Ellen Gallagher at Tate ModernPosted in Articles, Literary/Artistic Criticism, Media Archive, United Kingdom on 2013-05-20 02:46Z by Steven |
Ellen Gallagher at Tate Modern
The Telegraph
2013-05-02
Alastair Smart, Arts Editor of the Sunday Telegraph
In this solid retrospective, America’s Ellen Gallagher subtly mixes pretty abstraction with reference to her black heritage, says Alastair Smart.
I sometimes feel sorry for artists today. Not in the sense that I’d make a £2 monthly donation for their welfare or anything.
Rather that today’s artist is expected to produce work that’s not just visually striking but conceptually clever. Brains must match looks, and woe betide anyone whose art isn’t deemed “deep” enough to inspire reams of post-structuralist theory.
America’s Ellen Gallagher, now the subject of a Tate retrospective, negotiates this tightrope better than most. Drawing on her mixed-race heritage (with a father from the Cape Verde Islands), she infuses works of minimalist abstraction with subtle references to black history.
Watery Ecstatic, her ongoing series of watercolours and incised paper collages, features all manner of delicately-rendered marine life: from eels, jellyfish and seaweed to fantastical sea monsters. Their intricacy recalls that of old whalers’ scrimshaw – with an unexpected twist…
Read the entire review here.