Mixed Race Studies

Scholarly perspectives on the mixed race experience.

I was taken aback by her verbal slap and had a visceral reaction to it. I punctured the sudden pregnant pause in the room with an assertive, visibly annoyed and equally voluminous, “Yeah, that’s right.” I shot a glance at Gilbert’s brown-skinned daughter across the room, who was smiling an uncomfortable smile of embarrassment. I replied to her smile with a classic rolling of my eyes, which she appeared to enjoy and gestured to me that it was the appropriate response to the offensive remark. Though it was difficult, out of respect for my host, I succeeded in controlling my anger. But I was seething as I exited the room with the racial insult still stuck in my craw. Passing by the food table, I picked up a massive beef rib and moments later found myself absent-mindedly gnawing on it—sitting at a table under the canopy, chatting with my host, who was unaware that anything awkward had just occurred. After making customary small talk, I excused myself, wished Gilbert a happy birthday, and headed for the cultural comfort of my Brazilian friends, in whose multiracial culture of origin, or so they tell me, this incident would probably never have occurred—because most people in Brazil consider themselves mixed-race. As I crossed the street, still seeing only the ignorant woman’s face in my crosshairs, I muttered quietly to myself: “It never ends. It just never f— ends!”

This incident was just the most recent in a lifetime of similar disquieting experiences—actually, many lifetimes of such experiences—in the history of my family, always posing the same question: “Why? Why do they say these things to us?” This deeply personal and perennial question has in large part prompted my interest in the construction of ethnoracial identity within situational contexts. Why have so many of our African American neighbors routinely treated us with such disdain? This vexing question once inspired me to write the following poem entitled, Who Am I? during my early teenage years—circa 1963.

Samuel M. Lemon, “The construction of ethnoracial identity within situational contexts: A study of triracial family histories” (PhD diss., University of Pennsylvania, 2007, ProQuest AAT 3270863): 3-4. http://search.proquest.com/docview/304838296.

EXCLUSIVE: Afro-Latina Slam Poet, Elizabeth Acevedo, Debuts First Novel ‘Poet X’

Posted in Articles, Latino Studies, Literary/Artistic Criticism, Media Archive, United States, Women on 2018-03-20 01:51Z by Steven

EXCLUSIVE: Afro-Latina Slam Poet, Elizabeth Acevedo, Debuts First Novel ‘Poet X’

Latina
2018-03-05

Jenifer Calle, Politics and Culture Writer

@acevedowrites/Instagram

Elizabeth Acevedo has been empowering Afro-Latinas for years by bringing attention to the various experiences of women of color through her powerful words in poetry.

As a Latina, you might remember a certain poem or a book that changed your life, a verse so precise it gave you chills. Acevedo’s debut novel, Poet X, will do just that with its raw emotions that are universal to all young girls, wrapped up in beautiful lyrical verses.

Poet X is a Young Adult novel that follows the story of an unapologetic 15-year-old girl, Xiomara Batista, growing up in Harlem. As a Dominican-American teen stepping into adulthood she takes to her journal to deal with the emotions and frustrations she feels at home and at school. In this three-part novel, Xiomara struggles with her conservative mother, an absent father, her faith in God, her sexuality, and much more. Xiomara’s awakening through slam poetry helps her find her voice but her journey of self-discovery doesn’t come easy…

Read the entire article here.

Tags: Elizabeth Acevedo, Harlem, Jenifer Calle, Latina, New York, New York City

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The Poet X

Posted in Books, Latino Studies, Media Archive, Novels, United States on 2018-03-10 02:32Z by Steven

The Poet X

HarperTeen
2018-03-06
368 pages
Hardcover ISBN: 9780062662804
E-book ISBN: 9780062662828

Elizabeth Acevedo

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing #ownvoices novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

Tags: Elizabeth Acevedo, HarperTeen

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Mixed Race Studies

EXCLUSIVE: Afro-Latina Slam Poet, Elizabeth Acevedo, Debuts First Novel ‘Poet X’

The Poet X

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