Mixed Race Studies

Dating stories project

Black Girl Dancing at Lughnasa
2016-01-28

Emma Dabiri

In continuing on the work of Who Stole All the Black Women from Britain?, I am collecting stories about race and dating for an exciting new project. I want to hear your experiences of dating within and outside your racial group. Do black men really find white women more attractive? Have you experienced colourism in the dating game? Do you only date a certain ‘type’? I am exploring all of these issues for a forthcoming piece of research so do please get in touch at ed5@soas.ac.uk.

Why I see myself as a daughter of the Diaspora rather than mixed-race

Black Girl Dancing at Lughnasa
2013-02-12

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

Why this ‘mixed’ girl rejects the ‘mixed-race’ label.

There is nothing like hearing the arguments of members of the multiracial movement and certain ‘mixed-race’ activists to make me want to distance myself from them as much as possible and exclusively identify as black! However, after all these years, I refuse to be pushed into making essentialist identity choices.

‘Mixed-race’ has been both pathologized and celebrated across time and space, often simultaneously.  Whether we are being positioned as the halfcaste underclass—Waynetta Slob’s ‘brown babies,’ endemic of a broken Britain populated by brown-skinned, hooded feral youth, or we are cast in the role as mixed-race messiahs; genetically superior, physically fitter, inheritors of a bright new, beautiful brown post-racial future—like all non-white people, we continue to be racialised.

Both constructions assign mixed race people a specific and limited identity based on their ‘race’, and continue the work of 18th century scientific racism ascribing particular physical and mental attributes to people based on so called racial difference. Further, the myth of a new, beautiful mixed race generation as the epitome of liberal, cool, race-less Britain, masks enduring structural racism and inequalities, which will be allowed to continue unchecked if we are seduced by it.

The media and social studies join forces to perpetuate a damaging and a-historical construction of being ‘mixed-race’, where mixedness is presented as something new. But black and white people have been having children since their first encounters with each other. This is a process that has been in place since the conquests of the Americas at least. The populations of the New World are largely mixed-race populations. Although they are popularly categorised as black or white, their origins are heterogeneous. In such a context, it seems nonsensical to categorise the child of one black Caribbean parent and one white European parent as suddenly and magically ‘mixed-race’, yet we continue to do so…

Read the entire article here.

Who stole all the black women from Britain?

Black Girl Dancing at Lughnasa
2013-10-17

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

…Here in the UK, the  visibility of black women in representations of mainstream Black British culture is such that you might be forgiven for thinking we are an endangered species. The near erasure of Black British women from this terrain which is in the main dominated by black men and white women, is rarely commented upon, despite its prominence.  What is actually going on here? Is this some manifestation of the quite frankly ridiculous Eldrige Cleaver quote above. Or is it something else?.

The (ahem) ‘urban’ (we know what they really mean) landscape that provides the basis of so much of Britain’s somewhat depressing representations of mainstream youth culture borrows heavily from black culture, yet sometimes seems entirely devoid of black women. The characters who populate this world are black men and white women. Access may be permitted to the occasional mixed-race girl but beyond this tokenism this is the white woman’s world!

From movies such as Kidulthood, to the presenters of the Kiss FM Takeaway show, who typify this phenomenon, the symbols of ‘Urban’ or Black British youth culture are routinely Black men and their white female partners…

Read the entire article here.

Afro-Rebel (Or Why I am not an Afropolitan)

Black Girl Dancing at Lughnasa
2013-07-09

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

The following is from a discussion I recently took part in ‘Fantasy or Reality? Afropolitan Narratives of the 21st Century’ as part of the Africa Writes 2013 Festival. I was joined on the panel by Minna Salami and Nana Ocran, and the Chair was Professor Paul Gilroy.

When I first heard Afropolitan I was excited. I am always looking for language that expresses my position as an Irish/Nigerian woman who is deeply connected to her Nigerianess. I’d rather refrain as describing myself as half anything, and I detest the word mixed-race. I thought perhaps Afropolitan presented an alternative to this terminology and interestingly, positioned me with others through a shared cultural and aesthetic leaning rather than a perceived racial classification. Further it identified that you could be black or African without having to subscribe to the depressingly limited identities widely perceived as being authentic.

The enduring insights of Afropolitanism as interpreted by Mdembe, should be its promise of vacating the seduction of pernicious racialised thinking, its recognition of African identities as fluid, and the notion that the African past is characterised by mixing, blending and superimposing. In opposition to custom, Mdembe insists the idea of ‘tradition’ never really existed and reminds us there is a pre-colonial African modernity that has not been taken into account in contemporary creativity.

As Minna Salami writes on her blog Africans should be as free to have multiple subcultures as anyone else but the problem with Afropolitism to me is that that the insights on race, modernity and identity appear to be increasingly sidelined in sacrifice to the consumerism Mdembe also identifies as part of the Afropolitan assemblage. The dominance of fashion and lifestyle in Afropolitanism is worthy of note due to the relationship between these industries, consumption and consumerism…

Read the entire article here.

Ultimately though, I identify as a daughter of the Diaspora. The descendants of the millions of Africans taken to the new world share a similar heritage to mine; black African and white European, and I feel an affinity with these fellow Diasporians. I reject a racist hierarchy of value and worth and refuse to position myself as separate from other black people in a bid to try and position myself that little bit closer to whiteness. The historical processes, of which we Diasporians are a part, stem from the same source: the European slave trade and the subsequent European colonisation of Africa. And it is for this reason that I locate myself within this historical continuum rather than buy into an ideologically problematic, a-historical approach which constructs being ‘mixed-race’ as something new.

Emma Dabiri, “Why I see myself as a daughter of the Diaspora rather than mixed-race,” Black Girl Dancing at Lughnasa (March 12, 2013). http://thediasporadiva.tumblr.com/post/45223779733/why-i-see-myself-as-a-daughter-of-the-diaspora-rather.

While contemporary academic discourse acknowledges the existence of multiple identities, and it is possible to talk about having identities that are both/and rather than either/or (Collins 1990) for a child with one black and one white parent, this is usually restricted to a choice of being both mixed race and black. You can never claim whiteness. Whiteness is sustained and preserved through a myth of purity, exclusivity and restricted access. The addition of a ‘mixed-race’ category on the census does nothing to challenge the racial hierarchy and this is one of the reasons I reject it. Similarly, a decision for me to identify exclusively as black fails to disrupt the status quo and so for me is also problematic. It is the fluid and multidimensional models for identity that are reminiscent of a time before we had been conditioned into a belief in rigid racial classification which are so interesting and potentially offer such scope to the ‘mixed’ person—and indeed all people.

Emma Dabiri, “Why I see myself as a daughter of the Diaspora rather than mixed-race,” Black Girl Dancing at Lughnasa (March 12, 2013). http://thediasporadiva.tumblr.com/post/45223779733/why-i-see-myself-as-a-daughter-of-the-diaspora-rather.