Mixed Race Studies

‘When I Was White’: At 27, Sarah Valentine found out her biological father was black. A chat about her new memoir.

The Chicago Tribune
2019-10-29

Alexis Burling, Writer. Book Critic. Editor.

Sarah Valentine, author of “When I Was White,” was unaware until she was 27 that her biological father was African American. She discusses how this affected her life. (Marcello Rostagni / HANDOUT)

When Sarah Valentine was growing up in the mostly white, middle-class suburbs of Pittsburgh during the 1980s, she assumed her experience was just like that of her peers. She embraced the traditions of her Irish and Italian heritage, did well in sports and school, and hung out with her white friends at the mall. “I didn’t know much about race,” she writes of a childhood friendship with a girl who looked like her, “but I knew it existed; I thought some people were black, but most people were normal.”

But as Valentine came of age and became more conscious of her place in the world, something seemed a little off. For one, her skin was a darker shade than that of her family members. Her classmates called her “Slash,” the nickname of the mixed-race Guns N’ Roses guitarist. Her high school guidance counselor suggested she consider minority scholarships when applying for college.

Finally, when she was 27, after years of grappling with deep-rooted insecurities about feeling like an “other,” Valentine confronted her mother about her suspicions. What she found out was disturbing. According to her mother, Valentine was the product of a rape by an unknown black man. The revelation, she writes, meant that her entire upbringing had been “an insidious lie.”…

…Q: In the United States, we’re still learning how to talk about identities that fall outside of our traditional understandings of race. In your memoir, “When I Was White,” you describe yourself as mixed-race African American. Why that, specifically?

A: For me, mixed-race experience is part of black experience in this country. Race is often seen as binary, but mixed-race people fall between categories and can encompass multiple identities. Growing up, my family denied my being black and mixed race, so it’s important for me to reclaim those identities…

Read the entire interview here.

‘When I Was White’: Sarah Valentine’s memoir considers the meaning of racial identity

The Chicago Tribune
2019-08-14

Julia M. Klein

Sarah Valentine’s intriguing memoir, “When I Was White,” considers the meaning of racial identity. (St. Martin’s)

“For a long time,” Sarah Valentine writes, “I felt like a bundle of fragments, and I wanted to be whole. I wanted to be able to write a family history that answered all my questions and filled in all the blanks, but all I got were different versions of the past and an incomplete, unfulfilling present.”

This revelatory admission comes near the close of Valentine’s intriguing, if never entirely satisfying, memoir, “When I Was White.” But it could well have served as its opening — a warning to readers that neither a slick solution to the puzzle of racial identity nor a definitive unraveling of the specific mystery of Valentine’s origins would be forthcoming.

A former visiting assistant professor of creative writing at Northwestern University, Valentine grew up in Pittsburgh’s North Hills suburbs, the bright, athletic, dark-hued child of two white parents. To many observers, she was self-evidently of mixed racial heritage. But her family regarded her as simply their (white) daughter — so much so that when black classmates asked her out, her mother cautioned her against “interracial” dating…

Read the entire review here.

What do Meghan Markle and Chicago woman who wrote ‘Passing’ have in common?

The Chicago Tribune
2018-02-23

Christopher Borrelli

Nella Larsen, author of “Passing.” (Carl Van Vechten)

Nella Larsen was a mystery in life, and a mystery after her death in 1964. According to biographers, when she died her half sister inherited the $35,000 that remained in Larsen’s savings, then said she didn’t know she had a half sister.

Which wasn’t true.

Yet, in many ways, it’s the response you expect.

Nella Larsen was born Nellie Walker in 1891, in Chicago.

Or Nella Larsen was born Nella Larsen, 1892, in Chicago.

Or Nella Larsen was born Nellye Larson, 1893, in Chicago.

Biographers have run across a few possibilities, and the agreed-upon details are this: Nella Larsen was born in 1891, in Chicago, as Nellie Walker. Larsen fudged her vitals on occasion, depending on who was asking and what form she was completing. She lived her life at times with a sort of concentrated vagueness — “in the shadows,” wrote George Hutchinson, one of her biographers. Just as her career was taking off, she broke ties with her closest friends, and she spent her last three decades working as a nurse, living in a relative, self-imposed anonymity. Which sounds melodramatic, yet Larsen — who had been a major star of the Harlem Renaissance after leaving Chicago (but never quite cast aside the rejection that she felt here) — lived a life that could fuel melodramas.

As it happens, she left great ones, slim novels that amount to 250 pages, combined. Indeed, “Quicksand” (1928) and “Passing” (1929) constitute most of her published work. Yet both are portraits of Chicago women who, like Larsen, navigated the blurriest of racial lines in the early 20th century, having been born to one black parent and one white parent. Both novels are about women who “passed” — that is, they presented themselves, day to day, as white. Her biographers say it’s unlikely Larsen herself did this, yet her protagonists are haunted by identity, frozen out by the black bourgeois, not at ease in white society, torn by the task of self-identifying in a binary-minded country…

Read the entire article here.

Lucy Parsons bio reveals new facts about the birth, ethnicity of the ‘Goddess of Anarchy’

The Chicago Tribune
2017-11-15

Mark Jacob, Metro Editor

A new biography of Lucy Parsons reveals new facts about her life. Photo courtesy of the Lucy Parsons Project/Justice Design (/ LUCY PARSONS PROJECT)

Lucy Parsons, an anarchist firebrand who was one of the most enigmatic Chicagoans ever, might fit in better today than she did during her own time a century ago.

She was a black woman married to a white man. Scandalous then, no big thing now…

She favored an eight-hour workday and a social safety net, positions that made her a radical in the late 1800s but would qualify her for Congress today.

And Parsons had another trait of today’s politicians: She was a merchant of misinformation.

“Goddess of Anarchy: The Life and Times of Lucy Parsons, American Radical” is an important new biography by University of Texas historian Jacqueline Jones that fact-checks Parsons’ made-up details about her own background, correcting errors existing in virtually every biographical sketch ever written about this amazing woman…

Read the entire article here.

‘I tried to be what white people valued’ — a searing memoir of growing up biracial

The Chicago Tribune
2017-11-10

Heidi Stevens, Contact Reporter

Julie Lythcott-Haims’ “Real American: A Memoir” tells her story of growing up with an African-American father and a white British mother in the 1970s and early ’80s in New York, Wisconsin and Virginia. (Julie Lythcott-Haims photo by Kristina Vetter)

Julie Lythcott-Haims has written a deeply affecting memoir about growing up biracial.

It’s poetic and candid, and it dives into discussions we really ought to be having about race in America — past, present and future.

“Real American: A Memoir” (Henry Holt) tells Lythcott-Haims’ story of growing up with an African-American father and a white British mother in the 1970s and early ’80s in New York, Wisconsin and Virginia. It’s a series of essays that read like individual poems — some brief, some ballads — that work together to narrate her life.

One goes like this:…

Read the entire article here.

‘Thomas Jefferson Dreams of Sally Hemings’ reimagines difficult history

The Chicago Tribune
2016-07-23

Meredith Maran

“Until the lions have their own historians,” says an African proverb, “the history of the hunt will always glorify the hunter.” The proverb offers one answer to a question that has long plagued writers, activists and historians. Who gets to tell the stories of those who have been denied the right to tell their own?

Given that heterosexual white men still get the, um, lion’s share of book contracts, should straight people write books about the gay rights movement? Should men write about the struggle for women’s equality? And — as with Harriet Beecher Stowe’s “Uncle Tom’s Cabin,” Mark Twain’s “Adventures of Huckleberry Finn,” William Styron’s Pulitzer-winning “Confessions of Nat Turner” and now Stephen O’Connor’s “Thomas Jefferson Dreams of Sally Hemings” —should a white person write a book whose central dilemma is slavery?

“Anyone has the right to write about any subject available to be written about,” historian Henry Louis Gates Jr. has said. But the white person who writes a 624-page novel about the 37-year love affair between a white slave owner — who happens to be the third president of the United States and author of the phrase “All men are created equal” — and a mixed-race slave — whom he happens to own and who happens to give birth to six of his children — had better have the politics, the courage and, most importantly, the storytelling skills to get it right.

Fortunately, O’Connor manifests an abundance of these qualities in “Thomas Jefferson Dreams of Sally Hemings,” his debut novel. Ambitious doesn’t begin to describe the scope of the project O’Connor undertook. And successful doesn’t begin to describe the wildly imaginative techniques he used to realize his authorial goal, which is clearly to humanize — equalize, you might say — the two members of this passionate, conflicted couple: the lionized, hypocritical Jefferson, who railed against slavery while owning slaves, and the powerful yet complicit Hemings, who loved and loathed her owner…

Read the entire review here.

Multiracial kids will soon have a more colorful toy set for pretend play

The Chicago Tribune
2015-09-23

Sadé Carpenter

The MyFamilyBuilders toy set includes 48 magnetic wooden pieces that snap together. (MyFamilyBuilders)

When Ez Karpf went shopping for a gift for his friends’ children, he thought it would be easy to find a toy set that represented their multiracial family. In the U.S. — Karpf is from Argentina — there are products for everyone, or so he thought.

He quickly realized the store aisles were not overflowing with the toys he hoped to buy. He noticed not only a lack of racial diversity, but also the absence of toys portraying same-sex parents and single-parent households.

“A lot of kids are not reflected in today’s toys; a lot of families are not reflected in today’s toys,” Karpf said. “It’s much easier to learn not to be biased about differences than to unlearn that.”…

…A product developer/designer, Karpf assembled a group that included an education specialist, child psychologist, illustrator and tech entrepreneur to address the lack of diversity in toys. Together, they created MyFamilyBuilders.

“When kids don’t see themselves reflected in toys they play with every day, basically this is like having no mirror of themselves,” Karpf said.

The MyFamilyBuilders toy set includes 48 magnetic wooden block pieces children 3 and up can use to customize their playtime experience. It also includes 25 cards for five different games for children 5 and up. The goal is for parents to join the playing process and create teachable moments for their kids…

Read the entire article here.

Girl in need of bone marrow highlights shortage of mixed-race donors

The Chicago Tribune
2015-09-13

Vikki Ortiz Healy

When doctors told Michelle Trujillo in July that her 6-year-old daughter would need a bone marrow transplant to save her life, the Crystal Lake mother didn’t want to wait another minute before getting her only child back to health.

But months later, Sophia — who has aplastic anemia, a rare disorder that impairs her immunity — is still waiting for a donor match. Meanwhile, Trujillo says she lies in bed at night making mental lists of places to try to find a donor with similar multiracial heritage to her daughter’s — a group with a strikingly low match rate.

“I don’t sleep at night. I think of, ‘What can I do now? Who can I contact now?’ ” said Trujillo, whose daughter is half Filipino, as well as Irish, Spanish and Italian. “One match is all we need, but it’s like a needle in a haystack.”

The Trujillos’ predicament highlights a nationwide paradox that has troubled medical experts and families awaiting transplants for years: despite the ever-growing diversity in the United States, there are not enough minority and multiracial donors registered and available for patients in need…

Read the entire article here.

Suit filed over mix-up at Downers Grove sperm bank is dismissed

The Chicago Tribune
2015-09-03

Clifford Ward

A judge Thursday dismissed a lawsuit filed by an Ohio woman against a west suburban sperm bank whose clerical error resulted in the birth of her mixed-race daughter.

DuPage County Judge Ronald Sutter tossed the suit after lawyers for Midwest Sperm Bank argued that the woman’s claims lacked legal merit. But the judge said Jennifer Cramblett of Uniontown, Ohio, could refile her lawsuit under a negligence claim.

Cramblett, who did not attend Thursday’s hearing, filed suit last year against the Downers Grove-based sperm bank alleging wrongful birth and breach of warranty following the birth of her daughter, who is of African-American ancestry.

Cramblett and her same-sex partner purchased sperm with the understanding that it was from a Caucasian donor, but later discovered that the sperm bank had sent material from an African-American donor. The mistake was caused by a clerical error, and the bank later issued an apology and a partial refund…

Read the entire article here.

Chicago’s Jazz Age still lives in Archibald Motley’s art

The Chicago Tribune
2015-03-20

Howard Reich

Where does Chicago’s Jazz Age still live? In the paintings of Archibald Motley, on view in a new exhibition

Trumpets blared, saxophones thundered, singers belted and dancers swayed from nighttime to past sunup.

Walk along “the Stroll” — a very hot stretch of State Street from 31st to 35th streets — and you could hear and feel the music without so much as stepping inside any of the clubs, saloons, cafes, cabarets, theaters and whatnot. Nearby boulevards shook with the music, as well, for no place on Earth swung harder than the South Side of Chicago during the Jazz Age.

Roughly speaking, the epoch when Jelly Roll Morton, Louis Armstrong, Earl Hines, Joe “King” Oliver and other jazz immortals lit up Chicago began in 1910, when Morton arrived from New Orleans, and extended into the 1950s.

Few of us around today were there in the Roaring ’20s heyday, but we’re fortunate that Archibald John Motley Jr. walked “the Stroll,” heard the music, ogled the dancers, treasured the proceedings and captured the scene for all time — on canvas. That glorious fact radiates from every corner of a newly opened exhibition at the Chicago Cultural Center, “Archibald Motley: Jazz Age Modernist” (curated by Richard J. Powell and running through Aug. 31)…

…And though the subject is music, the theme surely is the meaning of race.

“In all my paintings where you see a group of people you’ll notice that they’re all a little different color,” Motley once said in an oral history interview. “They’re not all the same color, they’re not all black, they’re not as they used to say years ago, high yellow, they’re not all brown. I try to give each of them character as individuals.”

That respect for humanity issues from all of Motley’s jazz paintings and, of course, from the music itself. Like the range of complexions in Motley’s work, jazz emerged at the turn of the previous century as a heady mix of African-American and Creole cultures in New Orleans, these societies rubbing up against one another in church, in street parades and in the city’s Storyville vice district. The shuttering of that collection of brothels and other nightspots in 1917 drove Crescent City musicians north to Chicago, where Motley — who similarly was born in New Orleans and came to Chicago in his youth — was ready to see and hear them…

Read the entire article here.