Mixed Race Studies

Afro-German Literature and Films

Gerlind Institute for Cultural Studies, Oakland, California
4 two-hour classes

Marion Gerlind, Founder and Executive Director

This seminar will familiarize students with the history of a minority population in Germany who has gained significant visibility in German media since the 1980s. Having confronted racist stereotyping and media (mis)representations, Black Germans have formed empowering social and historical identities around the self-label “Afro-German.” Using the classic book Farbe bekennen (Showing Our Colors), autobiographical essays, excerpts from novels and films, including later work by May Ayim and Ika Hügel-Marshall, students will study pre-colonial representations of Africa in Germany, Afro-Germans in the Weimar Republic and under National Socialism, as well as after 1945 to the present.

This seminar will be conducted in German and/or English. Students are asked to read assigned texts prior to each session and be prepared to contribute to email discussions.

Invisible Woman: Growing up Black in Germany

University of California, Berkeley
Center for Race & Gender
Multicultural Community Center, Hearst Field Annex-D
2012-09-25, 12:40-14:00 PDT (Local Time)

A reading by Ika Hügel-Marshall

Ika Hügel-Marshall was the child of an African-American serviceman and a white German woman. Born and raised in post-Hitler Germany, she tells about her experience of anti-Black racism and how she came to terms with her identity as an Afro-German. Only at the age of 39 she met other Afro-Germans and was involved in setting up the “Initiative of Black Germans” (ISD). In 1993, she found her father in Chicago and met him and his family—a most profound experience.

For more infomation, click here.

Review of Mazón, Patricia M.; Steingröver, Reinhild, eds., Not So Plain as Black and White: Afro-German Culture and History, 1890-2000

H-German, H-Net Reviews
June 2009

Lynn Kutch, Assistant Professor of German
Kutztown University of Pennsylvania

Patricia M. Mazón, Reinhild Steingröver, eds. Not So Plain as Black and White: Afro-German Culture and History, 1890-2000. Rochester: University of Rochester Press, 2005. xvii + 247 pp. cloth ISBN 978-1-58046-183-2.

A Defiant “We” Announces Its Birth: Understanding the Complexity of Black German Identity

Given the long and varied history of cultural interactions between Africans and Germans–from the 1400s, when Africans populated Europe as slaves and court servants, to the pinnacle of German colonization in Africa in the late 1800s, to the post-World War I Rhineland occupation–the dominant German culture, perhaps understandably, has always viewed Africans as foreigners. This multifaceted collection interrogates the difficulty of categorizing the experience of Afro-Germans, a new organizing term in its own right. In each essay, the authors seek to expand the relatively limited current base of knowledge about the black German experience and to rectify the oftentimes ill-informed German and international reaction to that tradition. As a whole, the collected essays represent, as Sander Gilman puts it, a “major confrontation between the German image of Blackness and the reality of the Black” (p. 83). Gilman’s “confrontation” materializes in each essay’s distinctly articulated challenges to the common notion that racism toward blacks never existed in Germany. The book’s authors and editors not only dispute that comfortable assumption, they also sharpen the markedly German angle of the examination by claiming that attention paid to Vergangenheitsbewältigung, or coming to terms with the National Socialist past, has consistently overshadowed the German colonial legacy and historical attitude about Africans. A vital reading given its multicultural approach to German studies, the book demonstrates that, despite the widespread cultural eclipse of this theme, historians, writers, and filmmakers have successfully exploited their talent to display a new self-confidence while educating others on overt acts of prejudice and racism in Germany.

Building upon previous research in the field and combining disciplines and methodologies, the editors have organized the volume into two thematic sections that will appeal to Afro-German readers as well as scholars with varying degrees of interest in and knowledge about the subject. The first subdivision, “Afro-Germans in Historical Perspective,” traces African intersections with German history from the colonial period through 1945. The second portion, “Cultural Representations and Self-Representations of Afro-Germans,” offers specific examples from various disciplines of the ever-changing perceived image over time and how the community of Afro-Germans seeks to define itself as a reaction to those general perceptions…

Read the entire review here.

The black experience in postwar Germany

University of Connecticut
Honors Scholar Program
2012-05-06
36 pages

Jamie Christopher Morris

This paper endeavors to find the extent of anti-black racism in various sectors of German society following World War Two through an examination of primary sources and secondary scholarship. While some Germans, often women, tolerated and even loved African-American soldiers, many German men actively sought to keep black GIs out of their communities, encouraged by white GIs. Afro-German children were viewed as a huge and shameful problem to be dealt with en masse by the government. The development of German anti-black racism is interesting to track how the German people shifted from Nazi attitudes towards Americanized ones.

Introduction

In the late 1940s a young and frightened German girl believed that the African-American soldiers marching through her town had tails hidden in their trousers, a rumor that had been told to her by a passing white soldier. A decade later that girl was dating one of those same black GIs, and had in fact approached him first to get his attention. She may have been recalling the fact that it was the black soldiers who had treated her the best as a child, giving her gifts and making sure she was clean, or she may have simply desired an American boyfriend in the hopes that he would lavish her with his comparatively rich lifestyle. The girl’s attitude reflects that of many Germans towards blacks in the late 1940s and 1950s. Public opinion of black soldiers grew locally in the towns that hosted them, driven in no small part by their generosity and kindness compared to that of white GIs, but their exotic appearance and unique American outlook also attracted attention and praise.

Of course there was also some strong resistance to the stationing of black American soldiers in occupied Germany. Vestiges of the National Socialist ideology of racial purity remained in many Germans’ thoughts, if not always in their speech and actions, as well as the traditional prejudice against anything different from themselves that clung still to most Europeans. But because of the intense Nazi focus on race and cleansing, and the uncovering of the Nazi atrocities, Germany was forced into a unique position of having to prove its mended ways; as historian Heide Fehrenbach notes, “The postwar logic of race that emerged in Germany was beholden to an internationally enforced injunction that Germans differentiate their polity and policies from the Nazi predecessor.” Thus over the 1950s the language of “race” all but disappeared in Germany, although prejudices were often just as strong as previously. These hatreds, however, were turned towards the new and highly visible group of racial “others”: blacks.3 Germans maintained a unique outlook towards this new racial group, convincing themselves that they were not racist but proving hostile towards blacks and those who associated with them. An overwhelmingly conservative system of values warred with the Germans’ vehement denial of the feelings of the past to create a uniquely hostile yet also inviting environment for African-Americans…

Read the entire thesis here.

‘Brown babies’ long search for family, identity

Indianapolis Recorder
2011-11-23

Stephanie Siek

(CNN) — Daniel Cardwell’s obsession consumed three decades of his life and $250,000 of his money, he estimates. His energy has been devoted to answering one basic question: “Who am I?”

Cardwell was a “brown baby”—one of thousands of children born to African-American GIs and white German women in the years after World War II. Inter-racial relationships still weren’t common or accepted among most in the United States or Germany, and they weren’t supported by the military brass, either.

Couples were often split apart by disapproving military officers. Their children were deemed “mischlingskinder”—a derogatory term for mixed race children. With fathers forced to move way, the single mothers of the African-American babies struggled to find support in a mostly white Germany and were encouraged to give their kids up.

Thousands of the children born from the inter-racial relationships were put up for adoption and placed in homes with African-American military families in the United States or Germany. Images of black, German-speaking toddlers with their adoptive American families were splashed across the pages of Jet and Ebony magazines and African-American newspapers.

Their long-forgotten stories have recently been shared in new films, “Brown Babies: The Mischlingskinder Story,” which was released last summer and “Brown Babies: Germany’s Lost Children,” which aired on German television this fall…

…For the thousands of children who are now adults and seeking their biological families, time is running out. Henriette Cain, a “brown baby,” from Rockford, Illinois, knows this all too well.

“People’s mothers are passing away, their fathers are passing away, and people are starting to wonder who they are,” Cain said from her home. “Now even we are passing away, and it’s a story that needs to be told.”

Since beginning her search in the 1970s, the 59-year-old retiree has been fortunate — she located and met her biological sister, who was living in Darmstadt, Germany, and her biological mother, who had married a white U.S. soldier and moved to Virginia. The family now enjoys a close relationship. She tracked down her biological father, as well, but he died before they could meet…

Read the entire article here.

A Lesson from Philadelphia’s Little Film Festival that Could

Colorlines: News for Action
2012-08-10

Akiba Solomon, Columnist, Gender Matters

For a four-day event that began as a small assortment of screenings, there were plenty of major moments at Philadelphia’s inaugural BlackStar Film Festival last week. Curated in less than a year by producer and filmmaker Maori Karmael Holmes, this new celebration of film by and about people of the African diaspora featured more than 40 works from four continents including the Philadelphia premiere of Byron Hurt’s Kickstarter-assisted Soul Food Junkies; the U.S. debut of Berlin filmmaker Oliver Hardt’s The United States of Hoodoo, a sold-out screening of Nelson George’s Brooklyn Boheme, and a candid talk about African American filmmaking outside of the Hollywood system by Sundance-prize winning director and organizer Ava DuVernay…

…While the biggest crowds filled Philadelphia’s International House for screenings of nationally publicized works such as Brooklyn Boheme and Soul Food Junkies, lesser known films also attracted audiences. For me, the highlight was a German import, Audre Lorde: The Berlin Years 1984 to 1992.

Written, directed and produced by German feminist publisher and professor Dagmar Schultz, the documentary provides an intimate portrait of the poet, professor, activist and cultural organizer who died of cancer in 1992 at age 58. Through never-released video, photographs and (sometimes hilarious) interviews with Lorde, her partner, Gloria Joseph, and a tight-knit group of Afro-German activists and writers, The Berlin Years tells the story of Lorde the genius facilitator.

When Harlem-born Lorde arrived in Berlin in 1984 as a visiting professor, she immediately sought out Afro-Germans—who were then known only by pejoratives like “cross-breed,” “mulatto” and “brown babies”—and taught them how to see themselves outside of what she observed as “the pain of living a difference that has no name.”

The anecdotes are rich. For instance, at the end of a 1984 poetry reading, Lorde asked the white women to leave the room and the black women to remain until they had spoken to at least one other black woman. “Her intention was to make us feel: No matter what you do, you are not alone,” recalls one Afro-German activist who was in that room. “You must work together! Make yourself visible and raise your voice, each of you in her own way.”…

Read the entire article here.

Black German Cultural Society of New Jersey 2012 Annual Convention

What is the Black German Experience? History, Performance Popular & Visual Cultures
Barnard College, Columbia University
New York, New York
2012-08-10 through 2012-08-11

Building on the success of the inaugural 2011 conference, the second annual convention of the Black German Cultural Society of New Jersey (BGCSNJ) will be held at Barnard College in New York City on August 10-11, 2012.  This year’s convention will focus on the theme of “What Is the Black German Experience?”

The conference will feature a keynote address, “‘Operation Helping Hands’, African Americans and the Albert-Schweitzer Children’s Home for Mixed-Race Children,” by Yara Colette Lemke Muniz de Faria, screenings of the films “Hope in My Heart: The May Ayim Story” and “Audre Lorde—The Berlin Years 1984-1992,” and readings by Black German poet-performers Olumide Popoola and Philipp Kabo Köpsell.

Features

• Teaching the Black German Experience.
• Historical and Popular Cultures of Blacks in Germany.
• Visualizing German Blackness.
• Witnessing Our Histories—Reclaiming the Black German Experience.
• Telling Our Stories—Black German Life Writing.

For more information, click here.

afro look: Die Geschichte einer Zeitschrift von schwarzen Deutschen

University of Massachusetts, Amherst
May 2000
245 pages
Publication Number: AAT 9978512
ISBN: 9780599844605

Francine Jobatey

Submitted to the Graduate School of the University  Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY, Department of Germanic Languages and Literatures

Purchase the dissertation here.

More Than A Few Words About Post-War German Cinema, Race and ‘Toxi’

Shadow and Act: On Cinema of the African Diaspora
2012-08-01

Sergio Mims, Staff Writer

For anyone interested in foreign films, one of the most interesting periods of German filmmaking was the post war period between 1946 to the mid 1960’s.

In effect, only two types of films were being made: pure escapist film such as musicals and comedies that were designed to make the audience complete forget the ugly events of the recent past. But then there were films such as The Lost One, Germany Year Zero, and Murderers Among Us which explicitly dealt with the aftermath of the horrors of World War II and Germany’s guilt and its repercussions.

But of all the films, one of the most fascinating, and worthy of rediscovery, is the 1952 film Toxi co-written and directed Robert Stemmie, who was major and very successful successful director of the period. It was one of the very few German films made then, and even now, which seriously tried to deal with race. No doubt a very touchy and controversial subject considering Germany’s Nazi “racial purity” agenda.

For years the film was very difficult to see. I first saw it a couple of years ago during a film series of post war German films. However, the film has been recently remastered and released on DVD and is available from the DEFA Film Library DVD series from the University of Massachusetts Amherst.

The film centers around an abandoned German “occupation baby”, which was the term for children of U.S, soldiers stationed in Germany after the war and German women, who were abandoned by their parents. It was estimated that there were some 3000-5000 of these children, many of whom were biracial.

The lead actress, who was six years old when she made the film, was Elfie Fiegert who was herself an “occupation baby” left by both her parents and adopted by a childless German couple who renamed her…

Read the entire review here.

The Afro-German project of Asoka Esuruoso and Philipp Khabo Köpsell

AfrokanLife
2012-04-15

Arriving in the future, Stories of Home and Exile will be an interdisciplinary approach to positioning. As a collection of poetry, short stories and academic essays on identity written by Black Writers who regard Germany as their home, and those who regard it as permanent or temporary exile, it will attempt to add a new layer to the debate and construction of Black Identity within the German context.

“There is an oversimplification of the Negro. He is either pictured by conservatives as happy, picking his banjo, or by the so-called liberals as low, miserable, and crying. The Negro’s life is neither of these. Rather, it is in-between and above and below these pictures.”
—Zora Neale Hurston 1944

What she speaks of is identity in its flattest form. The identity that people once saw when they looked at a black face, flat, blank, static, like a snap shot frozen in time. There was no breath behind the lips, no thoughts behind the mind. We were caricatures of ourselves, like a child’s drawing. It is a false image. Diversity and texture have been and continue to be at the core of Black identity. To be human is by definition to be complex. Yet the Oversimplified image persists, like a ghost that you just can’t shake, or a photo you can’t wipe free.

To escape simplification, new layers needed to be applied. From the African American Slave narratives quest for human dignity, to Du Bois’ The Souls of Black Folk, Zora Neale Hurston’s Their Eye’s Were Watching God, Franz Fanon’s Black Skin White Masks, Achebe’s Things Fall Apart, May Ayim’s Showing Our Colors and Blues in Black and White, and countless, countless more every literary generation has added a new layer to the image of Black identity and experience…

…However while anthologies of African American literature have been published since 1845, and African writers such as Chinua Achebe, Ben Okri, Ama Ata Aidoo and Chimamanda Ngozi Adichie (among others) have gained acclaim on the world stage, the writing and experiences of Black individuals within Germany has, even to this day, been largely ignored. Literary studies on Black Identity within the German context are still very few and far between, and the layers this Black German identity have added to the image of broader Black identity has often been overlooked.

“…und wenn Du dazu noch schwarz bist” (Edition Con) and “Showing Our Colors: Afro-German Women Speak Out” (Orlanda) in 1984 and 1986 were really the first testimonies on the lives of the African Diaspora in Germany to gain notice within mainstream German society. For Black individuals living in Germany – for those living in isolation – these publications became undeniable proof of the validity of their personal experiences. These texts offered a foundation for numerous other publications and further literary expression. They gave a deeper background and a clearer focus that allowed further perspectives…

…Parallel to the desire for societal acceptance a different question arose in the aftermath of this violence and rejection. Being a member of the African Diaspora, how does one definehome? For many people with African roots the concept of home and belonging can appear fragile. In the late 1990s, many Black authors negotiated this concept by depicting Africa as exile, utopia, or potentially a new/old place of belonging.

“I’m not at home/ still not at home/ not my country/ just my origin/ one of my origins” writes Olumide Popoola in her poem Nigeria – partly resigning, partly equivocating the concept of home…

Read the entire article here.