Mixed Race Studies

Shame on CNN: A commentary by Susan Graham

Project RACE
2012-12-10

Susan Graham, Executive Director

CNN aired a show hosted by Soledad O’Brien Sunday called “Who is Black in America?” I have been disgusted with the public misunderstanding of multiracial people on so called news shows in the past, but this one wins the prize for the absolute worst.

First, let’s not forget that Soledad O’Brien is an entertainer and not an authority on the news. Her game is simple: ratings. She does not believe that people get to choose their own identities. But neither she nor anyone else should ever question someone’s racial self-identification.

O’Brien’s mother is black and her father is white; her mother told her not to let anyone tell her she’s not black. So she self identifies as only black, denying half of her identity. She has that right and that opportunity. I feel that everyone should clearly have the right and opportunity to choose to be multiracial, too. But she has clearly brought her identity into her job this time…

…This CNN special tells the story of several multiracial people who identify only as black, and are coerced into identifying as black to be on the national news. Some “experts” are thrown in who simply are getting free publicity for their books or are holding on to their academic jobs by writing and talking about the advantages of self-identifying as black if you happen to be unfortunate enough to have been born to parents of different races…

…This show is, in my opinion, the most misguided show in the CNN “race” series to date. It’s a propaganda piece for every multiracial person to identify only as black; they should not even have a choice. Ms. O’Brien even tries to completely nullify multiracial advocacy by stating that you may only choose one race on the US Census. That statement has been absolutely untrue since the 2000 US Census…

…There are plenty of people who will publicly—on the Internet anyway—applaud Ms. O’Brien for whatever reason and it will give them a chance to spout more hate against the multiracial movement, Project RACE, and me. I’m used to it after 23 years of fighting for the rights of multiracial people who wish to embrace their entire heritage. What is more recent is the new hatred against white people who are being blamed for what happened so many years ago and who fostered the civil rights movement…

Read the entire article here.

Black (Or Not) Like Me: Thoughts on CNN’s Black in America 5

The Huffington Post
2012-12-10

Smokey Fontaine, Chief Content Officer
Interactive One

I know who my colleagues think I am. I’m pretty sure they’ve accepted me as the lightest Black dude in the office. My job demands that I constantly engage co-workers around racial issues, so I have opportunities to represent my Black experience all the time which I’m sure gains me some points.

But it’s different in the street. My what-is-he? scorecard for strangers who pass me by in New York City is as follows:

• 60 percent think I’m Latino
• 25 percent think I’m Black or interracial
• 15 percent think I’m White

Pretty good percentages for me because I’m only comfortable when my see-me-as-a-person-of-color index is above half. That was my problem in Baltimore. Living there for a few years to teach sixth grade at Booker T. Washington Middle School made me vulnerable to mis-identification in a southern environment without a significant Latino population. My white quotient jumped to above 50…

…CNN’s latest installment of their top-rated Black In America series handles these complex issues of identity, asking young African-Americans of various shades and backgrounds to discuss their experience. First, I’m surprised that it took them so long to address this topic (especially given series hostess Soledad O’Brien’s interracial heritage), but I was most struck by how the young people’s experiences were so similar to mine and those of my (not all-Black) friends 20 years ago. It was like I was watching a video of a college I-Pride meeting from 1995.

That’s not necessarily a bad thing. Every generation’s naivete drives their passion to figure out the world and clearly the show’s goal is to raise more questions than it answers. But as cultural critic Stuart Hall liked to say, “cultural identity is one of becoming as well as being. Like everything which is historical… [identities] undergo constant transformation” and I didn’t feel that in the show.

There is a cultural upheaval going on in our country that is expanding ideas about Blackness. Latino, Asian and even white identity are also being affected (don’t get it twisted: the identity of caucausian culture is as dependent on people of color as the other way around). But this shift was not loudly represented by all the great young folks in Black In America talking about how they see and socialize themselves…

…What I’ve learned is that when there is a gap between how someone feels about themselves and how they’re perceived by others, you get conflict. Even within my own interracial family, there are darker-skinned folks who take on their Italian maiden name as an homage to the white mother that raised them (and a dis to the Black father who didn’t), and lighter-skinned folks who refuse to ever straighten their hair to avoid any more obvious connections to a European heritage…

Read the entire article here.

Soledad O’Brien and three of the interview subjects from her docu discuss the fifth installment of CNN’s Black in America series

Starting Point with Soledad O’Brien
Cable News Network (CNN)
2012-12-10

Soledad O’Brien, Host

The fifth installment of CNN’s Black in America Series focused on the question, “Who is black in America?” That single, seemingly simple question unravels the complicated, densely packed issue of racial identity in this country. To continue this important conversation, three of the interview subjects from the documentary: Fmr. Editor, Essence Magazine Michaela Angela Davis, “(1)ne Drop Project” Artistic Director and a consulting producer for the documentary Yaba Blay and poet and mentor Perry “Vision” DiVirgilio join “Starting Point” this morning…

O’BRIEN: Joining us to continue this conversation three of the subjects in the documentary, Mikaela Angela Davis is the former editor of “Essence” magazine, Perry “Vision” Divirgilio, a poet and teacher, and Professor Yaba Blay is the artistic director of the One Drop Project and she was a consulting producer on our documentary.

It’s nice to have you all with us. So why do you think this touches such a nerve? I mean, all you do is sit for a minute on my Twitter feed timeline, and realize like people were angry, freaked out, emotional about this. Why?

YABA BLAY, CONSULTING PRODUCER, “BLACK IN AMERICA”: It touches on our lived experience. I think, you know, I don’t know that I’m biased, but I think of all of the black in America iterations, that this is one that everyone can relate to, whether it’s them personally, as a mother, father, grandmother.

All of the feedback I was getting online, always included a personal testimony, how this reminds me of my grandmother, this reminds me of this, I have a story, and I think it’s one of those things that people tap into on a personal level, and it’s — there is an emotion there.

O’BRIEN: The documentary focused on two young poets in your class. You mentor both of them. How unusual were their story? They grapple with racial identity. You picked two people who were the dysfunctional ones. Is that — is that the case or do you think their quest typical?

PERRY “VISION” DIVIRGILIO, POET AND MENTOR: I don’t think it’s dysfunctional. I think what they are doing is very normal for teenagers just brave enough to throw it out there, let the world know this is who I am, how I feel. You heard these lot during workshops. You know, folks look at that’s a young black man or young black woman, were checking other, were not wanting to identify with race at all. I’m a man, woman, I’m human.

O’BRIEN: Many people actually also, I mean, on Twitter, who knows who many is. Listen, kumbaya real progress would be when we don’t have to talk about race it all. We’re just Americans.

MICHAELA ANGELA DAVIS, FORMER EDITOR, “ESSENCE MAGAZINE”: Acting like it doesn’t exist doesn’t heal and this incredibly emotional response as Yaba said. America as a family this is our taboo issue. This brings up so much — triggers a lot of black girl pain.

It triggers a lot of secrets and bias. It triggers emotional things in life. Any family — when we go into our history and say this horrible thing created this characteristics, people don’t like to look at it. This is the road to healing. The only way we’ll feel hole, we talk about where we’re fractured.

O’BRIEN: So John Berman is our token white man on the panel this morning, John Berman, in all seriousness.

BERMAN: I am white, all seriousness.

O’BRIEN: This conversation, was it one that you were ever aware of?

BERMAN: I was just thinking what makes this so interesting, the minute you put a question mark on it, you know, who is black in America or what is black in America, it makes everyone ask a question of themselves…

Read the entire article and watch the video clip here. Read the transcript here.

“Starting Point with Soledad O’Brien” with Dr. Yaba Blay

Starting Point with Soledad O’Brien
Cable News Network (CNN)
Monday, 2012-12-10, 12:00-14:00Z (07:00-09:00 EST)

Soledad O’Brien, Host

Dr. Yaba Blay Professor, Scholar and Co-Producer of “Black in America 5” will appear.

Why isn’t ‘colorism’ gone?

Cable News Network (CNN)
2012-12-05

Has “colorism” disappeared? CNN’s Soledad O’Brien asks author and Activist Tim Wise.

Soledad O’Brien: Who is black in America? I am

Cable News Network (CNN)
2012-12-07

Editor’s Note: In today’s United States, is being black determined by the color of your skin, by your family, by what society says, or something else? Soledad O’Brien reports “Who Is Black in America?” on CNN at 8 p.m. ET/PT this Sunday, December 9.

Yaba Blay, Professor/Scholar

Soledad O’Brien, Host

(CNN) – Yaba Blay, Ph.D. created the (1)ne Drop Project, a multiplatform endeavor that hopes to challenge perceptions of black identity. Blay, a consulting producer for “Who Is Black in America?” spoke to hundreds of those who may not immediately be recognized as “black” based on how they look, including CNN Anchor Soledad O’Brien.  In this edited excerpt from her forthcoming book, Blay spoke to O’Brien about what makes a person black, and why the conversation is important.

Yaba Blay: How do you identify? Racially and culturally?

Soledad O’Brien: I’m black. I’m Latina. My mom is Cuban. Afro-Cuban. My dad is white and Australian. And I think because of my job, often a question like “How do you identify?” is really not about the question. It’s always “What side are you on?” “What perspective to you bring?”

Blay: I remember when “Black in America” first came out, and a lot of people being like “Who is she and why is she doing this?”…

…Blay: So what makes a person black?

O’Brien: I certainly don’t think it’s skin color. And I certainly don’t think it’s how well you speak the language. And I’m not sure I can answer that question thoroughly because my consciousness about race was really implanted in me by my parents. I would say I’m black because my parents said I’m black. I’m black because my mother’s black. I’m black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us made it very clear what we were…

Read the entire article here.

Did one-drop rules have a positive side?

Cable News Network (CNN)
Black in America: A Soledad O’Brien Report
2012-12-05

Soledad O’Brien, Host
 
Ethnographer and professor Dr. Yaba Blay explains why she thinks the one-drop rule has a positive side.

[Transcription by Steven F. Riley]

Soledad O’Brien: Why do so many black people—me included—embrace the “one-drop rule” when it really, literally, has its roots in terrible things?

Yaba Blay: Again, I think because the “one-drop rule,” in as much as it was oppressive, protected us.  It gave us an identity in the same way that when we talk about white parents of mixed-race kids, you know, and you’ll hear a lot of white parents say, “oh my child can choose to be whatever they want to be.” And then you see the child struggling. That there’s some comfort and there’s some strength that comes with being told what you are. And so I think the “one-drop rule” gave us a definition of blackness that was unquestionable. There was no space to be mixed-race, biracial, any of these things. And from that, we were able to mobilize, right, in the fight against Jim Crow; in the fight against segregation; in the fight against racism. That, again it gave us the parameters for what our community ultimately was.

Sneak peek at next ‘Black in America’

Cable News Network
2012-11-27

What makes someone black in America? Skin color? History? Culture? Soledad O’Brien reports on Sunday, December 9 at 8pm ET/PT.

Obama makes history, again

Cable News Network
2012-11-08

Moni Basu, CNN

(CNN) — A black man is returning to the White House.
 
Four years ago, it was a first, the breaking of a racial barrier. Tuesday night, it was history redux.
 
And more.
 
In the midst of national splintering and a time of deep ideological animosity, Americans elected President Barack Obama to a second term. And thousands rejoiced in his victory, one that seemed sweeter and, perhaps, more significant.
 
“This is affirmation that his color doesn’t matter and that his message resonated with people,” said Yale University sociologist Jeffrey Alexander, author of “Obama’s Victory and the Democratic Struggle for Power.”
 
“It is very important in that it will indicate that an African-American can be viewed for what he says and not what he is.”

Had Obama lost the election, he would likely have been remembered in history as the first black president, and maybe little else, Alexander said.
 
Now, he has a chance to create a legacy rooted not in his identity, but in his ideas.
 
University of Houston sociologist Shayne Lee agreed.
 
“If this country wants President Obama to have another term, I’m ready to say that it’s a significant moment,” he said.
 
As an African-American, Lee understood the power of 2008. But his excitement was measured.

He knew the nation was tired then of two costly wars in Afghanistan and Iraq, a sinking economy and an administration that he felt excluded ordinary people. He thought Arizona Sen. John McCain was a weak candidate and that the cards were stacked in Obama’s favor. Four years later, Obama traversed a much tougher road, Lee said.
 
Americans had a strong alternative in the Republican challenger, former Massachusetts Gov. Mitt Romney. The nation, he felt, was no longer in a desperate state and voters had more of a choice. Despite that, they elected a black man. Again.
 
“They sent a message to the world that whatever racist proclivities might exist are not enough to preclude Obama from winning,” Lee said…

Read the entire article here.

Discovery of first black Harvard grad’s papers leads to as many questions as answers

Cable News Network (CNN)
2012-03-14

Stephanie Siek

(CNN) – The story of Richard Theodore Greener is a book with many blank pages. The first African-American to graduate from Harvard University in 1870, he was one of the foremost black thinkers of his time, rising to prominence between Booker T. Washington and W.E.B. DuBois and praised by both. Greener was the dean of Howard University’s law school, a diplomat and also the University of South Carolina’s first black professor and head librarian.

The recent discovery of some of Greener’s papers in Chicago could fill in some of those pages. But the ironies of his life remain.

One daughter of this book-loving man and advocate for racial equality would go on to become the most respected librarian of her era and an expert on medieval illuminated manuscripts—but not as a woman of color. Belle Marian Greener, who was born to Greener and his first wife, Genevieve Ida Fleet, passed for white. Even lighter-skinned than her two light-skinned African-American parents, she changed her name to Belle da Costa Greene to reflect a fabricated Portuguese ancestry that would explain her complexion.

Portuguese ancestry that would explain her complexion.

After separating from Fleet, Greener accepted consular appointments in Bombay (now Mumbai), India and Vladivostok, Siberia, but neither Fleet nor their children joined him. Da Costa Greene burned most of her personal papers before her death in 1950, and except for a possible visit with her father after his retirement in Chicago, the degree to which she and Greener kept in contact is a mystery.

While working as an American consular official in Vladivostok in 1898, Greener began a relationship with a Japanese woman, Mishi Kawashima, with whom he had a daughter and two sons. He then had to leave them behind in Vladivostok in 1906, when he was the victim of a rumor campaign that resulted in his retirement.

It’s possible that racism played a role in his reasons for leaving the post, said Michael Mounter, a historian and research librarian at the University of South Carolina who wrote his doctoral dissertation on Greener. Among the rumors flying at the time, Mounter said, were that he “was drinking too much and had a Japanese mistress.”

“You had a group of white Americans living in Vladivostok and he originally went to social events with them,” said Mounter.  “He did not identify himself specifically as being black. He didn’t want to, he didn’t see the point in it.”

“One might say, ‘Well, he was passing for white.’ Others might say he just wanted to be judged on his own merits,” said Mounter…

Read the entire article here.