Mixed Race Studies

A Classic Study of the History of Caribbean Women

H-Caribbean Reviews, H-Net Reviews
December 2008

Barbara Bush

Lucille Mathurin Mair. A Historical Study of Women in Jamaica, 1655-1844. Kingston: University of the West Indies Press, 2006. 496 pp. $60.00 (cloth), ISBN 978-976-640-166-5; (paper), ISBN 978-976-640-178-8.

I first encountered Lucille Mathurin Mair’s work during the 1970s when I read her seminal article, “The Arrivals of Black Women,” published in Jamaica Journal in 1975. Her work, which influenced me and a number of other pioneering historians in the field, was seminal in developing research in gender and slavery. Mair’s research, however, went beyond Jamaican slave women of African origin; it also embraced white and mulatto, or “brown,” women, slave and free. Her doctoral thesis, supervised by Elsa Goveia, the first woman professor of history at the University of the West Indies, Mona Campus, Jamaica, was awarded in 1974. Mair (née Waldrond) went on to become a well-known Jamaican historian, author, teacher, activist, and diplomat, but her dissertation remained unpublished. Verene A. Shepherd and Hilary McD. Beckles, both professors of history at the University of West Indies who have made a significant contribution to gendered perspectives on Caribbean history, are thus to be commended for transforming this monumental study into a published monograph.

The book is divided into three main sections that map Mair’s original structure. Part 1 addresses the origins of Jamaican society and examines female arrivals from 1655 to 1770. Part 2 focuses on creole slave society, while the final part, “Postscript, 1834-1844,” explores the beginnings of a free society. Each section weaves together the lives of white, black, and mulatto women, and explores their relationships to each other as well as to white, black, and mulatto men. Shepherd and Beckles have skilfully and sensitively edited the original text, making the minimum of changes. Their introduction effectively contextualizes Mair’s study in relation to developments in the field of women’s, gender, and feminist history since the 1970s, and its impact on the postcolonial historiography of slave and post-slave societies…

…One of Mair’s most interesting contentions is that the “original creole matriarch may not have been black but brown” (p. 292). Free brown women, she argues, tended to live in families dominated by women and looked down on black women and brown men, whom they regarded as “helpless.” These matriarchies may reflect the particular location of mulatto women in slave societies. Brown women were the cultural conduits between black and white worlds, as the mistresses of white men and as “grog house” keepers. But, observes Mair, their position in Jamaican society was ambivalent. As the object of white male desire, they could prosper but they could never match the ideal of white womanhood and achieve respectability. Religion was the other end of the spectrum of approved means of brown upward mobility, but, argues Mair, before the abolition of slavery in 1838, there does not seem to have been the same development of philanthropy and sense of civic duty as was found among the Barbadian urban free colored population. With emancipation, however, there was a decline in concubinage, a reflection of the pervasive emphasis on “respectability” in post-slavery society that separated the “civilized” and aspiring mulattos and blacks from their “primitive” African past…

Read the entire review here.

A Historical Study of Women in Jamaica, 1655–1844

University of The West Indies Press
2006
400 pages
6 x 9
Paper ISBN: 978-976-640-178-8

Author:

Lucille Mathurin Mair (1925-2009)

Edited by:

Hilary McD. Beckles, Principal
University of The West Indies, Cave Hill, Barbados

Verene A. Shepherd, University Director
Centre for Gender & Dev Std-RC: Centre Research/Teaching
University of The West Indies, Mona

Contents

• List of Tables
• Editors’ Introduction: Hilary McD. Beckles and Verene A. Shepherd
• Author’s Preface
• Part 1: The Female Arrivants, 1655-1770
  • Chapter 1: The Arrivals ofWhite Women
  • Chapter 2: The Arrivals of Black Women
  • Chapter 3: The Growth of the Mulatto Group
• Part 2: Creole Slave Society, 1770-1834
  • Chapter 4: The White Woman in Jamaican Slave Society
  • Chapter 5: The White Woman: Legal Status, Family, Philanthropy and Gender Constraints
  • Chapter 6: The Black Woman: Demographic Profile, Occupation and Violent Abuse
  • Chapter 7: The Black Woman: Agency, Identity and Voice
  • Chapter 8: The Mulatto Woman in Jamaican Slave Society
• Part 3: Postscript, 1834-1844
  • Chapter 9: The Beginnings of a Free Society, 1834-1844
  • Afterword: Recollections into a Journey of a Rebel Past
  • Appendix: Population: St James Parish
• Notes
• Author’s Bibliography
• Editors’ Selected Bibliography
• Index
• About the Author

Film Review: Marley

Film Journal International
2012-04-18

Marsha McCreadie

Marley, the documentary by Oscar-winning Kevin Macdonald about the legendary musician and national and international symbol for individual rights, should sparkle and sing—OK, there’s some of that—but it just sort of hums along. Maybe you can’t catch this particular lightning in a bottle, but there might be another way than this respectful, straightforward, admiring approach.

 If anyone could display the spectacular yet contradictory parts of Bob Marley—a multi-talented half-black/half-white womanizer who loved spiritually and pan-nationally; a mesmerizing performer who was a quiet guy; a pride-instiller for his dirt-poor country and religious proselytizer who lived by his own rules—it should be Macdonald. The Oscar-winning British director made the tyrant Idi Amin likeable and the charming James McAvoy despicable in The Last King of Scotland; he set our hearts to pounding with the jarring edit of massacred Israeli Olympians in One Day in September. Marley is thorough, revelatory and completely fair-minded. It’s just not very exciting. Wrong for Bob Marley…

…The Marley family-approved doc includes rare, candid interviews with his children (well, two of the eleven), and three—wait, four—of his seven women. Marley comes across as introspective, also extremely competitive (one too many shots of him at soccer), emphasizing the psychoanalytic angle that he was so driven because he never really knew his white father, married to his mother Cedella but mainly absent until he died when Bob was 10. We see a photo of Norval Marley, learn what little there is to know about this British Marine captain, and find that Bob always saw himself as an outsider: never part of the white community nor of the black, as he was considered a half-caste, not black enough. In the black Jamaican community, it was rumored his white half caused his melanoma, from which he died at 36…

Read the entire review here.

The Legend of Marley: Kevin Macdonald considers reggae, Rasta and politics in new documentary

Film Journal International
2012-04-19

Doris Toumarkine

It’s taken several decades and faced many frustrating setbacks, but a richly documented and worthy film about the late reggae superstar Bob Marley has at last been realized.

Previously attached to Martin Scorsese and Jonathan Demme, Marley has been brought to life by Oscar-winning Scottish director Kevin Macdonald (One Day in September), who was persuaded to board the project by executive producer Chris Blackwell, the man who signed Marley to his influential Island Records label.

Just as important, Hollywood producer/financier Steve Bing’s money kicked in (through his Shangri-La Entertainment) and Marley’s family finally acceded to full cooperation and access after much dissension. Marley’s son Ziggy is an exec producer and Bing is a producer.

Expectations are no doubt soaring high for this first full-blown documentary, not just for hard-core Marley and reggae fans but for all those who value pop music and its evolution as integral to Western culture.

Providing a wealth of visual material, music and testimony from talking heads close to Marley, the Magnolia release initially conveys the artist’s extreme poverty in his native Jamaica, where he grew up the mixed-race son of a teenage black mother and older, largely absent white British father, a military man who sailed the seas or just plain drifted…

…Maybe not everything was captured. Marley had a reputation for the wandering eye (he had 11 children) and smoked a lot of weed, aka ganja, but Marley mostly stays clear of those topics.

 More to the point, the doc provides a wealth of music and suggests why the Marley reggae sound caught on so big. Music abounds, including hits from the album Exodus and the reggae smash “No Woman, No Cry,” whose rhythms were unique because, as the doc shows, Marley shifted the traditional beats…

…So what was the most surprising thing Macdonald learned about Marley?

 “I discovered how Marley was such an outcast, such an outsider even in his native country,” he replies. “As a mixed-race man, he was never really respected and he was even looked down upon because he was a Rastafarian. Yet he found his identity as a Rasta and when he became successful, everything changed.”…

Read the entire review here.

Black & White: Search for roots uncovers forgotten family secret

National Post
Toronto, Canada
2012-02-17

Sarah Boesveld, General Assignment Writer

About 20 years ago, David Dossett watched his grandfather politely shut down a woman who called to say she was a relative and that their family had come to Canada from Jamaica and that they were black. “That’s the most ridiculous thing I’ve ever heard,” Mr. Dossett said to his granddad, businessman John B. Sampson, who seemed amused by this idea. Their family — Mr. Dossett’s great-grandfather on his mother’s side — had come to Canada from Scotland in 1907 and settled in Toronto. No one disputed that. But while doing some casual family tree sleuthing online a few years ago, Mr. Dossett, an IT manager and father of four, stumbled upon a tree that looked a lot like his. As it turns out, it belonged to the woman who called his grandfather that day — Jenny Sampson from Illinois. And so began Mr. Dossett’s “obsessive” hunt for a family’s past that had remained a secret for over 100 years. In the end, he discovered his family is not Protestant and Scottish, but Jamaican and Jewish. Not everyone is pleased about the discovery — much of which was broadcast last week on an episode of The Generations Project on Brigham Young University TV. Mr. Dossett spoke with the Post’s Sarah Boesveld from his hometown of Kingston, Ont.:

Q Jenny Sampson had been doing research independently before you began to question your family’s roots and identity. What had she found?

A When I was looking at her family tree, it was describing my family, it was describing me. And the tree said the family was Jewish, that they lived on an estate in Jamaica called Gaza. The name “Gaza” sounds very Jewish, so I’m thinking “Wow.” I contacted the person whose name was on the website — it ended up being her husband — and Jenny emailed back, explained the whole thing — that her family had come to Toronto in 1907, that they came as mulatto Hebrews. When it really sank into me that this was true I started thinking “What are the odds that my family is from Jamaica?” The odds turned out to be pretty good…

…Q Why do you think your family kept their heritage a secret even years after they immigrated?

A Deep down inside I think people [in my family] are concerned about having Jewish or black heritage. My mother’s cousin was concerned her father, my great-uncle the decorated war hero [and top-ranked army official] Franklin Augustus Sampson, would be looked down on if it was revealed our family lied about their heritage. But what are they going to do? Yank medals away from people? He’s dead. My grandfather lied about his heritage because he said he was born in Toronto, not Jamaica. A lot of people lied when they enlisted in WWI, lied about their age, lied about their ethnicity. One of my cousins found out many years ago through a blood test that there was either Asian or African blood in her system. When she took the blood test, she went into grandfather’s office, she threw it down on his desk in front of him and said “Explain this.”

Q How did your mother react?

A She doesn’t believe it. She says we’re from Scotland, but doesn’t provide details. She’s going through stages of dementia, but even without that she wouldn’t believe it. Jenny told me her mother is no longer speaking to her. If this had happened maybe 20 years earlier, I could have been a little concerned about it too.

Q Did you feel betrayed at all that your family kept this from you?

A Initially I was, but then I became aware of why this was done. I think what I find most discouraging is the way people were treated when they came to the country, if they weren’t from this white background. We have a past we don’t like to talk about. It’s too bad that Canada wasn’t as open a country as it could have been…

…Q You say there are likely thousands of other families out there who may actually be of black heritage despite their families’ white complexions.

A In the late 1800s there was a mass exodus of Jews from Jamaica. The perception was that they were becoming too powerful, so laws were passed to limit what they could own and how much they could acquire. I bet there are a lot of people out there that aren’t searching because they just don’t know. Maybe they just assume they’re from Scotland. Other than myself going to Queen’s University, no one in my family has a kilt, I don’t like bagpipes, I don’t eat oatmeal, I don’t like haggis. Nothing about me would indicate I’m Scottish except for my appearance — I have reddish hair because my grandfather married an Irish woman. They were very pale and I burn quite easily…

Read the entire article here.

Hitting the Right Rhythm to Tell Marley’s Story

The New York Times
2012-04-06

John Anderson

Of all the friends, lovers, relatives and Rastas that the director Kevin Macdonald wrangled into his new documentary, “Marley,” one of his favorite finds was Dudley Sibley, a onetime recording artist and the janitor at the Jamaican recording studio where Bob Marley cut his musical teeth.

“He lived with Bob for 18 months in the back of Studio 1,” Mr. Macdonald said recently over breakfast in Manhattan. “No one ever thought to talk to this guy. My researcher in Jamaica said to me, ‘Oh, by the way, there’s this guy I’ve met who says he lived with Bob.’ I said, ‘Oh, yeah, yeah, I don’t believe that.’ But I met him. And he was for real.”

Making a definitive biographical film about Marley, the reggae superstar, who died of cancer in 1981, has always been problematic, plagued by a shortage of archival footage, disagreements over music publishing, and the fact that Marley had 11 children by seven women and never wrote a will…

…The people Mr. Macdonald set out to interview included “everyone who’s alive and was intimate with Bob,” he said. They included Neville Livingston, a k a Bunny Wailer of the original Wailers (later Bob Marley and the Wailers) and Marley’s relatives, black and white. (His absentee mixed-race father, Norval Marley, who was considered a white Jamaican, is a ghostly presence.) Anyone familiar with Bob Marley would assume that, if anything, the difficulties inherent in getting his inner circle to sign off on the same film would keep the full story from getting on screen for 31 years. But Mr. Macdonald said he got total cooperation. Ziggy Marley, Bob’s eldest son, said the family is happy with the result.

 “This is what we wanted it to be,” Ziggy Marley, a successful pop performer, said by phone. “I’ve never read one book about my father,” he said. “Who are they? They don’t know him.”

Rita Marley, Ziggy’s mother and Bob’s widow, concurred…

Read the entire article here.

Bob Marley: the regret that haunted his life

The Guardian
2012-04-07

Tim Adams, Staff Writer

Director Kevin Macdonald explains how he pieced together his new film about reggae legend Bob Marley, from troubled early years in Jamaica to worldwide adulation – even after death

In 2005, the director Kevin Macdonald was working in Uganda on his film The Last King of Scotland. In the slums of Kampala he was struck by a curious fact. There seemed to be images of Bob Marley and “Get up, stand up” slogans and dreadlocks wherever he went.

Marley had been on Macdonald’s mind anyway: he had been asked by Chris Blackwell, founder of Island Records, if he would be interested in getting involved in a film project about the Jamaican musician’s enduring legacy.

The original plan had been to follow a group of rastafarians on their journey from Kingston to their spiritual homeland of Ethiopia, to attend a celebration of the 60th anniversary of Marley’s birth. As it worked out, that film was never made, but, when the opportunity arose for Macdonald to make a more ambitious documentary about Marley, he jumped at the chance…

Read the entire article here.

Mixed Race Jamaicans in England

A Parcel of Ribbons: Eighteenth century Jamaica viewed throught family stories and documents
2012-01-28

Ann Powers

The status of  mixed race Jamaicans in eighteenth century Jamaica was always going to be less than than of white colonists, but it was possible for them to become established and successful in England. A case in point are two of the children of Scudamore Winde.

Ambrose Scudamore Winde (he seems to have dropped the Ambrose early on) was born about 1732 at Kentchurch in Herefordshire, son of John Winde and Mary Scudamore.  The beautiful Kentchurch Court is still in the hands of the Scudamore family as it has been for the last thousand years or so. In 1759, following the suicide of his father, he and his brother Robert went to Jamaica where Scudamore Winde became an extremely successful merchant.  He was also Assistant Judge of the Supreme Court of the Judicature and a member of the Assembly.

Like many white colonists of the island he had relationships with several women but did not marry.  When he died in late September 1775 he left generous legacies to his various children. His business had prospered and a large part of his assets were in the form of debts owed to him. According to Trevor Burnard[1] he had  personal assets of £94,273, of which £82,233 were in the form of debts. This would be equivalent to about £9.3 million relative to current retail prices or £135 million in relation to average wages today.

Scudamore Winde freed his negro slave Patty who was baptised as Patty Winde in 1778 at Kingston when her age was given as about 50.  Patty and her daughter Mary were left land that he had bought from Richard Ormonde in Saint Catherine’s with the buildings on it, and £100 Jamaican currency together with two slaves called Suki and little Polly.  It is not clear whether Mary was Scudamore Winde’s daughter for although her name is given as Mary Winde she is referred to as a negro rather than mulatto.

Scudamore Winde had a mulatto son called Robert, possibly the son of Patty, who was born about 1759, and three children with Sarah Cox herself a free negro or mulatto (records vary).  Her children were Penelope, John and Thomas born between 1768 and 1774.  John may have died young and Thomas elected to remain in Jamaica where he had a successful career as a merchant in Kingston.  Robert and Penelope travelled to England under the eye of Robert Cooper Lee who was trustee and executor of his close friend Scudamore Winde’s Will…

Read the entire article here.

Sui Sin Far / Edith Maude Eaton: A Literary Biography

University of Illinois Press
1995
288 pages
ISBN-10: 0252021134; ISBN-13: 978-0252021138

Annette White-Parks, Professor Emeritus of English
University of Wisconsin, LaCrosse

Foreword by Roger Daniels

Winner of the Association for Asian American Studies Outstanding Book Award in Cultural Studies.

This first full-length biography of the first published Asian North American fiction writer portrays both the woman and her times.

The eldest daughter of a Chinese mother and British father, Edith Maude Eaton was born in England in 1865. Her family moved to Quebec, where she was removed from school at age ten to help support her parents and twelve siblings. In the 1880s and 1890s she worked as a stenographer, journalist, and fiction writer in Montreal, often writing under the name Sui Sin Far (Water Lily). She lived briefly in Jamaica and then, from 1898 to 1912, in the United States. Her one book, Mrs. Spring Fragrance, has been out of print since 1914.

Today Sui Sin Far is being rediscovered as part of American literature and history. She presented portraits of turn-of-the-century Chinatowns, not in the mode of the “yellow peril” literature in vogue at the time but with an insider’s sympathy. She gave voice to Chinese American women and children, and she responded to the social divisions and discrimination that confronted her by experimenting with trickster characters and tools of irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization to which their race, class, or gender consigned them in that era.

Table of Contents

• Foreword by Roger Daniels
• Preface
• Introduction
• 1. A Bird on the Wing
• 2. Montreal: The Early Writings
• 3. Pacific Coast Chinatown Stories
• 4. Boston: The Mature Voice and Its Art
• 5. Mrs. Spring Fragrance
• Conclusion
• Bibliography
• Index

The decline of Jamaica’s interracial households and the fall of the planter class, 1733–1823

Atlantic Studies
Volume 9, Issue 1, (January, 2012)  (Special Issue: Rethinking the Fall of the Planter Class)
pages 107-123
DOI: 10.1080/14788810.2012.637002

Daniel Livesay, Assistant Professor of History
Drury University, Springfield, Missouri

The theory of planter decline traditionally implied that social and sexual chaos in the West Indies produced a middle caste of mixed-race individuals who destabilized colonial life. This article contends that for most of the eighteenth century, interracial relationships were normative unions that did not undercut the central function of the sugar and slave economy. In Jamaica, colonial regulations against free people of color came with individual exemptions that allowed mixed-race elites to skirt the very laws intended to keep them marginalized. Despite differences of color, these personal and familial connections between free coloreds and white fathers helped to maintain strong social hierarchies among the island’s wealthiest ranks. Abolitionist attacks against these family units, however, along with the ever present threat of enslaved revolt, changed conceptions of the Jamaican household at the close of the eighteenth century. Moreover, as Jamaica’s mixed-race population grew and became more endogamous, personal connections to whites dwindled, escalating political conflict on the island. Interracial relationships, therefore, did not herald planter decline, but rather forestalled it.

In the opening chapter of The Fall of the Planter Class, Lowell Ragatz recited a liturgy of social, economic, and cultural issues which had predestined West Indian elites to failure. An outdated agricultural system, regressive economic policies, and political changes brought about by incessant warfare constituted the core of these problems. Ragatz could not ignore, however, the general sense of dissipation and lecherousness frequently associated with Caribbean planters. Echoing many eighteenth-century observers, he viewed island society as backward and unstable:

The white man in tropical America was out of his habitat. Constant association with an inferior subject race blunted his moral fibre and he suffered marked demoralization… Miscegenation, so contrary to Anglo-Saxon nature, resulted in the rapid rise of a race of human hybrids.

Indeed, it was this very “growth of a mixed blood element [that] offered concrete evidence of the Anglo-Saxon’s moral break-down in the torrid zone.” If the avowed goal of island life was to keep blacks separate from whites, then interracial relationships signified a clear disruption in social order.” Cross-racial pairings, according to this retelling, gave an added push to the crumbling pillars of white planter control…

Read or purchase the article here.