Mixed Race Studies

Bruno Mars in Ascension

New York Times
2010-10-05

Jon Caramanica

When history books address the pop seismology of the early 21st century, a chapter will have to be set aside for a discussion of the Sheraton Waikiki in the late 1980s. That’s where Bruno Mars, then just a few years old, performed as part of a tourist-trap family band, singing doo-wop, Elvis and more. He even made a cameo as a baby Elvis in the 1992 film “Honeymoon in Vegas,” appearing as a bouffant-haired tyke in a blue jumpsuit, with a fierce hip shake.

“I can’t believe that’s my past,” Mr. Mars said in an interview before his first solo New York performance, a sold-out show at the Bowery Ballroom in late August. “I wish I could tell you me and my rock band were traveling around, strung out. No, we were a family band. Straight Partridge Family.”

Still, there’s something to be said for learning a wide repertory at a young age, and also to feel no shame in people-pleasing. It’s made Mr. Mars, 24, one of the most versatile and accessible singers in pop, with a light, soul-influenced voice that’s an easy fit in a range of styles, a universal donor. There’s nowhere he doesn’t belong…

…But his placelessness hasn’t always been an asset. Born Peter Gene Hernandez, Mr. Mars is primarily of Puerto Rican and Filipino descent, which proved to be an obstacle in his industry dealings. “I was always like, girls like me in school, how come these labels don’t like me?” he said.

An early record deal with Motown went nowhere. Race was always a concern. “Sadly, maybe that’s the way you’ve got to look at it,” he said. “I guess if I’m a product, either you’re chocolate, you’re vanilla or you’re butterscotch. You can’t be all three.” He named his debut EP, released this year, “It’s Better if You Don’t Understand”—a taunt.

“Don’t look at me—listen to my damn music,” he said. “I’m not a mutant.”…

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Scholars Test Web Alternative to Peer Review

The New York Times
2010-08-23

Patricia Cohen

For professors, publishing in elite journals is an unavoidable part of university life. The grueling process of subjecting work to the up-or-down judgment of credentialed scholarly peers has been a cornerstone of academic culture since at least the mid-20th century.

Now some humanities scholars have begun to challenge the monopoly that peer review has on admission to career-making journals and, as a consequence, to the charmed circle of tenured academe. They argue that in an era of digital media there is a better way to assess the quality of work. Instead of relying on a few experts selected by leading publications, they advocate using the Internet to expose scholarly thinking to the swift collective judgment of a much broader interested audience…

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Fadeout for a Culture That’s Neither Indian Nor British

The New York Times
2010-08-14

Mian Ridge

CALCUTTA — Entering the crumbling mansion of the Lawrence D’Souza Old Age Home here is a visit to a vanishing world.

Breakfast tea from a cup and saucer, Agatha Christie murder mysteries and Mills & Boon romances, a weekly visit from the hairdresser, who sets a dowager’s delicate hair in a 1940s-style wave. Sometimes, a tailor comes to make the old-style garments beloved by Anglo-Indian women of a certain age. Floral tea dresses, for example.

“On Sundays, we listen to jive, although we don’t dance much anymore,” Sybil Martyr, a 96-year-old retired schoolteacher, said with a crisp English accent.

“We’re museum pieces,” she said.

The definition has varied over time, but under the Indian Constitution the term Anglo-Indian means an Indian citizen whose paternal line can be traced to Europe. Both of Mrs. Martyr’s grandfathers were Scots…

…Before 1947, when the British left India, Anglo-Indians — also known at the time as half-castes, blacky-whites and eight annas (there were 16 annas in a rupee, the official currency of India) — formed a distinct community of 300,000 to 500,000 people. Most were employed in the railroads and other government services, and many lived in railroad towns built for them by the British, where their distinctive culture, neither Indian nor British, flourished…

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Census Chief Apologizes for ‘Negro’ Category

The New York Times
2010-03-26

Kate Phillips

When Robert Groves, the director of the Census Bureau, appeared on C-Span’s “Washington Journal” program Friday morning, he found himself having to defend the racial designations on the census form…

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