Mixed Race Studies

The Latin American Identity and the African Diaspora: Ethnogenesis in Context

Cambria Press
2010-08-08
360 pages
ISBN: 9781604977042

Antonio Olliz-Boyd, Emeritus Professor of Latin American Literature
Temple University

Just beneath the surface of most scholars’ research on the ethno-racial composition of Spanish-speaking America lies a definitive connection between the African Diaspora and the Latin American identity. Although to a lesser extent, this is also true of Portuguese-speaking Brazil—the existence of African-related people and their role as an integral part of the total Latin ethnicity currently appears to be more readily accepted and discussed in Brazil than in other Latin American countries. Afro-Peruvians, Afro-Colombians, Afro-Venezuelans, Afro-Uruguayans, or Afro-Mexicans—to name just a few—are rarely openly acknowledged in most of Spanish-speaking Latin America. However, one cannot deny that African slavery was a fact of life in all the territories colonized and settled by Spain and Portugal in the Americas, and with this, of course, came widespread miscegenation between the European male and the subjugated African female.

More than likely, because of the diversity of racial features, most non-natives do not see the extent to which Latin America’s genetic amalgam can often mask the phenotypic effects of race-mixing. As a result, many researchers and scholars of the area are reluctant to divulge that someone is a descendant of African forebears because doing so might run the risk of one being considered politically incorrect or having debased that person’s character. Whereas in the United States there is little to no stigma attached to the president’s African ancestry, for any president of a Latin American country, one cannot overtly attribute a genetic link to African heritage.

There is extensive research found both in books and articles on the various topics of Afro Latinism/Afro Hispanism that is directed mainly at the non-native. Nonetheless, one still notices either cultural confusion or political reluctance to accept the identity of Blackness that the Latin American native lives with—for himself or for others—on a daily basis. For the average Cuban, Venezuelan, Peruvian, and so forth, along with their Latin counterparts, Blackness in racial terms surfaces as a matter of degrees of African-relatedness that is then counterbalanced by degrees of European and/or Amerindian genomic components. It is only in non-native cultures that one encounters such disparate comparisons as “statistics for Hispanics versus statistics for Blacks.” But is it not possible to find persons that are ethnoracially Black included in the demographics for Hispanics?

The overarching aim of this book, then, is to determine whether it is possible to perceive a constituency within the Latin American whole who is also an integral part of the African Diaspora. It examines the concept of African-relatedness within the totality of the Latin American sphere—not just in one isolated country or region—through a careful process of literary analysis. By exploring the works of Latin American novelists, poets, and lyricists, this study shows how they creatively expose their most intimate feelings on ethnic Blackness through a semiotic reliance on the inner voice. At the same time, the reader becomes a witness to the writers’ associations with a sense of Africanness as it artistically affects them and their communities in their formulations of self-identity.

Unique to this volume is the scholarly presentation of the presence of a group of people in Ghana, West Africa, who owe their raison d’être as a clan to their ancestral origins in Brazil. Having been accepted and received by an endemic tribe of what was called the Gold Coast at an historical moment in the nineteenth century, a community of escaped slaves and deported ex-slaves from Brazilian bondage regrouped as an ethnic whole. The reality of their existence gives new meaning to the term African Diaspora. To this day, their descendants identify themselves as displaced Latin Americans in Africa. Undoubtedly, both this surprising feature of Latin Americans returning to the African continent and the book as a whole will stimulate further discussion on the issue of who is Black and who is Hispanic as well as generate continued, in-depth research on the relationship between two continents and their shared genotypology.

Table of Contents

• Acknowledgments
• Prologue
• Essay I: Aesthetic Blackness in the Creative Literature of the Latin/Hispanic Reality
• Essay II: The Aesthetics of Language as an Experience of the Afro Latin/Afro Hispanic Reality
• Essay III: An Aesthetic Experience: The Reality of Phenotypes and Racial Awareness in Dominican Literature (Julia Alvarez and Loida Maritza Pérez)
• Introduction to Essay IV
• Essay IV: A Latin Identity, An African Experience: The Tabom Brazilians of Ghana
• Epilogue
• Notes
• Index

Racial Ideologies, Racial-Group Boundaries, and Racial Identity in Veracruz, Mexico

Ethnic and Racial Studies
Volume 5, Number 3 (November 2010)
pages 273-299
DOI: 10.1080/17442222.2010.513829

Recent scholarly interest in the populations of African descent in Latin America has contributed to a growing body of literature. Although a number of studies have explored the issue of blackness in Afro-Latin American countries, much less attention has been paid to how blackness functions in mestizo American countries. Furthermore, in mestizo America, the theoretical emphasis has oftentimes been placed on the mestizo/Indian divide, leaving no conceptual room to explore the issue of blackness. This article begins to fill this gap in the literature by focusing on blackness in the western Caribbean cities of Port of Veracruz and Boca del Río, which lie in the Mexican state of Veracruz. Specifically, it looks at the racial-based and color-based identification of individuals of African descent, societal construction of the ‘black’ category, and the relationship between national and racial identities. This article relies on data from participant observation conducted over the course of one year and 112 semi-structured interviews.

…Blackness in Mexico

During the 16th and 17th centuries, Mexico and Peru were the largest importers of African slaves in Spanish America (Palmer, 1976). Most scholars estimate that approximately 200,000 African slaves reached Mexico’s shores, although the number may be higher since many slaves were imported illegally (Aguirre Beltrán, 1944). When the slave system collapsed in the early 1700s, the biological integration of the population increased as the African-origin population increasingly mixed with the Indian and Spanish groups (Cope, 1994). After 1821, when Mexico gained independence from Spain, legal distinctions pertaining to race were terminated (González Navarro, 1970). By this time it was generally assumed that the black population had ‘disappeared’ through biological integration with the broader population.

Mexico’s early-20th-century post-revolutionary ideology further solidified the narrative of the disappearance of Mexico’s black population. This ideology promoted the mixed-race individual (mestizo) as the quintessential Mexican (Knight, 1990; Vasconcelos, 1925). In doing so, however, it not only glorified the mestizo, but sought to assimilate the Indigenous (Knight, 1990) and African (Hernández Cuevas, 2004, 2005) components of Mexico’s population through integration. The erasure of the African element in Mexico continued in the following decades through the Eurocentric re-interpretation of particular aspects of Mexican culture (Gonzalez-El Hilali, 1997; Hernandez-Cuevas, 2004, 2005).

The supposed disappearance of the African-origin population was first questioned in the 1940s when Gonzalo Aguirre Beltrán (1946, 1958) studied what he defined as a ‘black’ population in the Costa Chica region of Mexico’s southern coast. Aguirre Beltrán’s pioneering study set the stage for the re-emergence of the issue of blackness in Mexico. In the past few decades, there has been a surge of scholarly work on the topic, much of which has focused on the historical experience of Africans and their descendants (Aguirre Beltrán, 1944; Alcántara López, 2002; Bennett, 2003; Carroll, 2001; Chávez Carbajal, 1997; García Bustamante, 1987; Gil Maronã, 1992; Herrera Casasús, 1991; Martínez Montiel & Reyes, 1993; Martínez Montiel, 1993; Motta Sánchez, 2001; Naveda Chávez-Hita, 1987, 2001; Palmer, 1976; Rout, 1976; Vincent, 1994; Vinson III, 2001; Winfield Capitaine, 1988) and the African contribution to Mexican culture (Díaz Pérez et al., 1993; Gonzalez-El Hilali, 1997; Hall, 2008; Hernandez-Cuevas, 2004, 2005; Malcomson, forthcoming; Martínez Montiel, 1993; Ochoa Serrano, 1997; Pérez Montfort, 2007; for more general overviews and/or discussions of Afro-Mexicans, see Hoffman, 2006a, 2008; Martinez Montiel, 1997; Muhammad, 1995; Vinson III & Vaughn 2004); less attention has been paid to the contemporary experience of Mexicans of African descent. When the contemporary experience is addressed, most scholars focus on the Costa Chica region (Aguirre Beltrán, 1946, 1958; Althoff, 1994; Campos, 2005; Díaz Pérez et al., 1993; Flanet, 1977; Gutiérrez Ávila, 1988; Hoffman, 2007a; Lewis, 2000, 2001, 2004; Moedano Navarro, 1988; Tibón, 1961; Vaughn, 2001a). However, Hoffman (2007a, 2007b) argues that the Costa Chica represents an exceptional case in Mexico, and that identity formation in this region is not based on negotiation with state-sponsored institutions due to their limited presence in the area…

Read or purchase the article here.

The Afro-Mexican presence in Guadalajara at the dawn of independence

Purdue University
December 2010
85 pages
Publication Number: AAT 1490649
ISBN: 9781124557854

Beau D. J. Gaitors

A Thesis Submitted to the Faculty of Purdue University by Beau D. J. Gaitors In Partial Fulfillment of the Requirements for the Degree of Master of Arts

Scholars often characterize the Afro-Mexican experience through depictions of a large presence during the colonial period and a rapid decline after Mexican independence. Prior studies emphasized miscegenation and racism as causes of the disappearance of Afro-Mexicans from Mexican society. This thesis addresses the presence and subsequent disappearance of Afro-Mexicans from Guadalajara. Census records show that the Afro-Mexican population in Guadalajara was significant, one-fourth of the population, at the end of the colonial period. However, records also show that the Afro-Mexican population experienced a substantial decline to only two percent of Guadalajara’s population at the dawn of independence. This thesis asserts that the “disappearance” of Afro-Mexicans was a result of integration, especially in the residential and occupational spheres of Guadalajara. The two percent of Afro-Mexicans recorded in the census illustrates that Afro-Mexicans continued to integrate into society and did not simply disappear. Afro-Mexicans became Mexicans through social incorporation into the city through residential, occupational, and marital integration.

Table of Contents

• LIST OF TABLES
• ABSTRACT
• CHAPTER 1. INTRODUCTION
• CHAPTER 2. THE AFRICAN PRESENCE IN NEW SPAIN
• CHAPTER 3. THE GROWTH OF GUADALAJARA TO 1791
• CHAPTER 4. RESIDENTS OF GUADALAJARA 1791-1822
• CONCLUSION
• BIBLIOGRAPHY

List of Tables

• Table 1. Afro-Mexicans in Guadalajara, 1821-1822, by Cuartel
• Table 2. Marriage within Race (Major Groups)
• Table 3. Afro-Mexican Marriage Across Race
• Table 4. Race in the System of Education
• Table 5. Distribution of Afro-Mexican Occupational Positions

CHAPTER 1. INTRODUCTION

On December 6, 1810, standing on the balcony of the Palacio Real in the city of 

Guadalajara, Father Miguel Hidalgo y Costilla proclaimed the independence of the Mexican nation. In this proclamation he also declared that the independence of Mexico, known as New Spain in the colonial period, would be accompanied by the emancipation of all slaves in the nation.1 More specifically, Hidalgo stated that all slaveholders should emancipate their slaves within ten days of the decree. These enslaved individuals constituted several different racial and ethnic groups, including Native American and African. Native Americans were taken captive during wars and employed as slaves by the Spanish especially in Northern New Spain. In contrast, the vast majority of Africans arrived in New Spain alongside Europeans either as enslaved laborers or free conquistadors, creating a sizeable population of Africans within New Spain. African descendants remained in many regions of New Spain throughout the colonial period; however, centuries of assimilation and integration rendered the African presence in Mexico miniscule at the dawn of independence.

Today when people are asked, “What is a Mexican?” individuals rarely visualize a person of African descent. Despite a considerable presence in the history of Mexico, Mexicans of African descent, or Afro-Mexicans, have been essentially invisible in the history of Mexico. Afro-Mexicans, like many other marginalized groups in other nations, have been constantly neglected in contemporary national narratives or given brief references in national histories despite the prominent historic role they played. Afro-Mexicans have experienced varying degrees of invisibility in the contemporary portrayal of Mexican history and national identity. The neglect of the Afro- Mexican in the national history directly impacts the present-day position of people of African descent in Mexico. The inability of individuals to immediately and quickly point to the significant contributions and the presence of Africans in the history of Mexico makes it easy to assume that African descendants do not have a space in present-day Mexico. More specifically, the neglect of the African presence in the narrative of Mexico makes it easy for people to imagine Mexico as a nation without strong ties to African heritage and blood. Yet, in the last fifteen to twenty years, Afro-Mexicans have struggled to gain a representative space in the Mexican self-portrait, causing many scholars to reevaluate and reconsider the presence of people of African descent in Mexico. Although individuals have reconsidered the varying degrees of invisibility of the African heritage in Mexico, there is still a lack of momentum in recovering the African links to Mexico in the present day.

The process resulting in the invisibility of Afro-Mexicans is not simply a contemporary issue; it is steeped in the historic construction of the Mexican identity. Centuries of miscegenation and assimilation of different racial and ethnic groups led to the creation of a multi-racial society in Mexico. Theories emerged to account for the image of the Mexican nation and its interracial heritage. Individuals in power constructed the Mexican identity with great influence on the perceptions of citizens. In the 1920s Mexican intellectuals, most notably José Vasconcelos, began to promote the idea of a cosmic race, “la raza cósmica,” in Mexico. This theory sought to promote a collective group identity that went beyond race and ethnicity in Mexico. Individuals of Spanish descent, Native American descent, and African descent populated the vast region that made up Mexico. However, these three groups had many variations within themselves. There were numerous indigenous groups that populated the region that would later become Mexico. People of African descent had a significant role in populating Mexico in the colonial period. Some were born in different regions in Africa and brought to the New World, while others were born in the Americas. Furthermore, the African position in the colonial system varied, as some Africans were enslaved while others were free. Just as with the African case, there were Spaniards who were born in the New World, known as criollos, and Spaniards born in Spain, known as peninsulares. Throughout the colonial and post-independence periods the indigenous, African, and Spanish groups constituted a multiracial and multiethnic society. Contributing to this mixed landscape were the sexual relations between these individuals, resulting in the birth of mixed-race individuals who inhabited colonial Mexico.

The concept of the “cosmic race” necessitated the erasure of specific group contributions in the construction of the Mexican state in order to create a homogenized Mexican national identity. This new identity was intended to go beyond the multiple distinct groups and mixed groups in Mexican society. The new Mexican identity would theoretically represent the diverse groups as equal participants in the construction of the Mexican nation. These diverse groups would be represented as part of a collective that provided the building blocks to construct the Mexican nation. Yet, the emergence of a homogenous identity resulted in a substantial disappearance and neglect of some groups that participated in the construction of Mexican society. Individual groups were subsumed into the collective identity of the Mexican nation as their contributions were bulked into a single framework of progress.

Although specific groups were brought into a collective identity, they found it difficult to ignore their distinct differences. With this in mind, specific groups presented themselves as both Mexican and their unique group identity. When the cultural contributions to Mexico were acknowledged, the focus was on Spanish and indigenous groups as the primary participants in the construction of Mexico, while the contributions of Afro-Mexicans were relegated to the margins.

Although Afro-Mexicans have been relegated to the margins, their presence in Mexico cannot be so easily overlooked. There are locations in Mexico that hold populations of African descendants in large numbers. Coastal regions and port cities such as Costa Chica, Guerrero, and Veracruz, reflect the significant presence of people of African descent in Mexico. Despite the presence in these regions, the potential for the representation of Afro-Mexicans is limited. The concentration of Afro-Mexicans in these regions encourages the social invisibility of African presence within the greater Mexican nation. More specifically, it is readily assumed that people of African descent have resided solely in these areas. However, Afro-Mexicans were also present on a large scale in other areas of Mexico, especially in urban centers such as Mexico City and Guadalajara. Many Afro-Mexican slaves found their way to various locales in colonial Mexico as a result of slavery and the migratory patterns of slaveholders…

Purchase the dissertation here.

Black Mexico: Nineteenth-Century Discourses of Race and Nation

Brown University
May 2009
268 pages

Marisela Jiménez Ramos

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History at Brown University, Providence, Rhode Island.

On January 31, 2006, the Associated Press reported that while remodeling the central plaza in Campeche, a Mexican port city on the Yucatan peninsula, construction workers stumbled upon a sixteenth-century cemetery containing what seemed to be the oldest archeological evidence of African slavery in the Americas. The cemetery had been in use as early as the mid-sixteenth century and into the seventeenth. That same day, the New York Times published an article about the discovery that focused on the teeth that had been unearthed by archeologists. At least four of the 180 bodies that were recovered showed evidence of having come from West Africa, including the most telling fact that “some of their teeth were filed and chipped to sharp edges in a decorative practice characteristic of Africa.” In January of 2006 the evidence of early African slavery in New Spain (now Mexico) was finally making “big news” in the modern world. But, for the historians, archeologists, anthropologists, or cultural investigators who have dug through dusty colonial documents in many of Mexico’s archives or have mined the world histories and local memories of Mexico’s “third root,” the news that there had been Africans in Mexico was hardly news. Scholars have always known that Mexico, along with all of the other Spanish colonies, had a comprehensive fully actualized system of African slavery. Two days after the initial AP news release, Mexico City’s El Universal and La Reforma carried the story.  What these and subsequent news articles reveal is the prevalent and dominant discourse of mestizaje—defined as the mixture of Spanish and Indian elements—and the obscurity of Mexico’s African history.

In El Universal, the director of the project, Vera Tiesler from the Universidad Autonoma de Yucatan, reported that “the most important thing is to create a consciousness that we [Mexicans] not only originate from Indians and Europeans, but that there is also a third root.” Tiesler also commented that the discovery was especially important for Blacks in the United States because it provides further evidence of their arrival to the New World.  Underlying the language of the “rediscovery” of Mexico’s ancient Black population is the dominant discourse of mestizaje—Mexico’s ideology of racial mixture and national identity.  A major feature of this ideology is that “the African, under no circumstance persevered as pure black, either biologically or culturally.” Gonzalo Aguirre Beltrán, a mid-twentieth-century pioneer of Black Mexican studies, expressed the common attitude of Mexicans who believed that “the slaves who contributed to Mexico’s genetic make-up became so completely integrated into the process of mestizaje that it is now very difficult for the layman to distinguish the Negroid features of the present population as a whole.” Our current understanding of racial mixture in Mexico does not negate the fact that Blacks were present in that country. If the African presence and influence is not obvious, it is not any less important historically. Blacks in Mexico have “disappeared” as a separate racial/ethnic group, to the point that nothing Black or African is considered Mexican. Yet, what is lacking is a clear explanation for the “disappearance” of the contributions that Blacks have made to our current understanding of Mexican identity.

The story of those bones in Campeche can be brought to life with a better understanding of the development of Mexican national identity. In this work I focus on nineteenth-century discourses of race and their intersection with nation-building and the exclusion of Blackness from what would eventually be termed, “mestizaje.” Since my purpose is not so much to understand what Mexico’s national identity is (or was), as to understand how and why it came to exclude all things Black and African, I focus my research on the period between Independence in 1821 and the the Porfiriato (1876-1911) when nationalism and national identity became a state-sponsored project. Historians like Mauricio Tenorio-Trillo have claimed that the modern nationalist project in Mexico began with the period of the Porfiriato and culminated with the Mexican Revolution (1911-1917)—an essentially twentieth-century phenomenon. Yet, even before the beginning of the Porfiriato, I argue, “Mexican” identity had already been defined to a large degree. The nineteenth century period marks the beginning of Mexico’s political and social liberation from Spanish rule, as well as the beginning of a self-conscious
process of nation-building…

My goal is to make clear the role of Blacks and Blackness in nineteenth-century Mexican discourses of nation and to document their contributions to the makeup of mestizaje. I focus on what Florencia Mallón calls “discursive transformation.” Prasenjit Duara explains, “the meanings of the nation are produced mainly through linguistic mechanisms.” In reality, Blacks “disappeared” through omission from nineteenth-century discourses of race and nation, a process I call the Black exception, a term that highlights how Blacks were exempt from Mexico’s understanding of its own racial makeup.

By looking into the role of Blackness, or negritud, in nineteenth-century discourses of nation I seek to formulate a new understanding of Mexico’s national identity, but primarily a new theoretical understanding of ethnic relations in the period after independence. I investigate the social and political processes that contributed to the eventual—but by no means inevitable—‘disappearance’ of Blacks and all things African from the national self-consciousness of modern Mexico. To be more precise, I provide answers to the following questions. In the absence of racial categories in post-independence Mexico how did the understanding of what it meant to be Black change for former Blacks and for non-Blacks? More importantly, how did these definitions fit within the evolving concept of “lo Mejicano”?

I argue that Mexico’s twentieth-century struggles for social and political development cannot be understood without examining the role that nineteenth-century racial ideologies played in the institutionalization of official and unofficial conceptions of citizenship and nation-building. I hope to show how the historical record may be mined for evidence of the conflicting ideologies determining the context of the roles that Blacks would play—or would not be allowed to play—in the new nation. In addition to a reconceptualization of the discourse of mestizaje, this research will open avenues to a rethinking of the contemporary identity of Mexicans, including a recovery of the (obscured) Black presence…

Table of Contents

• Signature Page
• Curriculum Vitae
• Acknowledgements
• Introduction
• Chapter 1: The Blackness of Slavery: Race in Colonial Mexico, 1519-1821
• Chapter 2: Inventing Mexico: Race and the Discourse of Independence
• Chapter 3: Mexico Mestizo: Nation and the Discourse of Race
• Chapter 4: Freedom Across the Border: U.S. Fugitive Slave Migration and the Discourse of Mexican Racial Equality, 1821-1866
• Chapter 5: The Cultural Meaning of Blackness: The Strange But True Adventures of “La Mulata de Córdoba” and “El Negrito Poeta”
• Chapter 6: Yanga: Mexico’s First Revolutionary
• Conclusion: “Where Did The Blacks Go?”

Read the entire dissertation here.

Afro-Mexico: Dancing between Myth and Reality

University of Texas Press
December 2010
183 pages
62 b&w illus, 14 color photos
7 x 10 in.
Hardcover ISBN: 978-0-292-72324-5

Anita González, Associate Professor and Associate Chair of Theatre Arts
State University of New York, New Paltz

Photographs by George O. Jackson and José Manuel Pellicer
Foreword by Ben Vinson III

While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves to be either black or African. For almost a century, Mexico has promoted an ideal of its citizens as having a combination of indigenous and European ancestry. This obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—of dance, music, and theatrical events—reveal the influence of African people and their cultural productions on Mexican society.

In this work, Anita González articulates African ethnicity and artistry within the broader panorama of Mexican culture by featuring dance events that are performed either by Afro-Mexicans or by other ethnic Mexican groups about Afro-Mexicans. She illustrates how dance reflects upon social histories and relationships and documents how residents of some sectors of Mexico construct their histories through performance. Festival dances and, sometimes, professional staged dances point to a continuing negotiation among Native American, Spanish, African, and other ethnic identities within the evolving nation of Mexico. These performances embody the mobile histories of ethnic encounters because each dance includes a spectrum of characters based upon local situations and historical memories.

Table of Contents

• Foreword by Ben Vinson III
• Preface
• Introduction
• Chapter 1: Framing African Performance in Mexico
• Chapter 2: Masked Dances: Devils and Beasts of the Costa Chica
• Chapter 3: Archetypes of Race: Performance Responses to Afro-Mexican Presence
• Chapter 4: Becoming National: Chilena, Artesa, and Jarocho as Folkloric Dances
• Conclusion
• Notes
• Bibliography
• Index

Introduction

Afro-Mexico: Dancing between Myth and Reality, as the title suggests, is a book about dancing. But more important, it is a book about how dance reflects on social histories and relationships. The photographs and text document how residents of some sectors of Mexico construct their histories through performance. The idea of Afro-Mexico is, in some ways, an enigma. While Africans and their descendants have lived in Mexico for centuries, many Afro-Mexicans do not consider themselves either black or African. Instead, members of this ethnic population blend into the national imagination of Mexico as a mixed-race country. For almost a century, Mexico has promoted an ideal of its citizens as a combination of indigenous and European ancestry. This construct obscures the presence of African, Asian, and other populations that have contributed to the growth of the nation. However, performance studies—dance, music, and theatrical events—reveal that African people and their cultural productions have consistently influenced Mexican society…

…Race in the Americas

The concept of race is continually being redefined. “Race” troubles academic theorists and affects popular social conceptions about origins and nationality. Political events like the rise of Barack Obama challenge existing myths about race and bring to questions the realities of racial mixtures in the Americas. In both local and global communities public understandings about blackness greatly influence who African Diaspora people think they are. Clearly, those who reside in Mexico are Mexican. However, self-perceptions influence both self-esteem and the sense of belonging. Recently, I was traveling by airplane to Costa Chica and picked up a copy of the magazine Intro*, which services the Oaxacan coast. Inside was a story about a surfer named Angel Salinas, an Afro-Mexican from Mancuernas, Pinotepa Nacional. Salinas is a surfing star who has won national and international tournaments. But he wears a wrestler’s mask to cover his face when he appears in public. The article states that the surfer wears the mask as “a result of some advice that his mother gave him when he didn’t appear in magazines because of his dark skin; he decided to do something that would make him different and that would show a Mexican cultural icon. Now he is known as ‘the masked surfer.'” Angel Salinas feels the need to cover his face in order to feel Mexican. Although Mexico is a country where, at first glance, the races have mixed to become a “cosmic race,” there are still urgent social discrepancies that manifest as internalized or blatant racism. This discrepancy between public policy and daily practices influences the kinds of lives that contemporary Afro-Mexicans lead…

Africa’s Legacy in Mexico: The Photographs of Tony Gleaton

Loyola Marymount University, Los Angeles
Laband Art Gallery
2007-09-09 through 2007-11-18

Africa’s Legacy in Mexico features forty-five black and white photographs from a series of portraits of African Mexicans by Tony Gleaton. Taken in the late 1980s and early 1990s, primarily in three villages along the southwestern coast of Mexico, Gleaton’s photographs offer insight into a little-known aspect of Mexican culture. These poignant images focus on the present-day descendants of African slaves who were brought to Mexico by the Spanish colonialists beginning in the 1500s. Though Africans have been part of the cultural fabric of Mexico for five centuries, the official policy of the Mexican government has been to only highlight the country’s mestizo [mixed race] heritage that has resulted from the mixing of indigenous and European peoples. Miriam Jimenez Roman writes that Gleaton’s photographs “force us to rethink many of our preconceptions not only about our southern neighbor but more generally about issues such as race, ethnicity, culture, and national identity.”

View some of the photographs here.

Mestizaje and the Mexican Mestizo Self: No hay Sangre Negra, so there is no Blackness

Southern California Interdisciplinary Law Journal
Volume 15, Number 2 (Spring 2006)
Pages 199-234

Taunya Lovell Banks, Jacob A. France Professor of Equality Jurisprudence and Francis & Harriet Iglehart Research Professor of Law
University of Maryland School of Law

Many legal scholars who write about Mexican mestizaje omit references to Afromexicans, Mexico’s African roots, and contemporary anti-black sentiments in the Mexican and Mexican American communities. The reasons for the erasure or invisibility of Mexico’s African roots are complex. It argues that post-colonial officials and theorists in shaping Mexico’s national image were influenced two factors: the Spanish colonial legacy and the complex set of rules creating a race-like caste system with a distinct anti-black bias reinforced through art; and the negative images of Mexico and Mexicans articulated in the United States during the early nineteenth century. The post-colonial Mexican becomes mestiza/o, defined as European and Indian, with an emphasis on the European roots. Thus contemporary anti-black bias in Mexico is a vestige of Spanish colonialism and nationalism that must be acknowledged, but is often lost in the uncritical celebration of Latina/o mestizaje when advanced as a unifying principle that moves beyond the conventional binary (black-white) discussions of race. This uncritical and ahistorical invocation of mestizaje has serious implications for race relations in the United States given the growing presence and political power of Mexican Americans because substituting mestizaje for racial binarism when discussing race in the United States reinforces rather than diminishes notions of white racial superiority and dominance. Therefore legal scholars who write about Latina/o issues should replace their uncritical celebration of mestizaje with a focus on colonialism and capitalism, the twin isms that influenced ideological theories and racial formation from the late fifteenth through the twentieth century in the Americas.

Read the entire article here.

The African Presence in Mexico

A Symposium Presented by
Callaloo – A Journal of African Diapora Arts and Letters and
The Center for Africana Studies, Johns Hopkins University
2008-10-22 through 2008-10-23
Texas A&M University, College Station, Texas

Sessions

• The Road to Blackness: A Search for Identity Within the Afro-Mexican Community (audio, photographs)
• Slavery and Freedom in Colonial Mexico (audio, photographs)
• “Where did the Blacks Go?” Post-Slavery Mexico (audio, photographs)
• Contemporary Afro-Mexicans (audio, photographs)
• “Blacks in the State of Veracrus, Mexico” (A Photographic Exhibition by Marcus D. Jones) (photographs)

For more details, click here.

Written Out of History

Pomona College Magazine
Pomona College, Claremont, California
Fall 2002
Volume 39, Number 1

Michael Balchunas

Spurred by a glimpse of family history, Professor Sid Lemelle is bringing to light a little-known aspect of the African Diaspora.

When the new people moved in, all eyes were upon them. There were comments about the way they looked, how much money they might have, what kind of work they did, their morals, their customs and their character. At first, it was all good. The newcomers, who were farmers, engineers, mechanics and other workers, wrote to friends left behind and extolled the virtues of their new home. That stirred pangs of fear among some residents, and a newspaper ran an editorial. More of these people might come, it said, and “since the Negro is a creature of imitation and not invention…they will degenerate…and [become] vicious…a nuisance and pest to society.”

The year was 1857, and the newcomers, from Louisiana, had settled near Coatzacoalcos, Mexico, about 50 miles inland from the Caribbean port of Veracruz. Their history, like much of the history of the African Diaspora, is virtually unknown.

Sidney Lemelle is working to change that…

…Another misperception is that the U.S. South was a strictly bipolar society of white masters and black slaves, he says. In antebellum Louisiana, a significant number of white planters, businessmen and government officials fathered mixed-race offspring, who became part of a stratum more privileged than slaves, other free blacks or poorer white residents, according to Lemelle. He is particularly intrigued by how race and racial identity issues were connected to property rights and ownership in Louisiana and Mexico in the 19th century. Building on the theories of UCLA legal scholar Cheryl Harris, he believes that “whiteness” was constructed by mixed-blood people and became the basis of racialized privilege; that “whiteness” was legitimized as a form of status property, which gave some individuals rights over others, even though both possessed African blood…

Read the entire article here.

The erasure of the Afro element of mestizaje in modern Mexico: the coding of visibly black mestizos according to a white aesthetic in and through the discourse on nation during the cultural phase of the Mexican Revolution, 1920-1968

University of British Columbia
September 2001
166 pages

Marco Polo Hernández Cuevas, Associate Professor of Spanish
North Carolina Central University

A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Faculty of Graduate Studies.

“The Erasure of the Essential Afro Element of Mestizaje in Modern Mexico: The Coding of Visibly Black Mestizos According to a White Aesthetic In and Through the Discourse on Nation During the Cultural Phase of the Mexican Revolution, 1920-1968″ examines how the Afro elements of Mexican mestizaje were erased from the ideal image of the Mexican mestizo and how the Afro ethnic contributions were plagiarized in modern Mexico. It explores part of the discourse on nation in the narrative produced by authors who subscribed to the belief that only white was beautiful, between 1920 and 1968, during a period herein identified as the “cultural phase of the Mexican Revolution.” It looks at the coding and distortion of the image of visibly black Mexicans in and through literature and film, and unveils how the Afro element “disappeared” from some of the most popular images, tastes in music, dance, song, food, and speech forms viewed as cultural texts that, by way of official intervention, were made “badges” of Mexican national identity.

The premise of this study is that the criollo elite and their allies, through government, disenfranchised Mexicans as a whole by institutionalizing a magic mirror—materialized in the narrative of nation—where mestizos can “see” only a partial reflection of themselves. The black African characteristics of Mexican mestizaje were totally removed from the ideal image of “Mexican-ness” disseminated in and out of the country. During this period, and in the material selected for study, wherever Afro-Mexicans—visibly Afro or not—are mentioned, they appear as “mestizos” oblivious of their African heritage and willingly moving toward becoming white.

The analysis adopts as critical foundation two essays: “Black Phobia and the White Aesthetic in Spanish American Literature,” by Richard L. Jackson; and “Mass Visual Productions,” by James Snead. In “Black Phobia…” Jackson explains that, to define “superior and inferior as well as the concept of beauty” according to how white a person is perceived to be, is a “tradition dramatized in Hispanic Literature from Lope de Rueda’s Eufemia (1576) to the present” (467). For Snead, “the coding of blacks in film, as in the wider society, involves a history of images and signs associating black skin color with servile behavior and marginal status” (142).

Read the entire thesis here.