Mixed Race Studies

Mixed-Race and Modernity in Colonial India: Changing Concepts of Hybridity Across Empires

Routledge
2012-02-29
208 pages
Hardback ISBN: 978-0-415-50429-4

Adrian Carton
Centre for Cultural Research
University of Western Sydney, Australia

This book traces changing concepts of mixed-race identity in early colonial India by contrasting Portuguese, British and French colonial spaces. Starting in the sixteenth century, the author shows how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the central core of the book looks at the Anglo-French tensions of the eighteenth century to consider the relationship between modernity and race-making. Arguing that different forms of modernity produced divergent categories of hybridity, the book considers the impact of changing political structures on mixed-race communities. With its emphasis on specificity, it situates current and past debates on the mixed-race experience and the politics of whiteness in broader historical and global contexts.

The book contributes to the understanding of race-making as an aspect of colonial governance, and it illuminates some margins of colonial India that are often lost in the shadows of the British regime. It is of interest to academics interested in world/global history, postcolonial studies, South Asian imperial history and critical mixed-race studies.

Contents

1. Introduction
2. Portuguese Legacies
3. Race and Reform
4. Contested Colonialisms
5. French Complexions
6. Race and Fraternity
7. Conclusion

The Meaning of White: Race, Class, and the ‘Domiciled Community’ in British India 1858-1930

Oxford University Press
January 2012
288 pages
Hardback ISBN13: 9780199697700; ISBN10: 0199697701

Satoshi Mizutani

From 1858 to 1930 the concept of whiteness in British India was complex and contradictory. Under the Raj, the spread of racial ideologies was pervasive, but whiteness was never taken as self-evident. It was constantly called into question and its boundaries were disciplined and policed through socio-cultural and institutional practices.

Only those whites with social status, cultural refinement, and the right level of education were able to command the respect and awe of colonized subjects. Among those who straddled the boundaries of whiteness were the ‘domiciled community’, made up of mixed-descent ‘Eurasians’ and racially unmixed ‘Domiciled Europeans’, both of whom lived in India on a permanent basis. Members of this community, or those who were categorized as such under the Raj, unwittingly rendered the meaning of whiteness ambiguous in fundamental ways.

The colonial authorities quickly identified the domiciled community as a particularly malign source of political instability and social disorder, and were constantly urged to furnish various institutional measures—predominantly philanthropic and educational by character—that specifically targeted its degraded conditions. The Meaning of White reveals the precise ways in which the existence of this community was identified as a problem (the ‘Eurasian Question’) and examines the deeper historical meanings of this categorization. Dr Mizutani demystifies the ideology of whiteness, situating it within the concrete social realities of colonial history.

Table of Contents

• Introduction
• 1. British prestige and fears of colonial degeneration
• 2. The origins and emergence of the ‘domiciled community’
• 3. The ‘Eurasian Question’: the domiciled poor and urban social control
• 4. ‘European schools’: illiteracy, unemployment, and educational uplifting
• 5. Towards a solution to the Eurasian Question: child removal and juvenile emigration
• 6. Disputing the domiciliary divide: civil-service employment and the claim for equivalence
• 7. Conclusion: Race, class, and the contours of whiteness in late British India

Anglo-Indian Nostalgia: Longing for India as Homeland

Rhizomes Postgraduate Conference
Rhizomes: Re-visioning Boundaries Conference
The School of Languages and Comparative Cultural Studies
The University of Queensland, Brisbane, Australia
2006-02-24 through 2006-02-25

Alzena D’Costa
Curtin University of Technology

This paper argues that the ‘nostalgia’ that the Anglo-Indian community exhibits in the telling of its (hi)stories can be seen as functioning to (re)claim India as homeland. The Anglo-Indians are the Indian-European minority community of India whose origins and history is inextricably interwoven with the politics of colonial India. Within the framework of post-independence Indian thought, the Community has been alienated from embodying the national identity and is made to feel unhomely.

In his book Long-distance Nationalism, Zlatko Skrbiŝ defines nostalgia as ‘a painful condition related to the homeland (Gr. nostos means ‘to return home’ and algia, ‘a painful condition’ (41). Roberta Rubenstein, in her book Home Matters, also describes nostalgia as a temporal separation (4). The recent nostalgic writings produced by the Anglo-Indian community remember, idealise and pine for the colonial past – a time when the Anglo-Indian community felt a sense of belonging in India. Some historians claim that nostalgia is ‘perhaps the most dangerous … of all the ways of using history’ because it glosses ‘over the past’s iniquities and indignities’. However, Rubenstein points out that nostalgia can also ‘fix’ the past and recover it in ‘narrative terms’ (6). With this insight, I will argue that via nostalgic writing the Anglo-Indian community can revisit, and hence reclaim, India as home.

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Eurasian Women as Tawa’if Singers and Recording Artists: Entertainment and Identity-making in Colonial India

African and Asian Studies
Volume 8, Issue 3 (2009)
pages 268-287
DOI: 10.1163/156921009X458118

Shweta Sachdeva Jha, Assistant Professor of English
Miranda House, University College for Women, University of Delhi

Scholarship on Eurasians has often addressed issues of migration, collective identity and debates around home. Women performers however do not find themselves discussed in these histories of Eurasian peoples in India. This paper aims to account for individual agency in shaping one’s identity within the meta-narratives of collective identity of migrant peoples. I focus on two Eurasian women entertainers in the colonial cities of Benares and Calcutta who chose to forget their mixed-race past to fashion successful careers using new identities as tawa’if singers and actors in the late nineteenth and early twentieth centuries. This, I shall argue, was possible within the wider context of emergent colonial modernities in colonial India. By choosing micro-level case histories of these celebrity entertainers, I want to argue for including popular culture as an arena of identity-making within histories of migration and gender. To engage with popular culture, I shall extend our perception of historical ‘archive’ to include a varied set of materials such as biographical anecdotes, discographies, songbooks, and address the fields of poetry, music and history. Through this project I hope to rethink ideas of gender, culture and agency within wider debates of migration and identity-making.

Am I that Race? Punjabi Mexicans and Hybrid Subjectivity, or How To Do Theory So That It Doesn’t Do You

Hastings Women’s Law Journal
Volume 21, Number 2 (Summer 2010)
page 311-332

Falguni A. Sheth, Associate Professor of Philosophy and Political Theory
Hampshire College, Amherst, Massachusetts

I. INTRODUCTION
 
This paper explores the conceptual and racial status of “Punjabi Mexicans” at the turn of the twentieth century. I refer primarily to marriages between East Indian men and Mexican or Mexican-American women on the West Coast and in the Southwestern United States. The scant information available about these alliances has been uncovered by several historians and an anthropologist.  In that literature, this group appears to be a “given,” i.e., it is portrayed as a coherent identity that emerges from a simple set of circumstances.  Yet, it is anything but a given; its existence and its collective and individual consciousness is created out of a complex nexus of legal, political, social, and natural environments that spurred the migration of East Indian men and Mexican women from their homelands and to their adopted lands. I am interested in examining the collective consciousness of individuals who are located in the same moment, but who are living in distinct but overlapping contexts. The structural sources – laws, institutions, explicit and implicit prohibitions, cultural trends, and economic interests – converge to give this population its subjectivity. By subjectivity, I refer to the complex existence of human beings, whose self-understanding is found in the nexus of historical, political, and social circumstances; juridical and social institutions such as laws and government; as well as in their creativity and imagination in negotiating and resisting those circumstances in order to survive or flourish. In other words, as Michel Foucault says, “There are two …

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Anglo-Indian legacy slowly disappears in remote forest

The Brunei Times
2011-12-20

Ammu Kannampilly
Mccluskieganj, India

As India inched towards independence, hundreds of mixed-race Anglo-Indians feared for their future and retreated to a self-styled homeland in a thickly forested part of the country.

Ernest McCluskie, an Indian of Scottish descent established McCluskieganj in what is now the eastern state of Jharkhand, hoping to attract Anglo-Indians anxious about the impending demise of the British empire.

Nearly 80 years on, the few colonial bungalows still standing are in disrepair, the local economy survives on the back of a single school, and McCluskieganj’s ageing residents say the “chhotta England” (little England) they grew up in has vanished forever.

Anglo-Indians prospered under British rule with access to good jobs in the railways, armed forces or as customs officers…

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The Anglo-Indian Community

American Journal of Sociology
Volume 40, Number 2 (September, 1934)
pages 165-179

Elmer L. Hedin
Halcyon, California

Of the several half-caste croups in Asia, the largest and most self-conscious is the Anglo-Indian Community. It numbers perhaps two hundred thousand persons who maintain themselves precariously on the outskirts of British-Indian officialdom, employed for the most part in clerical and other minor positions under the government. The life of the Anglo-Indian is one protracted struggle for status, occupational and social, and in that struggle he seems to be losing ground. Despised by both British and Indians, he may well be submerged in the turmoil of the present, trampled under by the march of India’s millions toward nationalism.

With the discovery of a sea route to eastern Asia in the last decade of the fifteenth century there began a new era of intimate and exten sive trade relationships between the nations of Europe and those of the Far East. The first European traders belonged to a world in many respects more tolerant than the present one, a world in which race prejudice was almost unknown. Consequently, more often than not they entered into more or less permanent marriage relationships with native women, a custom which resulted, after a few generations of trade and political expansion, in the presence of considerable numbers of half-castes. Such half-castes were in a special position and tended to form self-conscious communities, the largest, the best organized, and the most interesting of which is that community in India variously known as East Indian, Eurasian, or Anglo-Indian.

Some fifteen hundred years before Christ, India was conquered by a people speaking an Aryan language and allied to the present Europeans in blood. Later there were invasions of Greeks, Parthians, and Arabs. As a consequence, there was a not inconsiderable intermixture of invaders’ blood with that of the already hybrid population they found, fought with, and often ruled. But these mixtures took place so long ago that it is not easy to tell what proportion of white and what proportion of dark blood there is in any native of India. Furthermore, it has been and is customary for Europeans to think of all Indians as “colored” without regard to their possible…

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Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow

The Drama Review
Volume 48, Number 4 (Winter 2004)
Pages 167-182
DOI: 10.1162/1054204042442053

Dr. Bradley Shope, Assistant Professor of Music
Texas A&M Universtity, Corpus Christi

From the 1920s to the 1940s, Anglo-Indians relished Western popular music. For this marginalized group, this music was a way of promoting respectability. And though the music mimicked styles from America and Europe, its celebration was distinctly local.

Beginning in the first half of the 20th century, Western ballroom and dance music began to make its way into Lucknow in Uttar Pradesh, as well as other cities in North India. It was imported via gramophone disks, radio broadcasts, and sheet music coming from Europe and America. In the 1930s, an increasing number of dance halls, railway social institutes, auditoriums, and cafes were built to cater to a growing number of British and Americans in India, satisfying their nostalgia for the live performance of the foxtrot, the tango, the waltz, the rumba, big-band music, and Dixieland. Influenced by sound and broadcast technology, sheet music, instrument availability, the railway system, and convent schools teaching music, an appreciation for these styles of music was found in other communities. Especially involved were Portuguese Goans and Anglo-Indians, defined here as those of European and Indian descent who were born and raised in India. For these two groups, it served to assert their identities as distinct from other South Asians and highlighted that their taste for music reached beyond the geographical boundaries of India. Numerous types of media, institutions, and venues contributed to this vibrant Western music performance culture in Lucknow in the early 20th century. James Perry, an elderly Goan musician, and Mr. John Sebastian and Mr. Jonathan Taylor, two elderly Anglo-Indian ex-railway workers, were involved in its performance and appreciation. By drawing from multiple field interviews in North India conducted with these individuals between 1999 and 2001, and by describing the character of the performance culture, I will highlight the role of music in creating socioeconomic mobility and a distinct identity among Anglo-Indians in Lucknow, and address issues of power relations and colonialism with reference to the consumption of the music.

Just before and during World War II, Lucknow was considered a strategic military defense location because of the fear of bombing campaigns in Kolkata (formerly Calcutta) by the Japanese military. A large portion of the Allied Eastern Command was moved inland and established in Lucknow to counter…

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The Stain of White: Liaisons, Memories, and White Men as Relatives

Men and Masculinities
Volume 9, Number 2 (October 2006)
pages 131-151
DOI: 10.1177/1097184X06287764

Janaki Abraham, Assistant Professor Women Studies
Jawaharlal Neru University

During British colonial rule some matrilineal Thiyya women in North Kerala, India, had liaisons with British men. While the response of the caste (here, a Backward caste) to these liaisons shifted over time, in the late nineteenth and early twentieth century many women who had liaisons and their families were excommunicated. A “white connection” became a stain and kinship with the white man was denied or shrouded. This article looks at the ways in which both the liaisons and the denial of the white man as father or relative were located within practices of matrilineal kinship. Furthermore, this article seeks to understand how these liaisons are remembered today and how the presence of the white man as a relative is layered over by processes of forgetting and remembering.

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History and the (Un)making of Identifications in Literary Representations of Anglo-Indians and Goan Catholics

University of British Columbia
September 2000
465 pages

Marian Josephine Gracias

A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of English)

This dissertation examines selected literature by and about Anglo-Indians (Eurasians) and Goan Catholics from India and the Indian diaspora, focusing on its preoccupation with the history of these communities as a site of contested identifications. Especially polemical are perceptions (due to communalist stereotypes or internalisation) of Anglo Indians and Goan Catholics as mimic or intermediary communities who ended up capitulating to British and/or Portuguese colonialist structures respectively. Larger issues for both communities in India and in the diaspora also involve questions of racial or cultural hybridity, and the slippage between religion and culture, particularly the linking of conversion to Christianity with colonisation, Westernisation, denationalisation, and non-Indianness.

I argue for a more layered understanding of the concepts of mimicry, hybridity, and resistance in relation to identifications from these communities. By choosing literature set in times of national crisis and historical change (in India, and in East Africa for the Goan diaspora), I have been attentive to the varying ways in which literary characters and narrators confront, project, or elide contradictions of proximity and difference in the production of racial, cultural, and national identity. The main literary texts in the discussion of Anglo- Indian identifications include John Masters’ “Bhowani Junction”, Manorama Mathai’s “Mulligatawny Soup”, Stephen Alter’s “Neglected Lives” and Allan Sealy’s “The Trotter-Nama”. In these texts, I have examined how the narrative opens up or circumscribes the agency and racial identifications of Anglo-Indian characters. As well, I make some references to Rudyard Kipling’s “Kim” and selected work by Ruskin Bond. The central literary texts in the discussion of Goan Catholic and diasporic identifications include Lambert Mascarenhas’ “Sorrowing Lies My Land”, Kiran Nagarkar’s “Ravan and Eddie”, João da Veiga Coutinho’s “A Kind of Absence: Life in the Shadow of History”, selected writing by damian lopes, and Peter Nazareth’s “In a Brown Mantle” and “The General is Up”. I also dwell in some detail on selected short stories by Lino Leitão, and Violet Dias Lannoy’s “Pears from the Willow Tree”. I examine the role of Anglo-Indian and Goan Catholic women literary characters, making the case that, for the most part, it is male characters who are given political and narrative complexity in terms of negotiating colonialism and nationalism, and that women characters, when central, are imaged as mediating grounds to advance or block access to male characters who are competing over nationalist and colonialist discourses about race and sexuality. An exception is the poetry of Eunice de Souza where there is critical reflection on the position of Goan Catholic women.

Where relevant, I draw from particular areas of cultural studies, postcolonial and feminist theories (including those dealing with psychoanalysis), and writings about Indian history and nationalism. Writings from these areas offer pertinent insights on ambivalence in the production of subjectivity, and on the construction of Indianness in relation to arguments on colonialism, gender, caste, class, secularism, and the religious right (especially the discourses of Hindutva). While the identifications and identity of Anglo-Indians and Goan Catholics appear in the genre of history, these communities are largely absent or peripheral in the area of literary analysis, cultural studies, and postcolonial theory pertaining to India. Therefore, I hope that a study of these communities will contribute to the discussion of religious and multiracial identifications that is increasingly relevant to the field of postcolonial and cultural studies.

Table of Contents

• Abstract
• Acknowledgements
• Prologue: Copy Cat Copy Cat?
• Chapter 1: “A Certain Way of Being There”
  • 1.1 Introduction
  • 1.2 Proximity and Distance: Colonialism and the Construction of Mimic Subjectivity
  • 1.3 Forms of Mimic Subjectivity and the Question of Subversion
  • 1.4 Nationalism, Colonialism, and the Construction of Indianness
• Chapter 2: Negotiating Classifications: Writing an Anglo-Indian History
  • 2.1 Introducing Mixed Race Classifications
  • 2.2 Anglo-Indians and the Discourse of Mixed Races under British Colonialism
  • 2.3 Scientific Racialism and Other Discourses of Mixed Races
  • 2.4 Conclusion: (Dis)placing Anglo-Indian Classifications and Affiliation
• Chapter 3: (By) Passing Stereotypes of Anglo-Indian Identifications in Literature
  • 3.1 Literary Antecedents: Representations of Mixed Race People
  • 3.2 “Species Loyally”: Anglo-Indian Identifications in John Masters’ Bhowani Junction
  • 3.3 Between Homes: Manorama Mathai’s Mulligatawny Soup
  • 3.4 Escaping from History: Stephen Alter’s Neglected Lives
  • 3.5 Interracial Relationships in Bhowani Junction, Mulligatawny Soup and Neglected Lives: Possibilities and Closures
• Chapter 4: Beyond Doom and Gloom: Allan Sealy’s The Trotter-Nama
  • 4.1 Introduction: Alternatives to Stereotypes of Anglo-Indian Identifications
  • 4.2 Contending with “The Grey Man’s Burden”: Allan Sealy’s The Trotter-Nama
• Chapter 5: Writing Identity in Goan History
  • 5.1 Claims in the Writing of Goan History.
  • 5.2 Early History of the Portuguese in India and Goa
  • 5.3 Mixing Trade, Religion, and Race
  • 5.4 Conversion to Christianity and the Practice of Religion Under British and Portuguese Colonialism
  • 5.5 Caste, Conversion, and National Identity in Portuguese Goa and British India
  • 5.6 Placing the Politics of Resistance to Portuguese Rule
  • 5.7 Claiming Goa: Liberation or Invasion?.
  • 5.8 The Impact of Language and Migration in the Construction of Goan Identity Today
  • 5.9 Colonial and Caste Effects in Locating Conversion to Christianity Within Communal and Secular Debates in Contemporary India
• Chapter 6: Identifications in Crisis: Goan Catholics in Literature
  • 6.1 The Question of Goan Identity
  • 6.2 Writing Against Colonialism: Lambert Mascarenhas’ Sorrowing Lies My Land, Lino Leitão’s “The Miracle” and “Armando Rodrigues”
  • 6.3 The Crisis of Leadership: Violet Dias Lannoy’s Pears from the Willow Tree and Lambert Mascarenhas’ A Greater Tragedy
  • 6.4 Interrogating Gender: The Poetry of Eunice de Souza
  • 6.5 Hindus and Catholics: Where Parallel Worlds of Difference Meet in the Horizon of Kiran Nagarkar’s Ravan and Eddie
• Chapter 7: “The Intimate Outsider”: History and Location in Literature from the Goan Catholic Diaspora
  • 7.1 Introductory Issues in Writing Diaspora
  • 7.2 The Search for a Theory of Goan History: João da Veiga Coutinho’s A Kind of Absence: Life in the Shadow of History.
  • 7.3 East African Goan Catholics: Narrating the Third That Walks Between Black and White in Peter Nazareth’s In a Brown Mantle and The General Is Up
  • 7.4 Intermediary Positions and Peter Nazareth’s Narrators
  • 7.5 Navigating Historical Legacies in damian lopes’ Writing
• Chapter 8: Epilogue: The Politics of Engagement
• Works Cited

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