Mixed Race Studies

Definitive Hapa Japan Books To Launch In LA

Kaya Press
Los Angeles, California
2017-02-15

Kaya Press is thrilled to announce the official publication of Hapa Japan: History Vol. 1 and Hapa Japan: History Vol. 2 edited by Duncan Ryūken Williams.

Described by Ruth Ozeki as “essential reading for all citizens of our transcultural, transnational, boundless, borderless, beautifully mixed-up world,” these volumes bring together scholarship on the rich historical and contemporary experiences and representations of global Hapa Japanese…

Read the entire press release here.

Hapa Japan: History (Volume 2)

Kaya Press
2017-02-28
400 pages
Paperback ISBN: 9781885030542

Edited by:

Duncan Ryūken Williams, Associate Professor of Religion and East Asian Languages and Cultures
University of Southern California

The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race children in postwar Japan, telling the story of two protagonists facing abandonment by two different Black GI fathers and ostracism from Japanese society. Bringing together studies of the representations of the Hapa Japanese experience in culture, Hapa Japan: Identities & Representations (Volume 2) tackles everything from Japanese and American films like Kiku and Isamu to hybrid graphic novels featuring mixed-race characters. From Muslim Japanese-Pakistani children in a Tokyo public school to “Blasian” youth at the AmerAsian School close to a US military base in Okinawa, the Hapa experience is multiple, and its cultural representations accordingly are equally diverse. This anthology is the first publication to attempt to map this wide range of Hapa representations in film, art and society.

Who Gets To Be ‘Hapa’?

Code Switch: Race and Identity, Remixed
National Public Radio
2016-08-08

Akemi Johnson

Sunset in Waikiki: Tourists sipping mai tais crowded the beachside hotel bar. When the server spotted my friend and me, he seemed to relax. “Ah,” he said, smiling. “Two hapa girls.”

He asked if we were from Hawaii. We weren’t. We both have lived in Honolulu — my friend lives there now — but hail from California. It didn’t matter. In that moment, he recognized our mixed racial backgrounds and used “hapa” like a secret handshake, suggesting we were aligned with him: insiders and not tourists.

Like many multiracial Asian-Americans, I identify as hapa, a Hawaiian word for “part” that has spread beyond the islands to describe anyone who’s part Asian or Pacific Islander. When I first learned the term in college, wearing it felt thrilling in a tempered way, like trying on a beautiful gown I couldn’t afford. Hapa seemed like the identity of lucky mixed-race people far away, people who’d grown up in Hawaii as the norm, without “Chink” taunts, mangled name pronunciations, or questions about what they were…

Read the entire article here.

What Would It Mean To Have A ‘Hapa’ Bachelorette?

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2016-03-13

Akemi Johnson

On a recent episode of The Bachelor, the ABC dating reality show that ends its 20th season Monday night, contestant Caila Quinn brings Ben Higgins home to meet her interracial family.

“Have you ever met Filipinos before?” Quinn’s mother asks, leading Higgins into a dining room where the table is filled with traditional Filipino food.

“I don’t know,” he replies. “No. I don’t think so.”

As they sit around the adobo and pancit, Quinn’s father talks to Higgins, white man to white man. What comes with dating Quinn, the father says, “is a very special Philippine community.” Quinn grimaces.

“I had no idea what I was getting into when I married Caila’s mother,” the father says. But being married to a Filipina, he assures Higgins, has been “the most fun” and “magical.”

This scene can be read as an attempt by The Bachelor franchise to dispel criticisms (and the memory of a 2012 lawsuit) concerning its whitewashed casts. It shows how these attempts can be clunky at best, offensive and creepy at worst.

Quinn’s run also demonstrates how, as this rose-strewn, fantasy-fueled romance machine tries to include more people of color, diversification looks like biracial Asian-American — often known as “hapa” — women…

…Mixed-race Asian-white women become the perfect vehicles for diversity on this show because they are “white enough to present to the family,” as Morning said, while still being exotic enough to fill a quota. Morning suggested they also get a boost from the model minority myth and the recent idea that being multiracial is “cool.”…

…Myra Washington, assistant professor of communication at the University of New Mexico, predicted an increase in black contestants if Quinn becomes the bachelorette. “Not Wesley Snipes black, because this is still TV,” she said. She guessed there would be more mixed-race African-Americans, brown-skinned men, Latinos. But colonial legacies and systems of power die hard. “I think she’ll ultimately end up with a white dude,” she said.

Read the entire article here.

AALR Mixed Race Initiative

Akemi Johnson
2013-03-24

Akemi Johnson

Historian Lily Anne Yumi Welty and I just finished writing our collaborative piece for The Asian American Literary Review’s special issue on mixed race, coming out this fall. Lily and I shared a summer of research (and karaoke, kaiten sushi, officers’ clubs, and sweltering traffic jams) in Okinawa, although she comes at the topic from a historical, academic angle. Working on this joint piece, we realized how differently we’re used to writing–she’s all about the outline and thesis and being explicit, while I tend to make sense of things as I go, planting dots for readers to connect. We’ll see how our mashup turns out…

Read the entire article here.

Multiracial: Border Crosser: Stephen Murphy-Shigematsu navigates nations, cultures and academia

Nichi Bei: A mixed plate of Japanses American News & Culture
2010-05-20

Akemi Johnson

Stephen Murphy-Shigematsu is looking again toward Japan.

A psychotherapist, writer and academic, Murphy-Shigematsu has lived in Palo Alto, Calif. the past eight years, teaching at Stanford University and running an independent multicultural consulting practice. Life in the Bay Area, he says, is easy for someone like him, the son of an Irish American man and Japanese woman. Conflict—tensions associated with being mixed race—is rare.

This wasn’t always the case. Early in his career, Murphy-Shigematsu, who was born in Tokyo in 1952 and raised in Massachusetts, faced questions about his legitimacy working in Asian American studies. In 1984 he began an internship at the National Asian American Psychology Training Center. One of the first people who welcomed him there said, “So, you’re interested in working with Asian Americans?”

“That really threw me,” Murphy-Shigematsu said. The other man saw him as an outsider to the workshop, whereas Murphy-Shigematsu viewed himself as an insider, a fellow Asian American.

Or there was the time in the late ’80s when Murphy-Shigematsu spoke to an Asian American studies class at San Francisco State University.

“Are you Asian?” the students asked.

“Why do you ask?” Murphy-Shigematsu replied.

“Because you don’t look Asian,” they said.

At academic conferences, Murphy-Shigematsu would stand out physically, and some people would regard him with an attitude of “Why are you here?”

An influential figure for Murphy-Shigematsu during that time was Lane Hirabayashi. Hirabayashi, a noted mixed-race Japanese American scholar, had advocated using the word “hapa,” and claiming the right to self-define, instead of being labeled by well-intentioned others. Impressed with this, Murphy-Shigematsu sought out Hirabayashi…

Read the entire article here.