Black Faces, White Deeds: The Miracles of Ancient Ethiopian Saints in the Early Modern Catholic AtlanticPosted in History, Live Events, Media Archive, Papers/Presentations, Religion on 2012-11-25 00:19Z by Steven |
127th Annual Meeting of the American Historical Association
New Orleans, Louisiana
2013-01-03 through 2013-01-06
Thursday, 2013-01-03: 16:10 CST (Local Time)
Preservation Hall, Studio 3 (New Orleans Marriott)
From Session AHA Session 31: Saintly Translations: Stories about Saints across Time and Space, 2013-01-03: 15:30-17:30 CST (Local Time)
Erin Kathleen Rowe, Assistant Professor of History
Johns Hopkins University
In the mid-seventeenth century, a woman stood before the Inquisitiorial tribunal in Mexico City, accused of Judaizing practices and speaking disrespectfully of the saints. One witness claimed that the defendant had harsh words for one saint in particular, Benedict of Palermo: “How can a black man be a saint?” This striking question reveals the spiritual, cultural, and racial anxieties that could be provoked by black sanctity in the early modern Catholic world. While the Catholic Church actively promoted the cults of several saints purportedly of sub-Saharan African origin or descent in the sixteenth through the eighteenth centuries, their reception and veneration created a kind of spiritual ambiguity during a period of history when rapid globalization of Catholicism paralleled rapid intensification of racialization. My paper looks at the circulation of black saints throughout the early modern Catholic Atlantic; focusing on two case studies, the Ethiopian saints Ifigenia and Elesban, I examine the movement of devotion, miracles, and images throughout the larger Catholic world. Miracles attributed to these saints were very likely to be associated with a holy image, since there were no extant relics. Thus, the visible representation of their blackness stood as an ever-present aspect of their cults. Ifigenia and Elesban stood as patron saints of confraternities for black and mulatto populations throughout Latin America, while back in Europe their images appeared in Carmelite churches throughout Spain and Portugal for predominantly white audiences. Through close study of miracle stories, we can arrive at a fuller understanding of devotion to the saints throughout the Catholic world and the significance of their ethnicity and sanctity as they shifted locations and audiences, context and meaning.