Mixed Race Studies

Emory professor translates 1922 novel about racial identity

Emory News Center
Emory University
Atlanta, Georgia
2017-10-12

April Hunt, Communications Manager

In “The Blue Stain,” a man viewed as white in Europe struggles with identity after he comes to the U.S., where he is seen as black. Thanks to Peter Höyng, associate professor of German studies, the novel is now available in English.

Carletto is a man raised in privilege and wealth in Europe, where he is seen as white, if exotic. He struggles with the very question of identity after he loses his fortune and comes to the United States, where he is viewed as black.

What may sound like a contemporary debate about the complex questions of race and identity is actually the plot from the 1922 novel “The Blue Stain.”

Austrian author Hugo Bettauer’s novel might have been lost to the ages had Peter Höyng, an associate professor of German studies in Emory College, not stumbled across it in the Austrian National Library while doing scholarly research on the author in 2002.

He was struck that Carletto’s story starts, and ends, in Georgia. Along the way, it touches on the entrenched role that race has in American society, as seen by an outsider like Bettauer, a Jewish man from Austria.

Höyng became devoted to translating the story. His labor of love recently became the English-language version of “Blue Stain” — published with the subtitle, “A Novel of a Racial Outcast” —with him as editor and co-translator with Chauncey J. Mellor, a former colleague at the University of Tennessee, Knoxville.

“There is nothing else in German literature at the time that addresses racial issues in the United States, how racism worked not just in the South, but in New York and the North,” Höyng says. “The story itself, though, is a small but very effective way to discuss the deeply political ideas of standing up for equality and against injustice.”…

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‘Typical American Families’ photo exhibit to be unveiled at Emory

Emory News Center
Emory University, Atlanta, Georgia
2015-05-04

Kimber Williams

“Typical American Families” highlights the many configurations that family life can take in America. Photos in the exhibit will be unveiled at a public reception at the Center for Ethics on May 7. Photo by Ross Oscar Knight.

“Typical American Families,” a new photographic exhibit that explores a wider view of American families, will be unveiled Thursday, May 7, from 6:30-8:30 p.m. at the Emory Center for Ethics, 1531 Dickey Drive.

Conceived by Carlton Mackey, director of Emory’s Ethics and the Arts Program, the exhibit offers a photographic glimpse into the lives of 15 Atlanta-area families, celebrating “the vast landscape of manifestations of family” across spectrums of culture, faith and ability, Mackey says.

The event includes a public reception and formal unveiling of the exhibit. Guests will also have a chance to meet families that participated in the community project, which showcases the diversity of the American family through the lens of international photographer/photoculturalist Ross Oscar Knight, Mackey’s creative partner.

The families — who haven’t yet seen their photographs — will share stories and insights into how they bridge faith, culture and difference in Atlanta, Mackey says…

…”Typical American Families” was inspired by Mackey’s ongoing work on “Beautiful in Every Shade,” an empowerment campaign that celebrates the breadth and depth of beauty in every human being.

That campaign grew out of  “50 Shades of Black,” a multi-media art project launched by Mackey in 2013 — and funded in part by a grant from Emory’s Center for Creativity & Arts — that explores the intersection of skin tone and sexuality in the shaping of identity through images and personal narrative…

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