Mixed Race Studies

Carina E. Ray, Crossing the Color Line: race, sex, and the contested politics of colonialism in Ghana [Aderinto Review]

Africa
Volume 88, Issue 1 (February 2018)
pages 193-194
DOI: 10.1017/S0001972017000821

Saheed Aderinto, Associate Professor of History
Western Carolina University, Cullowhee, North Carolina

Carina E. Ray, Crossing the Color Line: race, sex, and the contested politics of colonialism in Ghana. Athens OH: Ohio University Press (hb US$80 – 978 0 8214 2179 6; pb US$32.95 – 978 0 8214 2180 2). 2015, 333 pp.

In this creatively and brilliantly conceived book, Carina Ray uses the story of interracial sexual relationships between European men and African women in the Gold Coast and African men and European women in Britain as an entry point into a much broader history of racial and gender relations. Throughout, one learns about the interconnectedness of sexual and racial politics to the big question of colonial ‘civilization’. The author’s carefully sourced and previously untapped primary sources from both Ghana and Britain, combined with her ingenuity, give beauty to historical writing. Her detailed archival materials and oral interviews allow her to move from specific colonial trials of interracial affairs to big narratives on the transatlantic movement of ideas, practices and families, and anti-colonial struggles within the British Empire. The photographs of multiracial families strategically placed throughout further put a human face on her narratives, and bring readers another step closer to the lived experience of historical agents and the societies that produced them. The eight closely connected chapters introduce change and continuity in the politics of race and sex in both the Gold Coast and Britain, the factors responsible for change, and how social and political transformation of colonial legitimacy reshaped perceptions of interracial relationships across race, class, gender and location.

Any Africanist familiar with trends in the scholarship on race, gender, sexuality and empire would not contest the significant contributions of Ray’s Crossing the Color Line to African studies. For one thing, this book is another successful attempt at putting sexuality in its rightful place in the general history of the colonial encounter in Africa. Instead of following the established discourse of ‘sex peril’ or anxiety over the alleged rape of European women by African men in settler colonies of East and Southern Africa, Ray’s book presents convincing arguments and narratives that humanize socio-sexual relations and removes them from the margins of criminality and violence…

Read the entire article here.

Carina Ray fuses scholarship and teaching with personal experience

Brandeis Now
Waltham, Massachusetts
2017-12-17

Jarret Bencks
Office of Communications

Carina Ray in the classroom

Almost 25 years ago, historian Carina Ray spent her junior year abroad as an undergraduate studying in Ghana. She planned to explore her Puerto Rican family’s African roots.

Most Ghanaians she met insisted she was white, despite her longwinded explanations about her multiracial background. Eventually, she realized it would be smarter to talk less and listen more.

“I was enthralled by what Ghanaians had to say about their own perceptions of blackness and how race works there,” says Ray, associate professor of African and Afro-American studies (AAAS). The seeds of Ray’s career were planted.

By the time she returned to the University of California, Santa Cruz, to finish her bachelor’s degree, Ray knew she wanted to study what it means to be black in West Africa — from an African perspective. The history of race in Africa was rarely written about from an African perspective, and it became the focus of her PhD in African history at Cornell University…

Read the entire article here.

Carina E. Ray: Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana [Interview]

New Books Network
2016-10-07

Dawne Curry, Associate Professor of History and Ethnic Studies
University of Nebraska, Lincoln

In Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana (Ohio University Press, 2015), Carina E. Ray interrogates the intersections of race, marriage, gender and empire in this thought-provoking study that challenges the notion of identity and the politics that surround it. Ray plumbs the depth of an array of archival material, which includes travel narratives, visual sources, administrative records, wills, and personal and official correspondence. She also conducted interviews to further piece together the inner lives of Africans and Europeans to show how interracial marriages and relationships evolved in Ghana. In a very compelling way, Ray deconstructs intersexual economies to show their linkages to the slave trade and beyond. Her opening vignette not only sets the stage for the themes she addresses to illustrate how Africans had agency even when it came to marrying across the color line. Shortlisted for the United Kingdom’s Fage and Oliver Prize and the winner of the American Historical Associations’s Wesley-Logan Prize for African Diaspora History, this groundbreaking book has set new standards for understanding race, its implementation and its interpretation not only in Africa but also around the world.

Listen to the interview (00:57:50) here. Download the interview here.

Carina Ray’s scholarship was sparked by her personal experiences

Brandeis Now
Brandeis University
Waltham, Massachusetts
2016-02-01

Jarret Bencks, News and Communications Specialist

Carina Ray performs research in the national archives in Ghana.

The newest AAAS professor will begin teaching courses next semester

When Carina Ray was an undergraduate at University of California at Santa Cruz in 1993, she was drawn to study abroad in Ghana because she wanted to connect with her Puerto Rican family’s African roots. The trip ended up being the beginning of a career dedicated to the study of what blackness means in West Africa.

Fast-forward to 2016, and Ray is a groundbreaking scholar of African history whose work is shedding new light on the history of race in Africa. She has been appointed as an associate professor of African and Afro-American Studies at Brandeis and will begin teaching courses in the fall of 2016.

Back in 1993, Ray was initially surprised that most Ghanaians she met saw her as white. Her longwinded explanations about being multiracial failed to persuade people otherwise.

“I realized it was more instructive to listen to Ghanaians talk about their own perceptions of blackness and how race works there.”

She found the subject was rarely written about from an African perspective, and that led her to pursue a PhD in African History at Cornell University followed by a robust teaching and publishing career devoted to a deeper understanding of race in Africa.

Out of that search for meaning came Ray’s first book, “Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana,” which cuts to the heart of how interracial sex became a source of colonial anxiety and nationalist agitation during the first half of the twentieth century. The book has already received praise from noted scholars, including philosopher Kwame Appiah and historian Antoinette Burton…

Read the entire article here.

What Is the Color of Beauty?

The New York Times
2016-11-26

Helene Cooper, Pentagon Correspondent

Tiffany Ford

A multibillion-dollar industry of skin-whitening products dominates the West African beauty market, creating a world of mixed messages for the women who live there.

ACCRA, Ghana — Semiratu Zakaru was standing in the hot sun on a crowded noontime street explaining why Ghana’s new ban against certain skin-bleaching creams was unlikely to work, when her friend, Desmond Kwamina Odonkor, walked up and interrupted our conversation, oozing confidence and game.

“You have to stop bleaching,” he said, sotto voce. Then he winked at her and sauntered off.

Ms. Zakaru, a 23-year-old hairdresser, rolled her eyes. His advice, in her view, was rubbish for the simple reason that “all of his girlfriends are light-skinned.” She said she wasn’t about to stop using the Viva White cream and Clinic Clear lotion that had, over the last year and a half, made her skin several shades lighter than her original chocolate-milk complexion.

Here in the heart of the multibillion-dollar industry of products in West Africa that are meant to whiten skin, it is a world of mixed messages. Women are now being told that it is wrong, and even illegal, to bleach their skin. At the same time, they are flooded with messages — and not even subliminal ones — that tell them that white is beautiful…

…In many West African countries, at the top of that class structure, sit white expats, whether they are European diplomats in affluent neighborhoods, the United States Embassy staff members in their walled compounds or Lebanese merchants in electronic shops.

Next in the hierarchy are the mixed-race people. The European colonists who came to Africa mated with Africans and produced mixed-race offspring, who were then deemed to be of a superior class to the full-blooded Africans. South Africa’s apartheid system went so far as to legally enshrine mixed-race people, called “coloureds.”

“Anyone in this country could see that the mulattos were given precedence everywhere,” Dr. Delle said. “They were more educated, they were viewed as superior.” In many African countries, the word “mulatto” does not have the negative connotation that it has in the United States…

Read the entire article here.

Ghana To Ban Skin Bleaching Products in August

The Root
2016-05-29

Angela Bronner Helm, Adjunct Profesor of Journalism
City College of New York

The government of Ghana will ban all products containing hydroquinone this summer.

Colorism, that which privileges lighter skin over darker, is an issue that not only affects African Americans, but pretty much all people of color around the world.

From India to Compton, Brazil to Belize, one of the ways in which colorism rears its ugly head is in skin bleaching. We have all seen photos where celebrities such as Dominican baseball player Sammy Sosa or Nigerian-Cameroonian pop singer Dencia bleached their beautiful brown skin to odd shades not found in nature, ostensibly for beauty and prestige. As far back as the 1990s, the Jamaican dancehall song “Dem a Bleach” talked about the phenomenon of using chemicals to alter the color of brown skin.

But the West African nation of Ghana is putting the kibosh on that…

Read the entire article here.

Color Lines: Sex, Race, and Body Politics in Pre/Colonial Ghana

Indiana University, Bloomington
Center for Research on Race and Ethnicity in Society
Schuessler Institute for Social Research
1022 E. 3rd Street
Maple Room, IMU
Bloomington, Indiana 47405
Thursday, 2016-04-28, 16:00-17:30 EDT (Local Time)

Carina Ray, Associate Professor of African and Afro- American Studies
Brandeis University, Waltham, Massachusetts

CRRES Speaker Series, Spring 2016

Drawing on her recently published book about interracial sexual relationships in colonial Ghana and her new research on how indigenous historical actors in this region of West Africa have thought about and constructed blackness as a symbolic, somatic, and political signifier, Ray’s talk explores how race catalyzed social and political change even in areas of Africa without large settler colonial populations. Centering Ghana in her talk Ray argues that race, rather than ethnicity alone, has powerfully shaped the historical landscape of a continent that has for centuries been at the heart of the West’s racializing discourses.

Carina Ray is an associate professor of African and Afro-American Studies at Brandeis University. A scholar of race and sexuality; comparative colonialisms and nationalisms; migration and maritime history; and the relationship between race, ethnicity, and political power, Carina’s research is primarily focused on Ghana and its diasporas. She is the author of Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana (Ohio University Press, 2015) and co-editor of Navigating African Maritime History (with Jeremy Rich) and Darfur and the Crisis of Governance in Sudan: A Critical Reader (with Salah Hassan). Her articles have appeared in The American Historical Review, Gender and History, and Historical Reflections/Reflexions Historiques. Carina is currently working on her new book project, Somatic Blackness: A History of the Body and Race-Making in Ghana.

For more information, click here.

Book Review: Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana by Carina Ray

Africa at LSE
London School of Economics
2016-03-18

Yovanka Perdigao

Yovanka Perdigao praises Crossing the Color Line:Race, Sex and the Contested Politics of Colonialism in Ghana for dismantling preconceptions of interracial couples in colonial Ghana.

Carina E Ray’s first book Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana both surprises and delights its readers as it navigates through the lives and politics of interracial couples in Britain and Ghana. It explores how such interracial relationships from precolonial to post-independent Ghana had an enormous impact in the making of modern Britain and Ghana.

The book highlights the evolving attitudes of both British and Ghanaian societies, and how each sought to negotiate these relationships. Despite one being familiar with the topics at hand, one is left surprised as the author explores the micro politics of disciplinary cases against colonial officers who challenged the British Crown by keeping local women; to the making of transatlantic networks in the eve of Ghanaian independence…

Read the entire reveiw here.

Valentine’s Day special! On love, race and history in Ghana

Africa is a Country
2016-02-14

Dan Magaziner, Associate Professor of History
Yale University

Despite colonial administrators’ attempts to sabotage their marriage plans, Brendan (a district commissioner) and Felicia Knight wed in 1945. Fifteen years later, Felicia staged a successful one-woman-protest in front of Flagstaff House to save her husband’s job during the Africanization of government service. On the grounds that he was married to a Ghanaian and raising their five children as Ghanaians, Kwame Nkrumah retained Brendan in government employ.

A couple months ago I was fortunate to read Carina Ray’s excellent new book Crossing The Color Line: Race Sex and the Contested Politics of Colonialism in Ghana on the history on interracial intimacy on the Gold Coast. I decided to interview her for AIAC and when our conversation moved from political economy and racism to political economy, racism and love, we figured – Valentine’s Day! So here it is: an AIAC take on love, critical politics included.

Why do you think that the history of interracial intimacy in the Gold Coast / Ghana important? What drew you to study it and to these stories in particular?

Let me answer the second question first. When I started the archival work that culminated in Crossing the Color Line, my intention was to write an altogether different book about multiracial people in colonial and post-independence Ghana. Much has been written about them in the context of the precolonial period as cultural, social, political, and linguistic intermediaries—the ubiquitous “middle(wo)men” of the trans-Atlantic trade, especially as it became almost exclusively focused on the slave trade. Hardly anything, however, has been written about this group during the period of formal colonial rule in British West Africa. So I set out to do just that, but quickly discovered that while the archive had much to say about interracial sexual relations in the Gold Coast, there was relative silence about their progeny…

Read the entire interview here.

Interview with Filmmaker Adu Lalouschek

Rooted In Magazine
2015-10-13

Annina Chirade

Adu Lalouschek is a 21-year-old filmmaker from London and recent graduate of the London College of Communication [University of the Arts]. Whilst studying Film and Television at University, Adu met fellow course mate Alex Wondergem, “I first remember meeting Alex when he was drumming on his lap in a seminar, he saw me and he said ‘Hey brother, where are you from?’”. It was then that they both found they were of mixed-Ghanaian descent, but they began their initial creative partnership as musicians; Alex played the drums whilst Adu was on the guitar. This soon transitioned into a film partnership that would see them co-directing and co-producing, “Our first film was a narrative film based on the Tottenham Riots which we made in 2012. But, my real passion came when we started making our documentaries in West Africa and I could see how our films were part of the changing landscape.”

Alex spent the majority of his life in Accra, whereas Adu grew up in London. They have two distinct visions which they are able to combine to create engaging work. In their second year of study, they came up with the idea for the In the Life series, where they portray interesting personal stories in Ghana. Their first in the series was Scrap Metal Men (2014), in which they followed two scrap workers in Agblogboshie – formerly the world’s largest e-waste dump. The second, Ga Fishermen (2015) documents the fast-disappearing traditions of the Ga fisherman in Accra; it premiered at BAFTA student screening and was shown at Chale Wote 2015. The third, and most recent, is Warrior’s Gym (2015) in which they capture the personal triumph of one of Ghana’s strongest men – Warrior. Both Ga Fishermen and Warrior’s Gym will be available to view at 1:54 from the 15th to 18th of October.

Aside from his films with Alex, Adu has also taken recent trips to Roses, Spain and Nsukka, Nigeria; there he spent time photographing and filming subjects. In this interview he will sharing snapshots from his travels, and films with Alex.

Annina: How does your heritage inform the stories and work you choose to do?

Adu: I’m Ghanaian and also Austrian, but first and foremost, I’m a Londoner. Alex and I are both mixed-race, and it’s obvious from our appearance when we walk around Ghana, that we’re not fully Ghanaian – we acknowledge that. Our main focus was to not make poverty-chic documentaries. We wanted to make documentaries in Accra, Ghana and not allow people to view Africa as a homogeneous place. We approached it in different ways. In our first documentary Scrap Metal Men, we didn’t have any talking head shots because we thought that was really cliché. We always made sure we filmed from a lower angle, because we didn’t want to be looking down on our subjects. By incorporating different techniques we found a way to place our feet in the documentary world – it was experimental in that sense. Our voice came through precisely because we didn’t want to dictate to the viewer. We showed some text to give context at the beginning and the end of the documentary, but we really let the viewer inform themselves through the narrative and the characters that we portrayed…

Read the entire article here.