Mixed Race Studies

Viewing Los Angeles Through a Creole Lens

The New York Times
2016-01-21

Farai Chideya

The pulse of the train on the tracks sets a rhythm as its passenger cars seem to skim over Lake Pontchartrain in New Orleans. These six miles of nothing but sky above and water below are the gateway into the city by rail. Next come the cemeteries at the edge of New Orleans, and all of a sudden, a day and a half of travel ends at the Amtrak terminal in the business district. I had just completed the first leg of my cross-country journey by sleeper train, starting in New York, and was beginning the second: a foray into the cultural ties between the Crescent City and California.

This trip had been inspired partly by the travel writer and blogger Greg Gross, who grew up in New Orleans and California. “I had a great-uncle who ran away at 15 to become a Pullman porter,” he said. These black men served a predominately white customer base as sleeping-car porters, often simply called “George” by their customers. Their union became a powerful force during the civil rights movement. Mr. Gross’s great-uncle Ellis Pearson worked on the Sunset Limited train from New Orleans to Los Angeles.

He was something like an usher for Mr. Gross’s family, which is full of cross-country transplants, including his parents and a deceased uncle who played jazz trumpet. When black New Orleans families like his moved to California, “They brought their food with them, their music,” he said. “They brought an energy, an attitude with them. ‘We survived there; we can make it here.’ They brought it to their churches and their neighbors.” It’s a refrain I hear many times as I speak to members of this diaspora.

The Grosses weren’t the only ones. The migration of black and Creole families moving to California from Louisiana began as a trickle in 1927, in the wake of that year’s great flood, and grew to a mass migration from the 1930s to 1960, years that encompassed the Depression, World War II and the growth of employment opportunities for blacks, and Jim Crow. While many families went from the South to the North, the train lines led many in New Orleans to the West instead. The better part of a century after its start, some migrants resettled in California after Hurricane Katrina. I wanted to follow the path that others had, to trace a thread of our cultural lineage, however faint. I wanted to see both cities through a black Bayou and Creole lens, to see if they’d drifted apart or were overlapping, remixing culture in the same way that Creoles originally had…

…Once in Los Angeles, I headed to the venerable Creole restaurant Harold and Belle’s on Jefferson Boulevard to meet up with Roger Guenveur Smith, an actor, writer and producer, and the actor and musician Mark Broyard. The dining room — scheduled to reopen next month after a renovation — was filled with locals wearing fleur-de-lis T-shirts or other symbols of their fealty to Louisiana. Mr. Broyard and Mr. Smith have known each other since childhood, and collaborated on a play called “Inside the Creole Mafia,” staged several times over the course of two decades. I got a taste of their razor-sharp banter over my gumbo.

Mr. Broyard explained how his family left Louisiana during the Jim Crow years because, “as my mother said many times,” he said, “she was not going to fight the civil rights movement with her children. We, the Creole kids, the light-skinned kids, we had been integrating schools for a lot longer because we weren’t dark. So we had been in and out of all these white institutions for years, with a tacit understanding that these people were colored, but it was O.K. that they were here because maybe they had half of one drop or something.”…

Read the entire article here.

The Forgotten Era of Punjabi-Mexicans

OZY
2016-01-13

Nick Fouriezos, Reporter/Researcher

Like a good comedian, Mary Singh Rai picked from her three identities to best suit her listener. “When I’m with Americans, I like to think of myself as one,” the native of Yuba City, California, said in a 2012 interview. But in some ways, the then-89-year-old with the light brown skin and wrinkled cheeks epitomized the American dream more than many others.

A daughter of immigrants, Rai was the result of an unlikely coupling of a Mexican mother and Punjabi father in the Golden State — and decades later, her dual ethnicities were still reflected in her distinctly Hispanic last name and Indian maiden name.

In the early 1900s, a generation of working men from Punjab — a region between the Indian and Pakistani border — laid down their rifles, headed West and picked up farming tools. Many had served in the British Royal Army or its police forces but decided to search for a better life a hemisphere away, in the fertile lands of Southern California’s Imperial Valley. Forming migrant-worker gangs, the Punjabi men were often called “Hindu crews,” but they were really an eclectic mix of Hindus, Sikhs and Muslims who toiled in hopes of earning enough to pay for their wives and children to join them in the land of opportunity. Instead, they found themselves stranded in a country that soon passed a wave of immigration legislation, effectively closing its borders to foreigners…

Read the entire article here.

When a master class with ballerina Misty Copeland becomes a San Pedro homecoming

The Los Angeles Times
2015-12-23

Deborah Vankin, Contact Reporter

Ascendant ballerina Misty Copeland leads a master class during Monday’s celebration in San Pedro. (Christina House/For The Times)

The crowd of about 200 huddled in the parking lot of San Pedro City Ballet, ensconced in fog and drizzle. Restless and excited, they might have been awaiting the arrival of a rock legend. Some rubbed their palms together to keep warm on the chilly Monday afternoon; others stretched their necks, peering down Pacific Avenue in anticipation. Neighbors crouched on the roof of a small bungalow next door to get a glimpse of the action.

When at last a gray SUV rolled up, smartphones and tablets shot into the air and the chanting began: “Misty, Misty, Misty.”

San Pedro’s ballet prodigy was home.

A populist ballerina if ever there was one, Misty Copeland has become a pioneering hero not just to dance hopefuls but to a generation of young women looking for inspiring, boundary-breaking athletic and artistic role models. Earlier this year, the American Ballet Theatre soloist was promoted to principal dancer; she is the New York company’s first African American woman to hold that title. And she was the first African American woman to dance the lead in an ABT “Swan Lake” production. It’s partly why Copeland landed on the cover of Time magazine’s “100 Most Influential People” issue this spring…

Read the entire article here.

Blaxican: The Revolutionary Identity of Black Mexicans

teleSUR
2015-07-29

“The Afro-Latino term felt like home. There was finally a term that described what all of this was. It was a group of people who felt like I was feeling. I was finally able to identify with a group of people and it was a relief.”

Walter Thompson-Hernandez shares with teleSUR English the often-forgotten faces and stories of Black Mexicans, or Blaxicans, in the United States.

Walter Thompson-Hernandez often sees a reflection of himself in the stories his camera captures. Boldly staring into the lens of his camera, Black Mexican, or Blaxican, men and women slowly unveil a bit of themselves to him.

“I ethnically identify as Afro-Mexican. Racially, I embrace my Blackness as here in LA that is typically how I am read and what my experience is,” reads one of the photo stories now available on Instagram gallery known as “Blaxicans of Los Angeles.”

“The identity of Afro-Mexican acknowledges my African roots as well as the land we live on, though claimed by America, belongs historically to indigenous Mexican peoples.”

As the child of an African-American father and a non-black Mexican mother, the stories resonate with Thompson-Hernandez who started the Instagram page as an academic research project for the University of South Carolina, but found himself personally drawn to the project to understand the complexities of race and ethnicity in a country that often sees both as one and the same thing…

Read the entire article here.

Loren Miller: Civil Rights Attorney and Journalist

University of Oklahoma Press
September 2015
304 pages
6.125″ x 9.25″
Hardcover ISBN: 9780806149165

Amina Hassan, Consultant & Researcher
The Azara Group, New York, New York

Loren Miller was one of the nation’s most prominent civil rights attorneys from the 1940s through the early 1960s, particularly in the fields of housing and education. With co-counsel Thurgood Marshall, he argued two landmark civil rights cases before the U.S. Supreme Court, whose decisions effectively abolished racially restrictive housing covenants. One of these cases, Shelley v. Kraemer (1948), is taught in nearly every American law school today. Loren Miller: Civil Rights Attorney and Journalist recovers this remarkable figure from the margins of history and for the first time fully reveals his life for what it was: an extraordinary American story and a critical chapter in the annals of racial justice.

Born the son of a former slave and a white midwesterner in 1903, Loren Miller lived the quintessential American success story, both by rising from rural poverty to a position of power and influence and by blazing his own path. Author Amina Hassan reveals Miller as a fearless critic of the powerful and an ardent debater whose acid wit was known to burn “holes in the toughest skin and eat right through double-talk, hypocrisy, and posturing.”

As a freshly minted member of the bar who preferred political activism and writing to the law, Miller set out for Los Angeles from Kansas in 1929. Hassan describes his early career as a fiery radical journalist, as well as his ownership of the California Eagle, one of the longest-running African American newspapers in the West. In his work with the California branch of the ACLU, Miller sought to halt the internment of West Coast Japanese citizens, helped integrate the U.S. military and the L.A. Fire Department, and defended Black Muslims arrested in a deadly street battle with the LAPD. Hassan charts Miller’s ceaseless commitment to improving the lives of Americans regardless of their race or ethnicity. In 1964, Governor Edmund G. Brown appointed Miller as a Municipal Court justice for Los Angeles County.

The story told here in full for the first time is of a true American original who defied societal limitations to reshape the racial and political landscape of twentieth-century America.

These are the beautiful, complex Blaxicans of Los Angeles

Fusion
2015-09-24

Jorge Rivas, National Affairs Correspondent

Back when Walter Thompson-Hernandez was in graduate school, his friends and family would give him blank stares as he explained what he was studying.

Finally, in an effort to make his work more accessible, he started an Instagram account dedicated to his research: @BlaxicansOfLA.

Thompson-Hernandez, who grew up in Los Angeles, identifies as Blaxican—his mother is Mexican, and his father is black.

“The term Blaxican is really is an example of the reinvention of language that exist in the U.S,” said Thompson-Hernandez, now a researcher at the University of Southern California who studies the impacts of interracial mixing between African Americans and Latinos in South Los Angeles…

Read the entire article here.

Love Across the Color Line: Remembering Alan Kaplan

KCET TV
Burbank, California
2015-09-10

Erin Aubry Kaplan

Fourteen years ago I wrote an article for Salon.com published for Valentine’s Day about how I met my husband, Alan Kaplan. I ended the article on a cautionary note: our hugely improbable, racially romantic story did not mean that we’d solved the problems of the color line. Far from it. Strip away the circumstances that I was a reporter and he was the reluctant subject of an interview for a story I was writing at the time, and we were merely a black woman and a Jewish man from different parts of L.A. who shared the same politics and bottomless outrage about the historic effects of that color line. He taught about it–for 33 years at Hamilton High School’s humanities magnet– I wrote about it. That was the most obvious thing we shared in common, but there were other things too, ordinary couple things like a complicated love of the Dodgers, eating out (neither of one us cooked), movies, sifting through stories in the latest issue of the New Yorker or the Atlantic Monthly. A few years into the marriage we discovered that we both loved dogs, and rescuing dogs; we adopted one post-Hurricane Katrina and eventually accumulated a whole houseful.

And yet matters of the color line suffused all the small and wonderful–and not so wonderful–things that make a relationship. I don’t mean it smothered our marriage or tempered the joy. I mean that race was always present, like any other condition you might marry into. I know people prefer to think that intimacy is colorblind by definition; they assume that to be racially conscious of someone you love, especially your own spouse, must be the very antithesis of happiness. But that view is based on an ancient American fear of difference, not on reality. Alan and I knew that…

Read the entire article here.

Characterizing Race/Ethnicity and Genetic Ancestry for 100,000 Subjects in the Genetic Epidemiology Research on Adult Health and Aging (GERA) Cohort

Genetics
August 1, 2015, Volume 200, Number 4
pages 1285-1295
DOI: 10.1534/genetics.115.178616

Yambazi Banda
Mark N. Kvale
Thomas J. Hoffmann
Stephanie E. Hesselson
Dilrini Ranatunga
Hua Tang
Chiara Sabatti
Lisa A. Croen
Brad P. Dispensa
Mary Henderson
Carlos Iribarren
Eric Jorgenson
Lawrence H. Kushi
Dana Ludwig
Diane Olberg
Charles P. Quesenberry Jr.
Sarah Rowell
Marianne Sadler
Lori C. Sakoda
Stanley Sciortino
Ling Shen
David Smethurst
Carol P. Somkin
Stephen K. Van Den Eeden
Lawrence Walter
Rachel A. Whitmer
Pui-Yan Kwok
Catherine Schaefer
Neil Risch

Using genome-wide genotypes, we characterized the genetic structure of 103,006 participants in the Kaiser Permanente Northern California multi-ethnic Genetic Epidemiology Research on Adult Health and Aging Cohort and analyzed the relationship to self-reported race/ethnicity. Participants endorsed any of 23 race/ethnicity/nationality categories, which were collapsed into seven major race/ethnicity groups. By self-report the cohort is 80.8% white and 19.2% minority; 93.8% endorsed a single race/ethnicity group, while 6.2% endorsed two or more. Principal component (PC) and admixture analyses were generally consistent with prior studies. Approximately 17% of subjects had genetic ancestry from more than one continent, and 12% were genetically admixed, considering only nonadjacent geographical origins. Self-reported whites were spread on a continuum along the first two PCs, indicating extensive mixing among European nationalities. Self-identified East Asian nationalities correlated with genetic clustering, consistent with extensive endogamy. Individuals of mixed East Asian–European genetic ancestry were easily identified; we also observed a modest amount of European genetic ancestry in individuals self-identified as Filipinos. Self-reported African Americans and Latinos showed extensive European and African genetic ancestry, and Native American genetic ancestry for the latter. Among 3741 genetically identified parent–child pairs, 93% were concordant for self-reported race/ethnicity; among 2018 genetically identified full-sib pairs, 96% were concordant; the lower rate for parent–child pairs was largely due to intermarriage. The parent–child pairs revealed a trend toward increasing exogamy over time; the presence in the cohort of individuals endorsing multiple race/ethnicity categories creates interesting challenges and future opportunities for genetic epidemiologic studies.

Read or purchase the article here.

This Instagram Project is Giving a Voice to the “Blaxican” Experience

Remezcla
2015-07-28

Yara Simón

The history of race in the United States is often told in terms of black and white, a binary that leaves many out of the equation. “Blaxican” researcher Walter Thompson-Hernandez is trying to expand the conversation, with a project that features people who, like him, are African-American and Mexican. As part of a research project for the Center for the Study of Immigrant Integration at USC, where he works, he began interviewing people of “Blaxican” identity. The personal stories inspired him to take his project beyond academia and onto social media. So he started Blaxicans of L.A. on Instagram to share what he was seeing firsthand.

Blaxicans are dual minorities,” he told the Los Angeles Times. “We represent two of the largest ethnic minority groups. And I think because Blaxicans represent two of the most aggrieved groups in Los Angeles, it’s important to understand that certain sets of issues and challenges that have been traditionally labeled as African American or Latino, ultimately, do not exist for people who self-identify as Blaxicans.” They are affected by both the killings of unarmed black men by police and mass deportations…

Read the entire article here.

Q&A “Blaxicans of L.A.”: capturing two cultures in one

The Los Angeles Times
2015-07-21

Ebony Bailey

When race in this country is often discussed in black and white, where do those who don’t quite fit the dime fall?.

Walter Thompson-Hernandez, a researcher with the Center for the Study of Immigrant Integration at USC, is attempting to answer that question with the help of his full-frame Nikon camera.

Two years ago, he began a research project on “Blaxican” identity, interviewing individuals of African American and Mexican descent like himself. He thought it was important to share his research with audiences outside academia, so he started a project on Instagram called Blaxicans of L.A., capturing portraits of Blaxicans and their families…

Read the entire article here.