Mixed Race Studies

“El Destierro de los Chinos”: Popular Perspectives of Chinese-Mexican Interracial Marriage as Reflected in Poetry, Cartoon, Comedy, and Corridos

American Historical Association
124th Annual Meeting
Friday, 2010-01-10 11:20 PST (Local Time)
San Diego Marriott Hotel & Marina
Torrey 3 (Marriott)
San Diego, California

Robert Chao Romero, Assistant Professor, Chicana and Chicano Studies
University of California, Los Angeles

Drawing from poetry, cartoons, comedy, and musical recordings of the UCLA Frontera Collection, this paper examines the historical phenomenon of Chinese-Mexican intermarriage through the lense of Mexican popular culture of the early twentieth century. Popular Mexican culture portrayed Chinese cross-cultural marriages as relationships of abuse, slavery, and neglect, and rejected the offspring of such unions as sub-human, degenerative, and unworthy of full inclusion within the Mexican national community. Interracial marriage with prosperous Chinese merchants was scornfully depicted as a shameless short cut by which slothful Mexican women avoided the need to work and secured lives of material comfort. Such popular criticism of Chinese-Mexican interracial marriage, moreover, was often couched within larger discourses of revolutionary economic nationalism. Beyond presenting an historical examination of the phenomenon of Chinese-Mexican interracial marriage, as one important theoretical implication, this paper destabilizes prevalent notions of “mestizaje” within the disciplines of Latin American Studies and Latino Studies. It challenges the “white-brown” binary of traditional racial theory in Latino Studies and sounds a clarion call for further research and discussion related to the important contributions of Chinese, Japanese, African, Middle Eastern, and other overlooked ethnic immigrant groups to the Mexican and cultural melting pot.

Crossing Boundaries, Claiming a Homeland: The Mexican Chinese Transpacific Journey to Becoming Mexican, 1910s-1960s

2009 Meeting of the Latin American Studies Association
Rio de Janeiro, Brazil
2009-06-11 through 2009-06-14

Julia María Schiavone Camacho, Assistant Professor of History
University of Texa, El Paso

On May 12, 1960, the Mexican Chinese community leader in Macau, Ramón Lay Mazo, wrote to a prominent Mexican widow, Doña Concepción Rodríguez Viuda de Aragón, in Tampico, Tamaulipas, Mexico. Seeking her continued support for the Mexican Chinese repatriation cause, he conveyed the deep, devoted love Mexican women living in China felt for their nation, Mexico. When he asked Mexican women in China whether they wanted to move to other countries, they replied, “Ni que me den un palacio allá, prefiero México, aunque vaya a vivir bajo un mesquite” (“Not even if they gave me a palace there, I prefer Mexico, even if I have to live under a mesquite”). Disheartened by the Mexican government’s disregard for them and their desperate situations, Ramón tried to convince Mexican women to consider living elsewhere. He warned them that Mexico might not be the same as it once was and that it might be more difficult to survive in the communities where they had once lived. To this the women rejoined, “Aunque vayamos a escarbar camotes amargos a la sierra, queremos México” (“Even if we have to dig for bitter sweet potatoes in the sierra, we want Mexico”). The conditions, where in the nation they might live, and how long they might have to wait were no matter. They wanted to return to the Mexican homeland they had longed for since years past…

Read the entire paper here.

Crossing Boundaries, Claiming a Homeland: The Mexican Chinese Transpacific Journey to Becoming Mexican, 1930s–1960s

Pacific Historical Review
Volume 78, Number 4 (November 2009)
pages 545–577
DOI 10.1525/phr.2009.78.4.545

Julia María Schiavone Camacho, Assistant Professor of History
University of Texa, El Paso

This article follows Mexican Chinese families from Mexico, across the Mexican-U.S. border, to China, and back to Mexico. Settling in northern Mexico in the nineteenth century, Chinese formed multiple ties with Mexicans. An anti-Chinese movement emerged during the Mexican Revolution and peaked during the Great Depression. The Mexican government deported several thousand Chinese men and their Mexican-origin families from Sonora and neighboring Sinaloa, some directly to China and others to the United States, whose immigration agents also deported the families to China. They arrived in Guangdong (Canton) Province but eventually congregated in Macau where they forged a coherent Mexican Chinese enclave. Developing a strategic Mexican nationalism, they appealed for repatriation. The Mexican Chinese “became Mexican” only after authorities compelled them to struggle for years from abroad for the inclusion of their mixed-race families in the nation. They became diasporic citizens and fashioned hybrid identities to survive in Mexico and China.

Pre-Hispanic Mesoamerican demography approximates the present-day ancestry of Mestizos throughout the territory of Mexico

American Journal of Physical Anthropology
Volume 139 Issue 3
Pages 284 – 294
Published Online: 2009-01-12

Rodrigo Rubi-Castellanos
Instituto de Investigación en Genética Molecular, Centro Universitario de la Ciénega, (CUCiénega-UdeG), Ocotlán, Jalisco, México

Gabriela Martínez-Cortés
Instituto de Investigación en Genética Molecular, Centro Universitario de la Ciénega, (CUCiénega-UdeG), Ocotlán, Jalisco, México

José Francisco Muñoz-Valle
Instituto de Investigación en Reumatología y del Sistema Músculo-Esquelético, Centro Universitario de Ciencias de la Salud (CUCS-UdeG), Guadalajara, Jalisco, México

Antonio González-Martín
Departamento de Zoología y Antropología Física, Universidad Complutense de Madrid (UCM), 28040 Madrid, Spain

Ricardo M. Cerda-Flores
Departamento de Genética de Poblaciones y Bioinformática, Centro de Investigación Biomédica del Noreste (CIBN-IMSS), Monterrey, Nuevo León, México

Manuel Anaya-Palafox
Laboratorio de Genética Forense, Instituto Jalisciense de Ciencias Forenses (IJCF), Tlaquepaque, Jalisco, México

Héctor Rangel-Villalobos
Instituto de Investigación en Genética Molecular, Centro Universitario de la Ciénega, (CUCiénega-UdeG), Ocotlán, Jalisco, México

Rodrigo Rubi-Castellanos and Héctor Rangel-Villalobos contributed equally to this work.

Over the last 500 years, admixture among Amerindians, Europeans, and Africans, principally, has come to shape the present-day gene pool of Mexicans, particularly Mestizos, who represent about 93% of the total Mexican population. In this work, we analyze the genetic data of 13 combined DNA index system-short tandem repeats (CODIS-STRs) in 1,984 unrelated Mestizos representing 10 population samples from different regions of Mexico, namely North, West, Central, and Southeast. The analysis of molecular variance (AMOVA) test demonstrated low but significant differentiation among Mestizos from different regions (F_ST = 0.34%; P = 0.0000). Although the spatial analysis of molecular variance (SAMOVA) predicted clustering Mestizo populations into four well-delimited groups, the main differentiation was observed between Northwest when compared with Central and Southeast regions. In addition, we included analysis of individuals of Amerindian (Purepechas), European (Huelva, Spain), and African (Fang) origin. Thus, STRUCTURE analysis was performed identifying three well-differentiated ancestral populations (k = 3). STRUCTURE results and admixture estimations by means of LEADMIX software in Mestizo populations demonstrated genetic heterogeneity or asymmetric admixture throughout Mexico, displaying an increasing North-to-South gradient of Amerindian ancestry, and vice versa regarding the European component. Interestingly, this distribution of Amerindian ancestry roughly reflects pre-Hispanic Native-population density, particularly toward the Mesoamerican area. The forensic, epidemiological, and evolutionary implications of these findings are discussed herein.

Casta Painting: Images of Race in Eighteenth-Century Mexico

Yale University Press
2004-04-10
252 pages
8 1/2 x 11
100 b/w +100 color illus.
Paper ISBN: 9780300109719
Cloth ISBN: 9780300102413

Ilona Katzew, Associate Curator of Latin American Art
Los Angeles County Museum of Art

Selected for Honorable Mention for a 2003-2004 Book Award given by the Association for Latin American Art.

The pictorial genre known as casta painting is one of the most compelling forms of artistic expression from colonial Mexico. Created as sets of consecutive images, the works portray racial mixing among the main groups that inhabited the colony: Indians, Spaniards, and Africans. In this beautifully illustrated book, Ilona Katzew places casta paintings in their social and historical context, showing for the first time the ways in which the meanings of the paintings changed along with shifting colonial politics.

The book examines how casta painting developed art historically, why race became the subject of a pictorial genre that spanned an entire century, who commissioned and collected the works, and what meanings the works held for contemporary audiences. Drawing on a range of previously unpublished archival and visual material, Katzew sheds new light on racial dynamics of eighteenth-century Mexico and on the construction of identity and self-image in the colonial world.

Table of Contents

• Acknowledgements
• Introduction
• 1. Painters and Paintings: A Visual Tradition and Its Historiography
• 2. “A Marvelous Variety of Colors?”: Racial Ideology and the Sistema de Castas
• 3. The Rise of Casta Painting: Exoticism and Creole Pride, 1711-1760
• 4. Changing Perspectives: Casta Painting in the Era of the Bourbon Reforms, 1760-1790
• 5. The Theater of Marvels: Casta Paintings in the Textual Microcosmos
• Concluding Remarks: A Genre with Many Meanings
• Abbreviations
• Notes
• Bibliography
• Photograph Credits
• Index

Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850–2000

University of Georgia Press
2003-01-27
284 pages
Trim size: 6 x 9
Cloth ISBN: 978-0-8203-2325-1
Paper ISBN: 978-0-8203-2781-5

Suzanne Bost, Associate Professor of English
Loyola University

In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a “new” America. Bost challenges the popular media’s notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the “changing” face of America extends throughout American history.

Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the “browning” of America.

Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity.

Representations of the Black Body in Mexican Visual Art: Evidence of an African Historical Presence or a Cultural Myth?

Journal of Black Studies
Volume 39, Number 5 (May 2009)
pages 761-785
DOI: 10.1177/0021934707301474

Wendy E. Phillips, Photographer
Atlanta, GA

Although Africans have been present in Mexico since the time of the Afro-Atlantic slave trade, the larger Mexican culture seems to have forgotten this aspect of its history.  Although the descendents of these original Africans continue to live in the communities of coastal Oaxaca, Guerrero, and Veracruz states, many Mexicans seem to be unaware of their existence. This article reviews works of visual art made from the 1700s through the present that represent images of Mexicans of African descent and provide evidence of a historical Afromestizo presence in Mexico.  The works are also considered as possible sources of evidence about prevailing attitudes about Mexicans of African descent and anxieties about race mixing.  This article provides a brief overview of Mexico’s historical relationship with Africa as a participant in the Afro-Atlantic slave trade and considers the work of muralists, painters, and photographers who have created works of art in various regions of the country.

Read or purchase the article here.

Forgetting the Alamo, Or, Blood Memory: A Novel

University of Texas Press
September 2009
198 pages
6 x 9 in.; 1 map
ISBN: 978-0-292-71920-0 (hardcover, no dust jacket)
ISBN: 978-0-292-72128-9 (paperback)

Emma Pérez, Associate Professor and Chair of Ethnic Studies
University of Colorado

This literary adventure takes place in nineteenth-century Texas and follows the story of a Tejana lesbian cowgirl after the fall of the Alamo. Micaela Campos, the central character, witnesses the violence against Mexicans, African Americans, and indigenous peoples after the infamous battles of the Alamo and of San Jacinto, both in 1836. Resisting an easy opposition between good versus evil and brown versus white characters, the novel also features Micaela’s Mexican-Anglo cousin who assists and hinders her progress. Micaela’s travels give us a new portrayal of the American West, populated by people of mixed races who are vexed by the collision of cultures and politics. Ultimately, Micaela’s journey and her romance with a black/American Indian woman teach her that there are no easy solutions to the injustices that birthed the Texas Republic.

This novel is an intervention in queer history and fiction with its love story between two women of color in mid-nineteenth-century Texas. Pérez also shows how a colonial past still haunts our nation’s imagination. The battles of the Alamo and San Jacinto offered freedom and liberty to Texans, but what is often erased from the story is that common people who were Mexican, Indian, and Black did not necessarily benefit from the influx of so many Anglo immigrants to Texas. The social themes and identity issues that Pérez explores—political climate, debates over immigration, and historical revision of the American West—are current today.