Mixed Race Studies

What is the Black German Experience? A Review of the Black German Cultural Society of New Jersey 2nd Annual Convention

MixedRaceStudies.org
2012-08-17

Steven F. Riley

All photographs ^©2012, Steven F. Riley

I received more than a few raised eyebrows after describing the recent trip my wife and I took to attend the Black German Cultural Society of New Jersey’s Second Annual Convention at Barnard College in New York. If you are tempted to believe that being both Black and German is an oxymoron; think again. African and German interactions go back as far as at least 1600. A fact that is unknown to most, Germany played a significant role during the American Civil Rights Movement as described in Maria Höhn and Martin Klimke’s book Breath of Freedom: The Civil Rights Struggle, African American GIs, and Germany. Although Black Germans, or rather Afro-Germans, consist of less than 1% of the German population (exact numbers are difficult to determine because German demographics do not track race), they are a growing and vocal segment within Germany and beyond.

Panel Session I: Teaching the Black German Experience – Roundtable Discussion, (Professor Priscilla Layne, Professor Peggy Piesche, Noah Sow and Professor Sara Lennox.) (2012-08-10)

I had the opportunity to experience a bit of this Afro-German experience at the screening of Mo Asumang’s autobiographical film Roots Germania at the BGCSNJ inaugural convention last year here in Washington, D.C. What I saw made me want to learn more.

BGCSNJ President, Rosemarie Peña (2012-08-10)	Professor and BGCSNJ Trustee Leroy T. Hopkins (2012-08-11)

This year’s convention ran from August 10 to August 11, 2012 in Barnard’s Diana Center with the exception of the spoken word performances held at the Geothe-Institut’s Wyoming Building in lower Manhattan. I attended most of the sessions which consisted of five panels; a keynote address by Yara Colette Lemke Muniz de Faria; live readings by authors Olumide Popoola and Philipp Kabo Köpsell; a movie screening of the films “Hope in My Heart: The May Ayim Story” and “Audre Lorde—The Berlin Years 1984-1992;” a dinner banquet; and finally a live performance by author, artist, media personality, musician, playwright, actress, scholar and human rights activist Noah Sow’s band, Noiseaux at the Blue Note.

Olumide Popoola and Professor Peggy Piesche pay close attention during Panel Session II: Historical and Popular Cultures of Blacks in Germany. (2012-08-11)

It is very important to note that the term “Afro-German” is a socio-political term that includes all Germans (or German identified) individuals of African descent. Although most Afro-Germans are what we in the United States might refer to as, “of mixed-parentage” (usually a “white” mother and “black” father), no distinction is made within the Afro-German diaspora between individuals of so-called “mixed” and “non-mixed” parentage. I heard the term “biracial/multiracial” no more than five times during the entire conference. I theorize that this social taxonomy is derived from the desire not to fragment an already tiny group within German society and also create internalized marginalization within an already marginalized group. A further defining of this group identity was made by Noah Sow, near the end of the first panel, “Teaching the Black German Experience,” when she emphasized that the most appropriate terminology, should be the German term, Afrodeutsche, rather than Afro- or Black- German. During her introduction of the keynote speaker, BGCSNJ president Rosemarie Peña obliged, by referring to herself as Afrodeutsche. Time will tell if this label will stick.

Witnessing Our Histories–Reclaiming the Black German Experience. From presentation by Professor Tina Campt. (2012-08-11)

The highlight of the conference was Yara Colette Lemke Muniz de Faria’s keynote address, “In their Best Interest… Afro-German Children in Postwar German Children’s Homes” which explored the plight of so-called “War/Brown/Occupation Babies”—the children born of the union between white German women and Black American GIs after World War II. She described the systematic removal of Afro-German children from their birth families into substandard orphanages or foster homes, where many faced emotional and physical abuse. Her keynote touched on the story of Ika Hügel-Marshall, who describes her saga in her autobiography, Invisible Woman: Growing Up Black in Germany.

Also of note were the two touching presentations by Vera Ingrid Grant, “Ruby Road: An Excerpt from Paper Girl,” and Debra Abell, “Sauerkraut and Black-Eyed Peas” within the panel “Telling Our Stories – Black German Life Writing” which both explored the life experiences of growing up in the United States as children of a white German mother and black American soldier. Lastly, Jamele Watkins’s, “Performing Bruce Norris’ Clybourne Park in Germany” within the panel “ Historical and Popular Cultures of Blacks in Germany” explored the representation of blacks within theatrical presentations in Germany and discussed the controversial continued use of blackface by white German actors to represent black people.

Vera Ingrid Grant, “Ruby Road: An Excerpt from Paper Girl” (2012-08-11)	Debra Abell, “Sauerkraut and Black-Eyed Peas” (2012-08-11)

One slight disappointment was the poor sound, poor ventilation, poor visibility and poor lighting of the Goethe Institut’s Wyoming Building that was used as a venue for the artist performances (who traveled all the way from Europe). Were they trying to recreate a German U-boat aesthetic? Barnard’s Diana Center Event Oval on Lower Level 1—which was used for all of the panels—would have sufficed nicely. If a smaller venue was needed, the Glicker-Milstein Black Box Theatre on Lower Level 2 would have fit the bill also. I looked forward to what appeared to be an excellent documentary, “Audre Lorde—The Berlin Years 1984-1992,” on the life of American feminist scholar and poet Audre Lorde (1934-1992), who allegedly was the inspiration encouraging Black-German women to “call themselves ‘Afro-German’ and to record ‘their-story’.” Like Lorde, who’s life was sadly cut short due to cancer, the film screening was also sadly cut short about a third of the way in due to a defective DVD.

Philipp Kabo Köpsell ponders his forthcoming anthology while waiting for a turkey burger. (2012-08-11)

Like any excellent conference, the personal interactions can be as fulfilling as the sessions. The BGCSNJ Second Annual Convention was no exception. My Friday and Saturday morning chats at our hotel with Millersville University Professor of German Literature, Leroy T. Hopkins provided me with an insight into the joys and challenges of teaching German literature as a person of color and to students of color. With a declining interest in the German language by students nationwide (largely due to an increased interest in Chinese and Arabic languages), Hopkins is hopeful that Afro-German authors like Köpsell, Popoola and others will publish their works in German to provide more contemporary reading materials for university classrooms.

On an ironic note, I had the pleasure of having a one-on-one conversation over lunch on Saturday with author and spoken word author Philipp Kabo Köpsell about the necessity to write about the Afro-German experience in English. He and others are working on a book project tentatively titled, “Witnessed.”

This conference would not have been possible without the dedicated work of BGCSNJ president Rosemarie Peña and her fellow staff. Rosemarie is a woman who found out—through documentation in 1994 that she “wasn’t who she thought she was” and discovered that her biological father was black, possibly an African American soldier, and her mother was white and a German national. On Wednesday, she reported to me by phone that they are planning for the third annual convention next August.

If you are the least bit interested in the Afrodeutsche experience, I would highly encourage anyone to make plans to attend next year.

^©2012, Steven F. Riley

“No, I meant where are you really from?” on being black and German

Media Diversified
2014-08-15

Ella Achola
School of Oriental and African Studies, London

“No, I meant where are you really from?” is a micro-aggression I am all too familiar with when my simple answer of “Berlin” is perceived as insufficient to a query that blatantly illustrates how my brown self is read as out of reach of possible German citizenship. It is usually asked with a slight sense of exasperation, perhaps a hint of irritation, at the fact that I had oh-so-obviously not caught on to what I was really being asked. That I may not want to answer such a question within the first three minutes of a conversation with someone I have never met before does not come to mind.

In 1986, May Ayim and Katharina Oguntoye engaged in a conversation that was long overdue. They opened up the debate about being black and German, two characteristics, which were and still are often read as inherently oppositional.[1] Be it a question about our fluency in the German language or someone yelling “N****rs out!” micro-aggressions and racism are still very much reality for the 500,000 black Germans today. One example involves a pub in the Berlin borough of Kreuzberg where the owner recently banned all black people from his premises in a supposed effort to curb the dealing of drugs…

…It is this lack of understanding that I find most frustrating. Whilst explaining to a white German man that it annoys me to be asked where I ‘really come from’, he responds that it is mere curiosity and not intended to be harmful. Telling a white German woman that I find it offensive for her to use the old terminology of Negerkuss (n****r kiss) in reference to a type of sweet now called Schokokuss (chocolate kiss), she insists I should reclaim the word. That I might not want to suppress my feelings and cater to their curiosity or reclaim such a term appears irrelevant.

My feelings also seem irrelevant as I watch the film ‘Serial (Bad) Weddings’ in a tiny town in Germany, a movie that attempts to highlight racism and encourage critical awareness. ‘Serial (Bad) Weddings’ is a French film that features two (racist) Catholic parents who lament the fact that their four daughters all choose to marry non-white men, a Jew, Chinese, Arab and Ivorian to be precise. The (white) audience loved it, laughing at every (racist) joke and assured that their everyday racism is not that serious of an issue after all. In the midst of their laughter, the film made me uncomfortable. As the product of an interracial marriage I cannot laugh when the white French mother cries at the thought of ‘mixed-race’ children. Having been asked whether I was the au-pair of my white niece, I cannot laugh at how this same white woman has nightmares of being identified as the nanny of these two brown children now part of her family…

…With time I learned that there is no one way to be black and a woman, and that being black and German is in no way a contradiction in terms. In fact, I have acquired the power to create a combination of the traits that is unique to me. I can be black, a woman and German and all three characteristics can define me equally…

Read the entire article here.

Meeting with Dagmar Schultz and Ria Cheatom

FemGeniuses: Where feminism meets genius!
2014-05-29

Kaimara Herron

It is only the first week of our stay in Berlin, but it feels like an eternity since my plane took-off from O’Hare. But this is certainly not a complaint. We have had the opportunity to do such amazing things in only a few short days, and we have so much more to do.

This morning, we started the day in the classroom at Frauenkreise to talk with Dagmar Schultz and Ria Cheatom about their film Audre Lorde: The Berlin Years, 1984 to 1992, which documents their lives as activists and their work in the Afro-German feminist movement. Melissa began our discussion by asking about Audre Lorde’s experiences living with cancer while continuing to work in Berlin. More specifically, Melissa was interested in Lorde’s use of holistic treatments in Berlin instead of conventional methods to treat her cancer. Dagmar’s response was that Lorde never wanted to stop working because it was, and continues to be, a necessary movement. Dagmar believes Berlin had become Lorde’s replacement for New York City, as her work in Berlin became central in her life…

…As the conversation moved along, we started talking about the first few meetings between Afro-German women and Audre Lorde. Ria offered an anecdote about how she had trouble accepting some of the women who attended these meetings as “real” Afro-Germans because of their really light skin and strong European facial features. The topic of color and skin tone was first brought to my attention while reading a section of May Ayim’s Blues in Black and White: A Collection of Essays, Poetry, and Conversations. In “White Stress/Black Nerves,” she briefly mentions how the benefits of privilege become more complicated when examining the experiences of Black and immigrant women based on skin tone…

Read the entire article here.

Mo Asumang: Confronting racism face-to-face

BBC News Magazine
2014-05-13

Mo Asumang is the daughter of a black Ghanaian father and a white German mother.

As a well-known TV presenter in Germany she became the target of racist extreme right-wingers and neo-Nazis, who based their attacks on Asumang’s “non-Aryan” background.

So she decided to look into the racist ideology and to find out more about those who consider themselves “Aryan“.

In her new documentary, The Aryans, she confronts racists, both in Germany and among the Ku Klux Klan in America.

Mo Asumang spoke to BBC News about her experiences making the film…

Breath of Freedom

The Smithsonian Channel
Premieres Monday, 2014-02-17 20:00 EST

Narrated by Cuba Gooding Jr.

They fought to liberate Germany from Nazi rule, as racism reached unfathomable levels. Their fight would continue back home on American soil. This is the story of the one-million-plus African Americans who fought in World War II. Discover their encounters with hatred, from the enemy and from within their own ranks. Explore this paradoxical chapter in American history through interviews with war heroes, including Colin Powell, Tuskegee ace pilot Roscoe Brown, and Charles Evers, brother of Civil Rights activist and WWII veteran Medgar Evers. [The documentary also features Theodor Michael, author of Deutsch sein und schwarz dazu: Erinnerungen eines Afro-Deutschen [Being German and also Being Black: Memoirs of an Afro-German].]

Watch the exclusive premiere here.

Black Germany: The Making and Unmaking of a Diaspora Community, 1884–1960

Cambridge University Press
September 2013
379 pages
18 b/w illus.
235 x 158 x 22 mm
Hardback ISBN: 9781107041363

Robbie Aitken, Senior Lecturer in Imperial History
Sheffield Hallam University, United Kingdom

Eve Rosenhaft, Professor of German Historical Studies
University of Liverpool, United Kingdom

This groundbreaking history traces the development of Germany’s black community, from its origins in colonial Africa to its decimation by the Nazis during World War II. Robbie Aitken and Eve Rosenhaft follow the careers of Africans arriving from the colonies, examining why and where they settled, their working lives and their political activities, and giving unprecedented attention to gender, sexuality and the challenges of ‘mixed marriage’. Addressing the networks through which individuals constituted community, Aitken and Rosenhaft explore the ways in which these relationships spread beyond ties of kinship and birthplace to constitute communities as ‘black’. The study also follows a number of its protagonists to France and back to Africa, providing new insights into the roots of Francophone black consciousness and postcolonial memory. Including an in-depth account of the impact of Nazism and its aftermath, this book offers a fresh critical perspective on narratives of ‘race’ in German history.

Table of Contents

• Introduction
• 1. The first generation: from presence to community
• 2. Should I stay and can I go? Status and mobility in the institutional net
• 3. Settling down: marriage and family
• 4. Surviving in Germany: work, welfare and community
• 5. Problem men and exemplary women? Gender, class and ‘race’
• 6. Practising diaspora – politics 1918–33
• 7. Under the shadow of national socialism
• 8. Refuge France?
• Epilogue

The Propaganda War in the Rhineland: Weimar Germany, Race and Occupation after World War I

I. B. Tauris
2013-02-28
352 pages
Hardback ISBN: 9781780763460
216 x 134mm

Peter Collar

Piecing together a fractured European continent after World War I, the Versailles Peace Treaty stipulated the long term occupation of the Rhineland by Allied troops. This occupation, perceived as a humiliation by the political right, caused anger and dismay in Germany and an aggressive propaganda war broke out – heightened by an explosion of vicious racist propaganda against the use of non-European colonial troops by France in the border area. These troops, the so-called Schwarze Schmach or “Black humiliation” raised questions of race and the Other in a Germany which was to be torn apart by racial anger in the decades to come. Here, in the first English-language book on the subject, Peter Collar uses the propaganda posters, letters and speeches to reconstruct the nature and organization of a propaganda campaign conducted against a background of fractured international relations and turbulent internal politics in the early years of the Weimar Republic. This will be essential reading for students and scholars of Weimar Germany and those interested in Race and Politics in the early 20th Century.

Introduction

Under the terms of the Armistice Agreement that ended World War I, those regions of Germany that lay to the west of the Rhine were immediately occupied by Allied troops. At the subsequent Peace Treaty negotiations presupposition of German responsibility tor the war led to the imposition of extensive penalties on the nation. Included in these was the continuing occupation of the Rhineland for a number of years in order to guarantee German fulfilment of the Peace Treaty clauses relating to reparations and disarmament.

Within Germany the terms of the Versailles Peace Treaty were widely regarded as being unduly harsh and were greeted by the majority with anger and dismay. However, the use of force to overturn the situation was out of the question: the only way forward was to use persuasion. Following the reluctant signing of the Treaty, Therefore, strenuous efforts were made using propaganda to influence international opinion against the allegation of German war guilt and against the Treaty provisions. It was hoped that the Allies would agree to revision of the Treaty. The Rhineland occupation was one of the main targets of the stream of propaganda of all kinds that came out of post-war Germany and it is with this aspect that this book is concerned.

However, German propaganda against the occupation was aimed not only at an international readership. At home, there was the necessity of maintaining morale in the occupied regions, which at first were virtually isolated from the remainder of Germany. It was equally important to keep the public in unoccupied Germany well informed and to maintain its interest in, and support for, the occupied regions. Propaganda came from a wide range of sources. Some were official or semi-official bodies, though at the rime efforts were made by the governments of the Reich and those of the constituent states to conceal this fact. Private individuals and organisations, some set up specifically for the purpose, also took part.

The Allied armies occupied individual zones in the Rhineland territory of four German states: Prussia, Bavaria, Hessen and Oldenburg. Much German propaganda embraced the Rhineland as a whole, making no particular distinction between the territory of individual states. This was generally the case where private organisations and individuals were involved. Naturally, the Reich government had a national perspective. But propaganda was also organised at the level at the individual states, though even then the themes often included national issues. The picture overall was thus a very complex one. The roles of the different agencies actively engaged in this propaganda, often with conflicting interests and motivation, have so far nor been comprehensively addressed by historians.

I have concentrated on one particular region, the Bavarian Palatinate, or Pfalz. There are several reasons for this. By virtue of its position and the nature of its terrain the Pfalz in the southern Rhineland held a unique strategic and military importance for both France and Germany. For France, deeply concerned about her future security, the future of the region at the end of World War I presented both opportunity and frustration. Ideally, the Rhine, which formed the eastern border of the Pfalz, would also have made a natural eastern frontier for France, for it provided a natural line of defence against arrack from the east. Direct annexation of the Pfalz, however, was out of the question in the face of hostility from other Allies. Instead, the policy adopted by the French government was to encourage the local German population to form a Rhineland state, independent of the German Reich and friendly to France, which could act as a buffer zone…

…Of all the many propaganda themes of the early Weimar years none aroused as much passion and caused as much uproar as the campaign against the use of non-European colonial troops in the French army of occupation, the propaganda against the so-called Schwafze Schmach (the Black Humiliation). It was  intended to bring events in the Rhineland to the attention of the outside world, to influence foreign public opinion and so bring pressure to bear on foreign governments, especially that of the USA, where race had long been an issue. The underlying aim was to pressure the Allies into revising the terms of the Peace Treaty. At the same time the campaign was intended to mobilise support in unoccupied Germany. The origin, organisation, main themes and national and international impact of this campaign are therefore a subsidiary focus of this study.

Schwarze Schmach propaganda has already received considerable attention from other historians. Among the early studies, that by Keith Nelson drew mainly, though not exclusively, on archives in Washington to assess the international impact of the campaign and particularly its effect on the North American public. Gisela Lebzelter analysed the character and symbolism of the campaign in terms of the national mood prevailing in Germany following defeat in 1918, bringing in attitudes concerning racial superiority and drawing parallels with the development of anti-Semitism. The official sources cited by Lebzelter are almost exclusively drawn from the files of the Auswartiges Amt (Reich Foreign Minisrry) in Berlin, to which organisation she attributed major influence on the campaign.

The work by Reiner Pommerin had as its main theme the fate suffered by the few hundred children of mixed race who were born as a result o relationships between colonial troops and local German women. Such children offended against National Socialist concepts of racial purity and in 1937 a programme of enforced mass sterilization was carried our on them. Pommerin outlined the development of the Schwarze Schmach campaign, and noted the main organisations taking part, before exploring concerns about racial purity – evidently already beginning to surface in the Weimar period – through to the National Socialist era. The role of neither the Pfalzzenrale nor rhe Rheinische Frauenliga (Rhineland Women’s League), organisations that feature prominently in this study, received much mention. This may have resulted from a reliance mainly on the records of the Foreign Ministry, for relatively little reference was made to the extensive records that are available in the Bavarian State Archives in Munich. In passing it may also be noted that at the time these two studies were made records held in the Potsdam archives of the former DDR were nor available…

Editorial January 2014: On Reading Two Recent Memoirs by Afro-Germans

The Collegium for African American Research (CAAR)
January 2014

Gundolf Graml, Associate Professor of German and Director of German Studies
Agnes Scott College, Decatur, Georgia

Two recent memoirs by German authors with an African connection emphasize that German history cannot be written without including the histories and perspectives of black Germans (as well as that of many other non-white people).

In Deutsch sein und Schwarz dazu [Being German and also Being Black], published in 2013 with Deutscher Taschenbuchverlag, author Theodor Michael takes a long and probing look back at his experiences as a black German. Born in 1925 to a white German mother from the Eastern Prussian provinces and a black Cameroonian father, Michael’s childhood and youth coincided with the decline of the democratic German Weimar Republic and the rise of National Socialism.

In a low key style Michael recollects his participation in the infamous Völkerschauen [colonial peoples exhibits] organized by circusses and zoos. He describes his attempts to get by as hotel page and as extra in some of the Third Reich’s anti-British colonial films. And he details the toll that life under the Nuremberg race laws took on his body and mind. While his siblings managed to get out of Germany, Theodor Michael stayed behind, spending the last years of the regime as a forced laborer in a factory outside of Berlin, where he survived the war. After liberation, he managed to get into the Western zone, where he then tried to rebuild his life…

…Jennifer Teege’s memoir, Amon: Mein Großvater hätte mich erschossen [Amon: My Grandfather Would Have Shot Me], published in 2013 with Rowohlt Verlag, addresses the topic from the perspective of the second postwar generation of Germans. Teege, born in 1970 to a white German mother and a Nigerian father, grew up in an orphanage and later was adopted by a white middle-class German family. Decades later she finds out that her mother’s father, her grandfather, was Amon Göth, the concentration commander of Plaszow near Krakow, whose brutality and inhumanity are depicted in Steven Spielberg’s film Schindler’s List. For Teege, who has lived in Israel for several years and worked with Holocaust survivors, the sudden discovery of a biological connection to one of the most infamous Nazi perpetrators was surpassed only by the shock that the grandmother to whom she has been attached so closely was Göth’s girlfriend and one of his most ardent defenders…

Read the entire review of the books here.

Amon: Mein Großvater hätte mich erschossen [Amon: My Grandfather Would Have Shot Me]

Rowohlt Verlag
2013-09-20
272 pages
Hardcover ISBN 978-3-498-06493-8

Jennifer Teege with Nikola Sellmair

Es ist ein Schock, der ihr ganzes Selbstverständnis erschüttert: Mit 38 Jahren erfährt Jennifer Teege durch einen Zufall, wer sie ist. In einer Bibliothek findet sie ein Buch über ihre Mutter und ihren Großvater Amon Göth. Millionen Menschen kennen Göths Geschichte. In Steven Spielbergs Film «Schindlers Liste» ist der brutale KZ-Kommandant der Saufkumpan und Gegenspieler des Judenretters Oskar Schindler. Göth war verantwortlich für den Tod tausender Menschen und wurde 1946 gehängt. Seine Lebensgefährtin Ruth Irene, Jennifer Teeges geliebte Großmutter, begeht 1983 Selbstmord.

Jennifer Teege ist die Tochter einer Deutschen und eines Nigerianers. Sie wurde bei Adoptiveltern groß und hat danach in Israel studiert. Jetzt ist sie mit einem Familiengeheimnis konfrontiert, das sie nicht mehr ruhen lässt. Wie kann sie ihren jüdischen Freunden noch unter die Augen treten? Und was soll sie ihren eigenen Kindern erzählen? Jennifer Teege beschäftigt sich intensiv mit der Vergangenheit. Sie trifft ihre Mutter wieder, die sie viele Jahre nicht gesehen hat.

Gemeinsam mit der Journalistin Nikola Sellmair recherchiert sie ihre Familiengeschichte, sucht die Orte der Vergangenheit noch einmal auf, reist nach Israel und nach Polen. Schritt für Schritt wird aus dem Schock über die Abgründe der eigenen Familie die Geschichte einer Befreiung.

Deutsch sein und schwarz dazu: Erinnerungen eines Afro-Deutschen [Being German and also Being Black: Memoirs of an Afro-German]

Deutscher Taschenbuchverlag
November 2013
200 pages
Hardback ISBN: ISBN 978-3-423-26005-3
ePub ISBN: 978-3-423-42033-4
eBook ISBN: 978-3-423-42034-1

Theodor Michael

Theodor Michaels Autobiografie ist so aberwitzig, dass sie erfunden sein könnte, wenn sie nicht allzu wahr wäre. Er entfaltet in ›Deutsch sein und schwarz dazu‹ eine Welt, die man so nicht gekannt hat, beschrieben von einem Mann, den man für seine Kraft, das alles zu bewältigen, nur bewundern kann, und dafür, dass es ihm gelungen ist, die Menschlichkeit zu bewahren. Theodor Michael erzählt ganz nüchtern, aber die Ereignisse sprechen für sich.

Der Lebensrückblick des schwarzen deutschen Zeitzeugen Theodor Michael

Theodor Michael wurde 1925 in Berlin als Sohn einer Deutschen und eines Kameruners geboren wurde. Als sein Vater nach Deutschland kam, war Kamerun noch deutsches Schutzgebiet, sprich Kolonie. Afrikaner wurden in Deutschland ganz freundlich aufgenommen. Nach dem Ersten Weltkrieg waren die Kolonien verloren und das Klima wurde deutlich unfreundlicher. Man fand, die Schwarzen sollten den Deutschen keine Arbeitsplätze wegnehmen. Aber in den sehr beliebten Völkerschauen kamen sie noch unter, die “Artfremden” mit dem “negroiden Einschlag”. Sogar in der Nazi-Zeit, als Statisten in den äußerst beliebten Kolonialfilmen. Doch dann landeten sie im KZ oder in Zwangsarbeiterlagern. So erging es auch Theodor Michael: Nachdem seine Eltern starben, schlug er sich als Page, Portier und Komparse durch, bis er 1943, mit 18 Jahren, in einem Zwangsarbeiterlager interniert wurde.

Deutsch sein und schwarz dazu‹ hat Theodor Michael in der Vergangenheit viele Probleme bereitet

Theodor Michael hat das alles überstanden, um dann nach Kriegsende feststellen zu müssen, dass er der Kollaboration verdächtigt wurde, weil er überlebt hatte. Damals hätte er es sich nicht träumen lassen, dass er einmal als Regierungsdirektor beim BND in den Ruhestand gehen würde.

Seit seiner Pensionierung engagiert er sich für die afro-deutsche Gemeinde und ist ein gefragter Ansprechpartner für die Presse.