Mixed Race Studies

A powerful look into the invisible world of children and mothers who are rejected by their nations because of mixed lineage

International Examiner
Seattle, Washington
2019-10-29

Midori Friedbauer

Fredrick D. Kakinami Cloyd makes a powerful debut with Dream of the Water Children, a book which transcends genres and enlightens readers with ethereal beauty and judicious use of research in a memoir which recounts his relationship with his family.

Kakinami Cloyd is the child of a Japanese war bride and an African American soldier, and in his book, he offers readers a glimpse into the invisible world of the children and mothers rejected by their nations because of their mixed lineage.

One of the many legacies of World War II are the children of unions between occupiers and the occupied, and all too often these children have been forgotten. Kakinami Cloyd has gifted the world with the knowledge he gathered through survival. He has also uncovered the circumstances of mixed-race children who did not survive the U.S. occupation of Japan; including children who were killed by their own mothers…

Read the entire review here.

Japanese Mom, Non-Japanese Kid

Hapa Japan
2018-11-29

Fredrick Cloyd

Featured Image by Edward M. Haugh

Perhaps one of the most interesting things about a mixed-Japanese child either born and/or raised outside of Japan, is the personal-cultural aspects of the relationship between the Japanese parent and the child, who grows up to be an adult. Since my ethnographic focus for my book, as well as my life experiences with Amerasians are with my mother and her friends and their families, and Japanese mothers in general, this will be my focus here, rather than families with Japanese fathers.

One aspect of the Japanese mother-American child relationship growing up in the United States, is the fact of loneliness…

Read the entire article here.

Forwards and Backwards

Hapa Japan
2018-09-30

Fredrick Cloyd

Whenever I think of living in the world as writer, as thinker, as cultural worker, as identities-in-motion and identities-in-between, I think of the projections we are placed into by others, and by ourselves to ourselves. How others put their own ideas onto us, their assumptions and judgements that follow, align with or compete with the same things we do to ourselves, according to the cultural and language frames we use for ourselves—the labels and concepts of what we learn and think we know. And in addition, there is the reality of a fixed identity or thought that interferes with reality. If we are “hāfu” then we cannot be “pure” or “white” or democrat, republican, woman, man, etc. And then the “human” label also plays its role. “I am human therefore you are wrong in labeling me such-and-such….”

Read the entire article here.

Legacies of Postwar Japan’s “War Bride” Era

Japanese American National Museum
100 North Central Avenue
Los Angeles, California 90012
Telephone: (213) 625-0414
2018-06-30, 09:00-17:30 PDT (Local Time)

Presented in partnership with the Hapa Japan Project at USC Shinso Ito Center for Japanese Religions and Culture.

During and shortly after the US-Allied Occupation of Japan, the Japanese women who fraternized with soldiers often met opposition from their families and were shunned by other Japanese. Many mixed-raced children faced severe prejudice for being “impure” and born from the former enemy.

This symposium brings together various stakeholders to tell the stories of the war brides and their children. By focusing on the memories, realities, and legacies of this community, this groundbreaking gathering will create opportunities for listening, discussing, healing, and empowering attendees.

Symposium Schedule

9:00am – 9:30am Welcome and Opening Remarks

• Duncan Williams (USC Shinso Ito Center and Hapa Japan Project)
• Fredrick Cloyd (author of Dream of the Water Children)

9:30am – 10:40am Session 1 – Occupation/Migration: Women, Children and the U.S. Military Presence

• Etsuko Crissey (author of Okinawa’s GI Brides: Their Lives in America)
• Mire Koikari (University of Hawai‘i; author of Cold War Encounters in US-Occupied Okinawa: Women, Militarized Domesticity, and Transnationalism in East Asia)
• Elena Tajima Creef (Wellesley College; author of Imaging Japanese America: The Visual Construction of Citizenship, Nation, and the Body and Following Her Own Road: The Life and Art of Mine Okubo)

10:40am – 11:50am Session 2 – Difference and Other: War-Bride and Mixed-race Children’s Representations

• Margo Okazawa-Rey (Fielding Graduate University; Professor Emeritus, San Francisco State University)
• Sonia Gomez (University of Chicago; Visiting Scholar, MIT; author of From Picture Brides to War Brides: Race, Gender, and Belonging in the Making of Japanese America)

11:50am – 1:15pm LUNCH BREAK

1:15pm – 2:45pm Session 3 — Book Launch of “Dream of the Water Children: Memory & Mourning in the Black Pacific”

• Fredrick D. Kakinami Cloyd (author of Dream of the Water Children)
• Curtiss Takada Rooks (Loyola Marymount University)
• Angela Tudico (Archives Specialist, National Archives at New York City)

2 :45pm – 3 :00pm COFFEE/TEA BREAK

3 :00pm – 5 :30pm Session 4 – Film and Discussion of “Giving Voice, The Japanese War Brides”

• Miki Crawford (Producer/author of Giving Voice, The Japanese War Brides)
• Kathryn Tolbert (Washington Post; Producer/Director of Seven Times Down, Eight Times Up: The Japanese War Brides)

5:30pm Closing Remarks: Fredrick Cloyd

For more information and to RSVP, click here.

Dream of the Water Children: Memory and Mourning in the Black Pacific

2Leaf Press
2018-06-08
470 pages
Paperback ISBN-13: 978-1-940939-28-5
ePub ISBN-13: 978-1-940939-29-2

Fredrick D. Kakinami Cloyd

Introduction by Gerald Horne
Foreword by Velina Hasu Houston
Edited by Karen Chau

Fredrick D. Kakinami Cloyd’s debut, Dream of the Water Children: Memory and Mourning in the Black Pacific, is a lyrical and compelling memoir about a son of an African American father and a Japanese mother who has spent a lifetime being looked upon with curiosity and suspicion by both sides of his ancestry and the rest of society. Cloyd begins his story in present-day San Francisco, reflecting back on a war-torn identity from Japan, U.S. military bases, and migration to the United States, uncovering links to hidden histories.

Dream of the Water Children tells two main stories: Cloyd’s mother and his own. It was not until the author began writing his memoir that his mother finally addressed her experiences with racism and sexism in Occupied Japan. This helped Cloyd make better sense of, and reckon with, his dislocated inheritances. Tautly written in spare, clear poetic prose, Dream of the Water Children delivers a compelling and surprising account of racial and gender interactions. It tackles larger social histories, helping to dispel some of the great narrative myths of race and culture embedded in various identities of the Pacific and its diaspora.

Mizuko

Hapa Japan
2018-04-13

Fredrick Cloyd

Featured Image by Edward M. Haugh

During the years of gathering research and thoughts, memory and conversations into some sort of cohesive unit for a book–which would eventually become the forthcoming (Spring 2018 by 2Leaf Press) entitled: Dream of the Water Children: Memory and Mourning in the Black Pacific, I had not thought of a title, or a way to fit all the pieces together for the vast amount of links and connections I wanted to make in relation to world historical archive and a definite anti-colonial stance. Yet another story of a unique person in the world was not my goal, although it would also be taken that way. I wanted to reach those who were concerned with looking at the historical present.

In focusing on my mother and myself, it came one day in a dream. Just as the opening scene in my book presents, I am suddenly woken up in the middle of the night to write:　みずこ　水子　ミズコ (mizuko) on a notepad I pull out from the bedside drawer. It puzzled me because, at least consciously, I did not know what this word meant or what it was. Then, the next day, I looked it up on the internet. The term mizuko, was the postwar euphemism for aborted fetus, or dead fetus. An entire religious ceremonial ritual grew out of this when the U.S. Occupation lifted its ban on religious ceremonies in Japan. Many women flooded to the countless shrines and statues to pray for those babies gone. Some were so ashamed, they did it in secret. But most women, even after given “permission,” could now do prayers in the forest and write their babies names or burn their incense in the name of that baby they let go from their bodies…

Read the entire article here.

#RedefineAtoZ: Blasian Narratives, a ‘Vulnerable’ Exploration Into Racial, Cultural Identities

NBC News
2017-05-01

Blasian Narratives is a “multi-media docu-theatre project that takes an intimate look into the lives of Black and Asian individuals to explore the constructs of racial and cultural identities, and to explore difference and marginalization in the United States and beyond.” Paulo Chun / NBC News

NAME: Jivan Atman (creator, director); active cast: Julian Booker, Marlon Booker, Cenisa Gavin, Shiranthi Goonathilaka, Janei Maynard, Chris Sanders

(Past and recent contributors: Jessica Lam, Malcolm Lizzappi, Audrey Williams, Fredrick Cloyd, Paula Reyna Williams, Whitney Francis, Charon Cummings, Sabrina Im)

AGES: Early and late 20’s, a 40-something and 60-something

HOMETOWNS: Phnom Pehn, Cambodia; Anchorage, Alaska; Honolulu, Hawaii; Atlanta, Georgia; Oakland, California; San Francisco, California; San Diego, California; Long Beach, California; London, UK; St. Paul, Minnesota; Westminster, California; Houston, Texas; Aurora, Colorado; Sarasota, Florida

TWITTER: @blasianproject / INSTAGRAM: @blasianproject / FACEBOOK: Blasian Narratives…

Read the entire article here.

Being Blackanese: The Evolving Embrace of Self and Community

College of San Mateo
CSM College Center Building 10, Room 193
1700 West Hillsdale Boulevard
San Mateo, California 94402 USA
Friday 2016-11-18, 18:30 PST (Local Time)

Being Blackanese: The Evolving Embrace of Self and Community brings together an award winning literary artist, a scholar activist, and an independently published author in an examination and affirmation of Black Japanese American life. The “Blackanese” experience – of a world where divisiveness remains common and cultural ambiguity can equate to invisibility within one’s own communities – will be exposed through readings, presentations and Q&A.

Featuring readings and presentations by:

• Alyss Dixson will read from “The Club”, her short fiction piece about Ai, a determined Black Japanese girl who decides to sneak a ride on her father’s old Harley until an encounter with a thief puts her between fear of the stranger and fear of her dad’s punishment.
• Fredrick Cloyd will read selections from his memoir, Dream of the Water Children: Memory and Mourning in the Black Pacific, covering his struggles as a half-Black Japanese boy born of an African American military father and that of his mother who was looked down upon for having a child by an American, as well as his life as an Amerasian after migrating to the United States.
• Ramon Calhoun will read excerpts from his independently-published novel, Blackanese Boy, the coming of age story of Rafael Halifax. Raised by a single mother, Rafael tries to cope with and understand the complexity of his mixed-identity, born of his Japanese American mother and Black father, an infrequent yet powerful presence in his life.

The readings will be followed by a Question & Answer session facilitated by Dr. Frederick Gaines, Chair of the Department of Ethnic Studies, College of San Mateo.

For more information, click here.