Mixed Race Studies

Cosmopolitan or mongrel? Créolité, hybridity and ‘douglarisation’ in Trinidad

European Journal of Cultural Studies
Volume 2, Number 3 (September 1999)
pages 331-353
DOI: 10.1177/136754949900200303

Eve Stoddard, Dana Professor of Global Studies
St. Lawrence University, Canton, New York

Grant H. Cornwell, President
College of Wooster, Wooster, Ohio

The article examines a Trinidadian calypso and its reception as a case study to weigh the discourses of hybridity, creolisation, and a local variant, ‘douglarisation’. In cultural studies discourse, ‘creolisation’ is often used synonymously with hybridization. However, it is a different metaphor, with a different genealogy, and is much more grounded in specific histories and places, namely the New World sites of plantation slavery. In Trinidad, the pejorative term ‘dougla‘ sigmfies the offspring of a union between persons of African and Indian ancestry, while ‘douglarisation’ denotes the contested processes of Afro- and Indo-Trinidadian interculturation. ‘Douglarisation’ can be read as a particular instance of both hybridity and creolisation, but with very different implications. We argue that hybridity and creolisation advance different political agendas, the former attentive to multiple roots and the latter to new connections.

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`For Venus smiles not in a house of tears’: Interethnic relations in European cinema

European Journal of Cultural Studies
2003
Vol. 6, No. 1
pages 55-74
DOI: 10.1177/1367549403006001470

Anneke Smelik
University of Nijmegen

In the 1990s, several European filmmakers addressed the Romeo and Juliet motif of `impossible love’ in the context of multiculturalism. A heterosexual love affair between people of different ethnic backgrounds allows filmmakers to address issues of racism and deconstruct racial stereotypes. In the films discussed in this article, the tragic love affairs point to the unwillingness of European countries to become pluralistic and multiethnic societies. Some films have attempted to represent interethnic love relations more hopefully, celebrating happy endings of mixed race couples. The success of such films may indicate that the genre of comedy has won over the tragedy of the Romeo and Juliet topos in cinematic representations of interethnic love relations. Perhaps European cinema is ready to embrace constructions of European identity as hybrid, diverse and multiple.

Australian Mixed Race

European Journal of Cultural Studies
Volume 7, Number 2 (May 2004)
pages 177-199
DOI: 10.1177/1367549404042493

Maureen Perkins, Associate Professor of History, Anthropology and Sociology
Curtin University, Perth, Western Australia

This article argues against the case for colour-blindness as a fundamental principle of liberal policy and recommends more colour consciousness rather than less. The growth in mixed race studies around the world suggests that the use of terms of colour, black and white, to indicate a simple racial binary is being eroded by more complicated ‘in-between’ positions, which are now demanding recognition. In Australia, where black and white mean Indigenous and non-Indigenous, terms of ‘mixed’ identity carry a residue of colonial racist usage and are unequivocally rejected by Aboriginal communities. In refusing to consider ‘mixedness’, however, Australian culture makes national loyalty and a sense of belonging difficult for those non-white Australians who are not Indigenous. The article compares the Australian census with those in the UK and US to show that there needs to be much more discussion of the terminology used to discuss colour in order to keep up to date with the crumbling of racial boundaries and the increasing numbers of interracial children.

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`Caucasian and Thai make a good mix’

European Journal of Cultural Studies
Volume 12, Number 1 (February 2009)
pages 59-78
DOI: 10.1177/1367549408098705

Jin Haritaworn, Assistant Professor in Gender, Race and Environment at the Faculty of Environmental Studies
York University, Canada

This article examines the current celebration of Eur/Asianness in the media and popular culture. It traces representations of the `mixed race’ body, from colonial discourses of degeneracy and monstrosity to capitalist discourses of commercialized exoticism and `beauty’.  It then examines how people of Thai and non-Thai parentage interviewed in Britain and Germany in 2001 and 2002 negotiated gendered and racialized readings of their bodies. Narratives of multi-racialized embodiment brim with racism, as the `valuable’ or `pathological’, `good’ or `bad mixes’, of unlike body parts grafted onto each other. This necessitates a critical re-evaluation of `hybridity’ debates, which treat biological racism as a past phenomenon that can be metaphorized for cultural processes of identification.

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