Mixed Race Studies

Scholarly perspectives on the mixed race experience.

It was against this backdrop that the three races met and mingled along the western shore of Narragansett Bay. Long before the end of the eighteenth century, miscegenation had become a problem for New England settlers, who, if they had no clear idea of the nature of Africans, had even less understanding of the nature of the growing number of mulattos. Unlike blacks, who might be of African, Caribbean, or American birth, mulattos were usually born in the New World and were, therefore, not only racially distinct from Africans and Europeans but culturally distinct as well. The New England colonies recognized them as a separate group. Massachusetts made the first distinction between blacks and mulattos in 1693, Connecticut did so in 1704, and Rhode Island and New Hampshire followed in 1714. In addition to sexual relations between blacks and whites, Native Americans and blacks also came together and produced children. Greene believes the lowly status assigned both groups in white dominated New England served to erase any distinction between them, and, as they were common victims of oppression, they naturally drew together. In any event, along the eastern seaboard there was a mixing of Native Americans, whites, and blacks during the colonial era.

Rhett S. Jones, “Miscegenation and Acculturation in the Narragansett Country of Rhode Island, 1710-1790,” Trotter Review, Volume 3, Issue 1 (1989), 10. http://scholarworks.umb.edu/trotter_review/vol3/iss1/4/.

Lecture by Nayland Blake

Posted in Arts, Media Archive, United States, Videos on 2013-09-22 02:37Z by Steven

Lecture by Nayland Blake

California College of the Arts
Timken Lecture Hall, San Francisco Campus
Graduate Studies Lectue Series
2012-11-27, 19:00 PST

Nayland Blake’s mixed-media work in sculpture and installation has been variously described as disturbing, provocative, elusive, tormented, sinister, hysterical, brutal, and tender. Often incorporating themes of masochism, it also manifests two other major threads: his biracial heritage and what he calls his pansexuality.

Blake was included in the 1991 Whitney Biennial and the controversial Black Male: Representations of Masculinity in Contemporary American Art exhibition at the Whitney Museum of American Art in 1994. His work is in the collections of SFMOMA, the Whitney Museum, and the Walker Art Center in Minneapolis. He chairs the International Photography Center —Bard MFA program, and he lives and works in Brooklyn.

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Faculty-Alumnus David Huffman’s “Out of Bounds” at SFAC Gallery a “SHIFT” Toward Dialogue About Race in America

Posted in Articles, Arts, Media Archive, United States on 2013-09-22 02:34Z by Steven

Faculty-Alumnus David Huffman’s “Out of Bounds” at SFAC Gallery a “SHIFT” Toward Dialogue About Race in America

California College of the Arts
Featured News
2011-09-14

Jim Norrena

Alumnus David Huffman (MFA 1998), who is a recently tenured assistant professor in CCA’s undergraduate Painting/Drawing Program and Graduate Program in Fine Arts, is one of three featured artists in the current group exhibition SHIFT: Three Projects Constructing a New Dialogue About Race in America at the San Francisco Arts Commission Gallery (through December 10, 2011).

Shifting Demographics, Shifting Races

SHIFT is described as an exhibition that “pushes the public to think about our changing demographics and what role race plays in our post-millennial American circumstance.” Also featured are Bay Area artists Elizabeth Axtman [The Love Renegade #308: I Love You Keith Bardwell (Phase 1)] and Travis Somerville (Places I’ve Never Been), yet it is Huffman’s Out of Bounds, his first multimedia exhibition, that is positioned in the Main Gallery at 401 Van Ness Avenue.

“Diversity can be viewed as a social activism of inclusion,” says Huffman, who is mixed race, “to include various groups of people who are normally rejected by prejudice, regardless of their capabilities. Out of Bounds includes works that examine various perspectives — some of which might normally be rejected because of their racial affiliation. I think that diversity is also about broadening the spectrum of possibilities from a variety of capable peoples and ideas.”…

Read the entire article here.

Tags: California College of the Arts, David Huffman, Jim Norrena

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Lecture by Nayland Blake

Faculty-Alumnus David Huffman’s “Out of Bounds” at SFAC Gallery a “SHIFT” Toward Dialogue About Race in America

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