Classes You May Have Missed: On Modern Brazilian LiteraturePosted in Articles, Brazil, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2010-09-07 21:50Z by Steven |
Classes You May Have Missed: On Modern Brazilian Literature
Pitt Magazine
January, 1995
Bobby J. Chamberlain, Associate Professor of Brazilian Culture and Literature
University of Pittsburgh
Brazilian culture has always been considered a fusion of three different races: the Europeans (specifically Portuguese), the Indians, and the Africans who were taken to Brazil as slaves. But it is wrong to see this culture as some kind of happy hybridization: There is always a hierarchy in this type of fusion. A much larger percentage of whites, descendants of the Europeans, are in the upper classes, and the great majority of blacks and mulattos, those of mixed race, are in the lower classes. Brazilian literature itself began, as did Spanish-American literature, as a specifically European phenomenon in the New World, with a certain inferiority complex that Brazilians, even those of European descent, were not as good as the Europeans in Europe. I’d like to discuss how several writers dealt with the problem of adapting influences from Europe and the United States to a Brazilian literature.
Joaquim Maria Machado de Assis, who wrote at the end of the nineteenth century and the beginning of this one, is often considered the greatest figure in Brazilian literature. He was a mulatto who rose from the lower classes to become the first president of the Brazilian Academy of Letters. The narrators of his novels, middle-class Brazilians, often distort what they tell you to serve their own ends. You start off believing them, but their interpretations of social signs and gestures become strained and paranoid. For instance, in Dom Casmurro (1900), Bento Santiago tells of his childhood with Capitu, whom he later marries and then spurns, accusing her of adultery. From the beginning, he portrays her as a crafty manipulator and himself as her victim, but the evidence of her adultery is flimsy, and Santiago’s coldness to her seems to spring solely from his own neurosis and cruelty…
Read the entire article here.