Mixed Race Studies

In 1932, under the supervision of Harvard physical anthropologist Earnest Hooton, [Caroline Bond] Day published her Radcliffe master’s thesis, A Study of Some Negro-White Families in the United States. It showed that the mixture of African Americans and Whites simply yielded children with some characteristics of each race, who were entirely normal. In fact, Day observed, these offspring were often middle-class and lived lives that were very like those of middle-class White people, although in U.S. culture they were regarded as African American. As an outsider within her field, Day adapted the methods of anthropology to her own uses.

Anastasia C. Curwood, “Caroline Bond Day (1889–1948): A Black Woman Outsider Within Physical Anthropology,” Transforming Anthropology, Volume 20, Issue 1, (April 2012): 79.

Caroline Bond Day (1889–1948): A Black Woman Outsider Within Physical Anthropology

Transforming Anthropology
Volume 20, Issue 1, April 2012
pages 79–89
DOI: 10.1111/j.1548-7466.2011.01145.x

Anastasia C. Curwood, Visiting Fellow
James Weldon Johnson Institute for Race and Difference
Emory University, Atlanta, Georgia

This article examines the significance of Caroline Bond Day’s vindicationist anthropological work on mixed-race families early in the 20th century. Day used the techniques of physical anthropology to demonstrate that mixed-race African Americans were in no way inherently deformed or inferior. Using Day’s published work and unpublished correspondence, I show that her study was noteworthy for two reasons. First, unlike most other anthropologists of her time, but presaging later scholars, she studied her own family and social world, a perspective that both gave her unique data unavailable to others and removed barriers between herself and her subjects. Second, as a mixed-race African American woman, she found herself not only fighting preconceptions about the racial inferiority of African Americans but also serving as a liaison between her research subjects and mainstream, White-dominated physical anthropology. This article argues that Day’s importance as a scholar lies not only in her argument against racial inferiority but also in the outsider-within status that allowed her to make her case within academic anthropology in the early 20th century.

Read or purchase the article here.

‘Such fine families’: photography and race in the work of Caroline Bond Day

Visual Studies
Volume 21, Issue 2 (October 2006)
pages 106-132
DOI: 10.1080/14725860600944971

Heidi Ardizzone, Assistant Professor of American Studies
University of Notre Dame

This article examines a collection of family photographs published in an unusual 1932 anthropological study of ‘Negro-White families’. In the 1920s Caroline Bond Day, a woman of mixed ancestry herself, gathered family histories and photographs of over 300 ‘Negro-White families’ for her graduate work at Harvard University under eugenicist Ernest Hooton. Day’s subjects, recruited from her circles of friends and acquaintances, shared her goals of African American equality and uplift but were often suspicious of her chosen field. Anthropology has often been referred to as the handmaiden of colonialism and racism, and physical anthropology in the late nineteenth and early twentieth centuries was not generally supportive of African American civil rights movements prior to World War II. Nevertheless, about 350 families submitted family histories and photographs and filled out surveys. Some also allowed themselves to be measured with calipers. The published study included over four hundred photographs, which collectively provide a visual mediation between Day’s political goals, her exclusive focus on mixed-race families and her use of physical anthropology and blood-quantum language. Day’s work remains controversial, but continues to be used by scholars, activists and artists in part because of its unique focus and methods.

Read or purchase the article here.

An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New

New York University Press
2004-02-01
675 pages
Cloth ISBN: 9780814781432
Paperback ISBN: 9780814781449

Edited by

Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies
Harvard University

A white knight meets his half-black half-brother in battle. A black hero marries a white woman. A slave mother kills her child by a rapist-master. A white-looking person of partly African ancestry passes for white. A master and a slave change places for a single night. An interracial marriage turns sour. The birth of a child brings a crisis. Such are some of the story lines to be found within the pages of An Anthology of Interracial Literature.

This is the first anthology to explore the literary theme of black-white encounters, of love and family stories that cross—or are crossed by—what came to be considered racial boundaries. The anthology extends from Cleobolus’ ancient Greek riddle to tormented encounters in the modern United States, visiting along the way a German medieval chivalric romance, excerpts from Arabian Nights and Italian Renaissance novellas, scenes and plays from Spain, Denmark, England, and the United States, as well as essays, autobiographical sketches, and numerous poems. The authors of the selections include some of the great names of world literature interspersed with lesser-known writers. Themes of interracial love and family relations, passing, and the figure of the Mulatto are threaded through the volume.

An Anthology of Interracial Literature allows scholars, students, and general readers to grapple with the extraordinary diversity in world literature. As multi-racial identification becomes more widespread the ethnic and cultural roots of world literature takes on new meaning.

Contributors include: Hans Christian Andersen, Gwendolyn Brooks, Elizabeth Barrett Browning, Charles W. Chesnutt, Lydia Maria Child, Kate Chopin, Countee Cullen, Caroline Bond Day, Rita Dove, Alexandre Dumas, Olaudah Equiano, Langston Hughes, Victor Hugo, Charles Johnson, Adrienne Kennedy, Henry Wadsworth Longfellow, Guy de Maupassant, Claude McKay, Eugene O’Neill, Alexander Pushkin, and Jean Toomer.