Within the context of the panel, the paradox refers to the “in-between” space in which mixed-race people find themselves, neither here nor there. Our faces occupy visual markers in society. On-lookers file faces into categories in unconscious, routine assessment. In that instant they assign identities to people that can usher in a whole set of assumptions. Yet the way someone looks—at face value—isn’t necessarily who they may be. “Paradoxical space” was first coined by feminist geologist Gillian Rose nearly a quarter of a century ago. Today, in both Canada and the US, the first wave of self-identified mixed-race adults has come of age and with it, artists seeking to find a foothold. The hope for tomorrow is that this generation’s children will navigate ethnically mixed milieus effortlessly, and migrate the discourse to new horizons.
Heidi McKenzie, “Paradox: Identity and Belonging,” Ceramics Monthly, March 2017. http://ceramicartsdaily.org/ceramics-monthly/article/paradox-identity-belonging/.