Mixed Race Studies

It may be strange, but sometimes I’m embarrassed for not having remarkable stories of racism in my life. As much as I insist on reaffirming my black roots, people always think the opposite. It’s very uncomfortable and it is as terrible as the most pure prejudice. From the moment I became known to the general public, the situation became even more evident. I’m used to being stopped in the streets by people who find it strange the fact that my skin is light, my features are aquiline and my hair straight. They ask why I insist on saying that I am black being “so cute”. It’s absurd. It’s as violent as if I was barred from a restaurant or a hotel because of my color. I am very like my mother, the former model Vera Lúcia Manhães, who has my color. My father, Antônio Pitanga, is black. There were times when I was very saddened by this attitude, but today I face this more naturally. I don’t care, for example, the comments that I heard after being on cover of Raça Brasil (magazine). Some fans wrote and said that they did not understand the fact of me being interviewed by a publication directed toward blacks. I repeat: I’m black.

Marques Travae, “Camila Pitanga on people questioning her blackness: “It’s as violent as if I was barred from a restaurant or a hotel because of my color.”,” Black Brazil Today, February 11, 2012. https://blackbraziltoday.com/camila-pitanga-on-people-questioning-her-blackness/.

Camila Pitanga on people questioning her blackness: “It’s as violent as if I was barred from a restaurant or a hotel because of my color.”

Black Brazil Today
2012-02-11

Marques Travae

Having captured the hearts of millions of Brazilians with her portrayals of several memorable characters in Brazil’s ever popular novelas, Camila Pitanga has earned her wings as a top actress and one of the most visible black actresses on the air. Her success is the fruit of hard work, an early start (appearing in the film Quilombo at age 6 in 1984) and having a famous father couldn’t have hurt (father Antônio Pitanga is a long-time actor). Of her role as Rose, an ex-domestic in the novela, Cama de Gato, Pitanga says: “I identify myself with Rose because she is a fighter and I have this reference in my family. My father is a man of humble origins from Bahia, he was a mailman and it was the arts that created his identity. Rose will not become an artist but she has a dignity that I identify with.”…

Read the entire interview here.

Sensual Not Beautiful: The Mulata as Erotic Spectacle

ReVista: Harvard Review of Latin America
Spring 2017 (Black is Beautiful)

Jasmine Mitchell, Assistant Professor of American Studies and Media Studies
State University of New York, Old Westbury

The iconic mulata female body is portrayed in Brazil as glistening brown. Photo courtesy of Jasmine Mitchell.

While white actresses and models still dominate beauty and fashion magazines in Brazil, on my last few visits to Brazil, I’ve noticed that actresses of African descent such as Camila Pitanga and Taís Araújo have also graced the covers. Since 2009, both actresses have also starred in telenovelas. Miss Brazil 2016 is the first black winner since Deise Nunes’s crowning in 1986. The 2016 competition had the largest number of black candidates in its history. The dominant conceptualizations of beauty in Brazil are shifting. Erika Moura, the Mulata Globeleza of 2017, did not appear as a bodypainted nude Rio de Janeiro samba dancer, but instead performed in various costumes and dance styles representing a breadth of Brazilian regional cultures.

It’s certainly not been this way for very long. In 2001, on my first trip to Brazil, I yearned to find a refuge, a place where my background as a mixed-race black woman from the United States was neither exotic nor fetishized. Relying on Brazil’s reputed celebration of racial mixing, I believed that it would become my racial paradise in which brown was beautiful and I would find a resistance to the exclusivity of white U.S. beauty norms.

Instead, I became familiar with a Brazilian saying, “Branca para casar, mulata para fornicar, negra para trabalhar (white women for marriage, mulata women for sex, black women for work).”…

Read the entire article here.