Mixed Race Studies

The Trouble with Post-Blackness

Columbia University Press
February 2015
288 pages
Paperback ISBN: 9780231169356
Hardcover ISBN: 9780231169349
E-book ISBN: 9780231538503

Edited by:

Houston A. Baker, Distinguished University Professor
Vanderbilt University, Nashville, Tennessee

K. Merinda Simmons, Associate Professor of Religious Studies
University of Alabama

An America in which the color of one’s skin no longer matters would be unprecedented. With the election of President Barack Obama in 2008, that future suddenly seemed possible. Obama’s rise reflects a nation of fluid populations and fortunes, a society in which a biracial individual could be embraced as a leader by all. Yet complicating this vision are shifting demographics, rapid redefinitions of race, and the instant invention of brands, trends, and identities that determine how we think about ourselves and the place of others.

This collection of original essays confronts the premise, advanced by black intellectuals, that the Obama administration marked the start of a “post-racial” era in the United States. While the “transcendent” and post-racial black elite declare victory over America’s longstanding codes of racial exclusion and racist violence, their evidence relies largely on their own salaries and celebrity. These essays strike at the certainty of those who insist life, liberty, and the pursuit of happiness are now independent of skin color and race in America. They argue, signify, and testify that “post-blackness” is a problematic mythology masquerading as fact—a dangerous new “race science” motivated by black transcendentalist individualism. Through rigorous analysis, these essays expose the idea of a post-racial nation as a pleasurable entitlement for a black elite, enabling them to reject the ethics and urgency of improving the well-being of the black majority.

Table of Contents

• Acknowledgments
• Introduction: The Dubious Stage of Post-Blackness—Performing Otherness, Conserving Dominance, by K. Merinda Simmons
• 1. What Was Is: The Time and Space of Entanglement Erased by Post-Blackness, by Margo Natalie Crawford
• 2. Black Literary Writers and Post-Blackness, by Stephanie Li
• 3. African Diasporic Blackness Out of Line: Trouble for “Post-Black” African Americanism, by Greg Thomas
• 4. Fear of a Performative Planet: Troubling the Concept of “Post-Blackness”, by Rone Shavers
• 5. E-Raced: #Touré, Twitter, and Trayvon, by Riché Richardson
• 6. Post-Blackness and All of the Black Americas, by Heather D. Russell
• 7. Embodying Africa: Roots-Seekers and the Politics of Blackness, by Bayo Holsey
• 8. “The world is a ghetto”: Post-Racial America(s) and the Apocalypse, by Patrice Rankine
• 9. The Long Road Home, by Erin Aubry Kaplan
• 10. Half as Good, by John L. Jackson Jr.
• 11. “Whither Now and Why”: Content Mastery and Pedagogy—a Critique and a Challenge, by Dana A. Williams
• 12. Fallacies of the Post-Race Presidency, by Ishmael Reed
• 13. Thirteen Ways of Looking at Post-Blackness (after Wallace Stevens), by Emily Raboteau
• Conclusion: Why the Lega Mask Has Many Mouths and Multiple Eyes, by Houston A. Baker Jr.
• List of Contributors
• Index

Rihanna: Barbados World Gurl in Global Popular Culture

University of the West Indies Press
2015
220 pages
6 x 9
Paper ISBN: 978-976-640-502-1

Edited by:

Hilary McD. Beckles, Principal and Pro-Vice Chancellor
University of the West Indies, Cave Hill, Barbados

Heather D. Russell, Associate Professor of English
Florida International University, Miami, Florida

Rihanna is arguably the most commercially successful Caribbean artist in history. She is Barbadian and has been unwavering in publicly articulating her national and regional belonging. Still, there have been varied responses to Rihanna’s ascendancy, among both Barbadians and the wider Caribbean community. The responses reveal as much about our own national and regional anxieties as they do about the artist herself. The boundary-transgressing, cultural icon Rihanna is subject to anxieties about her body language and latitude from her global audiences as well; however, the essays in this collection purposely seek to de-centre the dominance of the Euro-American gaze, focusing instead on considerations of the Caribbean artist and her oeuvre from a Caribbean postcolonial corpus of academic inquiry.

This collection brings together US- and Caribbean-based scholars to discuss issues of class, gender, sexuality, race, culture and economy. Using the concept of diasporic citizenship as a theoretical frame, the authors intervene in current questions of national and transnational circuits of exchange as they pertain to the commoditization and movement of culture, knowledge, values and identity. The contributors approach the subjects of Rihanna, globalization, gender and sexuality, commerce, transnationalism, Caribbean regionalism, and Barbadian national identity and development from different disciplinary and at times radically divergent perspectives. At the same time, they collectively work through the limitations, possibilities and promise of our best Caribbean imaginings.

Contents

• Selected Discography and Awards
• INTRODUCTION “Baadest-Bajan, Wickedest World-Gurl” HILARY McD. BECKLES AND HEATHER D. RUSSELL
• CHAPTER 1 Westbury Writes Back: Rihanna Reclaimed HILARY McD. BECKLES
• CHAPTER 2 Rihanna as Global Icon and Caribbean Threshold Figure DON D. MARSHALL
• CHAPTER 3 International Identity: Rihanna and the Barbados Music Industry MIKE ALLEYNE
• CHAPTER 4 “What’s My Name?” Reading Rihanna’s Autobiographical Acts ESTHER L. JONES
• CHAPTER 5 She Dances on the Holodeck CURWEN BEST
• CHAPTER 6 From “F Love” to “He Is the One”? Rihanna, Chris Brown and the Danger of Traumatic Bonding DONNA AZA WEIR-SOLEY
• CHAPTER 7 Rihanna and Bajan Respectability AARON KAMUGISHA
• CHAPTER 8 Rihanna: Diaspora Citizen, Bajan Daughter, Global Superstar HEATHER D. RUSSELL
• Contributors
• Acknowledgements