Mixed Race Studies

The Time of the Multiracial

American Literary History
Volume 27, Number 3, Fall 2015
pages 549-556
DOI: 10.1093/alh/ajv026

Habiba Ibrahim, Associate Professor of English
University of Washington, Seattle

Habiba Ibrahim is the author of  Troubling the Family: The Promise of Personhood and the Rise of Multiracialism (2012). Her current book project, Oceanic Lifespans, examines how age and racial blackness have been mutually constituted.

• Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction. Diana Rebekkah Paulin. U of Minnesota P, 2012.
• The Romance of Race: Incest, Miscegenation, and Multiculturalism in the United States, 1880–1930. Jolie A. Sheffer. Rutgers UP, 2013.
• Transatlantic Spectacles of Race: The Tragic Mulatta and the Tragic Muse. Kimberly Snyder Manganelli. Rutgers UP, 2012.

These three recent studies all read how mixed racialism expresses and challenges the terms of US nationalism during the nineteenth and early twentieth centuries. Collectively, they account for a period when the nation developed as a global force through a series of racializing projects, implemented through intra- and international war, imperialist expansion and conquest, and the consolidation of the color line at home. Tropes such as miscegenation, tragic mulatta, and genres of mixedness such as the “racial romance” (Sheffer 3) reveal a key aspect of the cultural imagination during the turbulent era that led up to and inaugurated the “American Century.” Figures of deviant intimacy—interracial sex, incest, same-sex filiation—and figures of gender, such as the mulatto/a, and the tragic muse revealed the cultural outcomes of the unfinished project of nation building. All of these studies take racial mixedness and its correlating categories as key analytical starting points for unmasking the neutrality or invisibility of state power. Thus, they bring to mind the urgency of the current moment: what analytics can interrupt the post-ness—postracialism, postfeminism, and postidentitarianism—of the present?

1. Neoliberalism, Postidentity

Twenty years ago, mixed racialism first appealed to literary scholars because it offered a critical space in which to explore the era’s political contradictions and transitions. During the heyday of the so-called multiracial movement, key developments in the cultural politics of identity were well under way. The culture wars were still raging with neoconservative moralists and left-of-center liberals vying for influence over social and political life. At the same time, neoconservatives  and neoliberals converged around the erosion of identitarian categories as social tools for making political and historical critiques. By the neoliberal era of the 1980s and 1990s identity was increasingly viewed as the stuff of separatist and single-issue groupthink, rather than as an instrument through which to analyze the operations and historicity of power. Perhaps this explains the remarkably accelerating cultural and scholarly interest in multiracial identity by the mid-1990s. After all, what did the appearance of the multiracial indicate? Under the umbrella term “multiracialism,” subjects with competing social, political, and cultural views formulated clashing accounts of how to situate race in US discourse. As a diagnostic tool, multiracialism bore the potential to cut through the present.

2. Gender, Sexuality, Family

Twenty years later, interdisciplinary scholarship in philosophy, performance studies, literary, and cultural studies increasingly take multiracialism as a starting point for thinking historically about social identities and cultural production. Current literary scholarship retrieves unfamiliar, forgotten history in order to diagnose the present, or to reconsider our present-day relationship to the historical. Some scholars have started with how multiracialism is treated within current US discourse—as the balm of postracial transcendence on the one side, as another separatist identity on the other—to ask how we’ve arrived at these particular interpretations. This line of inquiry denaturalizes present-day meanings attached to the multiracial and clearly departs from work that vehemently argues one position or the other.

What stands out about more recent studies—Kimberly Snyder Manganelli’s Transatlantic Spectacles of Race (2012), Jolie A. Sheffer’s The Romance of Race (2013), and Diana Rebekkah Paulin’s Imperfect Unions (2012)—is the way they represent a decisive turn toward staunchly comparativist, even transnational approach to multiracial literary studies. Comparativism indicates that the field is broadening its spatial and analytical scope to pursue fuller explorations of the historical and historiographical. Such a broadened scope repositions interest in the cultural politics of gender, sexuality, and family as deep engagements with the modern.

Like Suzanne Bost’s Mulattas and Mestizas (2003), Teresa Zackodnik’s The Mulatta and the Politics of Race (2004), and Eve Allegra Raimon’s The “Tragic Mulatta” Revisited (2004), Transatlantic Spectacles of Race, investigates early intersections between racial amalgamation and womanhood by exploring how the figurative feminization of racial mixedness has been instrumentalized to vie for various nationalist and counter-nationalist outcomes over the long nineteenth century. Manganelli’s unique contribution is to read the mixed-race “tragic mulatta” of the Americas alongside its heretofore-unacknowledged counterpart, the Jewish “tragic muse” of Victorian British literature, thereby positioning both blackness and Jewishness along the same…

Read or purchase the review of the three books here.

The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium [Ibrahim Review]

Modern Language Quarterly
Volume 74, Number 4, December 2013
page 566
DOI: 10.1215/00267929-2153679

Habiba Ibrahim, Associate Professor of English
University of Washington

The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium. By Elam Michele. Stanford, CA: Stanford University Press, 2011. viii + 277 pp.

Read or purchase the review here.

UW communication professor unveils new book about race

The Daily of the University of Washington
2013-02-07

LaVendrick Smith

Ralina Joseph discusses her book cover art at “Troubling the Family and Transcending Blackness” held at the UW bookstore. Photo by Dario Nanbu

Race, reality, and pop culture collide in a new book written by one UW communication professor.

In “Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial,” Ralina Joseph, a UW associate professor of communication, explores how multiracial African Americans were represented in the 10 years leading up to President Obama’s 2008 campaign.

Joseph held a joint book-signing and discussion about mixed-race relations with UW English professor Habiba Ibrahim at the U Book Store Feb. 7.

In “Transcending Blackness,” Joseph compares real-life depictions of multiracial African Americans to their roles in pop culture and politics.

“I’m just sort of interested in seeing how multiracial people have been and are represented,” she said.

Joseph, a multiracial African American herself, said that while researching the topic, she noticed a clear difference in the way multiracial people identify in real life and the way they are identified through the media.

“What I was seeing on TV, in movies, in novels, and memoirs, was not like the kind of complex people I knew in real life,” she said.

She said multiracial African Americans she encounters in real life have fluidity in the way they identify themselves, whereas she saw a constant need to identify mixed race in pop culture in a way that often degraded African Americans…

Read the entire article here.

Mixed race in a world not yet post-racial

The Seattle Times
2013-03-20

Jerry Large, Staff Columnist

Populations of humans have always been mixing genes, but we still have trouble with the concept.

Two recent books by University of Washington professors address what mixed means in America, particularly examining the period between the Census Bureau’s decision in the late 1990s to allow people, beginning in 2000, to choose more than one race, and the election of Barack Obama in 2008. Both books say something about how mixed race as a category is sometimes used to further marginalize African Americans.

“Troubling the Family: The Promise of Personhood and the Rise of Multiracialism,” by Habiba Ibrahim, an assistant professor of English, is written largely for an academic audience.

“Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial,” is written by Ralina Joseph, associate professor in the Department of Communications.

Both are important works, but today I’m going to focus on Joseph’s book, which is also scholarly, but written with the general reader in mind.

We’re not post-racial yet, Joseph told me when we talked over coffee this week, and more mixing isn’t getting us there, because we haven’t shaken old ways of categorizing people. The combination of black and white, weighted with centuries of racism, raises the most issues.

Joseph noted the census change was most notably championed by Susan Graham, a white mother who wanted her son to be able to mark down multiracial, and, Joseph said, “had her young son testify before Congress, so that he did not have to identify as black.”…

…But seeing multiracial as a separate category, a way of transcending blackness, is not a step forward, and it isn’t racially neutral, Joseph said. It is, instead, a new use of old concepts, an affirmation that blackness is something to escape.

Embracing all parts of a mixed heritage is a more positive act than migrating to a new category. Joseph calls herself a mixed-race African American. “One can’t think about one’s own identity choices without thinking about power realities.”…

…The African-American community has long been multiracial, ranging from milky skin and green eyes to deep chocolate, but to be counted as white still requires “purity.” It’s a protected status…

Read the entire article here.

Troubling the Family: The Promise of Personhood and the Rise of Multiracialism

University of Minnesota Press
October 2012
256 pages
5 1/2 x 8 1/2
Paper ISBN: 978-0-8166-7918-8
Cloth ISBN: 978-0-8166-7917-1

Habiba Ibrahim, Associate Professor of English
University of Washington

Troubling the Family argues that the emergence of multiracialism during the 1990s was determined by underlying and unacknowledged gender norms. Opening with a germinal moment for multiracialism—the seemingly massive and instantaneous popular appearance of Tiger Woods in 1997—Habiba Ibrahim examines how the shifting status of racial hero for both black and multiracial communities makes sense only by means of an account of masculinity.

Ibrahim looks across historical events and memoirs (beginning with the Loving v. Virginia case in 1967 when miscegenation laws were struck down) to reveal that gender was the starting point of an analytics that made categorical multiracialism, and multiracial politics, possible. Producing a genealogy of multiracialism’s gendered basis allows Ibrahim to focus on a range of stakeholders whose interests often ran against the grain of what the multiracial movement of the 1990s often privileged—the sanctity of the heteronormative family, the labor of child rearing, and more precise forms of racial tabulation—all of which, when taken together, could form the basis for creating so-called neutral personhood.

Ibrahim concludes with a consideration of Barack Obama as a representation of the resurrection of the assurance that multiracialism extended into the 2000s: a version of personhood with no memory of its own gendered legacy, and with no self-account of how it became so masculine that it can at once fill the position of political leader and the promise of the end of politics.

Contents

• Introduction: The Rising Son of Multiracialism
• 1. Multiracial Timelines: A Genealogy of Personhood
• 2. Legitimizing the Deviant Family: Loving vs. Virginia and the Moynihan Report
• 3. The Whiteness of Maternal Memoirs: Politicizing the Multiracial Child
• 4. Ambivalent Outcomes: Blackness and the Return of Racial Passing
• Conclusion: Dreams of the Father and Potentials Lost
• Acknowledgments
• Notes
• Index

Left of Black S3:E10 | Who is Black in Multiracial America?

Left of Black
John Hope Franklin Center
Duke University
2012-11-19

Mark Anthony Neal, Host and Professor of African & African American Studies
Duke University

Habiba Ibrahim, Associate Professor of English
University of Washington

Yaba Blay, Assistant Professor of Africana Studies
Drexel University

Left of Black is a weekly Webcast hosted by Mark Anthony Neal and produced in collaboration with the John Hope Franklin Center at Duke University.

American racial history was long framed by the notion of the “one drop” rule, which within a political economy of race and difference, was a blatant attempt to embolden Whiteness and the privilege that derived from it.  Scholar Yaba Blay offers a different view of the “one drop” rule with her multi-media project (1)ne Drop which “seeks to challenge narrow, yet popular perceptions of what Blackness is and what Blackness looks like.”

Blay, a Visiting Professor of Africana Studies at Drexel University and contributing producer to CNN’s Black in America 5, which was inspired by the (1)ne Drop project, joins Duke University Professor Mark Anthony Neal on the November 19th episode of Left of Black to talk about the complexities of Black identity.  Neal is also joined by University of Washington Professor Habiba Ibrahim for part two of an interview about her new book Troubling the Family: The Promise of Personhood and the Rise of Multiracialism (University of Minnesota Press).

Left of Black S3:E9 | Racial Passing and the Rise of Multiracialism

Left of Black
John Hope Franklin Center
Duke University
2012-11-12

Mark Anthony Neal, Host and Professor of African & African American Studies
Duke University

Marcia Alesan Dawkins, Clinical Assistant Professor of Communications
University of Southern California, Annenberg

Habiba Ibrahim, Associate Professor of English
University of Washington

Left of Black is a weekly Webcast hosted by Mark Anthony Neal and produced in collaboration with the John Hope Franklin Center at Duke University.

For many African Americans, the practice of ‘Passing’—where light-skinned Blacks could pass for White—remains a thing connected to a difficult racial past. In her new book, Clearly Invisible: Racial Passing and the Color of Cultural Identity (Baylor University Press), Marcia Dawkins, a professor in the Annenberg School of Communications at the University of Southern California provides a fresh take on the practice arguing that passing in the contemporary moment transcends racial performance.

Dawkins talks about her new book with Left of Black host and Duke University Professor Mark Anthony Neal, via Skype.  Neal is also joined by University of Washington Professor Habiba Ibrahim for part one of a two-part interview about her new book Troubling the Family: The Promise of Personhood and the Rise of Multiracialism (University of Minnesota Press) in which she links the rise of Multiracialism in the 1990s to the maintenance of traditional gender norms.

“It’s a Kind of Destiny″: The Cultural Mulatto in the “New Black Aesthetic” and ‘Sarah Phillips’

The Humanities Review
A Publication of St. John’s University English Department, Jamaica, New York
Volume 6.1 (Fall 2007)
pages 21-28

Habiba Ibrahim, Assistant Professor of English
University of Washington

An Essay

IN “THE NEW BLACK AESTHETIC,” published in Callaloo in 1989, Trey Ellis identifies a rupture between the black aesthetics of previous generations, and the “new” aesthetics of black artists who came of age in a post-integration era. These younger artists, unfettered by concerns over racial authenticity or, more pertinently, black cultural traditions, borrow as easily from white culture as from black, and are therefore what Ellis refers to as “cultural mulattoes.” He writes, “Just as a genetic mulatto is a black person of mixed parents who can often get along fine with his white grandparents, a cultural mulatto, educated by a multi-racial mix of cultures, can also navigate easily in the white world” (235). This easy navigation between black and white worlds is the key distinction between a “new” black aesthetic-which, according to Ellis, encompasses such varied forms as the comedy of Eddie Murphy and Chris Rock, the films of Spike Lee, the jazz of Wynton Marsalis-and older black aesthetic movements, most notably the Black Arts Movement, which often focused on delineating an essential blackness through art and meaning. Ellis proposes that the young black artists who came of age after integration form a black arts movement that constantly challenges what blackness “is.”..

Read the entire article here.

The Politics of Biracialism [Issue]

The Black Scholar
Journal of Black Studies and Research
Fall 2009 (2009-09-22)
Volume 39, No. 3/4

Guest Editors:

Laura Chrisman, Professor of English
University of Washington

Habiba Ibrahim, Assistant Professor of English
University of Washington

Ralina Joseph, Assistant Professor of Communications
University of Washington

Why a biracial issue, and why now? As black Americans we have mixed ancestry; one might ask what is gained by giving this obvious fact the attention of a special issue. Rather than focus on this broad history, however, we instead highlight here the situations of first-generation biracial black people. Perhaps this does not simplify matters. Foregrounding their specific experiences, identities, and concerns may stir up the anger of those who feel judged “not black enough” and the anger of those who feel betrayed and devalued by self-identifying biracial individuals. The politics of biracialism, seen this way, are individualistic, diminishing our community’s cohesion. Yet we feel that the time is right for an exploration of the topic. Biracial or multiracial studies is fast-growing and itself extremely varied in its methods, disciplines, and orientation. Acknowledging the important and interesting work that has been produced in the last two decades, we provide a forum for such work. Another factor in our choice of topic is the emergence, in 2008, of Obama as a presidential candidate. Both his blackness and his first generation biracialism have prompted new consideration, within black communities and within the U.S. population as a whole, of the operations and meanings of race, nation, family and community within the U.S.A. This gives us additional incentive to explore biracialism in the present moment. Our moment differs from the fraught late 1990s when the multiracial social movement campaigned for recognition in the 2000 Census, and was opposed by influential black voices. The present adds some confidence and optimism: to profile biracialism now, we suggest, is not to jeopardize black collectivity so much as it is to recognize and join the healthy debates that are flourishing within and beyond black studies…

Table of Contents

• Introduction to “The Politics of Biracialism” / Laura Chrisman
• Interracial Intimacies, Barack Obama, and the Politics of Multiracialism / Kimberly McClain DaCosta
• Review Essay: Performing the Twenty-first Century Tragic Mulatto: Black, White, and Jewish: Autobioraphy of Shifting Self by Rebecca Walker / Ralina Joseph
• Toward Black and Multiracial “Kinship” After 1997, or How a Race Man Became “Cablinasian” / Habiba Ibrahim
• Poetry: “The Art of Loving” / Madeleine Clifford
• Baby janay and Naomi Pabst: Negotiating Race Mixing, Adoption, and Transnationality / Naomi Pabst
• Reframing the National Family: Race Mixing and Re-telling American History / Catherine Squires
• Race, Multiraciality, and Barack Obama: Toward a More Perfect Union? / G. Reginald Daniel
• Books Reviews
  • Amalgamation Schemes: Anti-blackness and the Critique of Multiracialism by Jared Sexton / LeiLani Nishime
  • Dispatches from the Color Line: The Press and Multiracial America  by Catherine R. Squires / Manoucheka Celeste
  • Framing the Black Panthers: The Spectacular Rise of a Black Power Icon by Jane Rhodes / Madhavi Murty
  • Mixed Race Hollywood Edited by Mary C. Beltrán and Camilla Fojas / Sarita Cannon