Mixed Race Studies

As A White Mom, Helping My Multiracial Kids Feel At Home In Their Skin

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2015-07-24

Kristen Green

Last year, after months of watching — and re-watching — the movie Frozen, my daughter Selma, who is 6, announced she didn’t want to be brown. “I wish my skin was white,” she told me one day in our living room, where we were hanging out after school.

I knew she idolized the film’s alabaster-skinned heroines, and it made my heart ache. Our daughters started picking up on the differences in our family’s skin color at a very young age — I’m a white-skinned woman raised in the South, my husband, Jason, is part-white, part-American Indian, with medium-brown skin, and, depending on the season, both of our girls look more brown than white. There’s research showing that children can recognize differences in race as early as infancy, and can develop racial biases as early as 3.

Knowing all this, we’ve tried to raise our daughters to be comfortable in their skin, making sure they’re in schools with other black and brown children, searching out books and movies with black and brown main characters. I had even tried, unsuccessfully, to steer her away from the snowy princesses.

But our attempts clearly weren’t foolproof. “You’re beautiful the way you are,” I told Selma, stroking her long hair and trying to mask my sadness. “I love your brown skin.” She wasn’t convinced. “I wish it was like yours,” she told me…

Read the entire article here.

In The Writer’s Room, One Woman Quietly Makes Late Night History

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2015-07-12

Eric Deggans, TV Critic

How do you write jokes for a TV comedy about race and culture when there are riots over how police treat black suspects, and a gunman just shot down nine people in a black church?

If you’re Robin Thede, head writer for The Nightly Show with Larry Wilmore, you think carefully about where you focus the joke.

“The thing about tragedy, is that it causes people to react in a myriad of ways … [and] some of them are very hilarious,” Thede says, laughing. “You don’t make fun of the actual tragedy. You make fun of the ridiculous ways people react to it.”

Her example: The way some news outlets focused on the involvement of the gang Black Guerilla Family when rioting broke out in Baltimore last April.

“You’ve got people on the news saying ‘Black Guerilla Family’ 4,000 times because they get a kick out of saying ‘gorilla’ when connected to black people,” she says…

…That voice first emerged in January, when Wilmore’s Nightly Show debuted in the timeslot originally held by Stephen Colbert’s Colbert Report.

Wilmore made a bit of history then as the only black man hosting a major late night talk show.

And Thede also made history: She’s the first black woman to serve as head writer for such a show. But she’s quick to counter the notion that The Nightly Show is just a parody of Meet the Press centered on jokes about race…

Read the entire article here. Listen to the story (00:04:09) here. Download the story here. Read the transcript here.

Mat Johnson On ‘Loving Day’ And Life As A ‘Black Boy’ Who Looks White

Fresh Air
National Public Radio
2015-06-29

Terry Gross, Host

As a biracial child growing up in Philadelphia, writer Mat Johnson identified as black – but looked white. His new novel is about a man who returns to his hometown after inheriting a run-down mansion.

TERRY GROSS, HOST:

This is FRESH AIR. I’m Terry Gross. In a personal essay called “Approving My Blackness,” my guest Mat Johnson wrote, I grew up a black boy who looked like a white one. His African-American mother and Irish-American father divorced when he was 4. He says, I was raised mostly by my black mom in a black neighborhood in Philadelphia during the Black Power movement. So there was quite a contrast between how he saw himself and how others saw him.

Race and identity are also themes of his novel “Pym” and his comic book “Incognegro.” The main character in Johnson’s new satirical novel “Loving Day” is a comic book artist who, like Mat Johnson, is biracial but to many people looks white. When the novel opens, he’s newly divorced and has just returned to Germantown, the Philadelphia neighborhood where he grew up because his father, who just died, bequeathed him a huge, old wreck of a mansion that he bought in an auction but was never able to renovate.

A mansion in the ghetto is how Johnson describes it. The character doesn’t know what to do with the mansion or his life. The book’s title, “Loving Day,” refers to the day of the Supreme Court’s 1967 decision Loving v. Virginia, which struck down all laws banning interracial marriage.

Mat Johnson, welcome to FRESH AIR. I’d love to start with a reading. So this reading happens when the main character is at a small comic book convention, and he finds himself placed on the panel of African-American comic book authors. And he knows because he looks white that people will assume, like, what is he doing there? And in fact, somebody asks, like, what are you doing on this panel? And if you could pick it up from there.

MAT JOHNSON: (Reading) Why am I at the black table? I’m a local writer just back in town, you know, peddling my wares, I tell them, then babble on a bit more, eventually getting to my name and the last book I worked on…

Listen to the interview here (00:38:01). Download the interview here. Read the transcript here.

Rachel Dolezal’s Story Sparks Questions About ‘How People Experience Race’

All Things Considered
National Public Radio
2015-06-16

Audie Cornish, Host

Khadijah White, Assistant Professor of Journalism and Media Studies
Rutgers, The State University of New Jersey

Allyson Hobbs, Assistant Professor of History
Stanford University

NPR’s Audie Cornish talks with Rutgers University professor Khadijah White and Allyson Hobbs, who wrote a book about the history of racial passing, about the former head of the NAACP in Spokane, Wash.

Listen to the story here. Download the story here. Read the transcript here.

Novelist Mat Johnson Explores The ‘Optical Illusion’ Of Being Biracial

Weekend Edition Sunday
National Public Radio
2015-05-24

Growing up in Philadelphia, Mat Johnson lived mostly with his mother in a black neighborhood. The son of an African-American mother and an Irish-American father, his skin was so light that he might have passed for white. But being biracial meant only one thing back in the ’70s: “Um, it meant: black,” Johnson says with a laugh. “There wasn’t a lot of ambiguity there. I didn’t hear the world biracial or didn’t think of myself as biracial. And when I did hear that, I reacted to it defensively. I thought it was just black people of mixed heritage who were just trying to run away from blackness.”

Johnson was born three years after Loving Day — the historic 1967 Supreme Court decision which made interracial marriage legal. His new novel, Loving Day, is a funny, sometimes absurd look at what it means to be mixed race in this country.

These days, Johnson has a more nuanced way to describe his racial identity. He says he is a mixed person of African-American descent. But he also uses another, more loaded word, to describe himself: mulatto…

Read the entire article here. Download the interview here. Read the transcript here.

Expats Find Brazil’s Reputation For Race-Blindness Is Undone By Reality

Parallels: Many Stories, One World
National Public Radio
2015-05-22

Lourdes Garcia-Navarro, South America Correspondent

There is a joke among Brazilians that a Brazilian passport is the most coveted on the black market because no matter what your background — Asian, African or European — you can fit in here. But the reality is very different.

I’m sitting in café with two women who don’t want their names used because of the sensitivity of the topic. One is from the Caribbean; her husband is an expat executive.

“I was expecting to be the average-looking Brazilian; Brazil as you see on the media is not what I experienced when I arrived,” she tells me.

As is the case for many people from the Caribbean basin, she self-identifies as multiracial. The island where she is from has a mixture of races and ethnicities, so she was excited to move to Brazil, which has been touted as one of the most racially harmonious places in the world.

“When I arrived, I was shocked to realize there is a big difference between races and colors, and what is expected — what is your role, basically — based on your skin color,” she says…

Read the entire article here. Download the story here. Read the transcript here.

First Listen: Alabama Shakes, ‘Sound & Color’

First Listen
National Public Radio
2015-04-12

Ann Powers, NPR Music Critic

The Alabama Shakes’ new album, Sound & Color, comes out April 21. Brantley Gutierrez/Courtesy of the artist

In the six years I’ve lived in the region, I’ve developed a mantra: Southern freaks are the best freaks. For me, the word “freak” can be both positive and downright spiritual. It describes serious individualists who are tolerant of others whose own paths may diverge from their own; people whose ways of thinking connect to form an antidote to the deep conventionality that often surrounds them. Southern freaks, like the four young musicians in Alabama Shakes, face multiple challenges: not only the love of tradition (and defensive attitude about it) that their neighbors nurture, but also the prejudices of those who live elsewhere and expect Southerners to be somehow limited by their native surroundings. Southern freaks are the best freaks because they have the resilience to flourish in a home that can feel foreign, while also recognizing that legacies can’t be simply processed. They must be lived, confronted and altered from within.

Brittany Howard expresses this more fancifully in “Gemini,” the first song the band recorded for its boundary-leaping second album, Sound & Color. “On a planet not so far away, we were born together,” she sings, maybe to her lost sister, a lover or a best friend, in a voice that contains shadows of Richmond, Virginia‘s son, D’Angelo. Howard’s imagined pair washes up in Athens, Alabama, “suckled on the honey of the Tennessee,” whose wet banks are both adorned with the flower whose name she’s playing with and rife with the snakes she mentions in the next verse. The dream Howard spins in “Gemini” could have come from the pen of South Carolina native Dorothy Allison. The thick, expansive bed of druggy funk the band creates to convey it recalls the deepest experiments of Denton, Texas, native Sly Stone. The resonance the band achieves with the help of producer Blake Mills turns the track into serious funk: something George Clinton, born in North Carolina and now living in Tallahassee, would enjoy…

Read the article here. Listen to the story here.

Family Secret And Cultural Identity Revealed In ‘Little White Lie’

Morning Edition
National Public Radio
2015-03-23

Michele Norris, Host and Special Correspondent

Filmmaker Lacey Schwartz grew up in a white Jewish family in Woodstock, New York, believing she was white. Schwartz learns she’s bi-racial as she prepares to attend college.

Listen to the story here. Download the audio here. Read the transcript here.

Daughter Discovers Father’s Black Lineage

National Public Radio
2007-10-02

Farai Chideya, Host

Famed literary critic Anatole Broyard carried a big secret most of his life. He was a black man passing as white. His daughter, Bliss Broyard, writes about how she learned of her father’s hidden life and explored her black ancestry in the memoir One Drop.

Anatole Broyard was one of the most respected literary critics. The late editor and columnist for the New York Times book review provided a lavish life for his family in New England, but he carried a secret so deep that he couldn’t tell his own children.

Now, his daughter Bliss Broyard has written the memoir “One Drop” about his life and her search for her family.

Bliss, welcome to the show.

Ms. BLISS BROYARD (Daughter of Anatole Broyard; Author, “One Drop”): Thanks, Farai, for having me.

CHIDEYA: So when your father was dying, you find out the big family secret: That your father is part-black. Your brother says, that’s all? What was your reaction?

Ms. BROYARD: Pretty much along the same lines. The afternoon that we found out, we had just witnessed my father suffering terrible pain. He was in the last stages of prostate cancer. So my mom took it upon herself to tell us because it seemed clear that my father wasn’t going to live very much longer.

So it seems, frankly, like not a big deal. And we had known about a secret for a couple of months, and I imagined that it was, you know, my dad had witnessed some horrible crime or incest or something. So the fact that it was just that he was part-black and we didn’t even realize or understand exactly why had it been a secret at all…

Listen to the interview here. Read the transcript here. Download the interview here.

Mr. Spock, Mixed-Race Pioneer

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2015-03-01

Steve Haruch

At a time when the mere sight of Petula Clark touching Harry Belafonte’s arm held the potential to upset delicate sensibilities, the half-human, half-Vulcan character Mr. Spock embodied an identity rarely acknowledged, much less seen, on television: a mixed-race person.

Sure, the mixing of races was allegorical in Spock’s case, as was the brilliantly subversive mode for social commentary on Star Trek. But that doesn’t mean it didn’t resonate.

In 1968 — the year Clark made contact with Belafonte, and the same year the Star Trek episode “Plato’s Stepchildren” caused much consternation for network executives who feared backlash against the interracial kiss between Captain Kirk and Lieutenant Uhura — a young girl wrote a letter to Spock, care of FaVE magazine. In the letter, she makes the connection between Spock’s fictional identity and her own very real situation:

“I know that you are half Vulcan and half human and you have suffered because of this. My mother is Negro and my father is white and I am told this makes me a half-breed. In some ways I am persecuted even more than the Negro. The Negroes don’t like me because I don’t look like them. The white kids don’t like me because I don’t exactly look like one of them either.”

Leonard Nimoy, who played Spock, wrote a long and thoughtful response that reads, in part:

“Spock learned he could save himself from letting prejudice get him down. He could do this by really understanding himself and knowing his own value as a person. He found he was equal to anyone who might try to put him down — equal in his own unique way.

You can do this too, if you realize the difference between popularity and true greatness.”

Spock certainly knew what “true greatness” was all about. You didn’t have to be mixed-race to feel this kind of connection to Spock, though…

Read the entire article here.