Mixed Race Studies

The Beiging of America, Personal Narratives about Being Mixed Race in the Twenty-First Century

2Leaf Press
June 2017
eBook ISBN: 978-1-940939-55-1

Edited by:

Cathy J. Schlund-Vials, Professor of English and Asian and Asian American Studies
University of Connecticut

Sean Frederick Forbes, Poet and Professor

Tara Betts, Author and Professor

The Beiging of America, Personal Narratives about Being Mixed Race in the Twenty-First Century, takes on “race matters” and considers them through the firsthand accounts of mixed race people in the United States. Edited by mixed race scholars Cathy J. Schlund-Vials, Sean Frederick Forbes and Tara Betts, this collection consists of 39 poets, writers, teachers, professors, artists and activists, whose personal narratives articulate the complexities of interracial life. Discrimination, instilling pride in family settings, sorting out the terms and names that people call themselves and their relatives, tackling colorism within communities of color, and childhood recollections fill these pages with compelling stories that speak to lived experiences, mapping a new ethnic terrain that transcends racial and cultural division.The Beiging of America was prompted by cultural critic/scholar Hua Hsu, who contemplated the changing face and race of U.S. demographics in his 2009 The Atlantic article provocatively titled “The End of White America.” In it, Hsu acknowledged “steadily ascending rates of interracial marriage” that undergirded assertions about the “beiging of America.”

As one flips through the pages of The Beiging of America, one discovers contributors’ shared exasperation with the inevitable and preposterous question – “What are you?” – simply because they do not fit neatly into any one racial category. This in itself is a reflection of how the black-white paradigm in America continues to obfuscate and distort rigid constructs and systemic racism, reminding readers that race – even in a post-racial imaginary – still matters. The Beiging of America is an absorbing and thought-provoking collection of stories that explore racial identity, alienation, with people often forced to choose between races and cultures in their search for self-identity. While underscoring the complexity of the mixed race experience, these unadorned voices offer a genuine, poignant, enlightening and empowering message to all readers.

What Does my Body Mean?

Mixed Roots Stories
2016-03-30

Carly Bates

Carly Bates (Photo by: Bethany Brown)

As a student of jazz at my university, I often occupy white male dominated spaces. I am the only woman of color (a black/white biracial woman) in a jazz history class, “Jazz Musicians as Composers,” a course that explores the gray areas of jazz as a concert music. Sometimes, I wonder if I can give myself permission to be a woman of color in this space. In a discussion surrounding the “Freedom Now Suite,” Max Roach’s response to the Greensboro sit ins, I have 75 minutes to say something—anything— so that my professor doesn’t think that I’m “just a shy student.” Rather, I negotiate with myself for 75 minutes what I am allowed to say, how what I say is a reflection of the body I occupy. Pressure mounts as someone questions the rigidity of jazz as a “black” art form. Pressure mounts as students discuss the auto-exoticism of African-American jazz musicians. Pressure mounts as the professor asks if anyone has ever felt that they had to represent a group of people, to act as a monolith. I scream silently: “Yes, every time I enter your class. Every time, for 75 minutes, I measure the amount of voice and the amount of blackness that I allow myself to have.”

What does my body mean here?…

Read the entire article here.