Mixed Race Studies

Marrying Black Girls for Guys who aren’t Black

Jacana Media
October 2013
256 pages
198 x 130mm
Paperback ISBN: 9781920601287
d-PDF ISBN: 9781920601294
ePUB ISBN: 9781920601300
mobi file ISBN: 9781920601317

Hagen Engler

White guy Hagen Engler had been married to his black wife for a couple of years before he realised he was still a racist! Marrying Black Girls for Guys Who Aren’t Black describes his journey from being the whitest person this side of a Smokie concert to being slightly blacker, if not visibly so. Combining anecdotes, rhymes, essays and freestyle political discourse, the book charts a personal route to an integrated society in Unit 2, Sandown Court, Johannesburg. As the newly disenfranchised minority in his lounge, Hagen has gained a fresh insight into the struggles of the oppressed. Living with a gorgeous, militant black woman has helped this armchair liberal understand cultural and economic reality and also realise that while he can appreciate the kwaito-house works of Oskido and the later releases of Letta Mbuli, he will never enjoy Basketball Wives, Kenny Lattimore, or boiled tripe. The jury’s still out on umleqwa too. Once you make your peace with skin colour, does race even exist? Or is culture what distinguishes us? What happens when a surfer/bungee-jumper/rock ’n’ roll goofball hooks up with a black-diamond struggle veteran and shoe fetishist?

It’s hard to be a neoliberal hardliner when your partner’s real-life experience undermines all your prejudices. It’s cultural exchange over the TV remote; race relations in the contested space between the sink, the toaster and the microwave, as yet another mixed marriage cocks up the race debate. Hagen Engler learns about himself and our emerging, common culture as much as his lovely black wife in How to Marry a Black Chick for Guys who are White.

He has surfed Hawaii, run the Comrades, climbed Kilimanjaro, been sued by a clown and eaten a praying mantis. So a lot of the bucket-list boxes have been ticked.

End of Whiteness: Satanism & Family Murder in Late Apartheid South Africa

Jacana Media
March 2016
240 pages
235x155mm
Paperback ISBN: 9781431423279

Nicky Falkof, Senior Lecturer in Media Studies
University of the Witwatersrand, Johannesburg, South Africa

Satanism and family murder – bizarre responses to fear of change. This book examines the effects that apartheid may have had on those who benefitted from it the most.

The End of Whiteness aims to reveal the pathological, paranoid and bizarre consequences that the looming end of apartheid had on white culture in South Africa, and overall to show that whiteness is a deeply problematic category that needs to be deconstructed and thoughtfully considered.

This book uses contemporary media material to investigate two symptoms of this late apartheid cultural hysteria that appeared throughout the contemporary media and in popular literature during the 1980s and 1990s, showing their relation to white anxieties about social change, the potential loss of privilege and the destabilisation of the country that were imagined to be an inevitable consequence of majority rule.

The ‘Satanic panic’ revolved around the apparent threat posed by a cult of white Satanists that was never proven to exist but was nonetheless repeatedly accused of conspiracy, murder, rape, drug-dealing, cannibalism and bestiality, and blamed for the imminent destruction of white Christian civilisation in South Africa.

During the same period an unusually high number of domestic murder-suicides occurred, with parents killing themselves and their children or other family members by gunshot, fire, poison, gas, even crossbows and drownings. This so-called epidemic of family murder was treated by police, press and social scientists as a plague that specifically affected white Afrikaans families. These double monsters, both fantastic and real, helped to disembowel the clarities of whiteness even as they were born out of threats to it. Deep within its self-regarding modernity and renegotiation of identity, contemporary white South Africa still wears those scars of cultural pathology.

A Matter Of Honour: Being Chinese in South Africa

Jacana Media
2008
256 pages
235 x 155mm
Paperback ISBN: 978-1-77009-568-7

Yoon Jung Park, Senior Researcher in the Centre for Sociological Research
Humanities Research Village
University of Johannesburg

The South African-born Chinese community is a tiny one, consisting of 10,000 to 12,000 members in a population of approximately 45 million. Throughout much of the history of this most race-conscious country, the community has been ignored or neglected, and officially classed along with Coloureds (people of mixed race) or with Indians in that particularly South African category of ‘Asiatic’.

More recently, as China’s aid, trade and investment in Africa grow and large numbers of new Chinese immigrants stream into South Africa and other African states, Chinese South Africans are beginning to receive both media and scholarly attention. For this reason it is timely to focus on the only resident community of Chinese on the continent.

This book, based on a PhD thesis, focuses on Chinese South Africans by examining their shifting social, ethnic, racial and national identities over time. Using concepts of identity, ethnicity, race, nationalism, and transnationalism, and drawing on comparisons with other overseas Chinese communities, it explores the multi-layered identities of the South African group and analyses the way in which their identities have changed over time and with each generation.

As the book makes clear, Chinese identities in South Africa have been shaped by both external and internal forces. As regards external factors, the state—both that of China and of South Africa—played a key role in establishing the parameters of identity construction. Over time the weight of this influence changed, as a result of international political events, internal racial policies, and external trade and political relations. At the same time, individual and community agency, and the force of the ‘China myth’, played important parts in the construction of Chinese South African identity.