Mixed Race Studies

Mexico’s overlooked black communities are given a voice in this social realist drama

Afropunk
2018-08-01

Eye Candy

LA NEGRADA trailer from TIRISIA CINE on Vimeo.

A project by Mexican filmmaker Jorge Pérez Solano, “La Negrada” is a social realist drama that examines an overlooked sector of Mexico’s populace, its Black people, which include descendants of enslaved people brought to Mexico, among others. According to Variety, this is the first fictional film about Afro-Mexicans.

A young black girl tries to pass for white in 1960s rural Georgia in the short film ‘Across the Tracks’

Afropunk
2017-08-30

Eye Candy

Two African American sisters grow up in racially charged 1960s Georgia, but one is born with fair skin. And when schools integrate in their small town, she decides to change her destiny—by passing for white.

Set in modern day and 1960s rural Georgia, “Across The Tracks” follows two black sisters—one dark skinned, the other light skinned—as they both navigate the desegregation of their school and make choices that will change them forever. Shot by director/cinematographer Mike Cooke in the small town of Arlington, GA. and co-written by Kimberly James, “Across the Tracks” is a story so resonate with and relevant to the black experience even now you’ll wonder why it hasn’t been done sooner…

Read the entire article here.

Know Your Black History: Deconstructing the Quadroon Ball

Afropunk
2016-10-27

Nick Douglas, AFROPUNK Contributor

“The swooning woman of color” This was an advertisement from 1858 New Orleans and is the first proof I had ever seen of a Quadroon Ball. I had never come across any proof that these balls actually happened. I fully believed these balls were the creation of Southern white male fantasies about needy, swooning, sexual women of color hoping to have the opportunity to have a relationship with them—i.e., a white male privilege fantasy. But as I looked in wonder at the very first proof I had ever seen of a Quadroon Ball, everything about the advertisement struck me as wrong and contradicted every bit of history I knew about New Orleans and Louisiana society. Then I did something that too few consumers of history do: I began deconstructing the advertisement in the context of the history of Louisiana and New Orleans. When I did this it crushed and destroyed the mythical ideals behind Quadroon balls.

“Quadroon” Referred to women of color whose ancestry was supposedly mixed with only one quarter black blood. The term was popularized by President Jefferson, a slaveholder who never arranged to free his own black children, borne by his slave Sally Hemmings, or any of the other 200 slaves he held at his death.

Grand, Fancy, Superior” In the myth of Quadroon Balls women of color attended lavish dances with the hope of forming a plaçage relationships with eligible white men. But the historic practice of plaçage relationships between white men and free women of color were legally binding contractual agreements, drawn up in the presence of a notary public. In these arrangements for monogamous or extramarital relationships, women were typically set up with a house and income, and any children were financially provided for by the white father. Americans had outlawed marriages between races and made it very difficult for children of color to inherit from their colonial fathers. Plaçage agreements were a logical alternative; couples also simply cohabited.

Free women of color in Louisiana were a powerful group in their own right…

Read the entire article here.

Acknowledging bi-racial women as black is not a threat to other black women

Afropunk
2017-03-23

Erin White, Contributor
Atlanta, Georgia

There’s nothing wrong with wanting to marry a black-ass person and have black-ass kids. But pretending that this is the only way to lead an “authentically” black life and have “authentically” black children is a problematic mess.

When we (the black community) talk about light skin privilege, many people want to simplify the conversation about colorism to “we’re all black”, “the police see you as black.” Isn’t this argument more true for non-white passing mixed blacks? When a person’s background and experiences in society are shaped by their blackness, why wouldn’t they “belong” to the black community?…

Read the entire article here.

Denying your light skin privilege is harmful to the Black community as a whole

Afropunk
2017-03-22

Erin White, Contributor
Atlanta, Georgia

Photo: PeopleImages / Getty

“Stop dividing us!” “We’re all black at the end of the day.” “There is no #TeamLightSkin/#TeamDarkSkin!”

Let’s cut the crap—nothing is as simple as “We’re all ______.” It’s nice to be reminded that we’re all in this together, human solidarity and back solidarity are beautiful things. They’re just not the only things. And when we don’t acknowledge the realities of the bad stuff, we let them fester and we leave others, the people we claim to be in solidarity with, more vulnerable.

People of color can never fully separate themselves from their race and what it signifies to ‘others’, of course, but let’s not pretend that light skin blacks do not receive privileges that are at the expense of dark skin blacks. Every hip-hop reference, every magazine cover, the ease of crossover success for the ambiguously brown while darker skinned folks (especially women) somehow seem largely underrepresented, and subsequently under-valued.

Society at large places a very high value on the perceived proximity to whiteness…

Read the entire article here.

Black and French: ‘Mariannes Noires’ film explores the intersections of identity

AfroPunk
2017-02-16

T. McLendon

The African diaspora reaches to every corner of the earth and in the Western world Black identity is often formed within the context of white supremacy, white nationalism, and white majorities. For Black people learning, growing and living in France, the intersections of race, class, immigration, and nationality all color their upbringing and everyday lives and new film “Mariannes Noires” aims to dive headfirst into these experiences. Directors Mame-Fatou Niang and Kaytie Nielsen follow seven French woman of African and Caribbean origins of various professions and try to extract what binds them beyond their Blackness…

Read the entire article here.