Mixed Race Studies

‘When I Was White’ Centers On The Formation Of Race, Identity And Self

National Public Radio
2019-08-08

Hope Wabuke

When I Was White: A Memoir by Sarah Valentine, Hardcover, 292 pages

When one thinks of American blackness, there is the unsaid ugly truth that nearly all American blacks who have descended from the historical African diaspora in America have one (or several) rapacious white slave owners in their family tree at some point.

Here, in the early days of the United States, was the invention of racism for economic necessity. From 1619 until 1865, white male Americans chose to breed a black enslaved workforce through the state-sanctioned rape of black women to build the new nation and support their white supremacist class. Race became the single unifying identifier — determining everything about one’s life starting with this most basic division: enslaved or free.

The American law was that the “condition of the child followed that of the mother,” backed up by the “one drop rule,” the legal framework that dictated even one drop of blackness made an individual black, never white. The idea of blackness as a pollutant, a taint that would erode the purity of whiteness, was seized by politicians around the world then — and now.

Because of this legacy of sexual violence and anti-blackness, black and white mixed individuals have long been considered black in America.

To a much larger degree than many people would like to admit, race still determines a vast part of one’s life — social networks and mobility, birth and other medical care, employment opportunities and so on. Indeed, there is an entire genre of literature and film, popularized in the late 18th and early 19th centuries, composed of blacks “passing” for white to avoid this racism. Some of the most famous examples are Nella Larsen’s 1929 novel, Passing; James Weldon Johnson’s 1912 opus, The Autobiography of an Ex-Colored Man; and the 1959 film The Imitation of Life.

Sarah Valentine, the author of the memoir When I Was White, did not choose to pass for white; her mother made the choice for her. So Valentine was raised as white by white parents in white middle-class communities — only to discover as a young woman that her biological father was actually black. As Valentine endeavors to explore what her new identity means to her, she searches for ways to connect to her blackness. For Valentine, learning that she is black is to reject whiteness; she cannot comprehend how the privileges of whiteness can be held hand in hand with the racism the black body is subject to…

Read the entire review here.

In Confessions of a Peppermint Pattie, a ‘Whiteblack’ Girl Asks if She’s Black Enough

The Root
2015-03-24

Hope Wabuke, Media Director
Kimbilio Center for African-American Fiction

From the way she speaks to the color of her skin, a former TV personality explores the ways in which she does and doesn’t fit society’s conceptions of blackness.

When Barack Obama arrived on the national political stage and emerged as a presidential contender, more than one observer asked whether the young, biracial, Ivy League-educated U.S. senator was black enough to be the first African-American president. And this kind of authenticity challenge isn’t new: Many other black Americans—upwardly mobile and highly educated—are sometimes seen as “not black enough.” There’s a sense that to be black, one must fit into a narrow box of stereotypes rather than embrace the many-faceted experiences and identities of black people.

So what does it mean to be black—and to be black enough?

These, ostensibly, are the questions that former TV host and news anchor Donna Davis poses in her debut nonfiction book, Confessions of a Peppermint Pattie: Why I Really Am Black Enough Already, Y’All. This journey begins when Davis’ 14-year-old son tells her that she is “not a real black person” but “so white until you’re not even an Oreo anymore.” He calls her a “York Peppermint Pattie.”…

Read the entire article here.