Mixed Race Studies

Black, White, Light, and Bright: A Narrative of Creole Color

Past Narratives/Narratives Past Graduate Conference
Stanford University, Stanford, California
2001-02-16 through 2001-02-18
20 pages

Christopher N. Matthews, Associate Professor of Anthropology
Hofstra University

Much of the world of life is made real through the symbolic application of color, shade, hue, and other features of visual meaning to the physical matter around us. This interplay of light and dark gives shape to form and place to space. This same mode also works discursively allowing forms and spaces to be recognized not only physically but culturally as representations of the social construction of reality. This paper explores this issue by seeing color both in fact and symbol in the development of the Creole cultures of New Orleans. A city steeped in multiple traditions, New Orleans is a spectrum of colors which act out the tensions of past and present. At the root is a conflict between that which is Creole and that which is not. The archaeology here is a story about this story.

Race cannot allow ambiguity, fluidity, or mixture, for it then ceases to refer to something pure, something distinct. The absolute strength of mestizaje is the power it has—by its even being able to be thought—of dissolving race and everything associated with it, ultimately dissolving even itself.

Rainier Spencer, Race and Mixed-Race: A Personal Tour

Introduction: race and color

The discussion of color is simultaneously at the heart of American historical archaeology and left out altogether. Without doubt archaeologies of race and racism, of cultures of alterity framed by these social issues, and the relatively new yet established sub-field of African-American Archaeology are a center of concern and productivity for the field. It goes without saying that these archaeologies are concerned with exploring the dimensions of social life driven by color and the implied social and cultural differences that existed among past people. It is also agreed that because color continues to elicit deep social significance in contemporary society that the search through archaeology for its constructions and expressions carries some extra special resonance for archaeology today.

I contend, however, that historical archaeologists have yet to reveal the depth of meaning behind color differences that their subjects, collaborators, colleagues, institutions, and living social formations represent, struggle with and against, and perhaps too quickly assume. The historical archaeology of race and racism in particular has yet to explicitly consider how race becomes identity, choosing instead to employ racial identities as givens and produce archaeologies of their expression rather than their construction. To work against this, we must not produce archaeologies about race which assume its existence, but archaeologies that explain the material of racing and the materialities of racism (see also Orser 1998, Mullins 1999, Epperson 1999, Matthews et al n.d.)…

…Culture to Race

During this era of Creolization, however, the undoing of Louisiana’s Creole culture was literally born. Issued from the union of natives, settlers, and slaves, “mixedrace” children were regularly born in New Orleans after 1730. Their numbers were not large and to be sure they were not always planned, chosen, nor welcome. Nevertheless, throughout the 18th century their population grew with each decade (Hanger 1997, Bell 1997). A growing population, however, was not their problem. Rather, new influences emerged in Louisiana towards the end of the century that challenged the Creole tradition by redefining Creole in the terms of race….

Read the entire paper here.