Mixed Race Studies

Other Germans: Black Germans and the Politics of Race, Gender, and Memory in the Third Reich

University of Michigan Press
2004
296 pages
6 x 9
Paperback ISBN: 978-0-472-03138-2
Ebook ISBN: 978-0-472-02160-4

Tina M. Campt, Professor of Women’s, Gender and Sexuality Studies and Director of the Africana Studies Program
Barnard College

It’s hard to imagine an issue or image more riveting than Black Germans during the Third Reich. Yet accounts of their lives are virtually nonexistent, despite the fact that they lived through a regime dedicated to racial purity.

Tina M. Campt’s Other Germans tells the story of this largely forgotten group of individuals, with important distinctions from other accounts. Most strikingly, Campt centers her arguments on race, rather than anti-Semitism. She also provides an oral history as background for her study, interviewing two Black German subjects for her book.

In the end the author comes face to face with an inevitable question: Is there a relationship between the history of Black Germans and those of other black communities?

The answers to Campt’s questions make Other Germans essential reading in the emerging study of what it means to be black and German in the context of a society that looked at anyone with non-German blood as racially impure at best.

Contents

• Front Matter
• Table of Contents
• Acknowledgments
• Introduction: Race, Memory, and Historical Representation: Contextualizing Black German Narratives of the Third Reich
• Part I: Echoes of Imagined Danger – Specters of Racial Mixture
  • Chapter 1: “Resonant Echoes”: The Rhineland Campaign and Converging Specters of Racial Mixture
  • Chapter 2: Confronting Racial Danger, Neutralizing Racial Pollution: Afro-Germans and the National Socialist Sterilization Program
• Part II: Memory Narratives/Memory Technologies: Race, Gendering, and the Politics of Memory Work
  • Chapter 3: Conversations with the “Other Within”: Memories of a Black German Coming of Age in the Third Reich
  • Chapter 4: Identifying as the “Other Within”: National Socialist Racial Politics and an Afro-German Childhood in the Third Reich
  • Chapter 5: Diaspora Space, Ethnographic Space – Writing History Between the Lines: A Postscript
• Appendix: Original German Interview Excerpts
• Notes
• Bibliography
• Index

After the Nazi Racial State: Difference and Democracy in Germany and Europe

University of Michigan Press
2009
272 pages
6 x 9
Paperback ISBN: 978-0-472-03344-7
Ebook ISBN: 978-0-472-02578-7

Rita Chin, Associate Professor of History
University of Michigan

Heide Fehrenbach, Presidential Research Professor
Northern Illinois University

Geoff Eley, Karl Pohrt Distinguished University Professor of Contemporary History
University of Michigan

Atina Grossmann, Professor of History
Cooper Union, New York

An investigation of the concept of “race” in post-Nazi Germany

What happened to “race,” race thinking, and racial distinctions in Germany, and Europe more broadly, after the demise of the Nazi racial state? This book investigates the afterlife of “race” since 1945 and challenges the long-dominant assumption among historians that it disappeared from public discourse and policy-making with the defeat of the Third Reich and its genocidal European empire. Drawing on case studies of Afro-Germans, Jews, and Turks—arguably the three most important minority communities in postwar Germany—the authors detail continuities and change across the 1945 divide and offer the beginnings of a history of race and racialization after Hitler. A final chapter moves beyond the German context to consider the postwar engagement with “race” in France, Britain, Sweden, and the Netherlands, where waves of postwar, postcolonial, and labor migration troubled nativist notions of national and European identity.

After the Nazi Racial State poses interpretative questions for the historical understanding of postwar societies and democratic transformation, both in Germany and throughout Europe. It elucidates key analytical categories, historicizes current discourse, and demonstrates how contemporary debates about immigration and integration—and about just how much “difference” a democracy can accommodate—are implicated in a longer history of “race.” This book explores why the concept of “race” became taboo as a tool for understanding German society after 1945. Most crucially, it suggests the social and epistemic consequences of this determined retreat from “race” for Germany and Europe as a whole.

Contents

• Preface
• Introduction: What’s Race Got to Do With It? Postwar German History in Context / Rita Chin and Heide Fehrenhach
• CHAPTER 1: Black Occupation Children and the Devolution of the Nazi Racial State / Heide Fehrenhach
• CHAPTER 2: From Victims to “Homeless Foreigners”: Jewish Survivors in Postwar Germany / Atina Grossmann
• CHAPTER 3: Guest Worker Migration and the Unexpected Return of Race / Rita Chin
• CHAPTER 4: German Democracy and the Question of Difference, 1945 1995 / Rita Chin and Heide Fehrenhach
• CHAPTER 5: The Trouble with “Race”: Migrancy, Cultural Difference, and the Remaking of Europe / Geoff Eley
• Notes
• Select Bibliography
• Index

Euer Schweigen schützt Euch nicht: Audre Lorde und die Schwarze Frauenbewegung in Deutschland (Your silence will not protect you: Audre Lorde and the Black Women’s Movement in Germany)

Orlanda-Verlag
2012
160 pages
Paperback ISBN: 978-3936937-95-4
(In German and English)

Edited by:

Peggy Piesche

20er Todestag der Schwarzen, lesbischen Poetin und feministischen Autorin Audre Lorde

“Euer Schweigen schützt Euch nicht” – Ein Aufruf zu Sprache und aktivem Handeln, der dringlicher nicht sein könnte. Wie viele der Appelle, Schriften und Aufrufe Audre Lordes war er prägend für die (internationale) Frauenbewegung und besonders für die Bewegung Schwarzer Frauen. Das rückhaltlose Ausloten von Sexismus, Rassismus, Homophobie und Klasse machen Audre Lorde auch zwanzig Jahre nach ihrem Tod zu einer der einflussreichsten Kämpferinnen für die Rechte Schwarzer Frauen. Der soziale Unterschied war für sie die treibende, kreative Kraft zu handeln und zu verändern. Ihre Essays, Gedichte, Vorträge und Erzählungen sind einschneidend und entschlossen, sie werfen einen schonungslosen Blick auf die Realität und transportieren dabei doch immer auch Hoffnung. Der vorliegende Band ist eine Sammlung von bereits erschienenen und bisher unveröffentlichten Texten Audre Lordes. Ergänzt werden diese durch Texte von Frauen, die gemeinsam mit der Autorin den Weg einer deutschen Schwarzen Frauenbewegung gingen und von Schwarzen Frauen der Nachfolgegenerationen aus Deutschland, die sich mit ihrem Erbe und den aktuellen Kämpfen auseinander setzen.

20th Anniversary of the death of the Black, lesbian poet and feminist writer Audre Lorde

“Your silence will not protect you” – A call to action and active language which could not be more urgent. How many of appeals, writings and views Audre Lorde he was formative for the (international) women’s movement, and particularly for the movement of Black women. The unreserved exploration of sexism, racism, homophobia, and class make Audre Lorde, even twenty years after her death, one of the most influential fighters for the rights of black women. The social difference was to act for them, the driving creative force and change it. Her essays, poems, speeches and narratives are incisive and determined, they throw an unsparing look at the reality, transporting always hope. The present volume is a collection of previously published and unpublished texts Audre Lorde. These are complemented by texts by women who went along with the author the way a German black women’s movement and the subsequent generations of black women from Germany who deal with their heritage and the current struggles apart.

Black German culture, history highlighted at Amherst-sponsored conference

Amherst College News
Amherst College
Amherst, Massachusetts
2013-08-16

Peter Rooney, Director of Public Affairs

As more African-Americans are realizing they have German roots, and as Germans expand the notion of what it means to be German, a new academic discipline dedicated to examining the Black German experience is having its third International Conference at Amherst College this week.

Christian Rogowski, a professor of German at Amherst College, together with Sara Lennox of U Mass, helped organize this year’s conference of the Black German Heritage & Research Association Convention, which will be held from Thursday, August 8 to Saturday, August 10 and is free and open to the public.

“The conference is unique,” Rogowski said, “because it brings together researchers who work on issues of ethnicity and racial diversity and the situation of blacks in Germany with people who themselves fall into that category, people with hyphenated identities such as Afro-German, African-American German or Black German.”

One highlight of the conference is a screening of the film “Toxi”, recently released on DVD by the DEFA Library of the University of Massachusetts, Amherst.  The German movie from 1952 about an African-American girl who is born to a German mother after World War II, shows the impact that birth has on the girl, her family and the community that surrounds her. The film will be screened at 4 p.m. Friday in Stirn Auditorium, where Angelica Fenner of the University of Toronto will moderate a discussion about it…

Read the entire article here.

BGHRA Convention 2013

Black German Heritage & Research Association
2013-05-15

We are pleased to announce the Third Annual International Convention of the Black German Heritage & Research Association to be held August 8-11, 2013 at Amherst College, Amherst, Massachusetts.

The conference will feature a keynote address by Maisha Eggers, Professor of Childhood and Diversity Studies at the University of Magdeburg, a screening of the 1952 film “Toxi” and presentations by guest artists Sharon Dodua Otoo and Sandrine Micossé-Aikins, editors of “The Little Book of Big Visions: How To Be an Artist and Revolutionize the World“.

For more information, click here. View the conference schedule here.

Germany and the Black Diaspora: Points of Contact, 1250-1914

Berghahn Books
July 2013
262 pages
25 ills, 2 maps, bibliog., index
Hardback ISBN: 978-0-85745-953-4
eBook ISBN: 978-0-85745-954-1

Edited by:

Mischa Honeck, Research Fellow
German Historical Institute, Washington, D.C.

Martin Klimke, Associate Professor of History
New York University, Abu Dhabi

Anne Kuhlmann, Research Fellow in Russian History
Cultural Foundation of the German Federal States, Berlin

The rich history of encounters prior to World War I between people from German-speaking parts of Europe and people of African descent has gone largely unnoticed in the historical literature—not least because Germany became a nation and engaged in colonization much later than other European nations. This volume presents intersections of Black and German history over eight centuries while mapping continuities and ruptures in Germans’ perceptions of Blacks. Juxtaposing these intersections demonstrates that negative German perceptions of Blackness proceeded from nineteenth-century racial theories, and that earlier constructions of “race” were far more differentiated. The contributors present a wide range of Black–German encounters, from representations of Black saints in religious medieval art to Black Hessians fighting in the American Revolutionary War, from Cameroonian children being educated in Germany to African American agriculturalists in Germany’s protectorate, Togoland. Each chapter probes individual and collective responses to these intercultural points of contact.

Contents

• List of Figures
• Acknowledgments
• Introduction / Mischa Honeck, Martin Klimke, and Anne Kuhlmann
• PART I: SAINTS AND SLAVES, MOORS AND HESSIANS
  • Chapter 1. The Calenberg Altarpiece: Black African Christians in Renaissance Germany / Paul Kaplan
  • Chapter 2. Black Masques: Notions of Blackness in the Fifteenth and Sixteenth Centuries / Kate Lowe
  • Chapter 3. Ambiguous Duty: Black Servants at German Ancien Régime Courts / Anne Kuhlmann
  • Chapter 4. Real and Imagined Africans in German Court divertissements / Rashid-S. Pegah
  • Chapter 5. From American Slaves to Hessian Subjects: Silenced Black Narratives of the American Revolution / Maria Diedrich
• PART II: FROM ENLIGHTENMENT TO EMPIRE
  • Chapter 6. The German Reception of African American Writers in the Long Nineteenth Century / Heike Paul
  • Chapter 7. “On the Brain of the Negro”: Race, Abolitionism, and Friedrich Tiedemann’s Scientific Discourse on the African Diaspora / Jeannette Eileen Jones
  • Chapter 8. Liberating Sojourns? African American Travelers in Mid-Nineteenth-Century Germany / Mischa Honeck
  • Chapter 9. Global Proletarians, Uncle Toms and Native Savages: The Antinomies of Black Identity in Nineteenth-Century Germany / Bradley Naranch
  • Chapter 10. We Shall Make Farmers of Them Yet: Tuskegee’s Uplift Ideology in German Togoland / Kendahl Radcliffe
  • Chapter 11. Education and Migration: Cameroonian School Children and Apprentices in the German Metropole, 1884-1914 / Robbie Aitken
• Afterword: Africans in Europe: New Perspectives / Dirk Hoerder
• Select Bibliography
• Notes on Contributors
• Index

The Place in Between: An Interview with Esi Edugyan

Callaloo
Volume 36, Number 1, Winter 2013
pages 46-51
DOI: 10.1353/cal.2013.0070

Maaza Mengiste

Esi Edugyan’s 2011 Man Booker Prize finalist, Half-Blood Blues, opens with the lines, “Chip told us not to go out. Said, don’t you boys tempt the devil.” It is 1940 in Nazi-occupied Paris and the “boys” include Afro-German, Jewish, and African-American members of a jazz band who have recently fled an increasingly dangerous Berlin. They are living under a terrifying regime, trapped as much by the color of their skin as the curfews and constant presence of the Gestapo. Told from the perspective of Sid, an African-American bassist who left pre-civil rights era Baltimore to escape racial segregation, it is Hiero, the incomparably gifted trumpeter player, who holds the band together. But Half-Blood Blues is more than a book about music. Edugyan illuminates one of the forgotten victims of Nazi Germany’s ruthless quest for a racially “pure” state: the “Rhineland Bastards,” mixed-race Germans whose stories were lost when they went into hiding, fled, or disappeared into concentration camps. Hiero is one of those “mischlings,” and through him, we begin to understand how encompassing a denied history can be. But perhaps more than anything, this is a story about friendship, betrayal, loyalty, and the possibility of redemption through music. To read Half-Blood Blues is to hear jazz and the ache of regret through prose. Garnering nominations and awards internationally, the book has kept Edugyan on a busy, hectic schedule. It was my honor to have the chance to catch her in a quiet moment to talk about her book.

Mengiste:

I want to just jump right in and talk a little bit about the book’s setting and its characters. Part of the story takes place in 1940 Paris and Nazi Germany. What was your motivation for writing about this moment in history? What got you really interested in it, and these characters?

Edugyan:

I think I’ve always had a fascination with that period of history. It was such an extreme time in terms of what was happening everywhere, but especially in Europe, in those initial months when the Third Reich came to power. It was very fascinating for me. I had been living in Germany for about a year and a half, over two separate periods. The first time I was there for about thirteen months, learning German and really trying to immerse myself in the culture. And being a black woman living in Southern Germany, I started to wonder about the history of black people in Europe in general, but specifically in Germany. And so I did some research and discovered the story about the Rhineland Bastards—or the so-called “Rhineland Bastards.” That’s how I came to focus on this period that I had done quite a bit of reading on over my lifetime. It was interesting to me.

Mengiste:

When you were researching these Rhineland Bastards, these children born to black soldiers and German mothers in the period following WWI, what guided your decision to make your characters musicians?

Edugyan:

I have a very strong interest in music and grew up with a very strong interest in music even though I was never able to play the instruments very well. So, I’d been working on a project about a different kind of musician, a classical musician. And when I was in Germany, I started putting that aside and turning my sights to jazz musicians. And this was, in large part, because I quite love jazz. I’m not a huge expert on it, I’ll admit that, but what I’ve heard I really like. But also because I knew that Germany had gone through a big jazz age in the twenties, you know, there was a big avant-garde time after the First World War. So then you start to think about “well, what would happen to all of those musicians once the Third Reich took power?” And, you know, it was something that I certainly didn’t know anything about, so I just had to do…

Also by Mail

Edition Assemblage: Begleiterscheinungen emanzipatorischer Theorie und Praxis
2013-02-20
96 pages
Paperback, 142×205 mm
ISBN 978-3-942885-38-6
Series: Witnessed Edition 2

Olumide Popoola

Also by Mail is a modern family comedy-drama that follows the experiences of Nigerian German siblings Funke and Wale who fly to Nigeria to bury their suddenly deceased father. Their upbringing clashes with their uncle’s expectations and initial misunderstandings soon come to an éclat. When Wale returns to Germany, frustrated, he is bitterly reminded of how little his father acknowledged and prepared them for racist encounters there.

Loss and racism, sibling rivalry and cross-cultural etiquette, the play incorporates and subverses it’s urban, neo-African elements of story-telling to give a contemporary picture of a family that struggles not only with the legacy of its patriarch but with being racialized within the German context as well. Where does each stand in a circle of relations and needs? Where does each want to end up? And who is willing to help? It takes an inside-outside job to lighten the mood and the surprise startles them all.

Brown Babies Germany’s Forgotten Children – Henriette Cain

Research at the National Archives & Beyond
BlogTalk Radio
2013-01-17

Bernice Bennett, Host

Are you searching for your family?  Are you German, Brown and want to learn more about your American or German heritage?

Join Henriette Cain Genealogist, Search Consultant and Secretary of the Black German Cultural Society (BGCS), Inc.  Mrs. Cain – a brown baby adoptee successfully found all members of her birth family. She is now helping others with their searches through her company S.U.N. Public Records Research. She offers family history research and strives to reunite families and friends. She is prominently featured in the documentary – “Brown Babies: Deutschlands verlorene Kinder“.

Mrs. Cain is also a Founding Member, co-founder and former Vice President of the Afro-American Historical and Genealogical  Society of the Northen Illinois Southern Wisconsin Chapter; a member of the Noxubee County (MS) Historical Society, and a former volunteer Librarian for the Church of Jesus Christ of Latter Day Saints Family History Library.

Play in your default player here.

It’s Not Always Black And White: Caught Between Two Worlds

Outskirts Press
2013-01-18
100 pages
Paperback ISBN: 9781478716693

John Reed, Ph.D.

John Reed knows from experience how difficult the life of a biracial person can be. He was born in Germany after World War II to a German-Caucasian mother and an African-American father. The difficulty of finding a place in society was compounded by his mother’s rejection of him; he spent the first year of his life in a convent, cared for by nuns. As the physical, mental, and verbal abuse John suffered from his mother were mirrored by a judgmental and racist society around him, he found himself in a crisis of identity and shattered self-esteem. In this searingly honest and thought-provoking memoir, John shows us how racism is still very much alive in our current “politically correct” world, and the ways in which biracial people struggle with knowing whether they are truly accepted, or if the people around them are just playing the game. John’s path to personal healing, which included learning about and embracing his heritage, and severing ties with those who abused and failed to accept him, is an inspiration to anyone who has fought the questions of acceptance and identity. No matter what your personal background and heritage, It’s Not Always Black And White will enlighten you about what it’s like to be a person of color in a world where being white is the norm, and will vividly show you that every person, regardless of color, deserves to be treated with dignity, love, and respect.