Mixed Race Studies

A Biography Of E. Azalia Smith Hackley (1867-1922), African-american Singer And Social Activist

Edwin Mellen Press
2001
436 pages
ISBN: 978-0-7734-7575-5

Lisa Pertillar Brevard, Core Faculty and Academic Coordinator of Humanities
Walden University

Madame E. Azalia Hackley was an African American classical singer, social worker, writer, philanthropist, and activist who championed the use of African-American spirituals among the African-American people as a tool for social change. Her efforts laid the groundwork for the use of spirituals as freedom songs during the Civil Rights Movement. This work used newspaper accounts and archive studies documenting Madame Hackley’s tours cross-country and abroad to raise funds for African-American classical musicians. It show Hackley’s intense devotion to her African-American roots, as she easily could have passed for white. Nevertheless, she traveled throughout the South in ‘Jim Crow’ railway cars by choice. This work also recovers several of her influential published works, including A Guide to Voice Culture (1909); The Colored Girl Beautiful (1916), an etiquette book for African-American women desiring professional jobs; and “Hints to Young Colored Artists”, a series of articles designed to help young African-American classical musicians succeed. Includes illustrations.

Table of Contents

• Foreword by Richard A. Long
• Introduction
• Part I: Madame Emma Azalia Smith Hackley: The Lady and Her Legacy
  • 1. Azalia’s Early Years (1867-1894)
  • 2. Denver (1894-1900)
  • 3. Philadelphia and The Washington Conservatory of Music (1900-1915)
  • 4. Jim Crow Cars and Beyond – Paris, London, Tokyo (1916-1920)
  • 5. Madame Hackley’s Last Days (1920-1922)
• Part II: The Soul and Grit of a Colored Prima Donna: Madame E. Azalia Hackley as Journalist
  • “Hints to Young Colored Artists” (1914-15) by E. Azalia Hackley
• Part III: Lessons Before Dying: Madame Hackley’s The Colored Girl Beautiful
• Part IV: A Scrapbook of Madame E. Azalia Hackley
  • Photographs
  • “Report on Scholarship for 1908” by E. Azalia Hackley
  • Correspondence Between E. Azalia Hackley and James Weldon Johnson
  • Advertisements
  • The New York Age Salutes Madame Hackley (Obituary by Lucien H. White, 1922)
• Chronology
• Appendix: A Guide in Voice Culture (1909) by E. Azalia Hackley
• Sheet Music: “Carola, A Serenade” (1918) by E. Azalia Hackley
• Bibliography
• Index

Photograph by Julius Taylor

The Cry of Black Rage in African American Literature from Frederick Douglass to Richard Wright

Edwin Mellen Press
2013
176 pages
ISBN10: 0-7734-4077-1; ISBN13: 978-0-7734-4077-7

Steven Troy Moore, Assistant Professor of Language and Literature
Abilene Christian University, Abilene Texas

This book examines the contrasting experiences of black rage that is exhibited in the writings of male and female African American authors. It boldly captures the compelling theme of the white silence and the black rage that battled each other from the early days of slavery up to the pre-Civil Rights Movement. It exposes the birth of black rage and the African American experience through such writers as Frederick Douglass and Harriet Ann Jacobs. Next, it gives a painful glimpse into the complicated experience of the biracial in the post-Reconstruction era through the eyes of Charles Chesnutt and Nella Larsen. Finally, this study concludes with an astounding view of the modern state of black rage through the controversial writings of Richard Wright and Ann Petry. Currently, many studies present a one-dimensional analysis of black rage; however, this book provides a comprehensive examination of this phenomenon. From the viewpoint of African American authors, it traces the gender differences of black rage that span one hundred years and includes valuable insights from such brilliant scholars as bell hooks, Cornel West, Barbara Christian, Martha J. Cutter, Deborah E. McDowell, and James Baldwin.

Table of Contents

• Foreword by Maureen Honey
• Preface
• Acknowledgements
• “Get Over It”
• Chapter 1: Examining a Century of Silence and Rage in African American Literature, 1865-1946
  • Introduction
  • Literature Review
  • The Duality of Frederick Douglass and Harriet Ann Jacobs
  • The Biracial Worlds of Charles Chesnutt and Nella Larsen
  • Richard Wright’s Explosive Rage
• Chapter 2: Silent Trees: Personal Reflections on Silence and Rage
  • The Silence
  • Silence and Rage
  • Mark
  • Blackness: Silence and Identity
  • Words from bell hooks, Martin Luther King Jr., and Malcolm X
• Chapter 3: Witnessing the Birth of Black Rage in Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave (1845) and Harriet Ann Jacob’s Incidents in the Life of a Slave Girl (1861)
  • The Enduring Pain of Slavery
  • The Autobiographical Rage of Frederick Douglass
  • Impotent Rage
  • Black Female Rage in Jacob’s Incidents in the Life of a Slave Girl
  • The Slave Girl and the Sexual Predator
  • The Female Slave’s Alternative Retribution
  • Lasting Blow: The Lingering Influences of Slavery
• Chapter 4: The Phenomenon of Biracial Rage in Charles Chesnutt’s The House Behind the Cedars (1900) and Nella Larsen’s Quicksand (1928) and Passing (1929)
  • The Biracial Identity
  • The White Mask in The House Behind Cedars Chesnutt’s Biracial Female
  • Black Female Rage in Nella Larsen’s Quicksand A Place to Belong: Location and Helga’s Biracial Identity
  • The Biracial Female in Passing Differed Rage
• Chapter 5: Exploring the Explosive Urban Rage in Richard Wright’s Native Son (1940) and Ann Petry’s The Street (1946)
  • Brutal Clarity
  • “Like a Red-Hot Iron”: Bigger Thomas’s Burning Rage
  • The White Cat and the Black Rat
  • Native Son’s Perpetuating Rage
  • The Furious Hell of Ann Petry’s The Street
  • The White Heaven: Petry’s Contrasting Spaces
  • The White Ideal and the Black Other
  • Blackness and Claustrophobic Spaces
  • Explosive Black Female Rage
• Bibliography
• Index

Biography of American Author Jean Toomer, 1894-1967

Edwin Mellen Press
2002
248 pages
ISBN 10:  0-7734-7088-3; ISBN 13:  978-0-7734-7088-0

John Chandler Griffin, Distinguished Professor Emeritus
University of South Carolina, Lancaster

This comprehensive biography of writer Jean Toomer, known as the Herald of the Harlem Renaissance, uses previously untapped sources, including lengthy meetings with Toomer’s widow and associates. It examines his ancestors and early life, the publication of Cane in 1923, and then the strange events of his later life, including his association with Waldo Frank and his wife Margery Naumberg, through whom he would come to be involved with Georges Gurdjieff, an Armenian mystic. It examines his marriages, his involvement with Quakerism, his declining health (and subsequent involvement with psychic healers such as Edgar Cayce and Ron Hubbard). The volume includes an interview with Marjorie Content Toomer, his widow, and a Jean Toomer bibliography.

Table of Contents

• Foreword
• 1. The Racial Enigma of Jean Toomer
• 2. A Search for Identity
• 3. A Literary Breakthrough
• 4. Waldo Frank and the Publication of Cane
• 5. Toomer Meets Margaret Naumberg and Georges Gurdjieff
• 6. Toomer Becomes a Gurdjieffian
• 7. From Rags to Riches
• 8. A Life in Decline An Interview with Margery Content Toomer
• A Jean Toomer Bibliography
• Index

Race and Identity in Barack Obama’s Dreams from My Father: A Collection of Critical Essays

Edwin Mellen Press
June 2012
308 pages
ISBN10:  0-7734-1601-3; ISBN13: 978-0-7734-1601-7

Edited by:

Michael A. Zeitler, Associate Professor of English
Texas Southern University, Houston

Charlene T. Evans, Professor of English
Texas Southern University, Houston

This book examines significant aspects of President Barack Obama’s Dreams from My Father both in relation to the African American literary tradition and to the context of the relevant historical and cultural productions that inform it. The authors view the book a work of literature and compare it to other works by black authors such as Toni Morrison, Frederick Douglass, and Ralph Ellison among others. Some authors contest the idea that the book was written during a pre-political stage in President Obama’s life because it was released to coincide with his first political campaign in Chicago, Illinois in the mid-1990’s. For autobiographical reasons the book is important because it shows various aspects of President Obama’s upbringing, and put in his own words his experience of being black in America. There is also a discussion of why he chose the less Americanized Barack when he went into college, rather than the homogeneous, whitened name Barry, which was the name he preferred in grammar school (out of being teased by other children)—and how he chose this name precisely because it constructed his identity as antithetical to the dominant paradigms of whiteness that he had been confined to while growing up in Hawaii. One article even describes President Obama’s father being ostracized from Kenyan politics after a coup d’etat forced a leader out of power who he had publically supported, which lead the family to America. It also tells the story of a turgid paternal influence on the young Barack Obama, where caught in a vicious cycle of perpetually working for his father’s approval, he spiraled into low self-esteem, which may have fueled his political ambitions later in life (as overcompensation for a lack of fatherly approval).

Table of Contents

• Foreword / Molefi Kete Asantei
• Acknowledgements
• Introduction / Michael A. Zeitler
• A Knot to Bind Our Experiences Together: Storytelling in Barack Obama’s Dreams from My Father and Critical Race Theory / Erin Ponton Fiero
• No Apology for the Show: Performance and Oratorical Self-Creation in Obama, Douglass, and Ellison / Granville Ganter
• Slumming and Self-Making in Barack Obama’s Dreams from My Father / David Mastey
• In Search of My Father’s Garden: Kenya as the Focal Point for the Study of a New Kind of Narrative in African American Autobiography / Claire Joly
• An Image of Africa: Race and Identity in Barack Obama’s Rewriting of Conrad’s ‘Heart of Darkness’ / Michael Zeitler
• Obama, Ellison, and the Search for Identity / Rita Saylors
• Voices of His Mothers: Feminist Interventions and Identity in Barack Obama’s Dreams from My Father / Letizia Guglielmo
• Queer Coherence: Loss and Hybridity in Barack Obama’s Dreams from My Father / Patricia Harris Gillies
• The Search for Race and Masculine Identity in Barack Obama’s Dreams from My Father / Dolores Sisco
• Beyond Race: Racial Transcendence in Jean Toomer’s Cane and Barack Obama’s Dreams from My Father / Charlene T. Evans
• Glorious Burdens: A Lacanian Reading of Racial Passing, Inheritance, and Paternal Desire in Obama’s Dreams from My Father / Nicholas Powers

Africa in Mexico: A Repudiated Heritage/África en México: una herencia repudiada

Edwin Mellen Press
2007
140 pages
ISBN10: 0-7734-5216-8; ISBN13: 978-0-7734-5216-9

Marco Polo Hernández Cuevas, Asssociate Professor of Spanish
North Carolina Central University

This study explores the African presence in Mexico and the impact it has had on the development of Mexican national identity over the past centuries. By analyzing Mexican miscegenation from a perspective identified as mestizaje positivo (positive miscegenation) where an equality exists among all ethnic heritages are equal forming the glue that binds together the new ethnicity, it reveals that Mexico’s African heritage is alive and well. In the end, the author calls for further examinations into the damage caused to the majority of the Mexican population by a Eurocentric mentality that marks them as inferior.

The Africanization of Mexico from the Sixteenth Century to the Present

Edwin Mellen Press
2010
212 pages
ISBN10: 0-7734-3781-9; ISBN13: 978-0-7734-3781-4

Marco Polo Hernández Cuevas, Asssociate Professor of Spanish
North Carolina Central University

This work is an Afrocentric analysis that subscribes to the notion that there is one human race of multiple ethnicities. It acknowledges Mexico’s African, Amerindian (herein after called First Nations), Asian, and European ethnic heritages. Contrary to the African-disappearance-by-miscegenation-hypothesis-turned-ideology, it introduces the theory of the widespread Africanization of Mexico from the sixteenth century onward.

Table of Contents

Acknowledgements
Foreword by Álvaro Ochoa Serrano
Introduction
1. African National Names as Denigrating, Obscene and Scatological Language in Mexican Spanish
2. The Colors of Mexican Racism
3. The Africans and Afrodescendants who Constructed Veracruz and the Jarocho Ethos 1521-1778
4. The African Sahelo-Sudanic Belt in the Birth of Mexican Vaqueros and Vaquero Culture in the Veracruz Lowlands
5. Tracing the Afro-Mexican Path: 1813-1910
6. Mexican Food is Soul Food: A Medicine for National Amnesia
7. The Africanness of Mexican Traditional Medicine
8. Memín Pinguín, Hermelinda Linda and Andanzas de Aniceto: The Dark Side of “Light-Reading”
Conclusions
Bibliography
Index