Mixed Race Studies

Soledad O’Brien Explores Racial and Ethnic Identity in Provocative Black in America

CNN Press Room
Cable News Network (CNN)
2012-12-04

Who is Black in America? Debuts Sunday, Dec. 9 at 8:00 p.m. & 11:00p.m. ET & PT
U.S. Encore: Sunday, January 27, 2013,  20:00 p.m. ET, 23:00 p.m ET, and Monday, 02:00 ET
International Debut on CNN International: Sunday, January 13, 02:00Z and 10:00Z (Saturday, January 12, 21:00 EST and Sunday, January 13, 05:00 EST). View regional schedules here.

“I don’t really feel Black,” says 17-year-old Nayo Jones. Her mother is Black; she was raised apart from her by her White father, and she identifies herself as biracial. “I was raised up with White people, White music, White food so it’s not something I know,” she says in a new documentary that explores the sensitive concepts of race, cultural identity, and skin tone.

For the fifth installment of her groundbreaking Black in America series, CNN anchor and special correspondent Soledad O’Brien reports for Who is Black in America? The documentary debuts Sunday, December 09 at 8:00p.m. and 11:00p.m. ET & PT and replays on Saturday, December 15 at 8:00p.m. and 11:00p.m. ET & PT.

Is Jones Black? Is Blackness based upon skin color or other factors? The 2010 U.S. Census found 15 percent of new marriages are interracial, a figure that is twice what was reported in 1980. One in seven American newborns were of mixed race in 2010, representing an increase of two percent from the 2000 U.S. Census. Within this context, O’Brien examines how much regarding race and identity are personal choices vs. reflections of an external social construct.

Tim Wise, an author and anti-racism activist believes in self identification, but says, in practice, society often will remind biracial people like Jones of their Blackness, “in a million subtle ways,” he says in the documentary.

As the hour unfolds, O’Brien follows Jones, and her best friend and fellow high school student Becca Khalil, as they take part in a spoken word workshop led by the Philadelphia-based poet, Perry “Vision” DiVirgilio.
 
Vision, who is biracial, says he never felt quite White or Black enough to fit in with friends who had parents of one race.  Vision identifies as Black, and says that identity is more than skin – that identity encompasses experiences and struggles.  Through his workshop, he encourages young people to think, talk, and write about identity, as well as the concept of colorism, which he blames for his early struggles with self-esteem and identity.
 
“Colorism is a system in which light skin is more valued than dark skin,” says Drexel University’s assistant teaching professor for Africana studies, Yaba Blay.  Blay tells O’Brien that, as a young African-American woman growing up in New Orleans, she felt discriminated against – often by lighter skinned African Americans – due to her dark skin tone.
 
Blay’s work focuses on how prejudice related to skin tone can confuse and negatively impact identity and self esteem.  She aims to help others also develop positive images of cultural identity – for African Americans of all shades.
 
Often complicating concepts of identity beyond multiracial heritage is skin tone.  Khalil, who has light-colored skin and two parents who are Egyptian in origin, identifies herself as African American.  She feels contemporaries dismiss her African American identity due to her light skin tone.  She says in the documentary that she wishes she had darker skin.
 
Writer, producer, and image activist, Michaela Angela Davis says she accepts that race is a social construct, but she feels it is important for people to name and claim their own racial identity: “You are who you say that you are,” she says in the documentary…

Read the entire press release here.

New Book on Racial Identity by Dr. Yaba Blay to be Released on Black Friday with Launch Party at the Painted Bride

Drexel Now
Drexel University
2013-11-04

News Media Contact: Alex McKechnie, News Officer, University Communications
Phone: 215-895-2705; Mobile: 401-651-7550

On Black Friday, Nov. 29, a new book on racial identity by Drexel University’s Dr. Yaba Blay, one of today’s leading voices on colorism and global skin color politics, will be released from Blay’s recently launched independent press, Black Print Press.

To celebrate the release, a launch party will take place at The Painted Bride Art Center (230 Vine St.) on Nov. 29 from 6 p.m. – 9 p.m. A concurrent photography exhibition is currently on display at The Painted Bride through Dec. 21.

The book, entitled (1)ne Drop: Shifting the Lens on Race, seeks to challenge narrow perceptions of what Blackness is and what it looks like. By combining candid narratives and photos from 60 contributors hailing from 25 different countries, the book provides a living testimony to the diversity of Blackness. It is intended to spark dialogue about the intricacies and nuances of racial identity and the influence of skin color politics…

Read the entire press release here.

Dr. Yaba Blay on shifting the lens on race

Radio Times with Marty Moss-Coane
WHYY 90.9 FM
Philadelphia, Pennsylvania
2013-10-30

Who is black? And who is not? “Mixed/Jamerian,” “Black/Latina,” “Appalachian African American” are examples of how some people of color describe themselves. Drexel University Africana Studies professor Dr. Yaba Blay explores the nuances of the politics of racial identity and hair and skin color. Her work sheds light on the legacy of the outdated “one-drop” law – that if a person had a drop of black blood, they would be forever identified as black. Through interviews and research, she shows the diversity of the many ways bi-racial and multi-racial people self-identify. Her new portrait essay book is “(1)ne Drop: Shifting the Lens on Race.”

Download the episode here.

(1)ne Drop Project Live

Painted Bride Art Center
230 Vine Street
Philadelphia, Pennsylvania 19106
Telephone: 215.925.9914
Sunday, November 10, 2013, 17:00-18:00 EST (Local Time)

Do you know Blackness when you see it? This provocative question informs the work of Dr. Yaba Blay, whose (1)ne Drop Project depicts the stories and images of over 60 individuals from around the world, all of whom identify as Black, but none of whom fit the stereotypical “Black box.” Their candid memoirs challenge our understanding of race and identity.

The storytelling event, (1)ne Drop Project Live, interweaves history with candid stories from participants in the Project and gives a microphone to living testimonies of diversity. The event will include readings from project participants.

For more information, click here.

New Book by Dr. Yaba Blay Explores Racial Identity and Skin Color Politics

Drexel Now
Drexel University
2013-07-31

News Media Contact: Alex McKechnie, News Officer, University Communications
Phone: 215-895-2705; Mobile: 401-651-7550

What does it mean to be Black? Is Blackness a matter of biology or consciousness? What determines who is Black and who is not? A new book by Dr. Yaba Blay, an assistant professor and co-director of the Africana Studies program in Drexel University’s College of Arts and Sciences, seeks to challenge narrow perceptions of what Blackness is and what it looks like. 

The book, entitled (1)ne Drop: Shifting the Lens on Race, combines candid narratives and photos of 60 contributors from 25 different countries, providing a living testimony to the diversity of Blackness. It is intended to spark dialogue about the intricacies and nuances of racial identity and the influence of skin color politics.

The book is part of Blay’s larger, multi-platform project called (1)ne Drop – a reference to the “one-drop rule” from the early 1900s that held that anyone with 1/32 of “African Black blood” was Black.

The project, which includes an online and traveling exhibition, ultimately seeks to raise social awareness and inspire community conversation about the complexities of Blackness as both an identity and a lived reality.

The project was the inspiration behind “Who is Black in America?”, the fifth installation of CNN’s Black in America television documentary series with Soledad O’Brien in 2012, on which Blay served as a consulting producer…

Read the entire press release here.

“One-Drop: Fact, Fiction, or Fate?” by Dr. Yaba Blay, April 13th at 7pm in Stirn Auditorium

Amherst College
Stirn Auditorium, Mead Art Museum
Amherst, Massachusetts
Saturday, 2013-04-13, 19:00 EDT (Local Time)

What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? The State, the society, or the individual? On April 13th at 7pm, Dr. Yaba Blay, an Africana Studies professor at Drexel University [and artistic director and producer of the (1)ne Drop Project], will present at Amherst in Stirn Auditorium. “One-Drop: Fact, Fiction, or Fate?” provides a brief social history of the laws instituted to regulate social interactions between the races and thus outlines how it is that the United States came to adopt the one-drop rule as the specific, and seemingly quantitative definition of Black identity. This presentation highlights the lived experiences of individuals for whom the one-drop rule exacts its influence most. There will be food and drinks!

For more information, click here.

Don Lemon: It only takes one drop

Cable News Network (CNN)
In America: You define America. What defines you?
2012-01-15

Don Lemon, Anchor
CNN Newsroom

This piece is part of a three-part series tied to the (1)ne Drop Project.

(CNN) – For years, the woman on the left in the photograph below could not be friendly to her own husband in public. She would pretend she didn’t know him or tell people he was her driver. She didn’t want him to be beaten in public as he had many times before.

She learned that particular survival technique from the woman in the photograph on the right, her mother and my grandmother, who had to use it from the 1930s until my grandfather died in the 1960s. Both women were often mistaken for white. And for whatever privileges my aunt and grandmother might have received for their light skin, their husbands paid for it by beatings or threats from white men. One handed-down family story that sticks with me is how my uncle was lucky to have survived a savage throttling in the 1950s after exiting a ferry crossing the Mississippi River from Baton Rouge to Port Allen. Apparently, he and my aunt had let down their guard. They never did it again.

Heck, as a child, I wasn’t even sure about my grandmother or my aunt. “Is Aunt-ee Lacy white?” I’d ask. “Lacy’s black,” an adult would say. Of course the reply was followed by a big laugh and a phrase I’d never forget: “It only takes one drop.” Meaning it only takes one drop of “Negro” blood to make you black…

Read the entire article here and watch a interview with (1)ne Drop Project author Dr. Yaba Blay here.

Who’s Black, Who’s Not, and Who Cares?

Uptown Magazine
2011-11-02

Yaba Blay, Assistant Professor of Africana Studies
Drexel University, Philadelphia, Pennsylvania

“What are you?” It’s a question I have never been asked. I am Black. Period. The color of my skin is reflective of my Ghanaian ancestry and by its dark tone, everyone I encounter knows exactly what I am. Although I have lived most of my life acutely aware of the disadvantages assigned my complexion, it is not until recently, when I began to encounter people who identify as Black but don’t necessarily “look Black,” that I began to realize some of the privileges my dark skin carries; the most profound of which is its ability to unambiguously communicate my identity, not only to other people, but to other Black people. They know I am Black. I can rest assured that when someone in the room is talking about Black people, they realize that they are talking about my people. I also know that if I say “we” when talking about Black people, no one looks at me like I’m crazy, no one laughs at me as if I am somehow confused about my identity, and no one takes offense because they suspect I am somehow perpetrating a fraud. My Black is that Black that everyone knows is Black for a fact…

…On the one hand, we may reject our lighter skinned sisters and brothers because of their multiracial-ness, whether actual – “You’re mixed, you’re not Black” – or assumed – “You’re so light, you must be mixed.” But then on the other hand, most of us would concede that the large majority of Black people, particularly African Americans, are of mixed heritage. So, which one is it?

How did we get here? When did we abandon our cultural and political understandings of Blackness for more phenotypical ones? And do such narrow constructions of Blackness ultimately benefit us as community? Where would we be as a community if we had relied on skin color to determine Blackness a hundred years ago? No W.E.B. DuBois. No Mary Church Terrell. No Malcolm X. No Lena Horne. No Arturo Schomburg. And let’s understand the implications if we continue to use skin color as a gauge of racial identity – in essence, Herman Cain would be more Black than Ben Jealous….

Read the entire article here.

Dr Blay’s latest project “(1)ne Drop: Conversations on Skin Color, Race and Identity” seeks to challenge narrow, yet popular perceptions of what “Blackness” is and what “Blackness” looks like. To learn more about the project, visit 1nedrop.com.

Biracial versus black: Thought leaders weigh in on the meaning of President Obama’s biracial heritage

theGrio
NBC News
2012-11-19

Patrice Peck

“If I’m lucky enough to have children, I won’t tell them that Barack Obama was America’s first black president.”

Thus began columnist Clinton Yates’ piece, “Barack Obama: Let’s not forget that he’s America’s first bi-racial president”. Published on The Washington Post website two days after the 2012 election, Yates’ piece explores the notion that singling out President Obama’s African heritage alone has resulted in an incomplete narrative of his identity.

“As a black man who plans to eventually start a family with my white girlfriend, I’m going to tell [my future children] that Obama was the first man of color in the White House and that America’s 44th president was biracial,” writes Yates. “What would I look like telling my kids that a man with a black father and a white mother is ‘black’ just because society wants him to be?” Yates’ stance on President Obama’s racial identity points to an on-going, complicated debate surrounding the president’s race and how he chooses to identify himself.

Since Obama’s second presidential election win, countless media outlets have analyzed the major support in voter turnout exhibited by African-Americans and Latinos for the president. At the same time, an overwhelming amount of racist backlash surged on Twitter for several days, signaling the fact that, for better or for worse, race will likely always be a predominant element to consider during Obama’s term as president.

Yet, most reports on and reactions to President Obama have failed to mention his biracial heritage. It is rarely addressed in discussions concerning how the public identifies Obama, or critiques of how the president identifies himself. Yates’ consideration of Obama as the “first bi-racial president” is rare in its vociferous proclamation to define the man by both lineages.

To widen this limited discourse, we asked some of the nation’s leading authorities on biracial and multi-racial issues to share their thoughts on the president’s self-identification as black, and the possible stakes of not addressing his bi-racial identity more directly. These leaders offer interesting and at times surprising perspectives on what it means to have not only a black man, but also a biracial man in the White House.

Here is what they told theGrio about this historic first. How do you think President Obama’s bi-racial ancestry influences the nature of his presidency?

…Steven F. Riley, founder of MixedRacesStudies.org

In the paper “Barack, Blackness, Borders and Beyond: Exploring Obama’s Racial Identity Today as a Means of Transcending Race Tomorrow,” I explained that the president is black for three different reasons. I used a sociological framework, an ethnological framework, and a psychological framework. Number one, I say he’s black because he says he is. Number two, his heterogeneity, or his mixed background, is no different from people who are black. And then lastly, I say he’s black because he looks black, from a sociological viewpoint…

…Yaba Blay, author of (1)ne Drop: Shifting the Lens on Race and artistic director of the multiplatform (1)ne Drop project

Everyone seems to be negating President Barack Obama’s own story. The man himself has said publicly in print that, yes, his mother is white; yes, he is technically bi-racial, mixed race, whatever the language is people choose to use, but in this racialized society he is seen as a black man. And for that reason he identifies as black…

…Andrew Jolivétte, Associate Professor at San Francisco State University and editor of Obama and the Biracial Factor: The Battle for the New American Majority

For mixed people, being mixed you identify differently at different times and in different situations. I think the president is no different, so [a bi-racial] child still can take pride in [the fact] that President Obama is a bi-racial president. But he’s also a black president. I don’t think that they’re mutually exclusive. And that’s what happens often in politics when it comes to policy, that it has to be one or the other, not some sort of combination of policies that can be good. Because he’s bi-racial and always compromising and trying to find the balance between two different identities, I think he tries to do the same things in terms of his policy…

…Stephen Murphy-Shigematsu, Professor of Ethnic Studies at Stanford University and author of When Half is Whole: Multiethnic Asian American Identities

I think his identifying [as African-American] is very positive. On the other hand, I think there’s nothing creative or innovative or groundbreaking or revolutionary about [his identifying as black.] It’s very much following the status quo of the way that a majority of people expect him to identify… I personally didn’t have a lot of expectations about his ability to really go beyond what would be the mainstream position in terms of how he labeled and located himself. I have hopes that he might help us to go beyond these kinds of rigid racial classifications and categories. I think he could do that if he was able to identify himself more openly with all the different parts of his heritage…

Read the entire article here.

Colorism: The War at Home

Ebony Magazine
News & Views
2013-02-20

Chris Williams

Dr. Yaba Blay discusses the history of ‘the color complex’ and how we can work to destroy it

The “color complex” has remains a source of great controversy and pain in the African American community and across much of the African Diaspora. As one of the leading voices and scholars on Black racial identity, Drexel University assistant teaching professor of Africana Studies Yaba Blay continues her arduous, groundbreaking work on the topic. Her (1)ne Drop Project has been featured on CNN’s Black in America series and expanded the discussion around how Blackness is defined in today’s society.

EBONY recently sat down with Dr. Blay to delve into the history behind colorism and how it has helped to shape Black racial identity in the United States.

EBONY: In the Black community, we seem to continue the tradition of lighter skin and straighter hair being ‘better.’ Why is the train of thought still prevalent in our collective mindset?

Yaba Blay: I definitely think it’s something we’ve internalized. Historically, just through observation we’ve seen that people with more European aesthetics and phenotypes were getting more privileges in this society. And again, for me, it’s really about us thinking about the framework from which we’re operating, like where are these ideas coming from and being able to acknowledge that they operate from outside of our community. These are conceptualizations that have been projected onto us and we see those things being affirmed in our society. It’s been called “the White ideal.” So—it constructs a spectrum of sorts where if I look at you and I can see that you potentially have European blood, I can assume that in comparison to someone who has darker skin, kinkier hair, and a more African phenotype that you’re better than them. It’s the idea that European genetics are your saving grace…

Read the entire interview here.