Mixed Race Studies

Transnational Perspectives on Black Germany

University of Toronto
Innis Town Hall
2 Sussex Avenue
Toronto, Ontario, M5S 1J5 Canada
2018-05-23 through 2018-05-25

Sponsors: Germanic Languages & Literatures, Cinema Studies Institute, Gender & Women’s Studies Institute, Centre for Transnational & Diaspora Studies, Comparative Literature, SSHRC, Centre for the United States, TIFF, DAAD, and Heinrich Böll Stiftung

The Black German Heritage and Research Association (BGHRA) is collaborating with the Department of Germanic Languages & Literatures and the Cinema Studies Institute at the University of Toronto in hosting the 3-day SSHRC-funded conference, “Transnational Perspectives on Black Germany” in Toronto, Ontario, on May 23-25, 2018. The event will feature keynote addresses by Fatima El-Tayeb and Noah Sow, a screening of “On Second Glance” (dir. Sheri Hagen, 2012) at TIFF’s Bell Lightbox with filmmaker in attendance, and a dance-music-word tribute to Afro-German poet and activist May Ayim by guest artists Layla Zami and Oxana Chi.

REGISTRATION OPEN UNTIL 4/21/2018

For more information, click here.

Remapping Black Germany: New Perspectives on Afro-German History, Politics, and Culture

University of Massachusetts Press
December 2016
310 pages
16 b&w illustrations
6 x 9
Paper ISBN: 978-1-62534-231-7
Cloth ISBN: 978-1-62534-230-0

Edited by:

Sara Lennox, Professor Emerita of German Studies
University of Massachusetts, Amherst

A major contribution to Black-German studies

In 1984 at the Free University of Berlin, the African American poet Audre Lorde asked her Black, German-speaking women students about their identities. The women revealed that they had no common term to describe themselves and had until then lacked a way to identify their shared interests and concerns. Out of Lorde’s seminar emerged both the term “Afro-German” (or “Black German”) and the 1986 publication of the volume that appeared in English translation as Showing Our Colors: Afro-German Women Speak Out. The book launched a movement that has since catalyzed activism and scholarship in Germany.

Remapping Black Germany collects thirteen pieces that consider the wide array of issues facing Black German groups and individuals across turbulent periods, spanning the German colonial period, National Socialism, divided Germany, and the enormous outpouring of Black German creativity after 1986.

In addition to the editor, the contributors include Robert Bernasconi, Tina Campt, Maria I. Diedrich, Maureen Maisha Eggers, Fatima El-Tayeb, Heide Fehrenbach, Dirk Göttsche, Felicitas Jaima, Katja Kinder, Tobias Nagl, Katharina Oguntoye, Peggy Piesche, Christian Rogowski, and Nicola Lauré al-Samarai.

European Others: Queering Ethnicity in Postnational Europe

University of Minnesota Press
2011
304 pages
6 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7016-1
Cloth ISBN 978-0-8166-7015-4

Fatima El-Tayeb, Professor of African-American Literature and Culture
University of California, San Diego

European Others offers an interrogation into the position of racialized communities in the European Union, arguing that the tension between a growing nonwhite, non-Christian population and insistent essentialist definitions of Europeanness produces new forms of identity and activism. Moving beyond disciplinary and national limits, Fatima El-Tayeb explores structures of resistance, tracing a Europeanization from below in which migrant and minority communities challenge the ideology of racelessness that places them firmly outside the community of citizens.

Using a notable variety of sources, from drag performances to feminist Muslim activism and Euro hip-hop, El-Tayeb draws on the largely ignored archive of vernacular culture central to resistance by minority youths to the exclusionary nationalism that casts them as threatening outcasts. At the same time, she reveals the continued effect of Europe’s suppressed colonial history on the representation of Muslim minorities as the illiberal Other of progressive Europe.

Presenting a sharp analysis of the challenges facing a united Europe seen by many as a model for twenty-first-century postnational societies, El-Tayeb combines theoretical influences from both sides of the Atlantic to lay bare how Europeans of color are integral to the continent’s past, present, and, inevitably, its future.

Contents

• Acknowledgments
• Introduction: Theorizing Urban Minority Communities in Postnational Europe
• 1. “Stranger in My Own Country”: European Identities, Migration, and Diasporic Soundscapes
• 2. Dimensions of Diaspora: Women of Color Feminism, Black Europe, and Queer Memory Discourses
• 3. Secular Submissions: Muslim Europeans, Female Bodies, and Performative Politics
• 4. “Because It Is Our Stepfatherland”: Queering European Public Spaces
• Conclusion: “An Infinite and Undefinable Movement”
• Notes
• Bibliography
• Index

Afro-Nordic Landscapes: Equality and Race in Northern Europe

Routledge
2014-04-02
264 pages
Hardback ISBN: 978-0-415-89743-3

Edited by:

Michael McEachrane

Foreword by:

Paul Gilroy, Professor of American and English Literature
King’s College, London

Afro-Nordic Landscapes: Equality and Race in Northern Europe challenges a view of Nordic societies as homogenously white, and as human rights champions that are so progressive that even the concept of race is deemed irrelevant to their societies. The book places African Diasporas, race and legacies of imperialism squarely in a Nordic context. How has a nation as peripheral as Iceland been shaped by an identity of being white? How do Black Norwegians challenge racially conscribed views of Norwegian nationhood? What does the history of jazz in Denmark say about the relation between its national identity and race? What is it like to be a mixed-race black Swedish woman? How have African Diasporans in Finland navigated issues of race and belonging? And what does the widespread denial of everyday racism in Nordic societies mean to Afro-Nordics?

Contents

• Foreword Paul Gilroy
• Acknowledgments
• Introduction Michael McEachrane
• Part I: The Nation
  • 1. Imagining Blackness at the Margins: Race and Difference in Iceland Kristín Loftsdóttir
  • 2. “Struggling to Be Recognized as Belonging to the Fauna of Norway”: On Being Black Norwegian Women madeleine kennedy-macfoy
  • 3. The Midnight Sun Never Sets: An Email Conversation About Jazz, Race and National Identity in Denmark, Norway and Sweden Cecil Brown, Anne Dvinge, Petter Frost Fadnes, Johan Fornäs, Ole Izard Høyer, Marilyn Mazur, Michael McEachrane and John Tchicai
• Part II: Racism
  • 4. There’s a White Elephant in the Room: Equality and Race in (Northern) Europe Michael McEachrane
  • 5. Racism Is No Joke: A Swedish Minister and a Hottentot Venus Cake—An Email Conversation Beth Maina Ahlberg, Claudette Carr, Madubuko Diakité, Fatima El-Tayeb, Tobias Hübinette, Momodou Jallow, Victoria Kawesa, Michael McEachrane, Utz McKnight, Anders Neergaard, Shailja Patel, Kitimbwa Sabuni and Minna Salami
  • 6. Being and Becoming Mixed Race, Black, Swedish and a Nomadic Subject Anna Adeniji
  • 7. Bertrand Besigye’s Civilization Critique: An Aesthetics of Blackness in Norway Helena Karlsson
  • 8. Two Poems by Bertrand Besigye: (i) How A Black African Orders Black Coffee (To Barack Hussein Obama); (ii) You Can’t Keep A Good Man Down. Or Black Hail Over All of West Side (Translated by John Irons) Bertrand Besigye
• Part III: Diaspora
  • 9. Talking Back: Voices from the African Diaspora in Finland Anna Rastas
  • 10. Den Sorte: Nella Larsen and Denmark Martyn Bone
  • 11. A Horn of Africa in Northern Europe—An Email Conversation Abdalla Duh, Mohamed Husein Gaas, Abdalla Gasimelseed, Amel Gorani, Nauja Kleist, Anne Kubai, Michael McEachrane, Saifalyazal Omar, Tsegaye Tegenu and Marja Tiilikainen

‘If You Can’t Pronounce My Name, You Can Just Call Me Pride’: Afro-German Activism, Gender and Hip Hop

Gender & History
Volume 15 Issue 3 (November 2003)
Pages 460 – 486
DOI: 10.1111/j.0953-5233.2003.00316.x

Fatima El-Tayeb, Assistant Professor of African-American Literature and Culture
University of California, San Diego

The history of the black German minority, now estimated at around 500,000, goes back several centuries. It is only since the twentieth century, however, that Germans of African descent have been perceived as a group. This did not lead to their recognition as a national minority, but rather, from the 1910s to the 1960s, they were defined as a collective threat to Germany’s racial and cultural ‘purity’. When a sense of identity emerged among Afro-Germans themselves in the 1980s, the majority population continued to deny the existence of ethnic diversity within German society. At the turn of the twenty-first century, Afro-Germans seemingly suddenly appeared as a new, ‘hip’ minority. This appearance was largely focused on the immense public success of the Hip Hop collective ‘Brothers Keepers’, conceived as an anti-racist, explicitly Afro-German intervention into German debates around national identity and racist violence. This article explains the success of ‘Brothers Keepers’ by contextualising it within the tradition of two decades of Afro-German feminist activism and the transnational Hip Hop movement of European youth of colour.

Read or purchase the article here.