Mixed Race Studies

America’s first vampire was Black and revolutionary – it’s time to remember him

The Conversation
2020-10-30

Sam George, Associate Professor of Research
University of Hertfordshire

The Black Vampyre is an early literary example of an argument for emancipation of slaves. Thomas Nast/Harper’s Weekly/The Met

In April of 1819, a London periodical, the New Monthly Magazine, published The Vampyre: A Tale by Lord Byron. Notice of its publication quickly appeared in papers in the United States.

Byron was at the time enjoying remarkable popularity and this new tale, supposedly by the famous poet, caused a sensation as did its reprintings in Boston’s Atheneum (15 June) and Baltimore’s Robinson’s Magazine (26 June).

The Vampyre did away with the East European peasant vampire of old. It took this monster out of the forests, gave him an aristocratic lineage and placed him into the drawing rooms of Romantic-era England. It was the first sustained fictional treatment of the vampire and completely recast the folklore and mythology on which it drew.

By July, Byron’s denial of authorship was being reported and by August the true author was discovered, John Polidori.

In the meantime, an American response, The Black Vampyre: A Legend of St. Domingo, by one Uriah Derick D’Arcy, appeared. D’Arcy explicitly parodies The Vampyre and even suggests that Lord Ruthven, Polidori’s British vampire aristocrat, had his origins in the Carribean. A later reprinting in 1845 attributed The Black Vampyre to a Robert C Sands; however, many believe the author was more likely a Richard Varick Dey (1801–1837), a near anagram of the named author…

Read the entire article here.

White Creole Identity on Trial: The Haitian Revolution and Refugees in Louisiana

Age of Revolutions
2018-03-26

Erica Johnson, Assistant Professor of History
Francis Marion University, Florence, South Carolina

Louisiana, c. 1814

The flight of refugees from the Haitian Revolution intertwined the histories of Louisiana and Saint-Domingue. The story of one refugee, Pierre Benonime Dormenon illustrates how perceptions of the Haitian Revolution and racial prejudices within Louisiana affected an emerging white Creole identity. In Louisiana, Dormenon was the Point Coupée parish judge, but political opposition forces sought his disbarment based on alleged activities in the Caribbean. According to the Louisiana Superior Court Case court report, accusers contended that Dormenon “aided and assisted the negroes in Santo Domingo in their horrible massacres, and other outrages against the whites, in and about the year 1793.” What role Dormenon played in the Haitian Revolution is not clear, nor is it clear how slaves and free people perceived him. Nonetheless, claims of Dormenon’s actions during the Haitian Revolution called into question his own racial identity.

Dormenon’s accusers focused heavily on his racial sympathies. The most shocking portrayal of Dormenon as black was in the testimony of Antoine Remy. Remy recounted a discussion with an innkeeper, a Mr. Prat, in a southern parish of Saint-Domingue. “He [Prat] heard him [Dormenon] say several times that he hated whites and was ashamed to be one of them,” testified Remy. He added, “He [Dormenon] believed that by opening a vein he could take in some black blood.” This testimony is questionable, because Remy based it upon hearsay. However, it was still significant within Dormenon’s case, because it deepened Dormenon’s connection to and sympathy for people of color…

Read the entire article here.

Heroines of the Haitian Revolutions

Public Books
2017-04-28

Laurent Dubois, Professor of Romance Studies and History and the Director of the Forum for Scholars & Publics
Duke University, Durham, North Carolina

What is the role of an artist in the face of political repression? What is the place of culture in the midst of injustice and terror? Haitian writer Marie Vieux-Chauvet (1916–1973), author of powerful novels representing the experience of living under the Duvalier dictatorship, confronted such questions throughout her life.

One of Vieux-Chauvet’s earliest novels, Dance on the Volcano (1957), just published in a new English translation, does so by journeying back to the world of plantation slavery and of the Haitian Revolution. The novel is woven around the life of a real historical figure, Minette, a free woman of African descent who overcame the racial barriers of the time to become a star singer on the colonial stage. It focuses on Minette’s struggle to find both an artistic and a political voice, using her story as a crossroads through which to explore broader questions about art, sexuality, politics, and revolutionary change.

Because of her background, Minette’s presence onstage was always a risk, and her voice a weapon. Born in 1767, she was mentored by a white actress in Port-au-Prince, the colony’s capital. In 1780, Minette performed onstage for the first time. Vieux-Chauvet dramatizes the scene of her debut by imagining the terror the young girl must have felt as she stared out at the crowd: rows and rows of white faces looking up at her, expectantly. As the violin strikes its first chord, Minette opens her mouth but no sound comes out…

Read the entire article here.

Marlene Daut

New Books Network
2016-04-18

Dan Livesay, Assistant Professor of History
Claremont McKenna College, Claremont, California

Marlene Daut tackles the complicated intersection of history and literary legacy in her book Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865 (Liverpool University Press, 2015). She not only describes the immediate political reaction to the Haitian Revolution, but traces how writers, novelists, playwrights, and scholars imposed particular racial assumptions onto that event for decades afterward. Specifically, she identifies a number of recurring tropes that sought to assign intense racial divisions to the Haitian people. Individuals of joint African and European heritage, she contends, received the blunt of these attacks, as they were portrayed as monstrous, vengeful, mendacious, and yet also destined for tragedy. Moreover, observers and chroniclers of the Revolution maintained that these supposed characteristics produced ever-lasting discord with black Haitians. Daut analyzes hundreds of fictional and non-fictional accounts to argue that portrayals of the Haitian Revolution, and of the country itself, have long suffered under these false assumptions of exceptional racial problems. She has also produced a compendium of Haitian fiction during this period, in conjunction with the book. You can find it here.

Listen to the interview (00:49:33) here. Download the interview here.

Tropics of Haiti: Race and the Literary History of the Haitian Revolution in the Atlantic World, 1789-1865

Liverpool University Press
May 2015
848 pages
234 x 156mm
Hardback ISBN: 9781781381847
Paperback ISBN: 9781781381854

Marlene L. Daut, Assistant Professor of English and Cultural Studies
Claremont Graduate University, Claremont, California

The Haitian Revolution (1791-1804) was an event of monumental world-historical significance, and here, in the first systematic literary history of those events, Haiti’s war of independence is examined through the eyes of its actual and imagined participants, observers, survivors, and cultural descendants. The ‘transatlantic print culture of the Haitian Revolution’ that this literary history shows was created by novelists, poets, dramatists, memoirists, biographers, historians, journalists, and eye-witness observers, revealing enlightenment racial ‘science’ as the primary vehicle through which the Haitian Revolution was interpreted, historicized, memorialized, and fictionalized by nineteenth-century Haitians, Europeans, and U.S. Americans alike.

Through its author’s contention that the Haitian revolutionary wars were incessantly racialized by four constantly recurring racial tropes—the ‘monstrous hybrid’, the ‘tropical temptress’, the ‘tragic mulatto/a’, and the ‘mulatto legend of history’, Tropics of Haiti shows the ways in which the nineteenth-century tendency to understand Haiti’s revolution in primarily racial terms has affected present day demonizations of Haiti and Haitians. In the end, this new archive of Haitian revolutionary writing, much of which has until now remained unknown to the contemporary reading public, invites us to examine how nineteenth-century attempts to paint Haitian independence as the result of a racial revolution coincides with present-day desires to render insignificant and ‘unthinkable’ the second independent republic of the New World.

CONTENTS

• PRELUDE: On “Haitian Exceptionalism”
• INTRODUCTION: From Enlightenment Literacy to Mulatto/a Vengeance
• PART ONE: THE MONSTROUS HYBRIDITY OF MULATTO/A VENGEANCE
  • 1. Baron de Vastey, Colonial Discourse, and the Global “Scientific” Sphere
  • 2. Monstrous Testimony and Baron de Vastey in 19th-Century Historical Writing About Haiti
  • 3. Victor Hugo and the Rhetorical Possibilities of Monstrous Hybridity in Revolutionary Fiction
• PART TWO: TRANSGRESSING THE TROPE OF THE TROPICAL TEMPTRESS
  • 4. Moreau de Saint-Méry’s Daughter and La Mulâtre comme il y a beaucoup de blanches (1803)
  • 5. “Born to Command:” Leonora Sansay and the Paradoxes of Female Resistance in Zelica; the Creole
  • 6. Theresa to the Rescue!: African American Women’s Resistance and the Literary History of the Haitian Revolution
• PART THREE: THE TROPE OF THE TRAGIC MULATTO/A AND THE HAITIAN REVOLUTION
  • 7. “Sons of White Fathers”: The Tragic Mulatto/a and the Haitian Revolution in Victor Séjour’s “Le Mulâtre”
  • 8. Between the Family and the Nation: Toussaint L’Ouverture and The Interracial Family Romance of the Haitian Revolution
  • 9. Romance and the Republic: Eméric Bergeaud’s Ideal History of the Haitian Revolution
• PART FOUR: REQUIEM FOR THE “MULATTO LEGEND OF HISTORY”
  • 10. The Color of History: The Transatlantic Abolitionist Movement and William Wells Brown’s “Never-to-be-forgiven-course-of the-mulattoes”
  • 11. Victor Schoelcher, “L’Imagination Jaune,” and the Francophone Geneaology of the “Mulatto Legend of History”
  • 12. “Let us Be Humane after the Victory: Pierre Faubert’s New Humanism
• CODA : Today’s Haitian Exceptionalism
• Works Cited
• Index

Science of desire: Race and representations of the Haitian revolution in the Atlantic world, 1790-1865

University of Notre Dame
July 2008
489 pages
Publication Number: AAT 3436234
ISBN: 9781124353197

Marlene Leydy Daut, Assistant Professor of English and Cultural Studies
Claremont Graduate University, Claremont, California

A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy

This dissertation reads representations of the Haitian Revolution with and against the popular historical understanding of the events as the result of the influence of enlightenment philosophy or the Declaration of the Rights of Man on Toussaint L’Ouverture; or what I have called a “literacy narrative.” This understanding is most visible in texts such as C.L.R. James’s The Black Jacobins (1938) and reproduces the idea that Toussaint read Raynal’s Histoire des deux Indes (1772) and thus became aware that slavery was contrary to nature and was inspired to lead the revolt. Instead, I show how eighteenth- and nineteenth-century understandings of the Revolution were most often mediated through the discourse of scientific debates about racial miscegenation–an eighteenth- and nineteenth-century obsession with what happens when white people produce children with black people–making the Revolution the result of the desire for vengeance on the part of miscegenated figures, whose fathers refused to recognize or defend them, rather than a desire for the ideals of liberty and equality; or what I have called the “mulatto vengeance narrative.”

Chapter one examines the figure of the “tropical temptress” in the anonymously published epistolary romance La Mulâtre comme il y a beaucoup de blanches (1803). Chapter two takes a look at “evil/degenerate mulattoes” in Herman Melville’s “Benito Cereno” (1855) and Victor Hugo’s Bug-Jargal (1826). In chapter three I analyze the trope of the “tragic mulatto/a” in French abolitionist Alphonse de Lamartine’s verse drama Toussaint L’Ouverture (1850); the Louisiana born Victor Séjour’s short story, “The Mulatto” (1837); and Haitian author Eméric Bergeaud’s Stella (1859). Chapters four and five look at the image of the “inspired mulatto” in French novelist Alexandre Dumas’s adventure novel, Georges (1843); black American writer William Wells Brown’s abolitionist speech turned pamphlet, “St. Domingo; its Revolutions and its Patriots” (1854); and the Haitian poet and dramatist Pierre Faubert’s play, Ogé; ou le préjugé de couleur (1841; 1856). By insisting on a discourse of science as a way to understand these representations, I show how these texts contributed to the pervasive after-life of the Haitian Revolution in the nineteenth-century Atlantic World, on the one hand, but also created an entire vocabulary of desire with respect to miscegenation, revolution, and slavery, on the other.

CONTENTS

• Acknowledgments
• Introduction
  • Part 1: Mulatto Vengeance and the Haitian Revolution
  • Part 2: Literacy Narratives and the Haitian Revolution
  • Part 3: Notes on Terminology
• Chapter 1: Tropical Temptresses: Desire and Repulsion in Revolutionary Saint-Domingue
  • Part 1: The Color of Virtue
  • Part 2: Colonialism and Despotism
  • Part 3: Desire and Abolition
• Chapter 2: Black Son, White Father: Mulatto Vengeance and the Haitian Revolution in Victor Hugo’s Bug-Jargal and Herman Melville’s “Benito Cereno”
  • Part 1: Victor Hugo’s Parricide
  • Part 2: Melville’s “Usher of the Golden-Rod”
• Chapter 3: Between the Family and the Nation: Parricide and the Tragic Mulatto/a in 19th-century Fictions of the Haitian Revolution
  • Part 1: Séjour’s Oedipal Curse
  • Part 2: Toussaint’s Children
  • Part 3: Bergeaud’s Romantic Vision
• Chapter 4: The “Inspired Mulatto:” Enlightenment and Color Prejudice in the African Diaspoa
  • Part 1: Alexandre Dumas and the Haitian Revolution
  • Part 2: Economics and Civilization
  • Part 3: The “Never-to-be-forgiven course of the mulattoes”
• Chapter 5: “Let Us Be Humane After the Victory:” Pierre Faubert’s New Humanism
• Conclusion
• Works Cited

Purchase the dissertation here.