Mixed Race Studies

Re Jane: A Novel

Pamela Dorman Books (an imprint of Penguin Random House)
2015-05-05
352 Pages
Hardcover ISBN: 978-0525427407
Paperback ISBN: 978-0143107941

Patricia Park

For Jane Re, half-Korean, half-American orphan, Flushing, Queens, is the place she’s been trying to escape from her whole life. Sardonic yet vulnerable, Jane toils, unappreciated, in her strict uncle’s grocery store and politely observes the traditional principle of nunchi (a combination of good manners, hierarchy, and obligation). Desperate for a new life, she’s thrilled to become the au pair for the Mazer-Farleys, two Brooklyn English professors and their adopted Chinese daughter. Inducted into the world of organic food co-ops and nineteenth–century novels, Jane is the recipient of Beth Mazer’s feminist lectures and Ed Farley’s very male attention. But when a family death interrupts Jane and Ed’s blossoming affair, she flies off to Seoul, leaving New York far behind.

Reconnecting with family, and struggling to learn the ways of modern-day Korea, Jane begins to wonder if Ed Farley is really the man for her. Jane returns to Queens, where she must find a balance between two cultures and accept who she really is. Re Jane is a bright, comic story of falling in love, finding strength, and living not just out of obligation to others, but for one’s self.

Journeying from Queens to Brooklyn to Seoul, and back, this is a fresh, contemporary retelling of Jane Eyre and a poignant Korean American debut.

I Feel Guilty for Being Able to ‘Pass’ as a Person of Color

Kveller
2016-02-18

Elana Rabinowitz
Brooklyn, New York

He called me negra. Not mami or guapa, but what translates to “black woman.” I wasn’t offended. More confused. The thing is, I’m really just a white Jewish girl from Brooklyn. There, I said it.

Junot Diaz came to give a book talk and I was awestruck by the man who stood in front of me, waxing poetically in a black hoodie sweatshirt. Would that have been the time to correct a genius? Oh, I am sorry, Junot, I’m actually just another Jewish girl from Brooklyn. I balked.

My last name is Rabinowitz, and with a name like that, and a life like mine, I’ve had my share of jokes and stereotypes, but never anything I couldn’t handle. The more interesting paradox is that the hue of my skin and the positioning of my features has often made me appear more Hispanic than anything else. After a while you get used to it, and eventually, I even started to believe it. I lived and studied in Ecuador, Argentina, and Mexico. Each trip I returned home with more mannerisms and vocabulary inadvertently adding to my new identity…

Read the entire article here.

Bombay To Brooklyn: New York’s Indian Jews Strive To Preserve Heritage

News India Times
New York, New York
2015-12-14

Ela Dutt, Managing Editor

Siona Benjamin. Photo by Sami studio

Siona Benjamin, a greater New York City artist, hangs her “very typical” Indian Jewish Mezuzah, a prayer scroll in an engraved casing, on her door to remind her of her cultural roots. “Every time I walk through my main door, it reminds me of my Indian Jewish background,” especially so during Hanukkah, the Jewish Festival of Lights that began Dec. 6 and stretches over 8 days.

Originally from Bombay, Benjamin’s art is a blend of her background growing up in a Hindu and Muslim society, educated in Catholic and Zoroastrian schools, raised Jewish and now living in America. She is among the barely 100 or so Bene Israelis left in the Tri-state area, and the 350 or so around the U.S. according to Rabbi Romiel Daniel, rabbi and president of the Rego Park Jewish Center who since 1995, has tried to keep his flock together and raise awareness among the second and third generation Bene Israeli youth.

Some of the history of this small and unique community is captured in the exhibit “Baghdadis & the Bene Israel in Bollywood & Beyond” that opened in early November at the Center for Jewish History in New York City and will be on till April 1. Presented by the American Sephardi Federation, most of the items at the exhibit come from the Joyce and Kenneth Robbins collection, and highlight how Indian Jews, women in particular, were leaders in Bollywood and beyond at a time when custom and tradition kept many other Indian women out of Bollywood.

In exploring the largely forgotten history of the Bene Israel of India, the exhibition showcases the careers of Pramila (Esther Victoria Abraham), (Florence Ezekiel) Nadira, Sulochana (Ruby Myers), Abraham and Rachel Sofaer, Ezra Mir, RJ Minney, and Joseph David Penkar, each of whom played multiple roles in front of and behind-the-scenes in Bollywood…

Read the entire article here.

Something Old, Something New

BBC Radio 4
2015-10-06

Johny Pitts, Host

Peter Meanwell, Producer

Recorded & mixed! Finished @BBCRadio4 (Engineer Steve Hellier with Johny Pitts) Source: Peter Meanwell

From Sheffield to South Carolina, Johny Pitts explores alternative Black British identity.

What happens when your Dad’s an African-American soul star [Richie Pitts] and your Mum’s a music-loving girl from working class Sheffield? Are your roots on the terraces at a Sheffield United match, or in the stylings of a Spike Lee film? For writer and photographer Johny Pitts, whose parents met in the heyday of Northern Soul, on the dance floor of the legendary King Mojo club, how he navigates his black roots has always been an issue. Not being directly connected to the Caribbean or West African diaspora culture, all he was told at school was that his ancestors were slaves, so for BBC Radio 4, he heads off to the USA, to trace his father’s musical migration, and tell an alternative story of Black British identity.

From Pitsmore in Sheffield, to Bedford Stuyvesant in New York, and all the way down to South Carolina, where his grandmother picked cotton, Johny Pitts heads off on a journey of self-discovery. On the way he meets author Caryl Phillips, Kadija, a half sister he never knew, and historian Bernard Powers. He visits the Concorde Baptist Church in Brooklyn, New York, and the Bush River Missionary Baptist Church, in Newberry, South Carolina. He tracks down a whole host of long-lost cousins, and talks to Pulitzer winning writer Isabel Wilkerson. On the way he shines a light on the shadows of his ancestry, and finds stories and culture that deliver him to a new understanding of his own mixed race identity and history.

Listen to the story here.

Accessing the Crossing Borders, Bridging Generations Oral History Collection through the Digital Humanities

Brooklyn Historical Society Blog
Brooklyn Historical Society
Brooklyn, New York
2015-03-23

Julia Lipkins

I’m pleased to announce that the Crossing Borders, Bridging Generations (CBBG) oral history collection is now open for research! From 2011 to 2014, a team of oral historians sponsored by BHS conducted interviews with mixed-heritage people and families in Brooklyn. CBBG narrators and interviewers explored the themes of cultural hybridity, race, ethnicity and identity formation in the United States. The complete collection of over 100 oral history interviews is available for use in the Othmer Library and a portion of the contents are accessible online at the CBBG website.

An exciting feature of the CBBG website is a new digital humanities application known as OHMS, or the Oral History Metadata Synchronizer. OHMS, developed by oral history wunderkind Doug Boyd and his team at the University of Kentucky Libraries, tackles an inherent challenge in oral history archives, i.e. accessing the oral history via the recording manifestation vs. transcript manifestation. While the audio recording provides the richness and context of the narrator’s voice, the transcript offers researchers the capacity to conduct keyword searches throughout the interview. OHMS solves this dilemma by marrying the audio recording to the transcript, thereby making both manifestations of the interview searchable…

For more information, click here.

Brooklyn is: Feature of the Week [Beth Consetta Rubel]

Brooklyn Artistry
Brooklyn, New York
2015-02-02

The latest and greatest untouched talent of the borough.

Being a biracial woman from the South we wanted to know what it was like for Beth Consetta Rubel as an artist. So many things can be triggering for an artists like her. You’d think she would have to battle for both sides, especially now when it seems like racial tension is at an all time high. We spoke with Consetta, one of the illest portraiture painters today, about her experience. Talk about in your face! Beth Consetta Rubel is not the one to hold back especially through her work. Her new series Paper Bag Test shows her pride in all of it’s grace.

If you haven’t already heard about her here’s a little something you should know, her name is Beth Consetta Rubel. She’s an Austin based visual artist. Raised in the South, Rubel draws upon her personal narrative and mixed-race ancestry to create work deeply rooted in her ethnic heritage. Focusing on painting and drawing in college, she received her BFA from the University of Texas San Antonio. Her recent “Paper Bag Test Series” references historical tests used to ascertain race based on phenotype, addressing contentious political and social issues on race, cultural identity, and class struggle…

Read the entire interview here.

A Look at Looking Different

The New York Times
2014-12-02

Felicia R. Lee

‘Crossing Borders,’ at the Brooklyn Historical Society

Alexander David grew up with a Chinese mother and a white Jewish father in the liberal Park Slope neighborhood of Brooklyn. He attended the predominantly Asian elite Stuyvesant High School. He was comfortable in his skin in both places, but in a world of tribes, the Asian kids considered him white, and the white ones considered him Asian.

“We’re not like a racially blind kind of society,” Mr. David said in an interview recently.

Mr. David’s experience is now part of an unusual project by the Brooklyn Historical Society called “Crossing Borders, Bridging Generations,” which has as its centerpiece a collection of more than 100 oral histories of people who identify themselves as being of mixed heritage, whether through race, ethnicity, religion or nationality.

Three years in the making, “Crossing Bridges” will be completed in mid-January and is uncommon in subject and scope for a historical society, said Annie Valk, vice president of the Oral History Association. It comes with public programs, a school curriculum and an interactive website…

…About 30 of the oral histories are now gathered on the website, which includes photographs, audio clips, transcripts and scholarly articles. The full oral history collection will be available next year at the historical society’s Othmer Library, the repository of more than 1,200 oral history narratives on a variety of topics. In February, educators will also be offered a curriculum for grades six through 12.

All the oral history subjects were volunteers who live or work in Brooklyn, or did so in the past. They were a diverse flock, including biracial lesbian couples and Jewish couples from different European countries. Their stories reflect changes from the time when mixed marriage often meant spouses of different religions to a time when it means gay or interracial marriage, or both, said Sady Sullivan, the former director of oral history at the historical society. Ms. Sullivan, who conceived the project, has been named the curator of oral history at Columbia’s Rare Book and Manuscript Library.

“The idea I get really excited about is that this is for the future,” Ms. Sullivan said. “What will it be like to listen to stories about the social construction of race in 150 years?”…

…Championing multiracial families — including the struggle for the right to check more than one census box for race — has also had detractors. Some argue that multiracial identity only increases racial stratification. Others have argued that discussions about multiracial identity too often fail to examine how race is related to wealth and power.

Nitasha Tamar Sharma, an associate professor of African-American studies and Asian-American studies at Northwestern, wondered how the oral histories would be framed. “Is it going to be used only as a celebration?” asked Professor Sharma, who writes about and researches issues of racial identity…

Read the entire article here.

On the Trail of Brooklyn’s Underground Railroad

The New York Times
2007-10-12

John Strausbaugh

LAST month the City of New York gave Duffield Street in downtown Brooklyn an alternate name: Abolitionist Place. It’s an acknowledgment that long before Brooklyn was veined with subway lines, it was a hub of the Underground Railroad: the network of sympathizers and safe houses throughout the North that helped as many as 100,000 slaves flee the South before the Civil War.

With its extensive waterfront, its relatively large population of African-American freemen — slavery ended in New York in 1827 — and its many antislavery churches and activists, Brooklyn was an important nexus on the “freedom trail.” Some runaways stayed and risked being captured and returned to their owners, but most traveled on to the greater safety of Canada.

Because aiding fugitives from the South remained illegal even after New York abolished slavery — and because there was plenty of pro-slavery sentiment among Brooklyn merchants who did business with the South — Underground Railroad activities were clandestine and frequently recorded only in stories passed down within families. Corroborating documentation is scarce.

Still, it’s possible to follow some likely freedom routes through Brooklyn. You begin in Brooklyn Heights, where the Promenade offers sweeping views of the East River waterfront. In the decades before the Civil War, this waterfront bristled with the masts of sailing ships. Many were cargo vessels bringing cotton and other goods from the South. Sometimes they brought secret passengers: slaves fleeing to freedom. The fugitives slipped ashore and filtered into Brooklyn, where they were hidden and helped along on their journeys. Acquiring its railroad imagery by the 1830s, this antislavery network had its own “stationmasters” and “conductors,” who helped organize runaways’ passages north, and its own “stations” and “depots,” where they hid. Several Brooklyn churches participated. Plymouth Church of the Pilgrims, a few blocks from the Promenade on Orange Street, between Hicks and Henry Streets, was called its “Grand Central Depot.”…

…[Henry Ward] Beecher’s most successful tactic for arousing what he called “a panic of sympathy” for slaves was to stage mock slave auctions in the church, with the congregation bidding furiously to buy the captives’ freedom. The 1914 bronze statues of Beecher and two girls in the church’s courtyard by Gutzon Borglum, who later sculptured Mount Rushmore, depicts the first such auction, in 1848.

The most famous auction occurred in 1860, when Beecher urged his congregation to buy the freedom of a pretty 9-year-old from Washington, Sally Maria Diggs, called Pinky for her light complexion.

“After the service he called her to the platform and told the congregation her story,” Ms. Rosebrooks said. “He said, ‘No child should be in slavery, let alone a child like this.’ I’m sure he played on this. She could be your niece. She could be your sister. Your next door neighbor. So they passed the collection plate and raised $900, which is about $10,000 in today’s dollars.”

Congregants gave jewelry as well as cash. In a theatrical flourish Beecher fetched a ring from the collection plate, slipped it onto Pinky’s finger and declared, “With this ring, I thee wed to freedom.”

In 1927 when Plymouth Church celebrated the 80th anniversary of Beecher’s first sermon there, one who attended was Mrs. James Hunt, a stately woman of 76. She was Pinky and had grown up to marry a lawyer in Washington. According to Plymouth Church lore, she brought the ring with her; Ms. Rosebrooks showed me a simple gold band set with a small amethyst. (A Brooklyn Eagle article from 1927, however, quotes Mrs. Hunt as saying the ring had been lost.)…

Read the entire article here.

BROOKLYN INTELLIGENCE.; The Sanford-street Catastrophe. CONDITION OF THE WOUNDED-BURIAL OF THE DEAD.

The New York Times
1860-02-06

…AN INTERESTING SCENE IN PLYMOUTH CHURCH — PURCHASE OF A SLAVE BY THE CONGREGATION. — Another case of the ransom of a slave occurred yesterday in Plymouth Church. The circumstances were of touching interest. A good-looking and intelligent little girl named PINK, about nine years of age, having in her veins only one-sixteenth part African blood, (although that was more than enough to make her a slave,) was brought from Washington City to Brooklyn on Saturday last, with a view to the purchase of her freedom. Her father is at present one of the leading physicians in Washington. The mother was sold a few years ago to a Southern trader. At different times, five of her six children were sold to various parts of the South, until only little PINK remained. The child was taken care of by her grandmother, who had received oft-repeated assurances from the owner that PINK, should never be parted from her. But during the last holidays, arrangements were made to sell the child for $800. It was thought that when she grew up to womanhood she would be worth $3,000. Mr. BLAKE, a young clergyman recently from Alexandria Episcopal Seminary, hearing of the circumstances, interested himself to save the child. For this purpose, he procured permission to bring her to the North, leaving behind him satisfactory security for the return, either of the child or of the price of her ransom. The girl was, yesterday morning, introduced to the Sunday School by the Superintendent, Mr. THEODORE TILTON. Some interesting incidents of the child’s history were related by Mr. BLAKE, and the children determined to undertake, with the assistance of the Church, the purchase of the child — the classes contributing $5 each. At the close of the morning sermon, the pastor, Rev. HENRY WARD BEECHER, took the child into the pulpit, stated the case to the congregation, and made an eloquent plea for her liberty, which drew tears from many eyes. The collection plates were then passed, and returned well laden with bank notes. The money was not counted before the close of the service, but a lady in the audience sent word to the pastor that she would make up the deficiency, if any should be found. This announcement was received with an irrepressible demonstration of applause. Many persons crowded around the platform to congratulate the little girl on her new-found freedom, which she is now too young fully to appreciate…

Read the entire article here.

Gwinnett Street Colored Folks Are Talking About the Marriage of the White Man to the Octoroon

The Brooklyn Daily Eagle
Thursday, 1898-03-31
page 2, column 5
Source: Brooklyn Public Library’s Brooklyn Collection

The colored folks in Gwinnett Street are talking to-day of the marriage which took place two weeks ago. Miss Zoe Ball, a vocalist and pianist, to William L. Morton, a commercial traveler and former variety show manager. Morton is white, but his wife is an octoroon. It is said that they first met in a local music hall last Summer and that Morton became infatuated with Miss Ball from the first.

The marriage was performed at 125 Harrison Avenue, on March 16, by the Rev. H. Guelich. The couple had made two previous calls at the rectory and had interviews with the Rev. Mr. Guelich. He expressed his willingness to marry them and on the evening of the 16th, between 7 and 8 o’clock they called with two witnesses, George Burrell and Edith Camp, both colored.

Speaking to an Eagle reporter this morning the Rev. Mr. Guelich said that he was surprised that there should have been any talk or gossip about the marriage. He said he was not aware Miss Ball was a negress. He said he could not discern the difference between her and a white woman. She gave her age as 24 and her birthplace as Louisville, Ky. Morton said that he was 34 and that he was born in Newark, N.J.