Inexacting Whiteness: Blanqueamiento as a Gender-Specific Trope in the Nineteenth CenturyPosted in Articles, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive, Social Science, Women on 2009-12-01 01:09Z by Steven |
Inexacting Whiteness: Blanqueamiento as a Gender-Specific Trope in the Nineteenth Century
Cuban Studies
Volume 36, 2005
pages 105-128
E-ISSN: 1548-2464
Print ISSN: 0361-4441
DOI: 10.1353/cub.2005.0033
Gema R. Guevara, Associate Professor, Languages & Literature and Associate Professor, Spanish Section
University of Utah
In Cuba, race, nation, and popular music were inextricably linked to the earliest formulations of a national identity. This article examines how the racialized discourse of blanqueamiento, or whitening, became part of a nineteenth-century literary narrative in which the casi blanca mulata, nearly white mulatta, was seen as a vehicle for whitening black Cubans. However, as the novels of Cirilo Villaverde and Ramón Meza reveal, the mulata’s inability to produce entirely white children established the ultimate unattainability of whiteness by nonwhites. This article analyzes the fluidity of these racial constructs and demonstrates that, while these literary texts advocated the lightening of the nation’s complexion over time, they also mapped the progressive “darkening” of Cuban music as popular culture continued to borrow from black music.
Read the entire article here.