Mixed Race Studies

Scholarly perspectives on the mixed race experience.

He [George Schuyler] was a man of contradictions. For someone so utterly unsentimental and sternly rational about race and blackness, he indulged his wife’s [Josephine Cogdell] strange neoessentialist belief in “hybrid vigor”—that is, her belief that their daughter’s racial fusion of black and white represented the birth of a new, superior race. With Schuyler’s help, his wife turned their only daughter into a social experiment, raising Philippa on a scientifically prepared diet of raw meat, unpasteurized milk, and castor oil, and keeping her in near isolation from other children. The child’s strange upbringing was both a raging success and a terrible failure. Philippa learned to read at two, became an accomplished pianist at four, and a composer by five. She was a child celebrity, a kind of black Shirley Temple with a high IQ who became the subject of scores of articles in publications such as Time, The New York Times, and The New Yorker, and was roundly hailed as a genius. There is a poignant moment in Kathryn Talalay’s biography of Philippa Schuyler, Composition in Black and White, when Philippa is thirteen and her parents finally show her the detailed scrapbook they’ve been keeping about her upbringing and career—notes and articles they’ve been keeping diligently over the years. Philippa, rather than being touched, was horrified to realize, with sudden clarity, all the ways she’d been her parents’ social experiment and “puppet.” In the years that followed, she grew increasingly disillusioned with America, her own blackness, and the musical career of her youth. Like a character out of Black No More, she eventually changed her name and began to pass as white—as an Iberian-American named Filipa Montera. She spent most of her adult life overseas, still playing music, but less seriously, and trying to find herself in various romantic affairs. She eventually tried to reinvent herself as an international journalist and children’s advocate, and in 1967 she died in a helicopter crash while attempting to evacuate war orphans out of Vietnam.

Danzy Senna, “George Schuyler: An Afrofuturist Before His Time,” The New York Review of Books, January 19, 2018. https://www.nybooks.com/daily/2018/01/19/george-schuyler-an-afrofuturist-before-his-time/.

Les Cenelles

Posted in Anthologies, Books, Louisiana, Media Archive, Poetry, United States on 2011-06-05 23:44Z by Steven

Les Cenelles

Centenary College of Louisiana Press / Editions Tintamarre
January 2003
208 pages
ISBN: 0-9723258-9-1

Armand Lanusse

The text is in French.

With few exceptions, the poets of Les Cenelles–the very first collection of poetry by Creoles of color–do not directly address their precarious situation in a South that was ever increasingly hostile to the racial caste to which they belonged. On the contrary, a naive reader might only discover the most pedestrian sorts of romantic subjects in these poems written by seventeen free men of color. However , why would Valcour B… refer to himself as an “unrecognized son of New Orleans?” What “cruel fate” might have forced P. Dalcour into exile? What is the source of the regret, the preoccupation with departure and the fear of betrayal that seeps from every line of these works?

However gifted and diligent they might have been, free people of color were forced to live within the constraints of their fate as second class citizens. May the modern reader delve into these “modest Cenelles” conscience of the troubling context that underpins their creation. Without this awareness, the profound depths of their melancholy spirit will escape him completely.

Tags: Armand Lanusse, Centenary College of Louisiana Press, Louisiana, Tintamarre

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Les Cenelles

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