Mixed Race Studies

Ormonde: Windrush’s Forgotten Forerunner

Hannah Lowe

Hercules Editions
2014-11-05
36 pages
125 x 140 mm, full colour throughout
ISBN: ISBN 978-0-9572738-2-5

Ormonde is a chapbook by the award-winning writer Hannah Lowe, which brings together a cycle of poems and unique personal and historical archives to chart the 1947 journey of SS Ormonde, the first post-WW2 ship (more than a year before SS Empire Windrush) to carry immigrants from Jamaica to the UK.

On board was the poet’s father, R. Lowe, ready to start a new life in a new country. His daughter writes poignantly of his hopes and aspirations, of his fellow passengers, and the issues faced by immigrants arriving in Britain at the time.

The book includes a foreword by the author explaining her personal quest to find out more about this forgotten ship, and her influences and process in writing the poems. An afterword by the acclaimed writer and historian Mike Phillips puts the history of the Ormonde into the wider context of black British immigration.

The chapbook is published in a limited edition of 300, and is signed by the author. A special edition, available only through our Indiegogo campaign, includes an additional signed poem.

Olive Senior

Olive Senior’s Gardening in the Tropics
2012

Hyacinth M. Simpson, Associate Professor of English
Ryerson University, Toronto, Ontario, Canada

Olive Marjorie Senior was born in the parish of Trelawny on the Caribbean island of Jamaica on 23 December 1941. The seventh of ten children, she grew up in the shadow of the Cockpit Mountains and spent her formative years criss-crossing the adjoining western parishes of Westmoreland, Hanover, and St. James. As Velma Pollard points out, “[t]his environment—the topography and the people—is continually reflected in Senior’s poetry and prose” (479). Moreover, as the daughter of a small farmer and a stay-at-home mother, Senior grew up close to the land. Her vast knowledge of local plants, their history, their medicinal and culinary uses, and the rich folklore associated with them— which is evident in a number of poems in Gardening in the Tropics including “Guinep,” “Pineapple,’ “Starapple,” and “Mountain Pride”—is rooted in this early experience. So too are the intimate portraits she paints, in this collection and her other works, of the people whose survival depends on how well they navigate both the physical and social landscape.

In Senior’s immediate family, money was scarce. While not auto-biographical, the poem “My Father’s Blue Plantation” provides insight into the lives of small rural farming families like the one Senior was born in and the hard graft that defines such existence. Even though Senior, who is of mixed race heritage, was born with what Jamaicans term “light skin” and “good hair,” those usual markers of privilege did not set her, or her family, apart from their predominantly African-heritage neighbours in the village of Troy. Class, rather than race, as Senior explains in an interview with Anna Rutherford, was then and still is the main marker of difference in the complex web of Jamaica’s social hierarchy. Because they were poor like their neighbours, the Seniors “lived as a part of the village” (12-13).Troy was, like many other rural villages of the time, close knit. Everyone knew everyone else, and the Senior family was well integrated into their community. Village life was Senior’s first school. A world away from the “refinements” of the city and with no television or cinema and very little radio for distraction, members of the community found instruction and entertainment in the only likely/available source: the oral culture…

Read the entire article here.

Gardening in the Tropics

Insomniac Press
2005 (originally published in 1994)
144 pages
5″ x 8″
Paperback ISBN: 1-897178-00-X

Olive Senior

Gardening in the Tropics contains a rich Caribbean world in poems offered to readers everywhere. Olive Senior’s rich vein of humour can turn wry and then sharp in satire of colour-consciousness, class-consciousness and racism. But her predominant tone is the verbal equivalent of a pair of wide-open arms.

From Harlem to Shenzhen: One Jamaican-Chinese Woman’s Quest to Find Her Family

The Wall Street Journal
2014-09-02

Debra Bruno

Growing up in New York’s Harlem, Paula Williams Madison knew she had a Chinese grandfather, even though she had never met him.

When people found out, she says, most of them would make comments such as “Really? You don’t look Chinese.” Others would laugh. Even so, she always intended to track down her mother’s father and learn the full story of her multi-ethnic Jamaican-Chinese family.

By the time she found them, her tiny American family had expanded to about 400 living members and a family tree that goes back 3,000 years. A new documentary tells the story of that journey and the discovery of a family that today extends from Shenzhen, China, to Kingston, Jamaica, and Los Angeles, California.

Ms. Madison, 62, spent much of her career at NBC, and retired a few years ago as an executive at NBC Universal, one of the first black women to achieve that rank. She says she waited until retiring to pursue her dream of reconnecting with her Chinese family.

Before, “I did know a handful of my cousins,” she says. “Now there are about 40.”

“Finding Samuel Lowe: From Harlem to China,” directed by Jeanette Kong of Toronto, a fellow Chinese-Jamaican, tells the story of Ms. Madison’s quest. After slavery ended in Jamaica in 1838, the country sought immigrants to do the work slaves had performed on sugar plantations. By 1920, 4,000 of those immigrants were Chinese. Ms. Madison’s grandfather—a Hakka Chinese man from Guangdong province originally named Lowe Ding Chiu—was one of them, moving there in 1905 at age 15…

Read the entire article here.

5 Nations That Imported Europeans to Whiten The Population

Atlanta Black Star
2014-03-10

Andre Moore

After the trans-Atlantic slave trade was officially abolished toward the end of the 19th century, many whites felt threatened and feared free Blacks would become a menacing element in society. The elites spent a great dealing of time mulling over how best to solve the so-called Negro problem. A popular solution that emerged during this period was the ideology of racial whitening or “whitening.”

Supporters of the “whitening” ideology believed that if a “superior” white population was encouraged to mix with an “inferior” Black population, Blacks would advance culturally, genetically or even disappear totally, within several generations. Some also believed that an influx of immigrants from Europe would be necessary to successfully carry out the process.

Although both ideologies were driven by racism and White supremacy, whitening was in contrast to some countries that opted for segregation rather than miscegenation, ultimately outlawing the mixing of the races. This, however, was just a different means to the same end as these nations also imported more Europeans while slaughtering and oppressing the Black population.

Here are 5 of the several counties that adopted a whitening policy and what happened as a result…

Read the entire article here.

Imagining Caribbean Womanhood: Race, Nation and Beauty Competitions, 1929–70

Manchester University Press
October 2013
192 pages
216 x 138 mm
Hardback ISBN: 978-0-7190-8867-4

Rochelle Rowe
University of Exeter

Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean Womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation.

The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised. The lively discussion surrounding beauty competitions, examined in this book, reveals that femininity was used to shape ideas about Caribbean modernity, citizenship, and political and economic freedom. This cultural history of Caribbean beauty competitions will be of value to scholarship on beauty, Caribbean studies, postcolonial studies, gender studies, ‘race’ and racism studies and studies of the body.

Contents

• Introduction: Caribbean beauty competitions in context
• 1. The early ‘Miss Jamaica’ competition: cultural revolution and feminist voices, 1929–1950
• 2. Cleaning up carnival: race, culture and power in the Trinidad ‘Carnival Queen’ beauty competition, 1946–1959
• 3. Parading the ‘crème de la crème’: constructing the contest in Barbados, 1958–1966
• 4. Fashioning ‘Ebony Cinderellas’ and brown icons: Jamaican beauty competitions and the myth of racial democracy, 1955–1964
• 5. ‘Colonisation in reverse’: Claudia Jones, the West Indian Gazette and the ‘Carnival Queen’ contest in London, 1959–1964
• Afterword: a Grenadian ‘Miss World’, 1970
• Bibliography
• Index

Extended Families: Mixed-Race Children and Scottish Experience, 1770-1820

international journal of scottish literature
ISSN: 1751-2808
ISSUE FOUR, SPRING/SUMMER 2008

Daniel A. Livesay, Assistant Professor of History
Drury University, Springfield, Missouri

Daniel Livesay was winner of the 2007 North American Conference on British Studies Prize, Dissertation Year Fellowship for “Imagining Difference: Mixed-Race Britons and Racial Ideology in the Eighteenth Century Atlantic.”

Three years prior to the ending of the slave trade, Jamaica’s richest and most influential merchant mused on the possible consequences of abolition. Writing to his friend George Hibbert in January of 1804, Simon Taylor offered a stark vision of the British imperial economy without slave importation, echoing scores of other pro-slavery writers who preached the financial doom and gloom of a post-abolitionist society.  Economics, however, were not the only thing on either man’s mind. Hibbert, in a previous letter, had asked Taylor for his thoughts on the future of Jamaica’s white population if fresh supplies of slaves came to a halt.  He wondered if the colony’s whites could farm sugar themselves and if such back-breaking labour would further stifle the increase of the island’s already meager European population. Throwing off his earlier pessimism, Taylor replied with high hopes for the growth of Jamaica’s white residents.  His optimism sprung from a phenomenon he had watched develop over the last two generations: ‘When I returned from England in the year 1760 there were only three Quadroon Women in the Town of Kingston. There are now three hundred, and more of the decent Class of them never will have any commerce with their own Colour, but only with White People. Their progeny is growing whiter and whiter every remove […] from thence a White Generation will come’.  Taylor had seen all other attempts to increase the white population fail and he believed that this process of ‘washing the Blackamoor White’ to be the only way to build an effective racial hedge against an overwhelming black majority on the island.

If miscegenation was the answer to Jamaica’s problems, Simon Taylor could claim to be doing his part for the movement. Indeed, he had earned a reputation on both sides of the Atlantic for his multiracial family. Not long after arriving in Jamaica with her husband, the new Lieutenant-Governor of the island, Lady Maria Nugent visited Simon Taylor in his Golden Grove estate. She commented in her diary that Taylor was ‘an old bachelor’ who ‘detests the society of women’, but she seemed determined to win him over.  However, she could not help but register surprise after an evening at Taylor’s estate when ‘[a] little mulatto girl was sent into the drawing-room to amuse [her]’. Recording the event in her diary, she noted, ‘Mr. T[aylor] appeared very anxious for me to dismiss her, and in the evening, the housekeeper told me she was his own daughter, and that he had a numerous family, some almost on every one of his estates’.  Taylor’s sexual activities with slaves and women of colour were not unusual, nor was his attempt to hide them from European eyes.  Like many white West Indians at the time, Taylor may have given some favours to his children of colour, but he did not treat them as full members of his family.

In contrast to Simon Taylor’s inattention to his mixed-race children, John Tailyour, Simon’s cousin, made a significant attempt to provide for his offspring of colour.  Tailyour originated from Montrose, near Simon’s ancestral home in Borrowfield, and made several unsuccessful attempts at business in the colonies. Forced to abandon his tobacco trade in Virginia at the outbreak of the American Revolution, he returned to North America in 1781, but failed to establish himself in New York’s dry-goods market. Rather than return home to Scotland once again, Tailyour ventured to Jamaica at his cousin Simon’s invitation, where he operated as a merchant from 1783 to 1792. With very few white women on the island from which to choose, Tailyour took up residence with an enslaved woman from his cousin’s plantation. The couple eventually had four children together before Tailyour finally decided to return to Scotland in 1792. Rather than leave his children in Jamaica, however, John Tailyour sent at least three of them to Britain for their education and to be brought up in a trade. His conduct toward his mixed-race offspring stands in sharp relief with that of his cousin’s and reveals the complicated attitudes that whites had toward these children…

Read the entire article here.

Representing Mixed Race in Jamaica and England from the Abolition Era to the Present by Sara Salih (review)

Eighteenth-Century Fiction
Volume 25, Number 4, Summer 2013
pages 777-780
DOI: 10.1353/ecf.2013.0025

Nicole N. Aljoe, Assistant Professor of English
Northeastern University

Sarah Salih, Representing Mixed Race in Jamaica and England from the Abolition Era to the Present (London, New York: Routledge, 2010)

Sara Salih offers a welcome and rigorous analysis of the relationships among the development of the law, notions of subjectivity, and discourses of race and sexuality in the eighteenth and nineteenth centuries in England and Jamaica. This book makes a productive contribution to ongoing critical conversations about the complexity and nuance of race in the British past by responding explicitly to David Scott’s suggestion that we consider more carefully the stories we assume we know, particularly about slavery. One such story concerns the mulatto and his/her tragic outsiderness as exemplified in the trope of “tragic mulatto.” Numerous scholars, including Werner Sollors and Eve Raimon, have explored this trope within the context of the United States, and Salih’s study builds on this work and extends it by considering representations of mixed-race individuals in the British-Jamaican context. In addition, by making clear the different ways in which the mulatto was treated and represented outside of the US context—for example, noting that neither interracial sex nor marriage were ever outlawed in Jamaica or England, unlike in the United States—Salih’s study offers a corrective to uncritical conflation of the distinct cultures of enslavement. Most specifically, her study reveals the ways in which, in the British-West Indian context, although mulattos were frequently figured as being inside particular aspects of national and subject-constituting discourses—mulattos could “pass” for white, and in the eighteenth century they could legally petition to be designated as white—they were simultaneously and persistently represented as isolated and “firmly outside the heterorepronormative narrative paradigm” (125).

This book is invested in illustrating the “processes of normalization and the consolidation of norms” about the legal status, nature, and character of mixed race individuals in Jamaica and England from the eighteenth century through the twentieth century by considering cultural representations alongside juridical and colonial documents. Salih argues that all of these texts—the fiction, nonfiction, legal writings, and judicial statutes—contribute dialogically to creating and sustaining societal norms and subjects. The study traces the ways in which these texts inform the legal identity “mulatto” that eventually comes to be defined and understood as a cultural/political identity. In tracing this movement, she is “less interested in ‘race’ as interiority and affect than in the specific ways in which it is produced and enacted legally and performatively” (123–24). And although the study scrupulously sets itself against those studies of race in the eighteenth century that deal with questions and issues of identity, it is best seen as a complement to these other studies. In particular, by attending to the ways in which discussions of the mulatto were also discussions of interracial sex, Salih illuminates the impact of sexuality on notions of race.

Salih begins her close readings with Marly, an 1828 novel about a Jamaican slave plantation. After providing an intriguing reading of the relationship between fiction, the law, and power grounded in the novel’s initial image of a slave driver exchanging his whip for a pen (56), Salih outlines how the novel, by offering fiction as well as history in its description of life on the plantation, contributes to the creation of societal norms. In so doing, according to Salih, novels can reveal “narrative investment in the disciplining of subjects” (57). For example, society wants mixedrace women to disappear, and hence they are novelistically relegated to the background. However, the novel Marly also reveals the complicated positioning of mixed-race individuals. Although women are relegated to the background, a mixed-race man is foregrounded in a chapter in which he offers a long harangue on how similar brown or mixed-race people are to whites and therefore should be allowed more freedoms in Jamaica (68–70). Although the brown man gets to proclaim his proximity to whiteness, at the end of the novel he too is isolated like the brown women, Salih argues, and is placed in a non-reproductive category.

The study then moves to a reading of The Woman of Colour (1808), edited by Lyndon Dominique for Broadview Press (2007). Salih addresses how in the novel, despite a positive representation of Olivia (its interracial character), she too is isolated and unmarried…

Capturing the Spirit World on Film: Albert Chong’s artistic recipe blends Jamaica, Catholicism, Santeria and America in an eclectic artistic stew

The Los Angeles Times
1993-10-10

Leah Ollman

When photographer and installation artist Albert Chong was about 6 years old, his parents bought a new house in Kingston, Jamaica.

Chong’s father invited a Catholic priest to bless the house by sprinkling holy water throughout. A few days later, his father brought in another priest, this time a black Obeahman, or shaman, who sacrificed two roosters and scattered their blood not far from where the holy water had just dried.

“My father thought he should cover all his bases,” Chong recalls, laughing. “We were Catholics, really. But when things would start getting really bad and you’d see forces that were being worked against you that the regular, established Catholic religion couldn’t help you with—you couldn’t go to your local priest and say, hey, somebody has worked some wicked magic on me. Yet it’s a real thing.”

Like his father, Chong has a lot of bases to cover. His life gives new meaning to the overused term multicultural. Half-Chinese, half-Jamaican Chong was raised Catholic but has followed Rastafarianism, the Ethiopian-inspired political/religious movement, and Santeria, the syncretic religion forged by African slaves living under Christian domination in the Caribbean. He is married to Frances Charteris, an artist from England, and their two children, Ayinde and Chinwe, are, he says with pride and just a touch of resignation, very American…

Read the entire article here.

Violent Liaisons: Historical Crossings and the Negotiation of Sex, Sexuality, and Race in The Book of Night Women and The True History of Paradise

small axe: a caribbean journal of criticism
Volume 16,Number 2, 38 (2012)
pages 43-59
DOI: 10.1215/07990537-1665668

Sam Vásquez, Associate Professor of English
Dartmouth College, Hanover, New Hampshire

Increased criticism and representations of violence in contemporary Jamaica often account for these tensions by citing poverty or gang and political rivalries in the post-independence era. However, both Marlon James’s The Book of Night Women (2009) and Margaret Cezair-Thompson’s The True History of Paradise (1999) take these explorations a step further, specifically examining women’s responses to violence and reminding readers that present-day sexual violence creates conditions of entrapment, hostility, and lawlessness reminiscent of the barbarities of slavery and colonialism. In so doing, the authors highlight the ways historical gender and racial stereotypes inform contemporary understandings of Caribbean gender and sexuality. Anchoring this discussion in recent theories about sex and sexuality and specifically examining mixed-race and white Caribbean women, Sam Vásquez argues that both authors use neo–slave narrative tropes to simultaneously problematize acts of violence against these individuals and demonstrate how women engaged and even utilized limiting colonial paradigms.

Read or purchase the article here.