work by a dozen-and-a-half artists, is one such show. A riotously colored digital print by Debra Yepa-Pappan featuring a purple-haired Native American woman, lifted from an iconic Edward S. Curtis photograph and set against a background of space-age tepees, one of them marked with the equally iconic and silent face of everybody’s favorite Japanese cat, is one such artwork.

Hilarious and weird and crazily of its time — i.e., now — Yepa-Pappan’s collage lifted my thoughts up and over the various stumbling blocks that “War Baby/Love Child” presents. Curated by Laura Kina, an artist and DePaul professor, and Wei Ming Dariotis, a professor of Asian-American Studies at San Francisco State University, the cogitative but overdetermined exhibition sets up a Catch-22. It wants to recognize the complex realities of a fast-growing segment of the American population — the 2.6 million who identify as Asian plus one or more other races — and to prove how far beyond stereotype those people go. And yet, two gargantuan cliches give their name to the exhibition itself.

The term “war babies” generally refers to the children of Asian or Pacific Islander women and the U.S. soldiers who were stationed in their home countries during World War II, the Korean War and the Vietnam War. “Love children” were born of the free love of a post-civil rights and flower-child era, and, as listed in the extensive exhibition catalog, their makeup includes Eurasians and Hapas (Mixed White Asians), Mixed Bloods (Mixed Asian Native Americans), Blasians (Mixed Black Asians) and Mestizaje (Mixed Latino Asians).

“War Baby/Love Child” thus finds itself in the counterintuitive position of wanting to replace its own title with a dozen less-loaded ones. Wall labels are one tool, and the ones here list an astonishing array of mixed identities as well as direct quotes from most of the artists, many of whom speak about personal experiences growing up amid racial presumption…

Read the entire article here.

The Color of Fascism: Lawrence Dennis, Racial Passing, and the Rise of Right-Wing Extremism in the United States

New York University Press
2006-11-20
256 pages
4 illustrations
ISBN: 9780814736869

Gerald Horne, John and Rebecca Moores Professor of History
University of Houston

What does it mean that Lawrence Dennis—arguably the “brains” behind U.S. fascism—was born black but spent his entire adult life passing for white? Born in Atlanta in 1893, Dennis began life as a highly touted African American child preacher, touring nationally and arousing audiences with his dark-skinned mother as his escort. However, at some point between leaving prep school and entering Harvard University, he chose to abandon his family and his former life as an African American in order to pass for white. Dennis went on to work for the State Department and on Wall Street, and ultimately became the public face of U.S. fascism, meeting with Mussolini and other fascist leaders in Europe. He underwent trial for sedition during World War II, almost landing in prison, and ultimately became a Cold War critic before dying in obscurity in 1977.

Based on extensive archival research, The Color of Fascism blends biography, social history, and critical race theory to illuminate the fascinating life of this complex and enigmatic man. Gerald Horne links passing and fascism, the two main poles of Dennis’s life, suggesting that Dennis’s anger with the U.S. as a result of his upbringing in Jim Crow Georgia led him to alliances with the antagonists of the U.S. and that his personal isolation which resulted in his decision to pass dovetailed with his ultimate isolationism.

Dennis’s life is a lasting testament to the resilience of right-wing thought in the U.S. The first full-scale biographical portrait of this intriguing figure, The Color of Fascism also links the strange career of a prominent American who chose to pass.

Read the preface here.

Table of Contents

• Preface
• Introduction: More Than Passing Strange
• 1. Passing Fancy?
• 2. Passing Through
• 3. Fascism
• 4. The Face—of Fascism
• 5. Fascism and Betrayal
• 6. Approaching Disaster
• 7. Framing a Guilty Man?
• 8. Fascism on Trial
• 9. A Trial on Trial
• 10. After the Fall
• 11. An Isolationist Isolated?
• 12. Passing On
• Notes
• Index
• About the Author