Daniel Lind Ramos and the Visual Politics of Race in Puerto Rican ArtPosted in Anthropology, Articles, Caribbean/Latin America, History, Media Archive, United States on 2016-02-01 00:39Z by Steven |
Daniel Lind Ramos and the Visual Politics of Race in Puerto Rican Art
Theory and Critique of Art in the Caribbean
2015-11-11
Fabienne Viala, Associate Professor; Director of the Year Abroad; Director of the Yesu Persaud Centre for Caribbean Studies
School of Modern Languages and Cultures
University of Warwick, Coventry, United Kingdom
This article discusses the work of the painter and installation artist Daniel Lind-Ramos. The Puerto Rican artist explores the complex relationships that exist between historical memory, national identity and racial identities in Puerto Rico; more specifically, he shows the taboos that weigh on African cultural heritage in the Estado Asociado Libre, through a style of painting that is always symbolic, sometimes allegorical and containing “keys” that bring the political and the metaphysical into a dialogue on canvas and in space. For Lind-Ramos, art is the expression of an Afro-Puerto Rican hyper-consciousness that claims the right to redefine the codes of representation and visual perception of a Caribbean socio-political reality that addresses its colonial status.
Read the entire article here.